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UK Prime Minister Keir Starmer is facing renewed criticism over the appointment of Peter Mandelson as ambassador to Washington, following reports that Mandelson failed security vetting due to his ties to late sex offender Jeffrey Epstein.A government spokesperson denied that Starmer had any knowledge of the Foreign Office overriding the security recommendation regarding Mandelson, who was sacked in September after less than a year in the role over his links to Epstein.The controversy deepened after UK newspaper The Guardian reported that Mandelson had initially been denied clearance in late January 2025 after a 'highly confidential background check by security officials', but that Starmer had already announced the appointment.Opposition leaders accused Starmer of misleading Parliament and called for his resignation, with Kemi Badenoch, leader of the UK Conservative Party, saying Starmer had wrongly said Mandelson cleared the vetting.The scandal over Mandelson's relationship with Epstein has already forced the resignation of two senior government officials and led to police opening an investigation into allegations of misconduct in office by Mandelson.

Ben Jennings, a renowned cartoonist for The Guardian, has created a thought-provoking cartoon that delves into the complexities of the US-Iran war and the phenomenon of AI slop. The cartoon, published on April 16, 2026, offers a visual commentary on these significant global issues.The cartoonist, known for his incisive and often humorous take on international affairs, uses his art to spark conversations about the Middle East conflict and the rise of artificial intelligence. By combining these two seemingly disparate topics, Jennings invites viewers to reflect on the broader implications of AI in the context of global politics and conflicts.Jennings' work is part of The Guardian's Guardian Opinion cartoon series, which features various artists' perspectives on current events. This particular cartoon has been shared widely, resonating with audiences interested in US foreign policy, Iran, and the ethical considerations of AI.

Renowned musician DJ Shadow recently shared his thoughts on his career, influences, and creative process in an interview with The Guardian. When asked about regrets or missed opportunities, he mentioned turning down a collaboration with Deftones on their album White Pony in 1999 due to concerns about straying from his hip-hop image. DJ Shadow also discussed his shift towards sample-free production on recent albums, citing both the headache and costliness of sample clearance and a desire to keep his creative process fresh. He emphasized that his approach to music production has been measured and at a genuine pace, allowing him to explore different creative avenues. When discussing his favorite scratch DJs from the UK, DJ Shadow praised the group Hijack, specifically DJ Supreme and DJ Undercover, as highly influential. He also shared his thoughts on AI and its potential impact on human creativity, expressing concerns about the implications of this technology. The artist emphasized the importance of digging for records and discovering neglected music to give it a new audience. He reflected on his early recording setups, stating that he doesn't revisit them because he believes in continuing to push forward as a creator. Kraftwerk remains a significant influence on DJ Shadow's work, and he expressed his admiration for their innovative approach to music.

Aldo d’Aponte, 47, the CEO of Arbitrage Group Properties, pleaded guilty to writing two letters, supposedly by his neighbours, objecting to the reopening of Heaven nightclub in central London. The letters were generated using artificial intelligence and were sent via an encrypted email address to council officials.The nightclub had its licence suspended in November 2024 after a 19-year-old woman accused a bouncer of rape. It was allowed to reopen with enhanced welfare and security policies after a council hearing held a month later. The worker was later found not guilty of the alleged offence.During the council hearing, council officials received letters, sent via an encrypted email address, all of which were detailed in their complaints about the nightclub. Philip Kolvin KC, a planning lawyer, decided to investigate the letters pro bono, because while acting for the nightclub during the licence suspension his suspicions were aroused by the unusual character of the objection to the nightclub reopening.When the letters were put through an AI detection generator they were identified as almost certainly written using artificial intelligence. His research found that the people who had apparently written the complaints did not appear to exist, or at least did not live at the addresses they listed as their own.Police traced the IP addresses linked to two of the letters to d’Aponte. He was given a 12-month conditional discharge and ordered to pay £85 costs and a £26 victim surcharge.Kolven said he had “felt very sorry” for the nightclub owner, who had found the objection letters “traumatic”. “This whole situation is open to abuse if councils are not alert to this problem and not checking the veracity of these objections,” he said.The Guardian understands there are two further live cases police are exploring regarding false representations written by AI.

When the U.S. men’s national team (USMNT) arrived in France for the 1998 World Cup, 16 Major League Soccer (MLS) players featured in the 22‑man squad – a deliberate move by the fledgling league to showcase its talent after its 1996 launch.Since that high point, the MLS presence has steadily receded: the 2002 quarter‑final run averaged 5.4 MLS starters per match, 2006 fell to 3.33, 2010 to 2, and the 2022 tournament saw only oneno MLS players at all, a first since the league’s inception.The 2014 World Cup in Brazil was an outlier, with an average of 4.75 MLS starters across four matches. That spike reflected a brief MLS push to lure high‑profile Americans – Clint Dempsey from Tottenham and Michael Bradley from Roma – back to Seattle and Toronto.Looking ahead to the 2026 World Cup on home soil, the realistic outlook is that only two MLS players could start: goalkeeper Matt Freese (NYC FC) or, less likely, Matt Turner (New England Revolution), alongside veteran defender Tim Ream (Charlotte FC). Even head coach Mauricio Pochettino’s favored midfielder Diego Luna (Real Salt Lake) is unlikely to displace established stars such as Christian Pulisic, Weston McKennie or Malik Tillman.This contraction raises the question of whether the World Cup serves as a referendum on MLS’s quality. With the tournament split between the United States and Canada, the scarcity of MLS starters will be starkly visible, yet it does not mean the league’s influence has vanished.Indeed, the league’s impact now lies in its academy pipeline. Of the 27 players the Guardian’s US soccer desk identified as “on the squad” or “in contention,” 19 were products of MLS academies – up from 16 in the 2022 roster. Including Tim Weah’s brief stint with the New York Red Bulls youth set‑up would raise that figure to 20.The only non‑academy players are dual nationals who grew up abroad, with the notable exception of Christian Pulisic, who left the U.S. as a teenager to develop at Borussia Dortmund.Unlike 2014, MLS has not supplied any established national‑team regulars for the 2026 campaign (aside from Toronto FC’s Josh Sargent, whose World Cup chances appear slim). Consequently, American fans may not see the tournament’s stars on their local MLS pitches, a factor that could challenge fan‑base growth.Nevertheless, this aligns with MLS’s long‑term strategy: investing in the development of domestic youth and promising talent from the wider hemisphere rather than chasing marquee signings. The forthcoming USMNT may lack a pronounced MLS imprint on the field, but its DNA will still be rooted in the league’s developmental system.

The ongoing conflict in Iran has led to a significant increase in oil prices, with the world's top 100 oil and gas companies reaping enormous profits. In the first month of the war, these companies banked more than $30m every hour in unearned profit, according to exclusive analysis for the Guardian. This translates to estimated windfall profits of $23bn for the month of March, with Saudi Aramco, Gazprom, and ExxonMobil among the biggest beneficiaries.The surge in oil prices to an average of $100 (£74) a barrel has resulted in a substantial increase in profits for these companies. If the oil price continues to average $100, the companies are expected to make $234bn by the end of the year. The analysis uses data from a leading intelligence provider, Rystad Energy, analysed by Global Witness.The excess profits come from the pockets of ordinary people as they pay high prices to fill up their vehicles and power their homes, as well as from businesses incurring higher energy bills. Dozens of countries have cut fuel taxes to help struggling consumers, but this has resulted in reduced revenue for public services.Pressure is growing for windfall taxes on the war profits of oil and gas companies, with the European Commission considering a request from the finance ministers of Germany, Spain, Italy, Portugal, and Austria. The ministers argue that this would help ease the burden on the general public and finance temporary relief measures.Aramco is expected to make a war profit of $25.5bn in 2026 if the oil price averages $100. This is on top of the huge profits habitually made by the majority state-owned Saudi company – $250m a day between 2016 to 2023. ExxonMobil, which has a long record of denying climate change, will take in $11bn in unearned war profits in 2026 if the $100 price endures.The impact of the Iran war is likely to be long lasting, with the head of the International Energy Agency, Fatih Birol, describing it as the biggest shock ever to the global energy market. The UN's climate chief, Simon Stiell, warned that fossil fuel dependency is ripping away national security and sovereignty, and replacing it with subservience and rising costs.

The Victoria & Albert Museum has acceded to a Chinese printer’s demand to excise several maps and photographs from recent exhibition catalogues, illustrating how Beijing’s censorship apparatus can reach even Western cultural publications. According to documents obtained by The Guardian through freedom‑of‑information requests, the Chinese company C&C Offset Printing flagged a 1930s British‑empire trade‑route map as non‑compliant with the standards of the General Administration of Press and Publication (GAPP). The printer instructed the museum to either delete the page or replace it with an approved image. Faced with the request, V&A; staff approved the change, acknowledging that the map’s depiction of China’s borders triggered the rejection. An internal email noted the delay caused by the edit, stating that the catalogue’s production was paused while the offending page was revised. Cost considerations lie at the heart of the decision. Like the British Museum, Tate and the British Library, the V&A; routinely commissions Chinese printers because they can deliver catalogues at roughly half the price of European firms. This financial incentive, however, comes with the implicit obligation to obey Chinese content restrictions covering topics such as Buddhism, Taiwan, Tibet, Tiananmen Square and other subjects deemed politically sensitive. The museum’s compliance extended beyond the map issue. For a catalogue accompanying the 2021 Fabergé exhibition, the V&A; also removed a photograph of Lenin after the printer warned that the image could be considered “sensitive” by Chinese authorities. V&A; spokespersons described the alterations as “minor” and asserted that the institution maintains “close editorial oversight” when printing abroad. They emphasized that any change that would compromise the narrative would be rejected, and that the museum would relocate production if necessary. Other cultural bodies have responded differently. The British Museum declined to comment on how it handles similar censorship requests for at least eight publications printed in China, while the British Library claimed it has never encountered such issues. Tate Publishing, meanwhile, confirmed that Chinese printers have produced several of its children’s books but insisted that no content has ever been altered at a printer’s behest. A UK publisher who preferred anonymity highlighted the trade‑off: Chinese printing is markedly cheaper, yet the process introduces delays while materials are screened for politically sensitive content, especially references to Tibet or disputed borders. Former employee of C&C Offset Printing remarked that complying with Chinese government directives is standard practice for domestic firms, underscoring the systemic nature of the censorship. These revelations raise broader questions about the ethical implications of cost‑driven outsourcing for publicly funded institutions and the extent to which they are willing to compromise editorial independence to meet budgetary targets.

Andoni Iraola has formally notified AFC Bournemouth that he will step down when his contract runs out at the close of the 2025‑26 campaign. The 43‑year‑old manager is expected to explore other Premier League opportunities over the summer.While a move back to his boyhood club Athletic Bilbao remains a possibility, the club’s preferred candidate to replace Ernesto Valverde appears to be former Borussia Dortmund boss Edin Terzic.At Bournemouth, the race to replace Iraola is already heating up. Marco Rose, who succeeded Terzic at Dortmund and most recently managed RB Leipzig, is widely tipped as the leading candidate. Kieran McKenna of Ipswich Town, despite being under contract until 2028, is also generating interest.Players were informed of Iraola’s impending exit after a Tuesday training session, ending months of speculation that kept his staff in the dark. The manager maintained regular contact with director of football Tiago Pinto and technical director Simon Francis throughout the 15‑month negotiation period.In a club‑issued statement, Iraola said, "I feel this is the right moment for me to step away, but I will always carry fantastic memories of this club." Bill Foley, Bournemouth’s owner and chair, praised Iraola’s impact, noting he brought “intensity, innovation, and a clear philosophy that elevated AFC Bournemouth both on and off the pitch.”Despite a recent victory over Arsenal and a push for the club’s best Premier League finish, Bournemouth accepted that retaining Iraola was unlikely. The board is now accelerating the search for a successor, with a new appointment expected within the next fortnight.Iraola’s tenure has been marked by historic achievements: last season he guided Bournemouth to a record points total, matching the ninth‑place finish recorded by Eddie Howe in 2016‑17. He also oversaw the sale of key players – Dean Huijsen, Illia Zabarnyi, Milos Kerkez, Dango Ouattara, and Antoine Semenyo – for a combined fee exceeding £250 million, demonstrating his ability to balance on‑field success with financial prudence.A former Athletic Bilbao full‑back with 510 appearances, Iraola has long expressed affection for the Basque side, though he has hinted he would prefer to preserve his legacy after a 12‑year playing career there.Crystal Palace publicly lauded Iraola after confirming manager Oliver Glasner’s departure, but most analysts agree the former will attract interest from larger clubs.Earlier this season, Iraola hinted to the Guardian that the campaign could be his last at Bournemouth, saying, "Sometimes there is a moment after some seasons where you feel maybe the message does not go the same way to the players."Bournemouth’s next fixture is against Newcastle United at St James’ Park, where manager Eddie Howe has yet to defeat his former club.

The Guardian published a piece on April 14, 2026 titled “Trump and Iran in battle of the blockades – The Latest”, authored by Lucy Hough, Patrick Wintour, Bryony Moore, Ryan Ramgobin, and Zoe Hitch. The article focuses on the intensifying confrontation between the United States, represented by former President Donald Trump, and the Islamic Republic of Iran over a series of maritime blockades that have heightened diplomatic friction.A striking Reuters photograph accompanies the story, showing Trump seated in the Oval Office, symbolising the American leadership perspective in the dispute. While the article’s full text is not reproduced here, the headline and visual cue suggest a narrative centered on reciprocal economic and strategic pressures, with both sides employing blockades to leverage negotiations.By highlighting this “battle of the blockades,” the report signals a potentially volatile phase in US‑Iran relations, where trade routes and regional security could be directly impacted. Analysts will likely monitor how these tactics influence broader Middle‑East stability and international commerce.