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The Discovery Jem Calder's writing career had a fairytale start. Sally Rooney emailed him, impressed with a short story he'd submitted to the literary magazine she was editing soon after Conversations with Friends came out. It was the first story he'd ever completed. Calder was already 'a huge fan' of Rooney's, so the whole thing was surreal, he tells me. 'I can't really imagine what could top that, to be honest.' The Writing Career That story ultimately ended up in Reward System, Calder's 2022 collection of six interconnected tales following a cast of sad young things living in an unnamed city. It was hailed as a book of the year; a review in this paper placed Calder among 'the most talented young writers of fiction at work today'. Now, his debut novel, I Want You to Be Happy, picks up some of the themes of the first book: the trials of modern love, millennial ennui, consumer culture, technology, political and ecological doom. The Novel's Themes The novel explores the challenges of modern relationships, with characters struggling with commitment, addiction, and the search for meaning in a dismal macroeconomic climate. Calder's characters are addicted to instant gratification – buying stuff, social media, vaping, porn – anything to ward off the world's horrors. The Author's Perspective Calder grew up in Cambridge, studied English at Leeds, and has since worked a variety of jobs alongside writing, including those of his protagonists – Joey is a barista, and Chuck is a copywriter. He says he 'truly can't relate' to authors who complain of writer's block – having to work a day job 'gives me such motivation to get back to it and force myself to deal with something difficult in my writing'. The Future Calder could be grouped with a cohort of young novelists to whom the 'voice of a generation' label can easily be applied, alongside the likes of Rooney, Oisín McKenna, Madeleine Gray – writers concerned with how a dismal macroeconomic climate impacts young lives. How does Calder feel about that badge? It 'isn't something I consciously pursue at all', he says. 'It's unavoidable not to critique capitalism in some way if you're trying to address the absurdities of how we live now, but I also don't care about putting my political views in my fiction. The goal is always to just write realistically about how life feels.'

The Life of a Multifaceted ArtistRay Burgoyne, a painter, carpenter and musician from Essex, has died aged 80. He first exhibited his paintings in the late 1980s and spent the next 30 years organizing countless exhibitions across the Essex and Suffolk coastline. Burgoyne was self-taught and arrived in the art world with a seemingly fully realised, studied vision.An Artistic Journey of Abstract ExpressionThe extensive body of work Burgoyne produced mirrored the abstract ballad that was his life – romantic, unpredictable, filled with both childlike simplicity and dark complexity. His paintings featured carnivalesque characters, forgotten landscapes, and were painted in pure, deep colors. When viewing his more abstract paintings, typically characterised by thick oil application and conjured shapes, he was often confronted with the question: "So, what is it actually meant to be?" to which he would reply with that unmistakable Ray smile, "It's whatever you think it is."Early Life and Musical RootsBorn in Southend-on-Sea, Essex, Ray was the youngest of two children of Joseph Burgoyne, a greengrocer, and Dolly (nee Nash). His early life was characterised by fierce independence, spent trying to ride on the back of his pet pig, Rosie, pretending to be one of Alan Ladd's cowboys, fishing at the end of the pier and drinking in seafront dance halls to the soundtrack of the Shirelles.The Mod Scene and Musical CareerBy the early 60s, Ray was at the heart of the emerging mod scene in Southend as a founding member and drummer for the Flowerpots, a local rhythm and blues band who opened for the Animals and the Who. He stayed in the band until 1966, demonstrating his early artistic expression through music before transitioning to visual arts.Carpentry and Family LifeRay dreamed of going to art school, but after leaving Wentworth high school for boys, aged 14, was sent to work at a cabinet maker's as an apprentice carpenter. He continued to work as a carpenter throughout his life, at a boat-building yard in Leigh-on-Sea, doing shop fitting and antique restoration around Essex, and installing shows for the Design Centre in central London. In the mid-70s, he became master carpenter at the Palace theatre in Westcliff-on-Sea, building and constructing sets for repertory productions.Personal Relationships and Later YearsIn 1968 he married Sylvia, and they had four children, Claire, Paul, Helen and Sam. Ray and Sylvia divorced in 1986, and Ray married Gilly, a student nurse, later that same year. They had two children, Phelan and the author of this obituary. After the family moved to the village of Friston, in Suffolk, in 1999, Ray finally became a full-time artist.Artistic LegacyRay exhibited both solo and in groups, primarily in the nearby seaside town of Aldeburgh, with established and fledgling artists. He is survived by Gilly, his six children and 15 grandchildren. His artistic legacy continues through his extensive body of work that captured the romantic, unpredictable nature of his life through abstract expressionism and deep, pure colors.

The Lead: A Tale of Repression and Hidden DesiresThere's a common greeting in the Outer Hebrides: the lineage-establishing "Who do you belong to?" By the time this question is posed to 22-year-old gay Harris islander John-Calum Macleod, or Cal, in Douglas Stuart's new novel, there is a sense that Cal is his father John's beyond the ordinary claims of blood – the latter's sway containing undercurrents of domineering ownership.The Novel's Core Themes: Repression and Self-Denial in a Conservative CommunityThe book opens with the two conducting a strange ritual over the phone, performed regularly ever since Cal moved to Edinburgh to study textiles: John, a precentor, reads to Cal in Gaelic from the New Testament and has him sing back "with the full power of his belief". The verse John recites – which prefigures the novel's themes of repression and self-denial – urges the faithful to guide the errant and to stay vigilant against temptation. After receiving Cal's assent, John orders him to return home, ostensibly because Cal's maternal grandmother, Ella, is sick. Though John lives with Ella in her croft house, she is his ex-wife's mother and thus not his responsibility.Set within a tight-knit Free Presbyterian community of farmers, weavers and fishers in what appears to be the 1990s, John of John tells the story of Cal's uneasy homecoming. It's a reprise of the parable of the prodigal son and an ardent exploration of the half-lives of queer men condemned to love, pine and suffer in silence. Intimate yet epic in scale, it contains equal parts pastoral drama, tale of familial fracture, love story and inquiry into various forms of loneliness: the loneliness that can reside between fathers and sons, between lovers, between man and God, and between a small place and the big world.Character Analysis: Complex Relationships and Hidden TruthsJohn disapproves of Cal's appearance, his sartorial choices and his long, "flame-coloured" hair, disturbed "by the confused signal they were sending, the strange tension between the masculine and the feminine". Cal's disinclination to be "saved" creates a rift between them that later erupts in violence. Meanwhile, childhood friend and hookup partner Doll gives Cal the brush-off, cross that he's been away for so long. Wearied by his ultraconservative environment, where connection feels out of reach, Cal takes a fancy to his dad's sole friend, confirmed bachelor Innes MacInnes. Cal is struck by Innes's "gentleness, his benevolence – which Cal had never appreciated before, which, if he were honest, he would have said he found boring, unsexy in younger men".This, however, can never be the merry May-December romance Cal wishes it to be. Innes and John are lovers, we learn fairly early on, and it is this pair's tortured relationship since their teenage years – kept secret from everyone, including Cal – that forms the novel's centre of gravity. Masters of discretion, John and Innes are, to townsfolk, neighbouring sheep farmers. The first time we see them alone together, at Innes's, they go through the motions of a long-established routine, allowing themselves to draw close only after John has made sure each room is empty and they are really alone. Later, as John prepares to leave, Innes loudly seeks his assistance over an unspecified "two-man job", "all in case someone should find out and ask what exactly John Macleod was doing upstairs in the MacInnes house at such an ungodly hour".Literary Context: Stuart's Evolution as a StorytellerThe novel tries their bond in ways small and big. Aside from the difficulty of Cal, there is the matter of John's other liaison with a married man, and the tenancy of Ella's house soon to be transferred to Cal's mother. Innes floats the idea of John moving in with him but intuits "how, even under the threat of homelessness, a life together with him seemed no consolation at all". John is a man tormented by the idea of his own depravity: "He loved God. He loved Innes. He loved God and God hated how he loved Innes." At one point he entertains the possibility of Innes, Cal and himself being a family, but even in fantasy, the thought of Cal being gay, like him, remains unimaginable: "They would live like this every day, be useful, peaceful, happy on their land, looking forward to the day Cal married a local girl and filled their croft with grandchildren."The novel is outstandingly canny and wrenching on self-contempt, on the toilsome art of deceit, and on the contradictions we all contain, as well as the friction that can exist between the personal and the collective. As secular values gain ground, there is the suggestion that John and Innes living together could deal a death blow to their local congregation, leaving us wondering whether John and Cal will – or can – come out to one another. Amid all this, Stuart finds the space to touch on crofter subservience to absentee landowners, the scorn and prejudice of mainlanders, and the place of the Western Isles within the English imagination.Critical Reception: A Complex but Ultimately Rewarding ReadJohn of John is certainly enthralling, but the ambient Weltschmerz and the characters' frequent self-pity can be draining. Stuart's first two novels, the Booker-winning Shuggie Bain and its follow-up, Young Mungo, were feats of heartfelt, operatic storytelling, composed as though in defiant response to our age of irony and subtlety. Despite their occasionally miserabilist tenor, the emotions felt guileless and real, whether Shuggie's love for his doomed, alcoholic mother, Agnes; Jodie's for her brother Mungo; Mungo's for his birdkeeping neighbour James or his own doomed, alcoholic mother, Maureen. The impoverished Glaswegian milieus where they were set – marked by Thatcherite ruination, homophobia, sexual predation and sectarian strife – made for sobering reading; but these were novels so lavishly and graciously imagined, so very moving, that you gladly faced up to their gloom.Here Stuart leans heavily on melodrama and sensationalism as a shortcut to tragedy. Towards the end, the novel is eventful to a fault and surfeited with pathos: we have a pregnancy; an attempted shotgun wedding ("What in the world of Thomas Hardy?" says Cal); a death and a momentous departure from the island. While this book will not appeal to those with a low tolerance for excess, diehard romantics will find much to love; I see Cal, John and Innes – knottily entangled and imperfectly endearing – being cherished with readerly devotion. And that is no small feat.

The Continued Journey of the Sumud Flotilla The Global Sumud Flotilla, a coalition of ships from various countries, is persisting in its mission to challenge the Israeli blockade on Gaza. The flotilla, which has been sailing for several years, aims to provide humanitarian aid to the Palestinian people and raise awareness about their plight. The Significance of the Sumud Flotilla The Sumud Flotilla is a symbol of resistance and solidarity with the Palestinian people. The word 'Sumud' is an Arabic term that means 'steadfastness' or 'resilience,' reflecting the determination of the Palestinian people to remain in their land despite the challenges they face. The Israeli Blockade on Gaza The Israeli blockade on Gaza, which has been in place since 2007, has had a devastating impact on the local economy and population. The blockade has restricted the movement of people and goods, leading to widespread poverty, unemployment, and shortages of essential supplies. The Humanitarian Aid Efforts The Global Sumud Flotilla is carrying humanitarian aid, including food, medicine, and other essential supplies, to the people of Gaza. The aid is intended to alleviate some of the suffering caused by the blockade and provide support to those in need. The Future of the Sumud Flotilla Despite facing numerous challenges and attempts to disrupt its journey, the Global Sumud Flotilla remains committed to its mission. The flotilla will continue to sail to Gaza, determined to provide humanitarian aid and raise awareness about the plight of the Palestinian people.

A Visual Journey Through Britain and Ireland's Wildflowers This photographic collection captures the stunning diversity of wildflowers across Britain and Ireland, offering a visual celebration of these natural treasures that adorn the countryside throughout the changing seasons. Iconic Blooms of the British Isles From the iconic bluebells that transform ancient woodlands in spring to the vibrant poppies that brighten meadows in summer, these photographs showcase some of the most recognizable wildflower species found across the region. Each image tells a story of adaptation, resilience, and natural beauty. Hidden Gems and Rare Finds Beyond the familiar species, this collection also highlights lesser-known wildflowers and rare botanical treasures that many visitors might overlook. These plants, often with fascinating ecological relationships and unique adaptations, represent the incredible biodiversity of Britain and Ireland's flora. The Art of Wildflower Photography Capturing these fleeting moments of natural beauty requires patience, skill, and a deep understanding of both photography and botany. The featured photographers share their techniques for highlighting textures, colors, and intricate details that make each wildflower species unique. Conservation Through Photography More than just beautiful images, this collection serves as a powerful tool for conservation awareness. By documenting these wildflowers in their natural habitats, the photographs help raise public appreciation and understanding of the importance of preserving these delicate ecosystems.

The LeadKenya is hosting the Africa Forward 2026 summit in partnership with France, the first of its kind held outside a Francophone country. This significant diplomatic move comes as France seeks to strengthen its presence in Anglophone Africa while Kenya positions itself as the most stable and accessible country in the region.The Strategic AllianceSince President William Ruto took office, Kenya has opened itself up to partnerships with Western countries, positioning itself as the most stable and accessible country in the region. France's colonial past continues to haunt Paris as it has lost influence in several former colonies in West Africa. In response, French President Emmanuel Macron turned to Kenya, a country known for its openness to European investment.The Defence Agreement AnalysisFrance and Kenya signed a defence cooperation agreement in April 2026, preceded by the arrival of 800 French troops in Kenya's coastal city of Mombasa for joint training exercises. The automatic five-year renewable deal includes partnerships in maritime security, intelligence, peacekeeping, and humanitarian assistance. The agreement grants French forces diplomatic-style immunity in Kenya and requires disputes to be resolved through diplomatic channels rather than Kenyan courts.Critics warn that Kenya could risk falling under the influence of a neo-colonial power, citing France's history of unequal partnerships in West Africa. The agreement allows convicted French personnel to serve sentences in France and gives Paris primary jurisdiction over offences committed by its soldiers on Kenyan soil.The Economic ImpactFor France, Kenya offers political stability, economic opportunities, and strategic access to the Western Indian Ocean. For Kenya, the partnership promises investment, infrastructure development, security cooperation, and increased international influence.France is currently Kenya's fourth-largest foreign direct investment partner. According to Kenyan government data, Kenya is the largest consumer of French products in East Africa. France ranks among the largest investors in Kenya, having invested 1.8 billion euros ($2.1bn) over the past decade. As of 2026, at least 140 French companies operate in Kenya, up from 40 in 2013, showing growing interest in the Kenyan economy.The Sovereignty DebateCritics argue that while French businesses have easy access to the Kenyan market and French nationals have visa-free entry to Kenya, Kenyan citizens are not afforded the same privileges, casting doubt on whether the partnership is truly equal.Kenyan politician Caleb Hamisi told Al Jazeera that the defence agreement leaves Kenya vulnerable as a proxy in international disputes, and has become highly unpopular among Kenyans. He pointed to the risk that foreign forces stationed in the country could involve Kenya in military operations or disputes that serve the strategic interests of other powers, rather than Kenya's national priorities.The Future OutlookThe France-Kenya summit is expected to mark a significant turning point in relations between the two countries and, potentially, in France's engagement with Anglophone Africa. With growing French investment, expanding military cooperation, and deepening diplomatic engagement, both countries seem determined to strengthen ties at a time when global powers are competing for influence in Africa.However, the success of this partnership may depend on whether future agreements deliver mutual benefit, transparency, and respect for Kenya's national interests, rather than creating another chapter of foreign influence in Africa, disguised as cooperation. As Kenya faces political unrest and potential protests ahead of its budget season, the government must carefully balance strategic partnerships with national sovereignty concerns.

The Olive Tree Initiative In a heartwarming display of resilience and determination, volunteers in Gaza have come together to plant olive trees at the ravaged al-Shifa Hospital. The initiative aims to bring a sense of hope and renewal to the devastated area, which has been severely impacted by the ongoing conflict. Reviving a Symbol of Peace Olive trees are often seen as a symbol of peace and tranquility in the Middle East. By planting them at al-Shifa Hospital, the volunteers are not only beautifying the area but also promoting a sense of calm and serenity. The hospital, which was once a beacon of healthcare and medical excellence, has been severely damaged and is in dire need of restoration. A Message of Hope The olive tree planting initiative sends a powerful message of hope and resilience to the people of Gaza. Despite the challenges and hardships they face, the volunteers are taking proactive steps to rebuild and restore their community. The event serves as a reminder that even in the darkest of times, there is always a way forward. The Road to Recovery The road to recovery for al-Shifa Hospital and the surrounding area will be long and arduous. However, with initiatives like the olive tree planting, the people of Gaza are taking the first steps towards healing and rebuilding. The international community has a crucial role to play in supporting these efforts and providing the necessary aid and resources to facilitate the recovery process.

Lead: A Visual Celebration of Table Tennis MilestonesThe 2026 Table Tennis Team World Championships in London mark a historic centenary, and The Guardian’s photo essay brings the tournament’s energy, diversity, and cultural relevance to life.Age‑Defying Competition at the Copperbox and Wembley ArenasWang Qi, a 73‑year‑old competitor from Fiji, is the oldest participant, while 12‑year‑old Enya Hu of Switzerland is the youngest, illustrating a 61‑year age gap that underscores the sport’s inclusivity. The event features 380 men and women representing nations worldwide, all competing in the iconic Copperbox and Wembley arenas.Numbers That Tell the Story380 athletes competing across men’s and women’s divisions100‑year anniversary of the first World ChampionshipsAge range: 12 – 73 years (61‑year span)12 tables in action simultaneously during early round‑robin stagesWhy Table Tennis Is Gaining Global MomentumThe sport’s surge in popularity is amplified by its recent cultural spotlight, notably the Hollywood film Marty Supreme starring Timothée Chalamet. This media exposure, combined with the sport’s accessibility for all ages, is driving increased participation and viewership worldwide.Looking Ahead: The Future of Table TennisAs the sport celebrates its centennial, expectations are high for continued growth. Anticipated developments include expanded youth programs, greater media coverage, and potential inclusion of mixed‑team events in upcoming Olympic cycles, cementing table tennis as a mainstream global sport.

The Lead In a world where wealth inequality reaches unprecedented levels, a curious debate has emerged: should "tax the rich" be considered hate speech? Fiona Katauskas's satirical cartoon commentary explores this question by highlighting the disconnect between extreme wealth concentration and concerns about the wealthy's perceived victimhood. The Wealth Divide: A Satirical Perspective The article presents a satirical take on the current economic landscape, where the top 1% accumulate vast fortunes while simultaneously portraying themselves as victims of public criticism. Katauskas's cartoon illustrates the absurdity of suggesting that calls for fair taxation constitute hate speech, particularly when contrasted with the actual hardships faced by the majority of the population. The Data Behind the Divide While the article doesn't provide specific statistics, it references the growing wealth gap that has become a central issue in economic discussions globally. The satirical nature of the piece underscores the disconnect between the reality of wealth concentration and the narrative of wealthy victimhood that has gained traction in certain circles. The Impact on Public Discourse This commentary reflects a significant shift in how economic policy discussions are framed. By questioning whether advocating for progressive taxation constitutes hate speech, the article highlights how the wealthy have successfully shifted the narrative from economic justice to perceived persecution, potentially undermining legitimate policy debates. The Future of Tax Policy Debates As wealth inequality continues to grow, the debate around taxation will likely intensify. The article suggests that recognizing calls for fair taxation as legitimate policy discussions—rather than hate speech—will be crucial for addressing economic disparities and creating a more equitable society.