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The Final Bow for Football's GreatestThe FIFA World Cup 2026 could be the final act for some of football's finest talents. Although some of this tournament's players will set a men's football record by appearing in their sixth World Cup, age is catching up, and other players have struggled with injuries.Cristiano Ronaldo - Portugal's Ageless WonderAlthough fitness has been one of Ronaldo's biggest strengths during his illustrious career, at 41, the Portugal forward knows his playing days are numbered. Numbers have always been on the former Manchester United and Real Madrid forward's side, though, and he fired in 30 in 37 matches for Al-Nassr this season, while his tally for Portugal currently sits at 143 goals.The second-oldest player at this year's tournament, only behind Scotland's 43-year-old Craig Gordon, Ronaldo heads to his record sixth World Cup, well aware it could be his final chance to lift the coveted golden trophy: the only one missing from his glittering cabinet.Lionel Messi - Argentina's Final ChapterLike Ronaldo, Messi is also off to his record sixth finals appearance, one where he will lead Argentina's defense of the title they won in Qatar four years ago. Argentina's all-time leading scorer and appearance holder, Messi, has struggled with injury in the build-up to the tournament, raising doubts about whether he will feature in each game and if his body can keep up with the gruelling demands of an expanded World Cup.The eight-time Ballon d'Or winner's impact and talent, however, are such that, even at 38, he remains the heartbeat of the football-crazy South American nation.Luka Modric - Croatia's Midfield MaestroAfter playing a key role in Croatia's run to the 2018 final and a third-place finish in 2022, Modric is ready for his fifth and final appearance at the World Cup. As the 40-year-old heads to the tournament after undergoing cheekbone surgery, the veteran knows the team still relies heavily on him for his playmaking prowess.The ageing midfielder, also the Balkan nation's captain, still enjoys a hero's status within a side that has often defied expectations on the global stage. Enjoy his magic in midfield before he bows out.Neymar Jr - Brazil's Comeback KingAt 34, Brazil's all-time leading scorer Neymar is much younger than Messi or Ronaldo, but unlike the two greats of the game, his place in the national team is not guaranteed. Neymar's comeback in the Brazil squad after a two-and-a-half-year hiatus electrified football fandom, and only time will tell whether it was a gamble or a tactical masterclass by coach Carlo Ancelotti.With a history of fitness issues, a series of injuries and mounting age (he would be 38 by the 2030 World Cup), what looks more certain is that this could be Neymar's fourth and final act at the tournament.Manuel Neuer - Germany's Goalkeeping LegendSuch is the "aura" of Neuer, as coach Julian Nagelsmann said last month, that the 40-year-old came out of retirement to be named Germany's first-choice goalkeeper for the 2026 World Cup. Back in the squad after nearly two years, fans will have a final chance to see him at the World Cup.Widely regarded as one of the greatest goalkeepers, Neuer has played at four World Cups, most notably having a key role in Germany's 2014 World Cup triumph on Brazilian soil.Mohamed Salah - Egypt's African StarArguably Africa's greatest player of all time, Salah became a global superstar on the back of his success at Liverpool, where he won nine trophies. At 33, and no longer at the peak of his powers, this could be the forward's second, and possibly final, World Cup.An underwhelming season and his subsequent departure from Liverpool may have tempered expectations. Yet Egyptians continue to place their faith in their beloved number 10, hoping he can inspire the nation and help deliver something it has never experienced before: the joy of celebrating a World Cup victory.Kevin de Bruyne - Belgium's Playmaking EngineA big part of Belgium's "golden generation" between 2014 and 2022, playmaker De Bruyne continues to flourish in his duties for club and country. Age, however, is starting to catch up with the playmaker, who turns 35 later this month.The Napoli midfielder's performance is central to Belgium's odds of a deep run at the 2026 World Cup, and he will be eager to drive them to a memorable finish in what will be his fourth and presumably final appearance at the tournament.Virgil van Dijk - Netherlands' Defensive LeaderExperienced centre-back van Dijk is not quite the force he was a few years ago, when he won the Champions League and Premier League in back-to-back seasons with Liverpool. The Netherlands captain turns 35 next month, and the Dutch could move on with a younger defensive core by the time the 2030 edition comes around.After reaching the 2022 World Cup quarterfinals and Euro 2024 semifinals, van Dijk will hope to take the team one step further in what will be his third finals.Sadio Mane - Senegal's Inspirational CaptainWidely regarded as one of the world's best wingers, Mane heads to the World Cup seeking to make up for the disappointing leg injury that denied him a shot at Qatar 2022. At 34, the Senegal international is far from the peak of his career, which saw him enjoy trophy-laden spells at Liverpool and Bayern Munich.Despite his mounting age, Mane remains the team's source of inspiration and creativity, and he was an integral part of the side that beat Morocco in the Africa Cup of Nations final – only for the result to be overturned due to Senegal's mid-game protest.Mane will feature in his third, and likely final, World Cup, given that the Teranga Lion has said the last AFCON was his last, although the coaching team have said they have not given up on changing his mind.Guillermo Ochoa - Mexico's Record-Setting GoalkeeperPart of an esteemed group which includes Messi and Ronaldo, Ochoa is also set to play at a record sixth World Cup. The goalkeeper, who will turn 41 next month, had not been part of the national squad in recent years, but was picked for the tournament, which is being co-hosted by his country, Mexico.Known for being a formidable figure in Mexico's previous World Cup campaigns, Ochoa will retire at the end of the team's run at the tournament.The FIFA World Cup begins on June 11. You can follow the action on Al Jazeera's dedicated World Cup 2026 page with all the latest news, match build-up and live text commentary, and keep up to date with group standings, real-time match results and schedules.

Mirra Andreeva (19) advanced to her first Grand Slam final at Roland Garros, crushing a nervous Marta Kostyuk 6-1, 6-3 in a match that revived Russia‑Ukraine tensions on the court.Andreeva's Dominant 6-1, 6-3 Victory Over KostyukThe Russian prodigy displayed a mature, aggressive game, breaking Kostyuk’s serve repeatedly and limiting unforced errors. Kostyuk, who had endured a missile strike near her family home days earlier, could not recover after losing the first ten games.Scoreline and Youthful MilestonesScore: 6-1, 6-3Andreeva age: 19, aiming to become the third‑youngest first‑time champion of the 21st century.Kostyuk streak: 17‑match winning run ended.Geopolitical Tensions Resurface on the CourtThe semi‑final was the most high‑profile Russian‑Ukrainian clash since the 2022 invasion, with Kostyuk receiving a missile warning before her first‑round match and refusing to shake Andreeva’s hand after the loss. The encounter highlighted how the war continues to influence athletes’ mental states and public perception.Future Outlook for Andreeva and the Women’s TourPotential to join Maria Sharapova and Emma Raducanu as one of the youngest champions.With top seed Aryna Sabalenka already out, the draw is wide open for a new champion.Andreeva’s composure suggests she could become a dominant force in the coming years.

The Omitted XIWith every squad for the World Cup 2026 now finalised, we take a look at the star players who have been snubbed. Meet the Star Players Watching from the SofaThe reactions to the omissions were fascinating, with some players expressing their disappointment on social media.Lucas Chevalier (France): The goalkeeper had a brutal season after a €40m move from Lille to PSG.Jeremie Frimpong (Netherlands): The right-back suffered from being played out of position by Arne Slot at Liverpool.António Silva (Portugal): The 22-year-old centre-back fell out of favour for club and country at the worst possible time.Dean Huijsen (Spain): The Dutch-born defender's decision to switch allegiance after a youth career with the Netherlands looks to be a gaffe.Alejandro Balde (Spain): The left-back can feel unlucky to miss out with 42 appearances in all competitions for La Liga champions Barcelona.The Midfield SnubsAdam Wharton (England): The central midfielder was surprisingly left out of the England squad.Eduardo Camavinga (France): The 23-year-old is another Madrid casualty, with France's squad being stacked.Diego Luna (USA): The central midfielder was informed via email by Mauricio Pochettino that he was out, despite seven goal involvements in 16 internationals.The Forwards Left OutMika Godts (Belgium): The wonderkid can play off both flanks but his versatility and goal contributions for Ajax were not enough.Morgan Gibbs-White (England): The left wing player was arguably the best player in the Premier League in 2026.João Pedro (Brazil): The striker was player of the year for a mid-table Premier League side but didn't make it to the Brazil squad.

Iran's football team is preparing for the 2026 FIFA World Cup while the nation remains embroiled in an active conflict with the United States and Israel, a scenario unprecedented in tournament history.Iran's World Cup Campaign Amid Ongoing US‑Israel ConflictThe war between Iran and the US‑Israel coalition began on 28 February 2026 and a tentative cease‑fire has been in place since 8 April 2026. Despite the uneasy pause, sporadic flare‑ups keep the end of hostilities uncertain, casting a shadow over Iran’s participation in a tournament hosted by the US, Canada and Mexico.Logistical Hurdles and Visa DelaysTeam preparations have been disrupted by a series of practical obstacles:More than two weeks of training in Antalya, Turkiye, with occasional trips to Ankara for US‑embassy visa applications.Visa approvals finally obtained from the Mexican embassy in Ankara, allowing travel to Mexico this weekend.Training base shifted from Tucson, Arizona, to Tijuana, Mexico, after US‑entry permit issues.First two group matches scheduled near Los Angeles, a city with a large Iranian diaspora.These logistical setbacks have forced the squad to adapt quickly while maintaining focus on on‑field performance.Psychological Impact on Players and Fan ExpectationsMidfielder Saeid Ezatolahi (29) acknowledged the mental strain: “It is not easy… the political situation can affect the mind of the players.” He added that the large Iranian community in Los Angeles will bring heightened pressure, but also motivation to “make them proud.”Young forward Mohammad Ghorbani (24) echoed the sentiment, emphasizing the team’s role in bringing joy to a nation “going through a lot of difficulties.” The dual burden of representing a war‑torn country and meeting diaspora expectations creates a unique psychological landscape for the squad.Future Outlook: Performance and Regional RepercussionsIran is placed in Group G with New Zealand, Belgium and Egypt. The team’s first match against New Zealand is set for 14 June 2026 at the Los Angeles Rams’ stadium in Inglewood, followed by Belgium on 21 June and Egypt on 26 June in Seattle.Success on the pitch could serve as a symbolic rallying point for Iranians at home and abroad, while continued conflict may amplify scrutiny on the nation’s diplomatic stance. Observers will watch whether the squad can translate resilience off the field into competitive results, potentially reshaping perceptions of Iranian sport amid geopolitical tension.

The Lead Billings reservoir, Brazil's largest urban water source, is facing a critical environmental crisis that threatens the water supply for 22 million people in São Paulo. Despite its vital importance for energy generation, flood control, and drinking water, decades of pollution and mismanagement have pushed this crucial ecosystem to the brink of collapse. The Environmental Crisis at Billings Biologist Marta Marcondes and community activist Wesley Silvestre Rosa navigate the polluted waters of Billings reservoir, monitoring contamination levels and documenting the environmental degradation. Large areas of the reservoir are contaminated with household and industrial waste, pharmaceutical residues, microplastics, and fecal matter, creating what Marcondes describes as a smell that "you could die if you drank this." The Scale of Contamination At 127 sq km (49 sq miles), Billings reservoir serves as a critical water source for the 22 million people living in São Paulo's metropolitan area. Despite its importance, urban planners attribute the contamination to neglect by local authorities, flawed water management policies, and uncontrolled urban expansion. The reservoir also generates energy via a hydroelectric dam and plays crucial roles in flood control, irrigation, and providing cooling during extreme heat. The Human Impact Roughly 1.5 million people live around Billings, many in favelas or other irregular housing settlements. In January, residents blamed São Paulo's water utility, Sabesp, for dumping waste into the reservoir, resulting in environmental fines. Sabesp attributed the incident to "irregular entry of rainwater into the sewage network" and "hydraulic overload of the system" intensified by heavy rains. The Historical Context Built to power São Paulo's growing industrial base via the Henry Borden hydroelectric plant, Billings reservoir marked its 100th anniversary last year. Urban planner Nabil Bonduki suggests that the redirection of polluted water from the Pinheiros and Tietê rivers to supply the plant has turned Billings into an "environmental sacrifice zone," prioritizing energy production over environmental health. The Path Forward Marcondes warns that without immediate action, the risk of a "collapsed system" is imminent. Community activists and scientists continue monitoring the reservoir's condition, collecting samples, and documenting pollution sources. The ongoing crisis highlights the urgent need for comprehensive water management reforms and sustainable urban planning to protect this vital resource for future generations.

The End of an Era for Free-to-Air Cricket As Rudi Koertzen and Billy Bowden removed the bails at The Oval and celebrations began across the country after a grandstand finish to an epochal Ashes, it signalled not only the end of England's 18-year wait to claim back the urn, but the last rites of live Test match cricket on terrestrial TV in the UK. In December 2004, the ECB announced a landmark four-year deal worth £220m that gave Sky exclusive rights to show live cricket, with Channel 4 – which had been showing home Test matches since 1999 – left with nothing. This decision, made more than 20 years ago, remains one of English cricket's most controversial and divisive moments. The Financial Breakthrough Behind the Paywall For Giles Clarke, who led the negotiations in his role as chair of the ECB's marketing committee, it was a simple case of economics. "The alternative was a significant decline in income," said Clarke at the time. "Major cuts would have had to have been made in the funding of the England team, the support structure and to county cricket clubs as well." Clarke insists that the ECB's financial modeling presented a bleak picture if they were to accept Channel 4's bid. "We worked out that at least seven counties would have had to close, and I'm being very serious here. We would have had to cut back on our youth programmes and we couldn't see what we could fund. The game as we knew it, in the opinion of the guys who did the financial modeling, would not exist." In negotiations with Vic Wakeling, Sky's head of sport, Clarke insisted the ECB would need more money if they were to justify the decision to take live cricket off free-to-air. "We sat Vic down and said, 'If you don't [increase your offer], we aren't going to consider doing this with you. You've got to give us a better reason.' We got Sky to increase their bid by £30m. I think we did a bloody good job on the money." The Audience Impact and Accessibility Concerns Channel 4 had innovated in areas that had never been touched before, according to Mark Nicholas, Channel 4's frontman across their seven years as the home of Test cricket in the UK. "We made the game more accessible by the way that we styled it, so it didn't feel too elitist or too difficult." Having won the broadcasting rights before the 1999 season, the same summer that England were defeated by New Zealand on home soil to become officially the worst Test side in the world, Channel 4 brought viewers the team's subsequent rise under Nasser Hussain and then Michael Vaughan, culminating in the Ashes triumph of 2005 when a peak audience of 8.4 million tuned in to watch Ashley Giles and Matthew Hoggard clinch a nail-biter at Trent Bridge. When England sealed the deal at The Oval just over a week later, Channel 4 reported their highest-rating day ever – at 23.2%, the channel's total share of all TV viewing broke the record set by the Big Brother final three years earlier. By then the ink had dried on the ECB's contract with Sky. The Divisive Legacy of the Decision Channel 4 released a statement saying they hoped the ECB "would not come to regret its decision to turn its back on the hundreds of hours of terrestrial exposure that Channel 4 was offering". Their innovative coverage had been widely lauded since they had usurped the BBC to win the broadcasting rights alongside Sky in a two-pronged deal that involved the latter showing one home Test match each summer between 1999 and 2005. Speaking to key figures involved at the time, it's clear that passions still run high. There remains a sense of animosity between the different camps, accusations of underhand PR campaigns, and a refusal to accept that the other side may have a point. There are legacies to protect. In a sense, it's English cricket's Brexit. "We were faced with a horrendous situation but there was no doubt in the minds of all of us who were involved, and there was no doubt in our minds 15 years later, that we did the only thing we could do," says Giles Clarke, reflecting on the deal he struck with Sky 22 years ago. "There have been a lot of lies and rubbish said about this. Channel 4 did not bid for all the Test matches – they only wanted the second series each summer. The BBC said they were not going to bid two days before the did date for bids. Sky had bid for absolutely everything." The Future Outlook for Cricket Broadcasting More than 20 years later, it remains one of English cricket's most divisive and controversial decisions. Did taking live cricket off free-to-air TV secure the future of the English game, or hold it back at exactly the moment it was ready to fly? "When they did the deal in 2004 for 2006 to 2009, they actually only got £55m per year," said Terry Blake, the TCCB's marketing manager and then ECB's commercial director between 1989 and 2003. "So for £10m per year more, which no doubt helped Giles Clarke secure his chairmanship for years to come, they moved it off free-to-air television altogether. I would turn it round and say: imagine the audiences we would have grown and the interest we would have had at the grassroots level had we stayed on free-to-air, even if we'd had to take a slight drop from the £45m per year [received from the 2002-05 deal with Sky and Channel 4]. Whatever money was put into the grassroots because of additional money from Sky, it could never replace the top-down approach." "The music, the graphics, the commentary team, the public's love of it – it had become really rather special," recalls Nicholas. "It was a bit of a cult. The coverage in 2005 was probably universally appreciated more than any other at that stage, so much so that even Kerry Packer in Australia was saying, 'How come they're doing it better than we're doing it?' When you give something such a deep dive, and you're going so well with it, and you feel like you've got so much left to do, it's difficult to stomach that the rights have moved on."

Lead: A High‑Stakes Clash Under the Paris SkyIn the French Open 2026 women’s semi‑final, Marta Kostyuk (23) meets Russia’s prodigy Mirra Andreeva. Beyond the tennis, the match carries the weight of a nation at war, as Kostyuk’s family home in Kyiv was struck by a missile just hours before her opening round.Kostyuk’s Clay Dominance Meets Andreeva’s Russian RiseKostyuk arrives on a 17‑match winning streak on clay, having defeated Andreeva in the Madrid Open final a month earlier. Andreeva, the highest‑ranked player left in the draw, burst onto the scene as a 17‑year‑old semi‑finalist in 2024 and is already being touted as a future Grand Slam champion.Numbers That Tell the StoryAge: Kostyuk – 23; Andreeva – 19 (born 2007)Winning streak: 17 consecutive matches on clay for KostyukRecent head‑to‑head: Kostyuk won Madrid Open final, 2026Potential historic milestone: First Ukrainian woman to reach a major finalImpact: Geopolitics, Identity, and the Future of Women’s TennisThe war in Ukraine has cast a long shadow over the tournament. Kostyuk’s personal story – learning of a missile strike near her family home – underscores how athletes become symbols of national resilience. A win would not only be a personal triumph but also a morale boost for Ukraine, highlighting sport’s role in soft power and international solidarity.Andreeva’s presence in the semi‑final reflects Russia’s continued depth in women’s tennis, despite broader geopolitical isolation. The match pits two young Eastern European talents against each other, each representing divergent narratives on the global stage.Looking Ahead: What a Kostyuk Victory Could MeanIf Kostyuk prevails, she will face another Russian, Diana Shnaider, in the final, setting up a potential all‑Russian showdown for the title. Regardless of the outcome, the semi‑final will amplify discussions about athlete activism, the psychological toll of conflict, and the evolving power balance in women’s tennis.

The Lead The musical 'High Society', based on Cole Porter's songs, has been reviewed. Despite its smooth staging and heavenly songs, the show lacks human drama and emotional depth. Cole Porter's Smooth but Flawed Musical Five years ago, the Barbican staged the first of three Cole Porter musicals in quick succession. 'High Society' is the latest, and it's about the romantic shenanigans of the American east coast gentry. Immaculate in its song and dance, it is smoothly staged from the minute the (doomed) multitiered cake is wheeled on for the upcoming wedding in Long Island. The Data Analysis The musical features songs like 'Who Wants to Be a Millionaire?', 'True Love', and 'Now You Have Jazz'. The show is directed by Rachel Kavanaugh, with choreography by Anthony Van Laast. The cast includes Helen George, Julian Ovenden, David Seadon-Young, and Freddie Fox. The Impact Analysis Despite its technical proficiency, the show lacks the human drama and emotional depth that makes a musical truly memorable. The characters feel underdeveloped, and the romantic plotline lacks tension and stakes. The show's preoccupation with dazzling the audience musically and visually comes at the expense of story and character development. The Prediction The musical will tour until 14 November, after closing at the Barbican theatre, London on 11 July. While it will likely delight fans of Cole Porter's music, it may not leave a lasting impact on audiences.

The Passing of a Literary IconMarjane Satrapi, the French-Iranian artist, film-maker and graphic novelist whose acclaimed memoir Persepolis helped reshape international perceptions of Iran, has died at the age of 56. In a statement provided to French news agency AFP, relatives said she had "died of sadness" after the death of her husband, the Swedish producer Mattias Ripa, who passed away on 8 April last year.A Life of Art and ResistanceBorn in 1969 in Rasht, Iran, near the Caspian Sea, Satrapi was raised in Tehran by her father, an engineer, and her mother, a dress designer. As a teenager, she left Iran after her parents sent her to Europe to continue her education, hoping to spare her from the restrictions imposed under the Islamic Republic. She eventually settled in France, arriving in 1994 and later becoming a French citizen in 2006.Throughout her life, Satrapi was a vocal opponent of Iran's clerical establishment. In 2000 she published Persepolis, a comic book memoir that became an international publishing phenomenon. It told the story of a rebellious and outspoken young girl navigating the upheaval in Iran after the shah is overthrown in 1979 and the establishment of the Islamic Republic.The Impact of PersepolisThe memoir sold millions of copies, established Satrapi as one of the most widely read Iranian authors in the world, and its success challenged many western assumptions about Iranian society and culture. Satrapi later co-directed the animated film adaptation of Persepolis, which became an international hit and earned her a place in Oscar history as the first woman nominated for the Academy award for best animated feature.Satrapi has described how she initially had little expectation that Persepolis would reach publication. At the time, she was still an arts student in Strasbourg and had relatively limited professional experience in comics. "With Persepolis, I didn't even think I'd find a publisher," she said in a 2020 interview. "I thought I'd make 50 photocopies for my friends to read."A Voice for Iranian WomenSatrapi went on to direct five feature films, including Radioactive (2019), starring Rosamund Pike as the pioneering scientist Marie Curie. After leaving comics for years, in 2024, she returned to the medium, coordinating Woman, Life, Freedom, a collaborative graphic work bringing together 17 Iranian and international comic artists alongside academics and researchers. The book examined the protest movement that emerged after the death in custody of Mahsa Amini, a 22-year-old Kurdish-Iranian woman detained in 2022 for allegedly failing to comply with Iran's mandatory headscarf rules.Discussing the book, Satrapi said: "The only thing I can do is cultural work ... This book is a message to the Iranian people to say, listen, you are not alone."A Legacy of Freedom and ExpressionTributes have been paid to Satrapi from across French politics and culture following news of her death. President Emmanuel Macron said Satrapi was "a great artist who turned her Iranian childhood into a universal tale," adding: "With her childlike perspective, her irony, her tenderness, her inner demons, the author created a moving world with which readers identified."French journalist Tristane Banon paid tribute to Satrapi on X, writing: "Marjane ... you won't call me to wish me a happy birthday and 'celebrate those little cheeks that I adore'... and I can't get over it. You were freedom and determination. Courage too. One day, the Iranian people will be free, with you and as much as you."