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The LeadPunk, intellectual, feminist, theorist, brave as hell, vulnerable, funny—Valie Export was a hero to many women. Since the 1960s, she was driven by a fierce conviction that art and media would play an essential role in women's liberation: that women must picture their own reality in the name of social progress. In Women's Art: A Manifesto (1972), she wrote that women must "use art as a means of expression, so as to influence the consciousness of all of us". What she demanded was revolution.The Revolutionary Art of Valie ExportI keep returning to her work. Can't stay away. Her work was heavy with explicit threat and pain, and she made evident the violence of forcing women's bodies to inhabit structures that were not designed for them. For the 1973 performance Hyperbulia she crept naked through a corridor of electrified wires, exposing herself voluntarily to shocks. Her 1976 photocollage The Birth Madonna shows a woman positioned like a Renaissance Madonna seated on a drying machine from which spews a bloody towel—it still provokes shock.Challenging Societal ConstraintsExport spoke with tremendous clarity about her work and the ideas underpinning it. Her father died during the war, and she was sent to a convent with her two sisters while their mother worked as a primary school teacher. The first of her many expulsions came aged 10 when she was discovered exploring the nun's living quarters. Her experience of girlhood was of constraint—of having little or no control over her own life.In 1967, aged 27, she swapped her married name Waltraud Höllinger for the moniker VALIE EXPORT. A play on a cigarette brand, written in capital letters, it was a decisive rejection of patriarchal structures. She would be known neither by her father's name, nor by her ex-husband's.The Power of PerformanceHer work was intended to explode the structures containing her—in cinema, in art and in the wider society. In Action Pants: Genital Panic (1969) she walked along the rows of a Munich art cinema with her exposed pubic region level with punters' faces, and plastered the walls of Vienna with posters of herself in crotchless trousers holding a gun.For Tap and Touch Cinema in 1968, she constructed a theatre in a box strapped to her chest, with people on the street invited to reach into the darkness and touch her breasts while she watched them. Documentary of the performance exposes the shifting power dynamic between Export and the men who accept the invitation. It was brilliantly subversive and unsettling.More recently, her 1968 performance From the Portfolio of Doggedness has drawn attention—during which she led Peter Weibel crawling through the streets of Vienna by a dog lead. Weibel was dressed in a business suit, a disturbing echo of the commuters milling around him.A Lasting Feminist LegacyHer 1972 manifesto described how the spark kindled by women's art might ignite far-reaching social change. It concludes by stating the importance of documenting and honouring the life and work of those who had come before, as we must now do hers. "The future of women will be the history of woman."I grieve her in the most selfish way: there were so many things I wanted to ask her about. Having survived decades in which women's art was marginalised and ignored, she had so much to tell us. Like a fool, I kept delaying a planned interview. Now it's too late.

Channel 5 will air a daily highlights show of the 2026 Commonwealth Games, taking over a role the BBC has held since 1954, after the public‑service broadcaster opted out of any coverage due to financial pressures.Channel 5 Wins Commonwealth Games Highlights Rights via TNT Sports Sub‑LicenseChannel 5 secured the highlights package by sublicensing from TNT Sports, the live‑rights holder owned by Warner Bros Discovery (WBD). The agreement ensures a daily programme on Channel 5 while the Games remain available on all HBO Max tiers. The move follows TNT Sports outbidding the BBC for live rights last year.Financial Stakes: £83 bn Paramount‑Skydance Takeover and BBC Cost‑Cutting ContextParamount Skydance is in the process of acquiring WBD in a $110.9 bn (£83 bn) deal, pending regulatory approval.The BBC announced a £500 m efficiency drive, targeting the loss of 1,800–2,000 jobs and a reduced sports budget.WBD will deliver more than 600 hours of live coverage from Glasgow, which it will now also provide as highlights to Channel 5.Implications for UK Broadcast Landscape and Public‑Service MandateThe BBC’s withdrawal marks a significant shift in its public‑service remit, reflecting a strategy focused on cheaper clip‑rights and digital audiences rather than full‑event coverage. Channel 5 is expanding its sports portfolio, recently adding live England T20 cricket, the Club World Cup, and weekly NFL games, positioning itself as a challenger to traditional broadcasters.What This Means for Future Multi‑Sport Event Rights and CompetitionAnalysts expect more commercial tender processes for multi‑sport events, with broadcasters prioritising cost‑effective highlights packages over costly live rights. The deal could accelerate the fragmentation of sports rights across free‑to‑air and streaming platforms, and may prompt the BBC to further re‑evaluate its role in covering events with modest viewership.

The LeadNadim Bawalsa presents a groundbreaking analysis of how the Palestinian diaspora has evolved from a state of denial to confronting the reality of genocide. This shift represents a significant turning point in the collective narrative and identity of Palestinian communities scattered across the globe.The Historical ContextThe Palestinian diaspora, numbering in the millions, has long grappled with the trauma of displacement and the ongoing Israeli-Palestinian conflict. Historically, many within these communities maintained narratives of eventual return and restoration, often avoiding the more brutal realities of their situation. Bawalsa's work traces this psychological journey and the factors that have precipitated a fundamental shift in consciousness.The Diaspora's EvolutionRecent years have witnessed a profound transformation in how Palestinian diaspora communities perceive their situation. What was once framed as a temporary displacement has increasingly been recognized as a systematic campaign of ethnic cleansing and, in the view of many, genocide. This evolution in understanding has been fueled by firsthand accounts, academic research, and the inability of international institutions to address the root causes of Palestinian suffering.The Impact on Global PerceptionThe shift from denial to acknowledgment of genocide has significant implications for how the Palestinian cause is perceived internationally. It has strengthened arguments for boycott, divestment, and sanctions (BDS) movements and has influenced legal proceedings against Israeli officials in international courts. This new framing has also affected political discourse in countries with significant Palestinian populations, leading to more vocal advocacy and solidarity actions.The Future OutlookAs the Palestinian diaspora continues to process this new understanding of their situation, the movement is likely to become more unified in its demands for justice and accountability. Bawalsa suggests that this acknowledgment of genocide will fundamentally reshape Palestinian political strategies and international engagement, potentially leading to more assertive legal and diplomatic initiatives aimed at addressing historical injustices and securing meaningful self-determination.

Executive Overview: A Memoir of Hope Amid SegregationBacktalker by Kimberlé Crenshaw is a candid autobiography that traces her upbringing in Jim Crow Ohio, the loss of family property through eminent‑domain, and the intellectual journey that produced the theory of intersectionality. The Guardian’s review frames the work as both a personal testament and a call to recognize ongoing racial inequities.Crenshaw’s Journey from Segregated Ohio to Intersectionality TheoryThe narrative begins with childhood episodes—being cast as a witch instead of a princess, a Black family’s defiant return to a drained public pool, and her father’s brief legal career—illustrating the daily “backtalk” that forged her resilience. At Cornell she discovered Derrick Bell’s scholarship, and at Harvard Law she confronted the stark absence of Black faculty, prompting protests that foreshadowed her later legal activism. A pivotal case involving Emma DeGraffenreid’s GM lawsuit revealed the limits of Title VII, inspiring Crenshaw to articulate the concept of intersectionality.Publication Details and PricingPublisher: Allen LaneRelease date: 2026Price: £25Available through: guardianbookshop.comWhy Crenshaw’s Story Reshapes Understanding of Race, Law, and Public MemoryThe review underscores that Crenshaw’s personal history mirrors broader systemic patterns—racialized eminent‑domain, under‑representation in elite academia, and the legal blind spot that ignored overlapping discrimination. By linking intimate family anecdotes to national moments such as the Clarence Thomas hearings, the OJ Simpson trial, and Barack Obama’s election, the memoir demonstrates how individual “backtalk” can influence collective legal and cultural narratives.Looking Ahead: The Enduring Relevance of BacktalkerAs debates over voting rights, reparations, and campus diversity intensify, *Backtalker* is positioned to become a staple in both scholarly curricula and public discourse. Readers and educators are likely to cite Crenshaw’s account when arguing for more nuanced anti‑discrimination policies that address the intersecting axes of race and gender.

Al Jazeera’s Report on Renamed Locations in PalestineAl Jazeera’s recent piece documents visits to several sites in the Palestinian territories that have been renamed, illustrating how place‑names are used to assert identity and political claims.Why Renaming Matters in the Israeli‑Palestinian ContextNames serve as symbols of historical memory and sovereignty.Renaming can affect maps, signage, and everyday discourse.Both communities use toponymy to reinforce competing narratives.Potential Outcomes of the Renaming TrendIncreased tension over cultural heritage.Impact on tourism and international perception.Possible legal disputes over official nomenclature.

A Global Folk Revival EmergesMarisa Anderson has released "The Anthology of UnAmerican Folk Music," a groundbreaking collection that interprets folk tunes from Southeast Asia, Soviet Russia, and Islamic/Arabic worlds. The album represents a significant expansion beyond the boundaries of American folk music, inspired by the archives of legendary collector Harry Smith.Rediscovering Musical ArchivesBehind this gorgeous collection lies the legacy of two Americans: the peyote-dropping 78rpm collector Harry Smith (whose 1952 Anthology of American Folk Music presented folk, blues and country recordings from the 1920s and 1930s) and the exploratory guitarist Marisa Anderson. In 2023, she gained access to Smith's shuttered archives, discovering hours of non-American music before learning to perform and share it.Cultural Translation Through MusicAnderson interprets nine tunes from regions shaped by major US conflicts since her birth in 1970. While her liner notes track what is lost and found when translating these compositions, their universal musicality still cuts through. The opener Quodlibet is a beautiful, intricate minor-key medley of Uzbek tunes originally performed on the dambura (a fretless lute), on which Anderson adds bluegrass techniques to counter her inability to play quarter-tones on her guitar.Musical Fusion TechniquesThe album showcases Anderson's innovative approach to blending musical traditions. Her take on a qawwali vocal tune, Hamd, features stacked guitar layers ringing with warmth and emotion. For Sarvi Simin, a shimmering tune from Soviet-era Afghanistan, Gisela Rodríguez Fernández adds violin. In Yemeni tune Zar, intended to exorcise evil spirits from the sick, Anderson and Fernández constantly rearrange five notes without repetition. Dark ambient moods are conjured in Pair of Duduk, on which Anderson shifts the drones of Armenian woodwinds onto reverb-heavy guitar and bassy synths.Bridging Musical CulturesIn her liner notes, Anderson rightly questions how porous far-flung musical cultures really are. The album constantly challenges conventional boundaries between musical traditions, suggesting that contemporary classical composers may have been influenced by these global folk traditions. This approach represents a significant shift in how folk music can be reimagined and recontextualized for contemporary audiences.The Future of Global Folk MusicAnderson's work opens new possibilities for folk music preservation and interpretation. By drawing from diverse musical traditions and techniques, she demonstrates how folk music can continue to evolve while honoring its roots. The Anthology of UnAmerican Folk Music Vol 1 stands as both a tribute to Harry Smith's legacy and a bold step forward in global musical appreciation, suggesting that the future of folk music lies in its increasingly interconnected global nature.

The LeadRenowned actress Linda Bassett reflects on her distinguished career spanning decades of theatre work, her celebrated collaboration with playwright Caryl Churchill, and her upcoming role in Alexander Zeldin's "Care" at the Young Vic. Known for her understated yet powerful performances, Bassett shares insights into her approach to acting and the profound impact of theatre on her life.The Career JourneyBassett's path to acting wasn't conventional. Despite coming from a non-theatrical family, she discovered her passion at age four when she was unexpectedly thrust into a Sunday school Easter play. "I was in bliss," she recalls. Her formative years included ushering at the Old Vic during Laurence Olivier's legendary tenure, where she witnessed groundbreaking performances and even sold ice creams during intermissions.After briefly studying English at Leeds University, where she focused on drama rather than academics, Bassett began creating devised work in Leeds and Coventry. This experience, she suggests, "made me a bit gobby," developing her confidence to make suggestions as an actor, though she admits she sometimes oversteps when working with certain playwrights.The Churchill ConnectionBassett's most significant artistic relationship has been with playwright Caryl Churchill, beginning with "Fen" in 1983 and continuing through to "What If If Only" in 2021. She describes auditioning for Churchill as "enormous" because it launched her on a particular trajectory. Her disconcerting clarity has made her a peerless interpreter of Churchill's work, which some audiences find forbidding."They're not hard to watch," Bassett protests of Churchill's plays. She recalls her iconic monologue in "Escaped Alone" where the phrase "terrible rage" is repeated 25 times in succession. "It was the only thing to say at that point. The words fed the feeling, and it was the audience who felt it, not me, which is ideal." Churchill's writing, she notes, is "so distilled, no excess baggage," requiring actors to find "the one way" to play them.From Call the Midwife to CareDespite notable film roles including "East Is East" and "Calendar Girls," many audiences know Bassett as stern nurse Phyllis in the BBC's "Call the Midwife." "Complete strangers come up and say, I love you. My wife loves you, my mother loves you. It's extraordinary," she remarks of the public's connection to the character. Despite playing Phyllis for over a decade, she found fresh aspects to explore, learning "how to be" more matter-of-fact and practical than her natural disposition.Currently rehearsing Alexander Zeldin's "Care" at the Young Vic, Bassett plays Joan, a woman who after caring for her family begins showing signs of dementia and needs care herself. "She's convinced, as many people are, that she's just in for respite. She never loses the idea that she's going home," Bassett explains. The role draws from personal experience; after a heart attack, she spent two weeks recuperating in a care home, giving her "an insight into what it's like when you become helpless."The Actor's Philosophy"Every part is an education," Bassett states. "That's the glory of being an actor. You learn about human feelings and frailty and rottenness. The writer puts their soul on the page, and you inhabit that. I've always felt I was a writer's actor." This philosophy has guided her selective approach to roles, resulting in a "remarkably free of crap" CV despite turning down numerous opportunities.Though she hasn't performed as many classics as she might have hoped—"I think I'm seen as a working-class actress"—Bassett values the authenticity she brings to her roles. With Zeldin directing "Care," she appreciates his desire for "absolute truthfulness," which "suits me down to the ground." As she prepares for this new challenge, she acknowledges the nerves: "Every new part you're starting again. It's a bit scary, but I think we'll be all right."The Future of TheatreAs a veteran performer who has witnessed theatre's evolution, Bassett remains committed to the medium's power. She recalls the impact of Ronald Pickup's messenger speech in Peter Brook's production of Seneca's "Oedipus": "People fainted every night. You didn't see anything, his voice was enough. That's the power of theatre, isn't it?"Looking ahead, Bassett continues to seek roles that challenge her and explore the human condition. Whether through her meticulous interpretation of complex playwrights like Churchill or her willingness to portray the vulnerability of aging in "Care," she remains dedicated to the craft that has defined her life. "Every part is an education," she reiterates, and with each new role, Linda Bassett continues to learn, grow, and enrich the theatrical landscape.

The End of an Era: Outlander's Final Season After twelve years on air, Outlander is concluding its remarkable journey this week. The series, which began with WWII nurse Claire Randall discovering a magic stone circle and traveling back to 18th century Scotland, has evolved into one of television's most unique and beloved dramas. As it approaches its finale, fans are left with mixed emotions—relieved for the stars who can finally rest, yet nostalgic for a show that dared to be delightfully ludicrous while maintaining historical authenticity. A Time-Traveling Romance Like No Other Outlander distinguished itself from other period dramas with its fantastical premise. What began as a simple story about a woman who falls through time to meet her true love expanded into an epic saga spanning centuries and continents. The show masterfully blended historical events like the Battle of Culloden and the lead-up to the American Revolution with personal drama, creating a narrative that was both educational and entertaining. Its attention to historical detail, from costumes to settings, earned it critical acclaim, including Emmy recognition for costume design. The Cultural Phenomenon of Outlander What started as a niche book adaptation became a global phenomenon. The show's devoted fanbase, often referred to as 'Outlander fans,' created a vibrant community around the series. Its unique blend of steamy romance, historical adventure, and time-travel fantasy appealed to diverse audiences. The chemistry between leads Caitríona Balfe and Sam Heughan became a cornerstone of the show's success, with their portrayal of Claire and Jamie Fraser setting a new standard for on-screen partnerships. The series also pushed boundaries with its frank depiction of sexuality, normalizing conversations about desire in period dramas. What Made Jamie and Claire's Relationship Special At the heart of Outlander lies the extraordinary relationship between Claire and Jamie. Unlike many period dramas that portrayed relationships through unequal power dynamics, Outlander presented a partnership based on mutual respect, desire, and intellectual equality. Their bond transcended time itself, surviving separations of decades and countless historical challenges. The show explored intimacy in a way that was both realistic and fantastical—from their wedding night where Claire teaches virgin Jamie the ways of love to more adventurous encounters like their famous scene in castle ruins. Their dynamic, marked by Jamie's term of endearment 'Sassenach' for Claire, became one of television's most beloved romances. The Legacy of Outlander As Outlander concludes its run, its legacy extends beyond entertainment. The show demonstrated that period dramas could successfully incorporate fantasy elements while maintaining historical integrity. It proved that female-led stories with complex characters could thrive in a genre often dominated by male narratives. For many viewers, Outlander provided an escape while also educating them about historical events and Scottish culture. The series' conclusion marks the end of an era for both its dedicated fans and the stars who brought these characters to life over eight remarkable seasons.

The Global Landscape of Conscientious ObjectionAcross the world, individuals who refuse to participate in military service based on moral, religious, or ethical beliefs face varying consequences depending on their country's legal framework and cultural attitudes toward military service.Legal Frameworks and ProtectionsInternational law recognizes conscientious objection as a human right, but implementation varies significantly. Some countries provide alternative civilian service, while others impose prison sentences or social penalties for those who refuse military duty.Case Studies from Different RegionsThis article examines how different nations handle conscientious objection, from countries with robust protections to those where refusal can result in severe punishment.The Evolution of Conscientious Objection RightsHistorically, the recognition of conscientious objection has evolved alongside changing attitudes toward military service, particularly following major conflicts and peace movements.Future Outlook for Conscientious ObjectorsAs global conflicts continue and military technologies advance, the rights and protections for conscientious objectors remain a contentious issue in international human rights discourse.