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Opening: AI’s Role in the Arts ReexaminedAmid widespread alarm that artificial intelligence might decimate creative fields, the Royal Opera’s associate director Netia Jones argues for a more nuanced view: AI should be interrogated, regulated, and ultimately partnered with, rather than feared.RBO/SHIFT Festival Puts AI at the Heart of OperaThe upcoming RBO/SHIFT festival (4‑7 June, Linbury Theatre, London) is designed to explore every facet of AI in the performing arts. By bringing together composers, coders, scholars and performers, the festival asks two core questions: what can AI do for creatives, and what can creatives do for the world in the age of AI.Quantifying AI’s Operational Benefits in Opera ProductionAI‑driven scheduling and workforce planning streamline rehearsal timetables.Machine‑learning analysis of scenery loads improves safety on stage.AI‑enhanced pre‑visualisation reduces waste in set‑building and costume design, allowing 3‑D fitting of costume sketches.Voice‑synthesis tools, such as those used in the piece “Transference,” expand vocal possibilities without replacing singers.How AI Could Reshape Creative Practice and Ethical StandardsBeyond efficiency, AI raises profound questions about ownership, consent, and the use of performers’ likenesses. While the technology can generate works “in the style of” historic playwrights like Molière, the article stresses that true artistic disruption comes from new forms of collaboration, not mere imitation. Ethical safeguards, legislation, and transparent attribution are deemed essential to protect creators.Future Outlook: Collaboration as the New Norm for AI in the ArtsAs AI becomes embedded in every stage of opera production, the expectation is not a replacement of human talent but an augmentation that deepens artistic inquiry. The article concludes that, rather than eroding cultural value, AI may compel audiences and institutions to cherish, protect, and innovate within the arts more vigorously than ever before.

The Concept of Breathe More than 2 billion years ago, during the Paleoproterozoic era, the Earth's atmosphere began to fill with free oxygen, enabling the rise of aerobic life and, ultimately, humans. This event is known as the Great Oxidation Event. Deep in the subterranean belly of the Museum of Old and New Art (Mona) in Tasmania, a new artwork offers visitors the chance to inhale oxygen that's been trapped in iron ore since then. The Art Installation French-Swiss conceptual artist Julian Charrière came up with the idea for Breathe, and Mona's owner David Walsh not only said yes but created a bespoke space for it. The installation is designed as a solitary experience, where one by one, visitors are given access to a vault-like corridor reminiscent of a huge mining drift. The Oxygen Extraction Process Charrière sourced ancient iron ore from Australia's Pilbara region, which is put through machinery in an on-site lab each day to have water extracted. The water is then put through a Hofmann apparatus – a piece of scientific equipment that electrolyses water – to pull oxygen out. That oxygen is then released into the room to be breathed in by visitors for the very first time. The Experience Walking over tiles made of polished ancient tiger ore, visitors circle a floor-to-ceiling clear glass tube that houses the Hofmann apparatus. Sitting in front, visitors see a small opening, providing their closest access to Charrière's pure, ancient oxygen. In inhaling, "you are connected to the beginning of life on Earth but you are also – and that is the crazy thing about this space – you are also the first person to inhale that oxygen," Charrière says. The Impact Breathe runs alongside Charrière's major new exhibition, Hard Core, which showcases both the ambition and the scientific curiosity of the Berlin-based artist. The installation is a permanent addition to Mona, offering a unique experience that connects visitors to the Earth's history.

Uncovering the Forgotten Genocide Visiting the Namibian port town of Lüderitz in late 2024, I came across a small museum run by descendants of German settlers. Alongside imperial German flags and memorabilia, it displayed artefacts of the Herero tribe that had been recovered from nearby Shark Island. What went unmentioned is that, from 1905 to 1907, Shark Island was the site of a concentration camp where Herero and Nama prisoners were subjected to forced labour, starvation and systematic abuse. At least 3,000 people are estimated to have died there. The Event Details Fractured Lifeworlds, a new exhibition opening in Berlin this week, is built around questions of memory, geography and accountability. The show presents four years of research by Forensic Architecture, a multidisciplinary research agency that uses visual reconstructions to investigate human rights abuses from Syria and Palestine to Greece and Germany. The Data Analysis The show’s centrepiece is a series of films that combine oral testimony from descendants of genocide victims with meticulous geological research. An eerie 30-minute film on Shark Island reconstructs the concentration camp, showing how German authorities weaponised the island’s harsh environment against prisoners – and shipped their skulls back to Germany for pseudoscientific research. The Impact Analysis Many descendants also fear that the Hyphen project could undermine efforts to preserve Namibia’s sites of the genocide as places of remembrance. Sima Luipert, adviser to the Nama Traditional Leaders Association (NTLA) and a collaborator on the exhibition, fears the port expansion could disturb burial grounds. “When they dredge, they don’t seem to realise that they are not simply moving dirt. They are disturbing the dead,” she says. “The water is the burial site.” The Prediction Mark Mushiba, the lead curator of Fractured Lifeworlds and a researcher at Forensis, explains that historians have largely relied on colonial documents. Forensic Architecture and Forensis instead sought to “read the landscape”. In Hornkranz – which is now used as a private farm – that meant locating old bullet cartridges, identifying former homesteads through distinctive vegetation patterns and treating plants as historical evidence.

Krishna’s World Premiere Unveils a ‘Mystic Pantomime’ at Grange ParkThe first thing the review notes is that Krishna is presented not as a conventional opera but as a “mystical pantomime”. Staged by David Pountney for Grange Park Opera in West Horsley, Surrey, the work finally received a posthumous world premiere, drawing warm applause despite its unconventional format.Performance Elements: Cast, Orchestra, and Staging ChoicesRoss Ramgobin – Celestial Narrator, providing the piece’s intense, poised anchor.Eliran Kadussi – Countertenor as adolescent Krishna.Rosa Sparks – Child Krishna.Nazan Fikret – Rukmini (Krishna’s wife).Jennifer Statham and Julia Sitkovetsky – Radha (child and adult).Mark Shanahan – Conductor, described as “dispassionate competence of a veteran traffic police officer”.Nao Masuda – On‑stage drumming that punctuates the 15 scenes.The Gascoigne Orchestra supplied bass drones, brass “stampedes”, and a palette of gongs that oscillated between shimmering and throbbing textures, reflecting Tavener’s post‑Wagnerian, post‑minimalist style.Why the Opera Feels Outdated in a Modern Cultural LandscapeThe review argues that, twenty years after its composition, Krishna reads like a relic of 19th‑century Orientalism. The libretto—written by Tavener with “some inspiration” from Hindu scholar Ranchor Prime—mixes Sanskrit and English, but high, melismatic vocal lines and muddy orchestral textures render much of the text inaudible. Staging choices, such as inflatable serpents and “Mexican‑wave” choruses, underscore a disconnect between the work’s spiritual ambition and contemporary audience expectations.Future Prospects for Tavener’s Late Works and Opera StagingWhile the production demonstrates Grange Park Opera’s willingness to mount challenging new works in a difficult economic climate, the review suggests that some pieces may be better left unperformed. The mixed reception raises broader questions about how posthumous premieres of late‑20th‑century operas can be re‑imagined to avoid cultural insensitivity while preserving artistic intent.

The Cult of Eternal Values Documentaries about cults all have the same task, at which they nearly all fail: explaining exactly how so many people fell under the spell of a man (it’s always a man) who was, to outside observers, so obviously a damaged charlatan. None of it makes sense; it wouldn’t count as a cult if it did. The Rise of Frederick von Mierers Bring Me the Beauties: A Model Cult does a messy job of telling the story of Frederick von Mierers, who spent the 1980s luring models into his spiritual enlightenment society, Eternal Values. Von Mierers’ life was all lies, chaos and mystery and it would be hard to set it out coherently, however diligently you tried. But this is like trying to keep up with an erratic bar-room raconteur who keeps glossing over the important bits so they can skip on to the next bit of gossip. Admittedly, each new piece of info is wildly juicy. The Early Years of Frederick von Mierers The early years of Frederick von Mierers are murky, but the key facts are that, as a 40ish former model, he was an elegant socialite, living in an apartment in midtown Manhattan and frequenting Studio 54, where the doormen would pull back the velvet rope to let him sashay past the crowds and walk straight in. He had inherited wealth and alien good looks, somewhere between Christopher Walken, Gary Numan and a svelte Dolph Lundgren. In 1978 he suffered an ear infection, and when his fever subsided he announced that his body had become the vessel for a being from the red giant star, Arcturus. The Power of Eternal Values With an extraterrestrial glint in his already piercing eyes, Von Mierers began presenting a public-access television show where he spread the word about the benefits of a healthy diet, the power of controlled emotions – the notion of romantic love was an instrument of “the most diabolical and the most evil forces in this world” – and the importance of recognising that material possessions were not a route to happiness, all these being wisdom direct from the cosmos. The Dark Side of Eternal Values Ordinary punters sent cheques to Eternal Values for astrological readings; members of the inner circle got to share Frederick’s apartment, where they would sometimes wake to find that he had applied a mint-scented face mask to them during the night. Less adorably, he fostered a culture in which anyone who stepped out of line was ruthlessly pilloried in recriminatory interventions known as “slamming sessions”. As well as fearing the loss of the gang’s favour, the Eternal Values foot soldiers anticipated a re-alignment of the Earth’s magnetic poles, foreseen by the Arcturians, which prompted the organisation to purchase a second base in the North Carolina mountains that would survive the earthquakes and tsunamis to come. The Motivation Behind the Cult What’s never a mystery with cults is the motivation of the leader: it’s always sex and/or money, and, for Von Mierers, it was both. Our main witness is a man named John Hoyt, who under the name Hoyt Richards was one of the highest-paid male models of the late 1980s and 90s, regularly appearing in shoots with Cindy Crawford and the like. After completing jobs in Milan, the Caribbean or Los Angeles, John would return to sleeping on the floor of the EV flat, handing all his spare money to Frederick in return for ethereally powerful “gemstones” that may in retrospect have been costume jewellery. Occasionally Frederick would invite to his room young men, whose spiritual insights were so penetrating that John would be asked to hand them $100 on their way out. The Legacy of Eternal Values In the last episode of Bring Me the Beauties, there are desperately moving scenes as the admirably frank Hoyt recalls his agony at realising, a few years after Von Mierers’ death from an Aids-related illness, that he had abandoned his family and friends for nothing. Hoyt now works as an exit counsellor, trying to make cult members understand that they’re in one. As this programme discovers, however, why people join cults is hard to understand.

The El Niño ThreatThe UN has warned that the world must prepare for the imminent return of El Niño, a powerful natural weather pattern that brings raised global temperatures and weather extremes.The World Meteorological Organization (WMO) said on Tuesday that El Niño has an 80% chance of forming before September and a 90% chance before November.Impact on AsiaAsia is predicted to be one of the regions most exposed, with intensifying heat and drought predicted to put major stresses on agriculture, power grids and water supplies.A Deadly Combination for IndiaIn India, El Niño might intensify heat conditions and weaken the oncoming monsoon, which is already predicted to deliver “below average” rainfall. Experts warn that this could be disastrous for India and the wider subcontinent, which has already been grappling with deadly heatwaves and an energy crisis.Calls to Stockpile Essentials in Parts of ChinaChina often suffers from flooding as well as droughts in the summer months, weather events that have worsened with the climate crisis and which put pressure on the power grid. This year, the challenges will be bigger as El Niño is set to cause further havoc.The meteorological bureau of Qinghai, a high-altitude province in north-west China, warned that while El Niño “may seem far away”, its effects on the Qinghai-Tibetan plateau would be “unpredictable and extreme”. The bureau advised people to keep stockpiles of emergency supplies at home.

The Administration’s Push to Rescind the Roadless Rule Since 2001, the Roadless Area Conservation Rule has shielded more than 58 million acres of U.S. national forests from new roads and timber harvests. In June 2026, USDA Secretary Brooke L. Rollins announced a plan to repeal the rule, opening the lands to logging and infrastructure projects. Origins of the Roadless Rule and Its Bipartisan Backing The rule was crafted with broad support, drawing nearly 2 million public comments that overwhelmingly favored protection. It has been credited with preserving wilderness corridors, protecting endangered species, and maintaining water quality across the western United States. Scale of Protection and Economic Stakes 58 million acres of roadless forest remain off‑limits to development. 320 million visitors toured national parks in 2025, many of whom also use adjacent national forests. 180 million Americans depend on forested watersheds for drinking water filtration. Potential timber revenues from opening the lands are estimated at $2‑3 billion annually, according to industry forecasts. Ecological and Community Consequences of Repeal Removing the rule would threaten habitats for grizzlies, wolves, salmon, elk, and mule deer, and could increase sedimentation that raises water treatment costs for millions. Indigenous communities, such as the Cayuse and Walla Walla, view the lands as a cultural covenant tied to salmon stewardship. Looking Ahead: Legal Battles and Policy Options Environmental groups have pledged litigation, and several congressional members have sign‑posted opposition. If the repeal proceeds, the Forest Service will likely issue new road‑building permits, but the process could be delayed by court injunctions. The outcome will shape U.S. forest management for the next decade.

Six‑Fold Surge in Global Chicken Consumption Since 1961The latest FAO assessment, commissioned by the UN, finds that the average person consumes roughly 17 kg of poultry per year in 2022, up from under 3 kg in 1961 – a six‑times increase. Pork intake has also doubled, while beef supply has remained flat.Quantifying the Four‑Decade Meat Supply JumpGlobal meat supply rose from 25 kg per person (1961) to 47 kg per person (2022).Poultry: 3 kg → 17 kg per capita.Pork: 7.5 kg → 15 kg per capita.Beef: steady at 9 kg per capita.Approximately 14 % of meat and milk is lost or wasted before reaching consumers.Environmental and Health Implications of Expanding Livestock ProductionAgriculture is the second‑largest polluting sector worldwide, and livestock accounts for an estimated 80 % of projected emission growth over the next decade. The report highlights that low‑ and middle‑income regions face higher relative costs for animal foods, while high‑income nations drive “excessive consumption.” Experts warn that without dietary shifts, meeting IPCC climate targets will be increasingly difficult.What the Next Decade May Hold for Meat Demand and Climate GoalsFAO officials say a follow‑up report later this year will examine environmental sustainability in depth, suggesting potential policy levers such as reducing antimicrobial resistance and improving production efficiency. Researchers argue that without a clear push toward reduced meat intake in wealthy countries, the sector’s emissions could outpace the 1.5 °C warming limit.

Veterans Minister Calls Youth to Enlist Amid Rising NEET FiguresThe veterans minister Louise Sandher-Jones told the public that young people looking for work should "really seriously take a look at the armed forces" as the UK faces more than 1 million 16‑24‑year‑olds classified as NEETs. The comment coincides with a broader Ministry of Defence push that includes a £70 million boost to the Cadet Force and the placement of military recruiters in jobcentres.How the Armed Forces Are Positioning Themselves as a Job SolutionAlexandra Williams, a 24‑year‑old from Lincolnshire, illustrates one pathway. After a law degree seemed dead‑end, she joined a university Officer Training Corps, gaining experience in social media, recruitment and press work. The skills helped her secure a PR role while she continues as a combat medic in the army reserves.Peace‑focused groups such as Forces Watch, represented by coordinator Emma Sangster, argue the military is targeting vulnerable youth. Their petition, signed by 13 organisations, urges ministers to rule out conscription – a notion they label a "conscription by poverty".Numbers Behind the Debate: NEET Statistics and Recruitment TargetsNEET count: >1 million aged 16‑24 in the UK.Recruitment goal: Approximately 10 000 under‑25s enlisted each year.Funding: £70 million allocated to expand the Cadet Force by 30 %.Drop‑out rates: 30 % at the Army Foundation College (2022‑23) versus 6‑15 % in civilian further‑education routes.Why the Push Is Stirring Controversy Among Peace Groups and Child Rights AdvocatesJim Wyke of the Child Rights International Network calls the idea that recruiting more under‑18s will reduce NEET numbers “ludicrous”. He notes that the Army Foundation College’s high attrition actually creates additional NEETs. The data suggests that increasing under‑18 recruitment would not meaningfully improve youth employment outcomes.Students like Will O’Donnell, a final‑year SOAS politics student, echo the sentiment, pointing to fewer than 10 000 graduate jobs for nearly a million university leavers, indicating that military enlistment does not address the structural shortage of quality jobs.What the Future May Hold for UK Youth Employment and Military RecruitmentAnalysts warn that without parallel investment in civilian training and apprenticeship schemes, the government’s reliance on the armed forces as a safety‑net could deepen the perception of an "economic draft". Potential scenarios include:Policy revision to limit recruitment of under‑18s and focus on post‑18 pathways.Increased funding for vocational education to provide alternatives to military service.Heightened public scrutiny that could pressure the Ministry of Defence to adopt more transparent recruitment metrics.How the debate evolves will shape whether the military remains a viable career bridge for NEETs or becomes a contested instrument of youth policy.