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Revival of No Mow May on Liverpool’s Road VergesThe Guardian’s latest Country Diary notes that Liverpool City Council reinstated its No Mow May policy after a disruptive mowing incident in 2025. By delaying routine mowing until June, the city gave wildflowers a chance to germinate and attract pollinators.Reduced Mowing Regime Sparks a Burst of Meadow SpeciesField observations in early May revealed a vivid tapestry of flora along the city’s verges. Notable species included:Dandelions blooming at the verge edgesCommon ragwort, white clover, shepherd’s purseCommon chickweed, spear thistle, yarrow, bird’s‑foot trefoilTwo isolated plants of cuckoo flowerIn addition, a flock of 18 starlings was seen foraging, indicating a rapid rise in insect prey.Species Count Highlights a 21‑Species BloomAccording to the diary entry, a total of 21 distinct plant species were recorded on the surveyed verges—a marked improvement over the previous year’s near‑monoculture of grass. This quantitative jump underscores the direct ecological payoff of delayed mowing.Implications for Urban Biodiversity and Pollinator SupportThe surge in flowering plants provides critical nectar and pollen resources for a range of pollinators, including the cinnabar moth caterpillars that feed on ragwort. With 97% of flower‑rich meadows lost since the 1930s and 41% of insect species facing extinction, such micro‑habitats become essential stepping stones for urban wildlife.Moreover, the visible success may encourage other UK councils to adopt similar verge‑management strategies, reinforcing Plantlife’s broader mission to halt biodiversity decline.Looking Ahead: From No Mow May to “Let it Bloom” JuneThe author plans to monitor ragwort for further caterpillar activity and hopes the mowing crew will transition seamlessly into Plantlife’s Let it Bloom June phase, extending the flowering window. Continued community engagement and transparent council communication will be key to sustaining these gains.

The Lead Cal Flyn's book, The Savage Landscape, is a wondrous personal journey to locate and understand wilderness. It's a work of extraordinary physical and narrative movement that takes us from the depths of the ocean to volcanoes and icebergs, but is also a journey into our own psyches, and the stories we tell ourselves about “wild” landscapes. Exploring the Human Connection to Wilderness Off the coast of California, two miles down, there exist geothermal nurseries: gatherings of tens of thousands of small violet octopuses, each the size of a grapefruit. Known as pearl octopuses (Muusoctopus robustus), they congregate around hydrothermal springs which warm their eggs, allowing them to hatch in less than two years (in cold water it can take 10 years). When I want to calm my mind, I think of these gatherings, this factory of octopuses powered by the Earth’s energy that exists quietly away from our gaze, and might easily never have been discovered. How many more such worlds exist? The Fiction of Untouched Wilderness The notion of untouched wilderness is a fiction, and Flyn continually pulls the rug from under our assumptions about purity, wildness and isolation. At the Monastery of Saint Paul the Anchorite, in Egypt’s eastern desert, she talks with a coptic monk who has dedicated himself to a life of isolation and prayer, and yet continually checks his smartphone. Aboard a cruise ship in the Southern Ocean, Flyn admires icebergs crashing down, “a silent display of staggering sublimity”, only to reflect on the clutter left behind by tourists and scientific researchers on the Antarctic landmass; according to one group of researchers, only 31% of Antarctica can now be considered “inviolate”. The Impact of Human Activity on Wilderness In Transylvania, home to the largest population of brown bears in Europe, she explores painful stories of people and wildlife in conflict. Bears and wolves fared well in Europe until the destruction of their habitat in the middle ages brought them into direct contact with local populations. These creatures can be savage, and Flyn spares little detail in her evocation of the damage they can wreak to human flesh, but the most terrifying creature in the chapter is not ursine or lupine: it is a local’s sheepdog, a domesticated animal whose snarl is “a white noise of pure violence”. The Future of Wilderness and Conservation Flyn sees in the Bon a kind of inspiration: “Sacred landscapes of the kind found in Dolpo,” she writes, “effectively comprise the world’s oldest conservation projects, and there is a lot that we can learn from their longevity.” I don’t know how the beliefs and practices of the Dolpo might be applied at the bottom of the sea, but surely Flyn is right: if we are to escape the course of ecological destruction, we will need more stories, like hers, that can reignite a sense of awe and respect for the worlds we know, and others yet undiscovered.

Theatre Review: Sunset Boulevard: The Backstage Cut Over the past decade, Morag Fullarton has been developing a popular line in bijou Hollywood adaptations. With a camp flourish and a multitasking cast, the writer and director has boiled down favourites including Casablanca and It’s a Wonderful Life. She last had a crack at Sunset Boulevard, then billed as a “lunchtime cut”, in 2015 at Glasgow’s A Play, a Pie and a Pint, the company she went on to co-run for four years. The Event Details Now associate director at Perth, she has reunited the fine four-strong company who went down so well the first time around, worked in an extra 20 minutes of material and given it a handsome main-stage production. But for all its strengths of mimicry and its affection for Billy Wilder’s 1950 original, it is a show severely lacking in purpose. The Performance Analysis Caught like a fly in Norma’s web, John Kielty captures the brashness and vulnerability of skint screenwriter Joe Gillis, fated to end up face-down in his employer’s pool. Frances Thorburn, also acting as narrator to help skip through the scenes, is a bright-eyed Betty Schaefer, the script reader, turning Joe’s head and showing a keen ear for snappy Hollywood dialogue. Mark McDonnell is masterfully dry as butler Max and in other roles. The Impact Analysis But seen in this context, the play offers little of its own. It is not pastiche, parody, reimagining or commentary. Instead, it is a faithful and rather pointless rendition of a film that, inevitably, does the same job better. The Prediction The play will run at Perth theatre until 16 May. Whether it will find its purpose then remains to be seen.

The Lead The 2026 Cannes Film Festival, which opens on Tuesday and runs until May 23, is set to showcase a lineup that marks a return to its roots in auteur-driven cinema. For the first time in recent memory, there are no major Hollywood studio films premiering at the festival. The Event Details Historically, Cannes has been a platform for Hollywood's most glamorous outings, with stars like Grace Kelly, Quentin Tarantino, and Tom Cruise making appearances. However, this year's lineup tells a different story. Only two American films, The Man I Love and Paper Tiger, are competing for the Palme d'Or, both of which were majority-financed outside the US. The festival's director, Thierry Frémaux, attributes this shift to wider industry changes, noting that studios are producing fewer blockbusters and auteur films. Scott Roxborough, European bureau chief of the Hollywood Reporter, suggests that studios have grown wary of the risks associated with festival premieres, where a bad review can go viral and impact a film's box office performance. The Data Analysis No major Hollywood studio films are premiering at the 2026 Cannes Film Festival. Only two American films are competing for the Palme d'Or. The festival features a strong lineup of international auteur-driven films. The Impact Analysis This shift towards auteur-driven cinema reflects a changing landscape in the film industry. Younger audiences, influenced by platforms like Letterboxd and Mubi, are increasingly drawn to international directors. The absence of major Hollywood films may signal a new era for Cannes, one that prioritizes cinema from global auteurs over blockbuster franchises. The Prediction As the film industry continues to evolve, Cannes' focus on auteur-driven cinema is likely to endure. With a jury led by South Korean director Park Chan-wook and a lineup that includes films from Pedro Almodóvar, Asghar Farhadi, and Hirokazu Kore-eda, this year's festival is poised to celebrate the art of filmmaking from around the world.

The Late Twist in the Survival RaceRoberto De Zerbi has vowed to keep Tottenham's Premier League survival hopes alive until the final whistle after a late penalty conceded by Mathys Tel condemned his side to a 1-1 draw against Leeds United.The north Londoners looked set to move four points clear of 18th-placed West Ham with two games to play after a brilliant goal from Mathys Tel set them on the path to a first home win in the league since 6 December. However, Tel ruined a good night's work when he gave away a penalty with a wild foul on Ethan Ampadu, allowing Dominic Calvert-Lewin to equalise from the spot.The Narrowing Mathematical GapThe draw has significantly altered the mathematical landscape of the relegation battle, leaving the outcome hanging by a thread.Pre-match status: Tottenham were 4 points clear of West Ham with two games remaining.Current status: The gap has been reduced, putting the north Londoners on the back foot.Key fixtures: Spurs host Everton and visit Chelsea; West Ham play Leeds and Newcastle.De Zerbi's Reality Check and Leeds' ResilienceDe Zerbi, who took over from Igor Tudor last month, is facing the harsh reality of the fight after recovering from a defeat to Sunderland to secure eight points from his next four games.Leeds' form: Unbeaten since 3 March at home, with De Zerbi noting they will play with the same spirit against West Ham.Spurs' home form: The late error by Tel highlighted the fragility of Tottenham's recent home resurgence.The Final Two Games: A Battle of WillsDe Zerbi insists the fight will go to the wire, acknowledging the difficult situation his team faces.“It will be tough until the last minute against Everton,” the Tottenham head coach said. “We can’t forget we made eight points from four games.” With West Ham facing a tougher run-in against Newcastle and Leeds, De Zerbi believes the battle for survival is far from over.

The Era of End-to-End Encrypted Messaging At long last, Android and iPhone users will be able to send each other end-to-end encrypted text messages. On Monday, end-to-end encrypted messaging is starting to roll out in beta for conversations between iPhone and Android users running the most up-to-date software. What is End-to-End Encryption? End-to-end encrypted (e2ee) messaging is an important privacy feature that makes users far less susceptible to surveillance by hackers, governments, or the companies that make these communication platforms. When these messages are sent between devices, they’re encrypted while in transit, making it near impossible for anyone else to intercept and read the message. The Challenges of Cross-Platform Messaging Until now, messages sent between iPhone and Android devices could not be end-to-end encrypted, even though iMessage has been encrypted since its launch in 2011, and Android users have been able to communicate among themselves via e2ee since 2021. Over the years, iOS and Android users have had clunky communications — Android users can’t use Apple’s proprietary iMessage, but Apple refused to support RCS messaging, a more sophisticated upgrade to decades-old SMS texting, since 2020. The Impact of RCS Messaging Now the industry-standard texting protocol, RCS brings features like typing indicators, read receipts, emoji reactions, longer message lengths, and encryption to text messages. But Apple didn’t support RCS until 2023, once it finally caved due to regulatory pressure. Google had urged Apple to support RCS texting to make communication between their devices more seamless — this was such an issue that people sincerely thought about “green bubble stigma,” referring to the color of the message bubbles that iPhone users receive from Androids. The Future of Secure Messaging End-to-end encrypted RCS messaging has only begun to roll out in beta, so users may not have access just yet. If a conversation between Google and Apple devices is encrypted, the users will see a lock icon that indicates that the chat is protected.

On the fourth anniversary of Shireen Abu Akleh's death, her colleague Ali al‑Samoudi recounts the May 11, 2022 shooting that left her dead and himself wounded, underscoring how the absence of justice has paved the way for a surge in Israeli assaults on the press.Eyewitness Account of the May 11, 2022 ShootingAl‑Samoudi, a medic for Al Jazeera, described being shot in the back while trying to protect his colleague. Both journalists were wearing clearly marked press gear in the Jenin refugee camp when Israeli soldiers opened fire without warning. He noted that Abu Akleh was hit in the neck, a location that “was not an accident or a coincidence.”Location: Western edge of Jenin refugee camp, West BankVictims: Shireen Abu Akleh (killed), Ali al‑Samoudi (injured)Context: Israeli raid, journalists unarmed and visibleHundreds of Journalists Killed, Over Ten U.S. Citizens AffectedSince the Abu Akleh killing, press‑freedom monitors record Israel as the world’s top killer of journalists. The article cites:Hundreds of journalists killed in Gaza, Lebanon and the West BankMore than 10 U.S. citizens killed in the same conflictsAt least 40 Palestinian journalists currently detained without chargeDespite these figures, no arrests or criminal charges have been filed in any of the cases.Implications for Press Freedom and U.S.–Israel RelationsThe lack of accountability, according to al‑Samoudi and experts such as James Zogby and Martin Roux, has created a “template of denying, lying and obfuscating” that emboldens further attacks. The United States, which provides Israel with billions in military aid and diplomatic cover, has opened investigations that remain stalled, reinforcing the perception that U.S. levers are unused.Key points:U.S. military aid: billions of dollars annuallyU.S. investigations into Abu Akleh and other U.S. citizen killings have produced no public reports or chargesIsraeli narrative shifts from denial to “accidental” explanations, then to delayed investigationsFuture Outlook for Accountability and Media SafetyAnalysts warn that without concrete U.S. pressure—sanctions, conditional aid, or diplomatic censure—the cycle of impunity will likely continue, increasing risks for journalists covering the conflict. Calls for an independent international inquiry and stronger protective mechanisms for the press are growing, but implementation remains uncertain.Until accountability mechanisms are enforced, the “coverage continues” ethos expressed by al‑Samoudi suggests that journalists will keep documenting the conflict, even as they face heightened danger.

The Return of a Comedy LegendAfter a decade-long hiatus from the standup circuit, Lenny Henry has returned with 'Still at Large,' a tour that serves as both a celebration of his enduring legacy and a personal reflection on a career spanning five decades. The show, which marks his first standup tour since 2010, offers a unique window into the mind of one of Britain's most beloved comedians as he navigates the transition from a 16-year-old prodigy to a seasoned 67-year-old veteran.A Retrospective of 'Still at Large'The performance is structured as a hybrid of new material and nostalgic greatest hits. Henry revisits iconic characters and jokes, such as his impressions of the Jamaican matriarch of his family and the famous 'Black Country' bit from his 1989 special Live and Unleashed. Unlike bands that can simply replay old tracks, comedians are traditionally expected to constantly evolve; however, Henry challenges this industry norm by curating a set that feels like a victory lap, complete with video montages from his past work.The Economics of Nostalgia in ComedyThe success of 'Still at Large' highlights a growing trend in the entertainment industry where veteran performers leverage their established fanbase for retrospective tours. By combining personal anecdotes with recognizable material, Henry maximizes audience engagement. The show's emotional resonance is amplified by the fact that this early stop is in his 'home' territory, allowing him to connect deeply with the local community and family members in the audience, creating a warm, communal atmosphere that pure novelty acts often lack.Redefining the 'Victory Lap' in Modern ComedyHenry’s approach to comedy—citing influences like Tommy Cooper and Richard Pryor—suggests a shift in how veteran comedians are perceived. He is often compared to Cooper for his physicality and Pryor for his fearless handling of difficult subjects, such as a routine about slavery that garnered critical acclaim. By 'baring his teeth' at 67, Henry proves that he can still deliver biting social commentary, effectively silencing critics who once labeled his style as 'toothless' compared to American counterparts.The Future of Veteran Standup ActsLegacy Tours: Expect more veteran comedians to adopt the 'greatest hits' format as a way to maintain relevance without the pressure of constant innovation.Emotional Connection: The success of this tour indicates that audiences are increasingly willing to pay for nostalgia and emotional connection rather than just shock value.Enduring Relevance: Henry’s ability to tackle sensitive topics like race and history proves that veteran comedians remain vital voices in the cultural conversation.The tour continues until 3 November, offering fans one last chance to see a living legend in his element.

The Plight of Yemeni Soldiers Inside a military facility on the outskirts of Marib, Yemen, soldier Suleiman al-Hajj sits beside two of his comrades in a sparse room where they spend most of their on-duty hours. Worry is etched on his face as he makes another call and sends a flurry of messages in search of a loan as another salary payment from the army is delayed. Financial Hardships in the Yemeni Army Army personnel earn 60,000 to 180,000 Yemeni riyals per month, roughly $38 to $116. However, the army receives a budget of roughly 36 billion riyals each month, about $23.2m, with about 17 billion riyals allocated to the Fourth Military Region based in Aden. Delayed Salaries and Its Consequences One officer told Al Jazeera that his soldiers last received their salaries in December, despite the government promising that any arrears would be paid by Eid al-Adha. The delayed payments highlight two clear challenges for the Yemeni military: one regarding the cost of living and another about how resources are distributed. Impact on Soldiers' Discipline and Morale Military affairs analyst Iyad al-Masqari believes the situation could compel soldiers to join irregular military formations, such as the Security Belts, where more regular payments would be guaranteed, leaving the army with a shortage of experienced fighters. Economic expert Mohammed al-Jamaei said the salary delays point to deeper problems within the army about how resources are distributed. Government's Justifications and Future Prospects The Defence Ministry has previously blamed the issue of arrears on financial constraints, citing liquidity shortages, declining resources and complications in the distribution of salaries. Until then, soldiers in Marib and other front-line cities are fighting not just on the battlefield but also against poverty, testing soldiers' abilities to continue their duties.