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The Startup Market’s Most Urgent Risk: Reacting Too LateFounders and investors are now facing a bigger danger than moving slowly – they risk reacting after the market has already shifted. TechCrunch Disrupt 2026 is designed to help them act faster.Six Specialized Stages Tailored to Today’s Volatile MarketsFrom October 13–15 at Moscone West in San Francisco, Disrupt will host 10,000+ founders, investors and operators across 250+ sessions. The conference is organized into six distinct stages:Disrupt Stage – headline founders, tech leaders and top‑tier investors discuss broad market shifts.Builders Stage – fundraising, hiring, product‑market fit and go‑to‑market execution.Smart Money Stage – evolution of financial infrastructure and durable fintech models.Smart Systems Stage – physical‑world constraints such as data‑center capacity, energy and climate tech.AI in the Real World Stage – reliability of AI systems beyond demos.AI Stage (presented by Google Cloud) – impact of generative AI on SaaS and software businesses.Numbers That Show Disrupt’s Scale and SavingsEvent dates: October 13–15, 2026Attendees: 10,000+ founders, investors, operatorsSessions: 250+ across six stages, plus 200+ sessions highlighted in promotionSpeakers include Nina Achadjian (Index Ventures), Rajeev Dham (Sapphire Ventures), Josh Reeves (Gusto), Grant Lee (Gamma), Robby Stein (Google), Mo Jomaa (CapitalG), Jack Zhang (Airwallex), Lotti Siniscalco (Emergence Capital), Jeff Lawson (Inertia), David Kirtley (Helion).Early‑bird discount: save up to $410 on a pass and get 50% off a second ticket.Group discount: up to 30% off tickets for community registrations.Startup Battlefield 200 nominations close May 29.How the New Stages May Shift Founder‑Investor Decision‑MakingThe focused content aims to surface “signals shaping opportunity” – where attention is concentrating, which categories are accelerating, and how successful companies are positioning themselves. By separating AI‑native competition, fintech infrastructure, and physical‑world constraints, participants can prioritize capital allocation and product strategy with fewer guess‑work cycles.What’s Next for Disrupt and the Broader Startup EcosystemWith the six‑stage format, Disrupt positions itself as a real‑time market intelligence hub. If founders leverage the early‑bird pricing and apply for Battlefield 200, the conference could become a primary pipeline for capital in 2026‑27, especially as AI and infrastructure pressures intensify. Observers should watch post‑event reports for emerging investment trends and the adoption rate of “real‑world AI” solutions.

The Lead Japan has suspended rugby coach Eddie Jones for four games and cut his salary for "verbal abuse directed at local officials" during an Australian tour. The Incident Details The Japan Rugby Football Union (JRFU) said on Wednesday that the 66-year-old Australian violated their ethics and disciplinary regulations during a Japan Under-23 team tour of Australia from April 1 to 15. "These measures relate to incidences of verbal abuse directed at local match officials," the JRFU said in a statement. The Disciplinary Response Jones will miss Japan's Nations Championship opener against Italy in Tokyo on July 4 and not be allowed to take any part in two games pitting a Japan select team against Hong Kong on May 22 and 29. He is also banned from the Japan XV game against the Maori All Blacks on June 27 in Nagoya and the full Japan side's Nations Championship opener against Italy. He is suspended from duty for six weeks between April 24 and June 5. The Coach's Response "I accept the disciplinary action of the JRFU relating to the U23 Japan national team tour of Australia," Jones said in a statement. "Some inappropriate remarks that I made caused discomfort to local match officials and other related parties. I would like to offer my sincere apologies to everyone involved. I deeply regret my behaviour and words and will make every effort to ensure that this doesn't happen again."

The LeadJennie Garth, known for her role as Kelly Taylor in 'Beverly Hills, 90210,' opens up about the psychological impact of early fame and how she found new purpose in her 50s. The 54-year-old actress, who felt 'stuck' and unfulfilled as her daughters grew up, has launched a podcast and book titled 'I Choose Me,' sharing her journey of self-discovery and the lessons learned from her decades in Hollywood.Finding Purpose at 50Approaching her 50s, Garth experienced a classic midlife crisis, questioning her path and purpose after noticing potential acting jobs becoming 'few and far between.' The deaths of her 90210 co-stars Luke Perry in 2019 and Shannen Doherty in 2024 intensified her sense of urgency, prompting her to share what she's learned with other women experiencing similar standstills. Her new venture, 'I Choose Me,' named after an iconic line from her character on the show, combines memoir and self-help as Garth reflects on her journey from teenage star to mature woman finding her voice.The Price of Early FameGarth candidly admits that her early fame 'screwed with her mind,' describing how she spent 20 years 'trying to keep her head above water.' Starting on the hit show at just 18, she felt developmentally 'held back from the realities of the world,' watching peers experience normal milestones while she was 'slammed into' fame. The experience left her questioning how her unusual path affected her relationships and personal growth, as she struggled to form normal connections while constantly being judged and typecast in the industry.Hollywood's Changing LandscapeThe actress reflects on the sexism she faced in the 90s, noting how young female actors were 'exposed to far more than they should' in terms of sexualization and discrimination. She recalls unspoken expectations about appearance and the pressure to conform to certain standards, including her own decision to get breast enhancement at 24. Garth also discusses how the industry typecast her and her co-stars, keeping them in a 'sort of Aaron Spelling-nighttime-soapy category' that limited their growth opportunities, despite the quality of their work.A New ChapterNow in her 50s, Garth feels she's finally 'caught up' developmentally and is embracing her age with greater wisdom and resilience. Through therapy and self-help, she's found a new voice and purpose, sharing her experiences to help other women navigate similar challenges. Her journey from teenage star to empowered woman reflects both the lasting impact of early fame and the potential for reinvention later in life, as she continues to work while also focusing on personal growth and helping others find their own path to self-acceptance.

U.S. President Donald Trump is confronting a shrinking set of diplomatic and military choices as the fragile cease‑fire with Iran shows signs of unraveling.Escalating Tensions as the US‑Iran Ceasefire StallsOptimism for a new peace proposal evaporated this week, with both sides digging in and demanding the other concede first. Trump has described the April 8 cease‑fire as being on “life support,” while senior officials hint at a possible resumption of hostilities. Tehran’s demands – an end to fighting on all fronts, lifted sanctions, and recognition of its control over the Strait of Hormuz – have been dismissed by Trump as “garbage.”Polls and Market Numbers Reveal Growing Domestic PressureTwo‑thirds of Americans surveyed by Reuters/Ipsos say Trump has not provided a clear rationale for the war.Gas, oil and fertilizer prices are climbing, amplifying public discontent.Trump’s approval rating sits at 36%, down from 47% a year ago.The cease‑fire, in place since April 8, remains fragile, with recent missile and drone attacks on the UAE testing its limits.Strategic Consequences for the Middle East and US Global PostureA renewed US‑Israel bombing campaign could strain Washington’s ammunition stockpiles and divert attention from the Indo‑Pacific, where China remains a primary concern. The Center for Strategic and International Studies warns that the Iran conflict has already eroded US readiness for other confrontations. Moreover, Iran’s hardened stance and resilient military posture suggest that further escalation may not force the concessions Washington seeks.What Path Might Trump Take Next?Analysts argue Trump will have to prioritize either a nuclear‑deal concession or control of the Strait of Hormuz, likely favoring the former to protect energy markets. Any escalation risks a broader regional war and could become a decisive liability in the upcoming mid‑term elections. The most plausible scenario is a negotiated settlement that limits Iran’s nuclear program while leaving the Hormuz issue unresolved, allowing Trump to claim a diplomatic win while managing domestic political fallout.

Boos at Anfield Signal a Season of Unmet ExpectationsAfter a 1-1 draw with Chelsea on Saturday, Liverpool supporters erupted in boos, echoing the discontent that followed earlier defeats to Manchester United, Tottenham and Burnley. The criticism centers on Arne Slot's perceived lack of ambition and the team's inability to finish games strongly.Season Snapshot: Results, Injuries and Transfer WoesLeague record: 11 losses – the most since 2014‑15.Away performance: 1 point from 7 games against top‑nine Premier League opponents.Cup setbacks: 3-0 loss to Crystal Palace (League Cup) and 4-1 defeat by PSV (Champions League), marking nine defeats in 12 European matches.Key injuries: Alexander Isak (broken leg), Hugo Ekitiké (Achilles), and limited minutes for new signings.Why Liverpool’s Struggles Matter Beyond the ScoreboardThe club’s under‑performance threatens its Champions League qualification, financial inflows, and the morale of a fan base accustomed to success. Persistent defensive lapses – highlighted by woodwork hits from Dominik Szoboszlai and Virgil van Dijk – expose tactical rigidity, while the heavy investment in the summer transfer window has yet to yield returns.Potential Paths Forward: Retain or Replace?Supporters of Slot argue his league title in his debut season and the competitive nature of the current campaign justify patience. Critics point to the downward trend, injury‑plagued signings and a lack of clear playing identity as reasons to consider a change before the next season.Looking Ahead: What Could Shape Liverpool’s Next Chapter?If Slot remains, the focus will be on integrating new signings, reducing injury risk and sharpening attacking intent to convert draws into wins. A managerial change would likely aim to restore a proactive style and re‑energise the squad ahead of the crucial final league fixtures and next season’s transfer window.

The Risks of Sharing Secrets with AI Chatbots The ongoing legal battle between Elon Musk and OpenAI has taken a dramatic turn with the revelation that OpenAI's president, Greg Brockman, kept a diary during the company's founding years. This diary has become central to the case, with one heavily cited extract reading: "Financially what will take me to $1B?" Another scrutinized passage states: "It'd be wrong to steal the non-profit from [Musk]. to convert to a b-corp without him. that'd be pretty morally bankrupt. and he's really not an idiot." The Implications of Chatbot Conversations in Court As millions of people use tools like ChatGPT as a digital confession box or therapist, experts warn that these conversations can be admissible in court. In fact, a lawyer told Axios that "within the next decade," the diary equivalent will be standard discovery in every major executive litigation in the country. This means that you shouldn't trust a chatbot with your secrets, as conversations with AI are not always private and may be retained indefinitely and shared with other humans. The Privacy Concerns of Chatbot Conversations Most chatbot conversations are not private, and users should be wary about sharing sensitive information. A recent case involving a former NFL player who allegedly asked ChatGPT for help after killing his girlfriend demonstrates the potential risks. As David Friedberg, a co-host of the All-In podcast, said: "You're just sitting here at home, like, let me write about the crime I'm committing … and by the way, let me never delete it." The Future of AI and Confidentiality As AI technology continues to evolve, it's essential to consider the implications of sharing sensitive information with chatbots. While chatbots like ChatGPT may seem like a safe space to share your thoughts, they are not a substitute for human therapists or lawyers. In fact, they can be a liability in court. As the use of AI chatbots becomes more widespread, it's crucial to prioritize confidentiality and consider the potential risks of sharing secrets with AI.

The Lead: Carla Simón's Unique Approach to Family DramaFamily reunions in European arthouse cinema are almost always unhappy events, on a scale of strife that ranges from simmering resentment to spectacular score-settling. Carla Simón, however, has a rare gift: she makes you leave the cinema with renewed faith that having relatives and keeping in touch with them may actually be a wonderful thing.No film-maker working in Europe now is as capable of turning birthday gatherings, garden parties or poolside barbecues into thrillingly sprawling canvases of human virtue and vice as this 39-year-old rising star. From a riotous water fight in the Berlinale Golden Bear-winning farming drama Alcarràs to a foul-mouthed dinner table singalong in her new film Romería, Simón directs kinship meetings with the attention to detail that other film-makers may invest in action sequences or dance routines.The Event Details: Romería and the Journey to Self-DiscoveryAmong the tricks Simón employs, she explains, is to ensure her actors only read the script once before the camera starts rolling, so they have to improvise to fill the gaps. She takes her casts to parties, for walks and on shopping trips, and if there are disagreements on the way, so much the better. The ultimate secret sauce, though, is to ignore WC Fields's notorious advice and always work with children and animals."I never get bored of working with kids," she says. "When you are only working with adult actors, shooting becomes more like executing an idea that you have in your mind, and I think that is not interesting. With children, you always have this feeling that that things are going to happen in front of the camera by chance. It keeps things alive."Her new film Romería, meaning "pilgrimage" in Spanish, dives deeper into the story of the biological parents she barely got to know. Eighteen-year-old Marina travels to her relatives in Vigo, in north-western Galicia, purportedly to find the death certificate of her biological father, which she needs to study film-making in Barcelona. The initial reaction is warm, but family is a room with dark corners and locked closets.The Personal Journey: Aids, Loss and Family SecretsSimón's fascination with freewheeling scenes of family life was undoubtedly honed through her own biography. Born in Barcelona in 1986, her father died when she was three and her mother when she was six. Both of them succumbed to Aids. She was 12 when her adoptive mother told her that her parents had been infected with the autoimmune disease through their use of drugs.All of her first three films have been strongly autobiographical: Summer 1993 tells the story of a six-year-old girl who moves to an unspecified location countryside to live with her aunt after the death of her mother, while 2022's Alcarràs is specifically set in the Catalan peach-growing community of her adoptive family.In the film, a cache of letters written by her late mother opens up a portal to the time when her parents met and discovered love – for each other, the Atlantic Ocean and drugs. The letters, Simón explains, are real. "She wrote to her friends and family while she lived in Vigo. Her Catalan is full of mistakes, because teaching Catalan was banned under the Franco regime. But they are the most important thing that I have from my mother, because suddenly I can hear her talking."The Impact Analysis: Spanish Cinema and the Legacy of AidsSpanish cinema has a track record in making films where child actors take centre stage: Ana Torrent's spell-binding turn as a young girl obsessed with the Frankenstein tale in Víctor Erice's 1973 film The Spirit of the Beehive is considered an all-time great performance by a minor, and Simón describes it as "a very, very important film for me".During the transition period after Franco's rule, Madrid gave birth to la movida, a countercultural movement that celebrated lifestyles that had been banned under military rule. "All these kids who were raised under Franco and religious oppression, suddenly freedom arrived and they embraced it", Simón says. "They didn't think much about the future or the consequences of what they were experimenting with. And then the drugs came in."When we talk about this generation in Spain, people sometimes use words like shame and blame, but I feel that's really unfair: people like my parents just had bad luck.The Future Direction: Beyond Family in Simón's Next ProjectHalfway through Romería there is a stylistic shift, from the Eurorealism she favoured in her previous works toward something more magical-realist: there is a mysterious cat you might expect to encounter in a Miyazaki film, and an unforgettable dance number set to Vigo punk rocker's Siniestro Total's song Bailaré Sobre Tu Tumba ("I'll Dance on Your Grave")."These three films I've made are kind of a cycle, because they all talk about my family, adoptive and biological. But since I became a mother a few years ago, I feel that my place in the family changed. When you have kids you feel it's a new period in your life, so I feel like maybe doing something that has nothing to do with my family."Her next film, she confides, is going to be a flamenco musical.

The Cultural Phenomenon of Northern SoulAlan Byron's film is an absorbing docu-celebration of the northern soul scene that flourished from the late 1960s to the end of the 1970s. It was a fascinating, vernacular youth movement and a kind of regional open secret: a club culture, a zine culture, a music-and-fashion culture which uncynically invented and sustained itself without the need for any svengali figure from London to keep the show on the road. Northern soul fans were passionate about thumpingly sensual mid-60s American soul, a musical style which they kept alive on the all-night dancefloor by doing spectacular spins and drops, while the official voice of the music business decreed that disco or MOR rock or glam or heavy metal was where it was at.The Wigan Casino LegacyDJs would travel to the US to sort through the boxes and mounds of 7-inch vinyl which had been discarded by Motown and the radio stations – basically prospecting for gold – and bring it back to northern English clubs. The principal clearing house was the mighty Wigan Casino which mounted legendary all-nighters from 2am to 8am, attracting soul fans from miles around who knew that this was the only place where certain tracks could be heard. (No Spotify or Apple Music in those days.)Cultural Resistance and RecognitionLicensing laws meant that only Coca-Cola could be served, but dancers took amphetamine, a part of the northern soul scene that has perhaps only recently been acknowledged fully, and is in fact not looked into all that closely here. It carried on through the 1970s, all but ignored by the cultural gatekeepers of the south; that is, until documentarist Tony Palmer brought his cameras and lights into the club to make The Wigan Casino as part of Granada TV's This England strand, an outsider incursion grumblingly resented at the time but now treasured as a unique archive record.Understanding the Movement's IdentityWhat is fascinating about northern soul is the way it survived under the media-cultural radar and appears to resist larger interpretive analysis. It was not overtly political, unlike punk or reggae, and there is no consensus here about the status of the northern soul consumers. Were they unemployed, poor, alienated and angry? Not necessarily. Many here recall having good jobs and apprenticeships of the sort they wouldn't have now.Enduring Influence and MysteriesAs for whether it was revolutionary in any sexual sense, commentator Paul Mason suggests that there was something homoerotic in the male atmosphere. Maybe, yes: but no one here has any first-hand experience to share about that. As for the Wigan Casino itself, the building's lease was terminated by the council at the end of the 70s prior to planned demolition; just when the tenants might have disputed this, the building mysteriously burned to the ground. (Maybe we need David Peace to write a novel about that.) Northern soul was clearly the godfather of the club and rave scenes of the 90s and beyond, but for me, a question remains: what did the American acts themselves think of it? Were they ever tempted (or invited) to play live at the Wigan Casino?

The Cultural Phenomenon Returns On a chilly morning at a Silvertown studio behind London City airport, the sunburst intro to Jimmy Cliff's The Harder They Come is on repeat. Dancers run through a routine studded with reggae and dancehall moves. "Get high," commands associate choreographer Neisha-yen Jones with a smile. "Get low!" The ensemble rise and dip. They do the bogle and whine around each other as their watchful director Matthew Xia nods along. They circle Natey Jones who breaks out the opening line: "Well, they tell me of a pie up in the sky." In the distance, a plane leaves the ground. From Film to Theatrical Celebration It's eight months since The Harder They Come's full-throttle takeoff at Stratford East, where the musical was so popular that it is now returning for a second run which will also serve as a eulogy for Cliff who died in November. Playwright Suzan-Lori Parks' adaptation of Perry Henzell's 1972 Jamaican film is bolstered by a handful of her own songs as well as classics including Israelites and Wonderful World, Beautiful People – plus every number on the film's monumental soundtrack. Jones is reprising the role of Ivan (played on screen by Cliff and inspired by real-life outlaw Rhyging), who arrives in Kingston from the country and is dismissed and exploited, before becoming both a hit singer and a fugitive. The Evolution of a Cultural Narrative The original was akin to cinéma vérité, directly evoked spaghetti westerns and veered into blaxploitation territory; Ivan's tale has gained greater warmth, humour and protest spirit on stage. It was the best musical I saw in 2025. "The story is a tragedy but the theatrical event is a celebration," says Xia of his production. Twenty years ago, the film was adapted as a musical with a book by Henzell, also at Stratford East. "It all started at Ivan's Nine Night," Xia recalls. "There was a massive poster of Ivan on the wall, with everyone coming, and it was told in retrospect with vignettes." Choreography and Cultural Connection Shelley Maxwell, recently arrived from Jamaica, was watching the musical in the audience one night and has since become the choreographer of the new production. She has fused the folk dance forms of revivalism and pocomania, learned in her childhood, with reggae, dancehall and moves that today's teenagers can recognise. "I wanted to tap into the youth market," she says. It's brought some enthusiastic feedback from audience members who may not know the film. "Like: 'Oh my God, they did that step I always do at a party!' It allows them to form a connection." Authenticity and Cultural Representation Xia, wearing trainers in the Jamaican flag's colours, and Maxwell, whose tracksuit has the same black, green and gold trim, were intent on instantly transporting their audience to Kingston. The opening, says the director, is an "establishing shot" with characters coming and going on Simon Kenny's magnificent multi-level set, accompanied by Toots and the Maytals' hit Funky Kingston. To borrow from its lyrics, you really can believe everything they do. Even each move in the dominoes game we see is scripted, explains Maxwell, who mapped out the market scene with precision: "Where are you going to? How heavy is the item that you're holding? This is the swing of the hips." Social Commentary Through Performance Xia, whose father came to England from Jamaica in the 1970s, praises the freewheeling realism of the film. "Lots of the background performers are just whoever happened to be in the market that day, or walking through the shantytown. Lots of the actors were people that Perry knew, they had no training." Henzell, says Xia, showed "the part of Jamaica that had always been hidden, people living hand to mouth". The musical depicts a "quartet of oppression" against Ivan, as he takes a stand against individuals representing hypocrisies of the church, law, drugs trade and music industry. Universal Themes and Contemporary Relevance The Harder They Come was both a pioneering example of independent film-making for Jamaicans and a portrait of a newly independent country. Maxwell, who grew up glued to Hollywood musicals, says it was empowering to discover a film full of the Jamaican songs she loved. "I was probably way too young when I saw it. But what I saw was the world around me." She traces how different forms of music played a pivotal part in the country establishing its identity, moving from African forms and American R&B; to mento, ska, rocksteady, reggae and the rise of Bob Marley and Jimmy Cliff. Maxwell captures that chain reaction with a tantalizing question: "What's this groove becoming?" Transforming the Narrative for Modern Audiences The musical also makes its hero's actions more understandable. "In the film, Ivan becomes a kind of wanton murderer," says Xia. In the musical, "he accidentally shoots a police officer when he's under threat, is remorseful, yet also knows that if he gives himself in then that's the end of his journey". Another significant change is the depth given to the principal women – Ivan's mother Daisy and Elsa, with whom he falls in love under the eye of her authoritarian guardian, the preacher. "The moral heart of the piece now resides in those two women," says Xia. Maxwell transforms a brief sequence from the film, in which Ivan imagines a tryst with the devout Elsa, into a floor-trembling set piece when the preacher's congregation lose their robes to indulge in lustful fantasy. The male gaze of the original scene is duly excised: "it had to be like it was both of them in partnership in that fantasy world," says Maxwell, who adds that the nature of dancehall – "grinding, gyrating on another body" required her to use her skillset as an intimacy director.