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The wait is over for fans of medical dramas, as The Pitt has landed on HBO Max. This 15-episode series, which follows the lives of medical staff in a Pittsburgh hospital, has been generating significant buzz since its release in the US last year.Produced by the same team behind the groundbreaking series ER, The Pitt stars Noah Wyle, known for his iconic role as Dr. John Carter in ER. Wyle plays Dr. Michael 'Robby' Robinavitch, a senior attending physician struggling with PTSD after the loss of his mentor during the pandemic.Each episode covers a single shift in the hospital, delving into the challenges faced by the medical staff as they navigate urgent and complex cases, from gunshot wounds to patients with dementia. The show's pace is more measured than ER, with a focus on character development and nuanced storytelling.The cast is strong, with well-developed characters and backstories that add depth to the narrative. Showrunner John Wells handles the large ensemble with skill, and Wyle is a rock-solid presence at the center of the show.The Pitt explores themes that are both timely and timeless, including the US healthcare system's flaws and the personal and professional struggles of medical staff. With its gripping storylines and strong performances, this series is sure to captivate audiences and leave them eager for more.

As the conflict drags on, Iranians are attempting to maintain a semblance of ordinary life in the face of constant explosions and airstrikes. The days following Nowruz, the Persian New Year, are usually a time of renewal and celebration, but this year, the atmosphere is tense."More and more, people are starting to normalise this war", said Farhad, a photography editor in Tehran. "It's difficult, but we're adapting and trying to return to our daily lives as much as possible. There's no alternative. We're tired. We just want peace."Despite the challenges, some Iranians are finding ways to cope. Aylar, a 39-year-old human rights worker, paid for an expensive VPN to circumvent the internet blackout imposed by Iranian authorities so she could stay in touch with relatives abroad. She also made time for a coffee date with friends, highlighting the complexity of life during conflict.The humanitarian toll is significant, with Iran's official death toll frozen at around 1,500, but the real figure may be more than 3,000, according to the Iranian Human Rights Activists News Agency. Many more have been injured, and the psychological impact is profound.As the situation continues to unfold, uncertainty and division within Iranian society are palpable. While most Iranians oppose the war, some have welcomed it as a potential catalyst for change. The future remains uncertain, with concerns that the conflict could become a recurring reality.

The Football Association (FA) is standing firm in its decision to host the 2035 Women's World Cup final at Wembley Stadium, despite lobbying from Manchester United to have the event held at a rebuilt Old Trafford.Manchester United's chief executive of New Stadium Development, Collette Roche, publicly expressed the club's aspirations to host the 2035 final, but the FA remains committed to staging the showpiece occasion at Wembley.The FA had named Wembley as its preferred venue for the final when submitting its official bid for the tournament to Fifa last November, and this position will not change even if Manchester United succeeds in building a new 100,000-seat stadium before the finals.The ultimate decision on the venue for the final will be taken by Fifa, but it would be a huge surprise if they overruled the wishes of the governing body that is leading the bid. The FA is fronting a joint bid from the home nations to stage the Women's World Cup for the first time in what would be the biggest sporting event ever staged in the UK.The current Old Trafford is one of 22 proposed stadiums in the bid book – 16 in England, three in Wales, two in Scotland and one in Northern Ireland – but will be replaced by the new stadium if it is built on time. Manchester United are still in the process of securing funding for a project that could cost over £2bn, while the club also needs to purchase land from the haulage company Freightliner.

The Belfast-set true-crime thriller 'No Ordinary Heist' is based on real-life events from 2004, but the film feels underpowered and apologetic, clumsily assembled and blandly directed by Colin McIvor. The two main male headliners, Eddie Marsan and Éanna Hardwicke, deliver fine performances, although Marsan's casting raises questions.Marsan does a good job nailing the Belfast accent, but his presence is recessive, making him an odd choice for the role of Richard Murray, an uptight bank manager. The bank robbers are fairly undifferentiated, apart from a skeevy character played by JB Moore. The film touches on the tension between past and future Northern Ireland, but this rich seam is not thoroughly mined.The film also explores a subplot about Murray being pressured by the bank's owners to make half the staff redundant, which is of particular interest to security chief Mags (Michelle Fairley). However, this strand is left hanging, wasting Fairley's talent. Ultimately, the film feels like the makers had neither the budget nor the vision to make the material sing, resulting in a most ordinary work.No Ordinary Heist is set to release in UK and Irish cinemas from 27 March.

David Squires presents his unique visual perspective on the recent Carabao Cup final, where Manchester City emerged victorious over Arsenal in a compelling showdown at Wembley Stadium. The acclaimed cartoonist captures the essence of the match through his distinctive artistic style, focusing on pivotal moments that defined the contest.In his latest work, Squires examines the significant decisions that influenced the outcome, offering insightful commentary that resonates with football enthusiasts. The cartoon strips showcase the tactical battle between the two Premier League giants, with particular attention to the master-apprentice dynamic between the respective managers.One notable highlight featured in Squires' cartoon is the audacious performance of a young player whose cheeky antics and skillful play caught the attention of spectators and critics alike. The cartoonist effectively immortalizes these moments through his signature visual storytelling approach.The artwork provides a lighthearted yet perceptive take on the competitive nature of the cup final, illustrating how Manchester City ultimately secured their triumph over their London rivals. Squires' ability to distill complex match dynamics into accessible and entertaining visuals continues to make his work a favorite among Guardian readers.For those interested in exploring more of Squires' football commentary, the article includes links to purchase his cartoons and his latest book, 'Chaos in the Box,' which showcases his collection of sports-related artwork.

England manager Thomas Tuchel has made two significant inclusions in his squad for the upcoming friendlies against Uruguay and Japan at Wembley. Ben White, the Arsenal right-back, has been recalled to the squad after a period of exile that began during the 2022 World Cup in Qatar. White's return comes after Jarell Quansah was forced to withdraw due to injury. White, who has four England caps, last played for the national team in March 2022 against Côte d'Ivoire. His absence from the squad was partly self-imposed, but Tuchel indicated in March that White wanted to return. This season, White has struggled for regular game time at Arsenal, starting only five Premier League games. In addition to White's recall, Tuchel has called up Harvey Barnes from Newcastle as a replacement for Eberechi Eze, who has withdrawn with a calf injury. Barnes, who has scored 14 goals in all competitions this season, is second on Newcastle's scoring charts, trailing only Anthony Gordon. He previously earned his only England cap as a substitute against Wales in October 2020 under Gareth Southgate. Notably, Scotland had been attempting to lure Barnes for their World Cup squad. Tuchel's squad selection has been influenced by injuries, particularly the hamstring injury to first-choice right-back Reece James. Trent Alexander-Arnold was not recalled, and other options at right-back include Tino Livramento and Djed Spence. England will host Uruguay on Friday, followed by Japan on Tuesday at Wembley.

Viktor Gyökeres has articulated the hurt and defiance within the Arsenal dressing room following their 2-0 Carabao Cup final defeat by Manchester City and promised to use it as fuel in the club's pursuit of other trophies this season.Arsenal produced their worst performance of the season in the final, with nearly every player falling below their standard – with the possible exception of William Saliba. The period from the beginning of the second half until Nico O'Reilly scored his second goal in the 64th minute proved particularly difficult, as City established complete dominance, leaving Arsenal pinned back and struggling to mount any meaningful attack.The recovery mission has already begun, with some at the club hoping the international break will provide a timely change of environment and focus. For Gyökeres, there is also the matter of Thursday's World Cup playoff with Sweden against Ukraine in Valencia. If his country advances, they will face Poland or Albania next Tuesday for a place at the finals.Despite the setback, Arsenal remains nine points clear of City at the top of the Premier League, albeit having played one game more, and has progressed to the Champions League quarter-finals, where they will face Sporting. Their next domestic challenge comes in the FA Cup quarter-final at Southampton on the following Saturday."Of course, we don't feel great right now but it's not like we have a game in three days," Gyökeres said. "For sure, we will go again and be even more motivated for those games."The turning point at Wembley came when Arsenal's backup goalkeeper Kepa Arrizabalaga – who Mikel Arteta started ahead of first-choice David Raya – dropped a cross to allow O'Reilly to score his first goal, although City had already established firm control of possession."We created some chances at the beginning of the game and then I think it was maybe 10 minutes from the break where they got the momentum," Gyökeres reflected. "I think they had the ball … maybe they didn't create so many dangerous chances but they had the ball a long time and it looked the same in the second half."Normally, when it's two top teams it can be like that [with the first goal being crucial]. In the moment of the game where they scored … yeah, it was difficult to get going afterwards."

Alan Ritchson, the star of the hit Amazon Prime Video series Reacher, has been accused of assaulting his neighbor in a suburban neighborhood in Tennessee. A video obtained by TMZ appears to show Ritchson striking the man, identified as Ronnie Taylor, multiple times while his children watch.The alleged incident began on Saturday when Ritchson was reportedly riding his motorbike through the neighborhood at high speeds, revving the engine. Taylor claimed he responded with an obscene gesture, which Ritchson allegedly returned. On Sunday, Ritchson returned to the neighborhood with his two children on their own motorbikes. Taylor said he asked Ritchson to stop, and the situation escalated into a physical altercation.Taylor alleged that Ritchson struck him at least four times, resulting in visible bruising and swelling on his face, as shown in photos obtained by TMZ. However, other sources cited by TMZ countered that Taylor approached Ritchson in an aggressive manner and attempted to interfere with his motorbike, causing the actor to fall and sustain minor injuries.Ritchson is widely recognized for portraying Jack Reacher, a fictional former US army military police officer, in the Amazon Prime Video series. The character is known for his extensive combat experience and intense fights. The show, based on author Lee Child's bestselling crime novels, has been praised for Ritchson's physical performance and closer resemblance to the protagonist's original depiction.The Guardian has contacted Ritchson's representatives for comment.

The Last Blossom, directed by Baku Kinoshita and written by Kazuya Konomoto, is a quiet, contemplative anime feature that rarely gets a theatrical release. The film opens in a lonely prison cell, where the elderly former yakuza Akutsu finds an unexpected confidant in a talking balsam flower.Over the course of one sleepless night, Akutsu's life story unfolds in bursts. Thirty years prior, another balsam flower grows in the back yard of Akutsu's humble house, which he shares with Nana and her baby son, Kensuke. The relationship between the taciturn man and the bubbly young woman is seemingly platonic; Kensuke is not his son. Yet there are hints of romantic attraction; they share bowls of piping hot ramen noodles, play endless rounds of Reversi, and join in harmonising the Ben E King classic Stand By Me.In contrast to this alternative nuclear family, the yakuza world is still strictly traditional, revolving around machismo and codes of brotherhood. When Kensuke is diagnosed with a heart condition, Akutsu is lured into a criminal plot, which leads to his incarceration. Though encompassing much bloodshed and even a hidden treasure subplot, The Last Blossom is most moving as an exploration of human conscience, where a capacity for violence and kindness coexist.The paradox is reminiscent of Shōhei Imamura’s Palme d’Or winner The Eel, starring Koji Yakusho as a wife-murderer who shelters a pregnant woman after his prison release. With his unassuming buzzcut, in stark contrast to his flamboyant yakuza peers, Akutsu bears a striking resemblance to Yakusho’s protagonist. Though a minor work compared to Imamura’s, The Last Blossom similarly questions conventional notions of justice, and the impossibility of weighing one’s good and bad deeds.The Last Blossom is in UK and Irish cinemas from 27 March, and in Australian cinemas from 23 April.