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Apple has launched its latest laptop, the MacBook Neo, which marks a significant departure from its traditional Mac lineup. The Neo is powered by an A18 Pro chip typically found in iPhones, offering a highly performant experience, particularly in everyday tasks.The MacBook Neo starts at £599 (€699/$599/A$899), making it an attractive option for those looking for a budget-friendly laptop without sacrificing performance. The laptop features a 13in LCD screen with a resolution of 2408x1506 and 219 ppi, 8GB of RAM, and storage options of 256GB or 512GB.Despite its lower price point, the Neo doesn't feel like a cut-price machine. The laptop has a high-quality aluminium body, sleek lines, and rounded corners, similar to the MacBook Air and Pro models. The keyboard and trackpad are also top-notch, with the trackpad being mechanical rather than haptic.The Neo's performance is impressive, handling complex edits to multiple large file photos in Affinity and Pixelmator Pro without breaking a sweat. It's also capable of light video editing, making it suitable for everyday tasks.The laptop's battery life is excellent, managing about 13 hours between charges for general browsing, note-taking, image editing, chat, and emails. The Neo also features a 1080p webcam, good mics, and decent speakers.However, there are some limitations compared to the more expensive MacBook Air, such as no wifi 7, no Thunderbolt, no 5K display support, and only 8GB of memory. Nevertheless, the MacBook Neo sets a new benchmark for budget-friendly laptops, making it an attractive option for students and those on a budget.

James McAvoy, a renowned British actor, has spoken out about the challenges of being typecast due to his Scottish accent. In an interview, McAvoy discussed his directorial debut, 'California Schemin', a film based on the true story of two Scottish men who posed as Los Angeles rappers.McAvoy emphasized the importance of authenticity in storytelling, particularly when it comes to regional accents and cultural representation. He shared his own experiences of being reduced to a "noise" due to his accent, highlighting the need for more nuanced portrayals of Scottish characters in film.The film, which stars Séamus McLean Ross and Samuel Bottomley as the two Scottish protagonists, explores themes of friendship, circumstance, and the limits of authenticity. McAvoy expressed his desire to make films that showcase working-class Scottish stories, saying, "I don’t think we make enough to satisfy the cultural needs of the 6 million people that live in this country."McAvoy also touched on the issue of limited opportunities for Scottish actors, citing the lack of greenlit projects and the dominance of a few established stars. He praised Screen Scotland for its efforts to boost the country's film industry, which aims to be worth £1 billion within five years.'California Schemin'' is set to release in UK and Irish cinemas on April 10, offering a fresh perspective on Scottish storytelling and the complexities of cultural identity.

Within its opening weekend on Netflix, Peaky Blinders: The Immortal Man attracted over 25 million streams, outpacing all other titles that week despite already enjoying a UK cinema run and a high‑profile red‑carpet premiere at Birmingham’s Symphony Hall.Banijay Entertainment, a co‑producer of the film, capitalised on the buzz by launching an official Peaky Blinders merchandise store, underscoring how streaming services are now flipping the classic content pipeline—moving from streaming to the big screen rather than the reverse.Beyond promotional stunts, these theatrical forays are becoming a strategic revenue stream and franchise‑building tool. Shows such as Stranger Things, KPop Demon Hunters and The Mandalorian are being repackaged for cinemas, offering fans a premium, event‑style experience that streaming alone cannot replicate."Cinema still creates anticipation, hype and a sense of scarcity that streaming platforms struggle to match," explains Ben Woods, analyst at MIDiA Research. Historically, Netflix limited theatrical releases to qualify films like The Irishman for awards, but the current focus is on monetising proven intellectual property across both mediums.The success of Peaky Blinders—a series with a built‑in audience—demonstrates the model’s viability. Lead actor Cillian Murphy, who also produced the film, described the release as "one for the fans," signalling the intent to reward loyal viewers.Netflix’s own experiment with KPop Demon Hunters proved lucrative: limited theatrical screenings across two weekends generated more than $24 million (£18 million) at the box office and helped the animated musical secure two Academy Awards for Best Animated Feature and Best Original Song.Co‑CEO Ted Sarandos highlighted that the film’s triumph stemmed from its initial Netflix debut, which fed the theatrical audience via the platform’s recommendation engine. While a sequel is slated to follow the same streaming‑first rollout, the Peaky Blinders movie’s cinema‑first launch shows that release strategies remain flexible.Industry observers note that gaps in the traditional release calendar give streaming services opportunities to fill weekends with original content, a tactic Netflix is actively exploiting.Major studios are also blurring the line between streaming and cinema. Disney, for example, transformed its hit Disney+ series The Mandalorian into a feature film, reflecting a broader push to bring Star Wars stories back to theatres.Adapting episodic narratives for the big screen presents creative challenges. As Ben Woods asks, should a film cater primarily to dedicated fans familiar with the series, or aim for a stand‑alone appeal that attracts a wider audience?Fan reaction to The Immortal Man has been mixed on the Peaky Blinders subreddit, with some critics questioning the decision to condense a season‑long arc into a single film. Nonetheless, the movie enjoys a strong critical consensus, holding roughly a 90 % fresh rating on Rotten Tomatoes.Looking ahead, Netflix announced on 20 March that two new post‑war seasons of Peaky Blinders are in development, raising the question of how soon the next installment might receive a cinematic spin‑off.

David Attenborough’s voice returns to British screens in ‘Secret Garden’, a BBC One series launched to celebrate the network’s 100th birthday. Unlike his classic wildlife documentaries, the show turns the lens toward the UK’s own backyards, exploring how gardens can rival tropical rainforests in biodiversity.Series producer Bill Markham explains that the programme deliberately avoids the usual “lions and tigers” spectacle, aiming instead for a relatable, garden‑centred narrative. He notes that British gardens collectively cover more area than all national nature reserves combined, and that an average garden can host up to 2,600 different species.The series tackles the contentious issue of domestic cats. With 9.5 million pet cats in Britain, Attenborough reveals they may kill around 55 million birds each year. Simple measures—such as fitting cats with bells—can slash hunting success by one‑third, while raising bird feeders reduces fatalities further.Markham stresses that the current predator‑prey balance is “unfair on the prey”, noting that cats are “the biggest predator in our gardens” yet are constantly fed, leading to an unsustainable population. He cites ecologist Dr Davide Dominoni, who suggests that keeping cats indoors during the breeding months of April and May could dramatically lower bird deaths.Beyond cats, the series examines other garden‑linked wildlife challenges. Each year, over 30 million pheasants—an Asian species—are released into the countryside, where they prey on native insects, reptiles, and amphibians. Markham argues that despite the countryside lobby’s claim that pheasant shooting sustains rural jobs, the practice “mess‑es with the ecology”.‘Secret Garden’ also showcases rare footage, including a pine marten hunting sand martins, an otter preying on ducks, and intricate mayfly battles reminiscent of the famed “snakes vs. iguana” scene from Planet Earth II. These moments underline the hidden drama unfolding in everyday green spaces.Markham hopes the series will soothe the growing eco‑anxiety many feel about climate change. He points out that the UK boasts roughly 25 million gardens, with 80 % of the population having access. Simple actions—like planting a native tree to boost caterpillar supplies for birds—can make a measurable difference.While the show may provoke cat owners and countryside advocates, Markham believes the nation’s love for “animals, gardens and David Attenborough” will drive a collective re‑thinking of garden stewardship. As Attenborough reflects, his first encounter with nature likely occurred in his own garden, setting him on the path to becoming the world’s most renowned naturalist.‘Secret Garden’ airs from 5 April on BBC One and iPlayer.

The UK government has imposed a significant fine of £390,000 on Apple Distribution International (ADI), a subsidiary of tech giant Apple, for violating sanctions against Moscow. The breach occurred when ADI made two payments totaling over £635,000 to a Russian streaming service, Okko, which was owned by a sanctioned Russian entity.ADI, based in Ireland, is responsible for selling Apple products in Europe and the Middle East. The payments were made through a UK-based bank from an ADI bank account in Britain. The fine was imposed by the Office of Financial Sanctions Implementation (OFSI), the UK's sanctions watchdog.According to OFSI, ADI voluntarily disclosed the payments, and the fine was imposed after settlement talks. The watchdog noted that ADI had no reason to suspect that the payments would breach sanctions. However, OFSI emphasized that non-UK companies can be found in breach of sanctions if they use UK financial institutions to conduct payments.The case highlights the importance of robust due diligence frameworks for companies to monitor their client and customer base. Using third-party sanctions screening firms, as ADI did, carries risks. An Apple spokesperson stated that the company takes sanctions compliance extremely seriously and is constantly working to enhance its compliance protocols.The fine is a significant development in the enforcement of sanctions against Russia, which were imposed following the country's invasion of Ukraine. Sberbank, Russia's largest bank, was among the first Russian companies to be added to the UK's sanctions list after the invasion.

Actor Corey Feldman, known for his role in Stand By Me, has spoken out about being omitted from the Oscars tribute to Rob Reiner earlier this month. Reiner, along with his wife Michele, was remembered during the Academy Awards' in memoriam section. Feldman expressed his feelings of being snubbed, likening it to 'a family reunion I wasn’t invited to.' He mentioned that his co-stars from Stand By Me, Jerry O'Connell and Wil Wheaton, were present at the tribute. “I think Jerry and Wil did what had to be done,” Feldman said. “It was a fleeting moment, so I don’t feel like I missed much at all. Although they did a wonderful job, I would’ve liked to have heard from Wil and Jerry and a few other people up there.” Feldman also noted that plans for events to mark the 40th anniversary of Stand By Me have been scaled down following Reiner's death. “We all would’ve loved to be able to say goodbye in our own ways. Unfortunately, that didn’t happen,” he said. “The best way we can say goodbye is honouring him and his work … and hopefully going out there to celebrate him one last time on a big screen where it deserves to be seen.” The Reiners were found dead at their home on December 14. Their son, Nick Reiner, has been charged with two counts of first-degree murder.

South African Olympic champion Caster Semenya has expressed her strong disapproval of the International Olympic Committee's (IOC) decision to reinstate gender verification tests for the 2028 Los Angeles Games. Semenya, a two-time Olympic 800-metres champion, described the move as 'a disrespect for women'.The IOC's new policy, announced under President Kirsty Coventry, will limit eligibility for women's events to 'biological females' determined through a one-time SRY gene screening. This decision comes after the organization previously abandoned chromosomal sex testing in 1999 due to scientific concerns and athlete backlash.Semenya, who has been a symbol of the struggle for hyperandrogenic athletes' rights, emphasized that such measures 'cause harm' and are unnecessary. She pointed out that the policy seems to imply that women need to prove their worthiness to participate in sports, which she finds disrespectful.The IOC's policy shift aligns with US President Donald Trump's executive order banning transgender athletes from women's sports. Trump took credit for the IOC's decision, stating it was influenced by his order.The new policy follows a gender row at the 2024 Paris Olympics, where Algerian fighter Imane Khelif and Lin Yu-ting of Taiwan were allowed to compete despite failing eligibility tests. The IOC's decision aims to create a unified approach across all Olympic sports regarding athlete eligibility.

The BBC series 'Babies' is redefining television storytelling by tackling the sensitive topic of miscarriage with a unique blend of realism and emotional depth. Created by Stefan Golaszewski, the show follows a couple, Lisa and Stephen, as they navigate the aftermath of a miscarriage and the challenges of expressing their grief.Golaszewski's approach to the subject matter is characterized by his meticulous attention to detail and commitment to recreating real life on screen. The show's cast, including Siobhán Cullen and Paapa Essiedu, praise Golaszewski's dedication to authenticity, which involved painstaking planning and a focus on naturalistic dialogue.The series explores themes of male friendship and the difficulties of expressing vulnerability, as well as the societal stigma surrounding miscarriage. Golaszewski hopes that 'Babies' will contribute to a broader conversation about miscarriage awareness and help to reduce the sense of isolation that many people experience after suffering a miscarriage.The show's use of naturalistic storytelling and emotional depth has been praised by critics and audiences alike, with many noting its impact on their perspective on miscarriage and its effects on individuals and relationships.

Caster Semenya, the South African two-time Olympic 800m champion, has expressed strong disapproval of the International Olympic Committee's (IOC) decision to reinstate sex verification tests for the 2028 Los Angeles Games. Semenya, who has been a symbol of the struggle for hyperandrogenic athletes, described the move as 'a disrespect for women'.The IOC's new policy, announced on Thursday, limits eligibility for female category events to biological females, determined through a one-time SRY gene screening. This move effectively bans transgender athletes and a large number of intersex athletes from women's sports.Semenya, who has male XY chromosomes, is a well-known athlete with a difference in sex development (DSD). She has been a vocal advocate for the rights of athletes like herself, who are often subjected to sex verification tests and scrutiny.The IOC's decision has been met with criticism from Semenya and others, who argue that such tests are ineffective and discriminatory. Semenya stated, 'For you as a woman, why will you be tested to prove that you fit? You know, it's like now we need to prove that we are worthy as women to take part in sports. That's a disrespect for women.'The new policy is set to be implemented starting with the 2028 Olympics, and will be carried out through a saliva sample, cheek swab, or blood sample. This move has sparked controversy, with many arguing that it undermines the rights and dignity of transgender and intersex athletes.