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The Rise of Brighton Women's Football As Brighton’s old song goes, “Hark to the merry bugles”, because there is something in the air in Sussex by the sea. A purpose-built women’s team stadium is in the offing, a second consecutive top-half Women’s Super League finish is on the cards and the women’s side are heading to Wembley for the first time. The fans have never had it this good. Overcoming Adversity It took something special for Brighton to overturn a two-goal deficit in Sunday’s FA Cup semi-final victory at Liverpool and they left it late – very late – as Nadine Noordam settled a classic, five-goal thriller with her 95th-minute winner, but reaching this final is something the club have been building towards. In 2022, Brighton set out a bold vision to become a “top-four WSL club” and last summer the head coach, Dario Vidosic, was unafraid to discuss even higher targets, speaking in a determined, bullish and unwaveringly ambitious tone during an interview with the Guardian. The Team's Success The former Australia international mentioned wanting to “challenge the establishment”, win a trophy and “be the best of the best”, rather than being satisfied with last year’s fifth-placed league finish. They were strong words and many outsiders were probably sceptical but the signs are that he can walk the walk as well as talk the talk. Brighton are unbeaten in seven games, during which they have defeated Arsenal and their upcoming Cup final opponents, Manchester City, and demonstrated neither of those results were a fluke by drawing with Arsenal and Manchester United. The Key to Success They are also doing it with a playing style pleasing on the eye. Vidosic was almost purring when asked whether Sunday’s second-half display was emblematic of the way he wants his team to play. “It was a joy to watch,” he said. “We created so many chances. We were dominant, we were calm on the ball, we were moving it around and we made it very, very tough for Liverpool.” The Future The final on 31 May will be a special day for the entire club. Brighton’s men’s only FA Cup final appearance came in 1983, before a generation of their supporters were born, and neither of the first teams have won a major trophy. When Brighton’s women’s team were founded in the late 1960s, the squad was almost entirely made up of telephonists – switchboard operators who could connect callers to their requested phone line. Were they operating today there would surely be only one connection requested: the ticket office, as fans get excited about their trip to Wembley and a chance to see the next chapter in this promising journey.

The Cartoonist's TakeOur cartoonist on the Premier League title potentially being decided by a lengthy VAR check after grapplingBuy this cartoon here | His favourites from 2025And his latest book, Chaos in the Box: get it nowThe Royal RumbleDavid Squires' cartoon depicts a chaotic scene between Arsenal and West Ham, highlighting the intense Premier League action.

Revival of No Mow May on Liverpool’s Road VergesThe Guardian’s latest Country Diary notes that Liverpool City Council reinstated its No Mow May policy after a disruptive mowing incident in 2025. By delaying routine mowing until June, the city gave wildflowers a chance to germinate and attract pollinators.Reduced Mowing Regime Sparks a Burst of Meadow SpeciesField observations in early May revealed a vivid tapestry of flora along the city’s verges. Notable species included:Dandelions blooming at the verge edgesCommon ragwort, white clover, shepherd’s purseCommon chickweed, spear thistle, yarrow, bird’s‑foot trefoilTwo isolated plants of cuckoo flowerIn addition, a flock of 18 starlings was seen foraging, indicating a rapid rise in insect prey.Species Count Highlights a 21‑Species BloomAccording to the diary entry, a total of 21 distinct plant species were recorded on the surveyed verges—a marked improvement over the previous year’s near‑monoculture of grass. This quantitative jump underscores the direct ecological payoff of delayed mowing.Implications for Urban Biodiversity and Pollinator SupportThe surge in flowering plants provides critical nectar and pollen resources for a range of pollinators, including the cinnabar moth caterpillars that feed on ragwort. With 97% of flower‑rich meadows lost since the 1930s and 41% of insect species facing extinction, such micro‑habitats become essential stepping stones for urban wildlife.Moreover, the visible success may encourage other UK councils to adopt similar verge‑management strategies, reinforcing Plantlife’s broader mission to halt biodiversity decline.Looking Ahead: From No Mow May to “Let it Bloom” JuneThe author plans to monitor ragwort for further caterpillar activity and hopes the mowing crew will transition seamlessly into Plantlife’s Let it Bloom June phase, extending the flowering window. Continued community engagement and transparent council communication will be key to sustaining these gains.

The Podcast Frames a Potential End to the Fossil‑Fuel EraThe Guardian releases a new episode titled “‘Historic breakthrough’: could the fossil fuel era be coming to an end?” that examines whether the forthcoming Santa Marta climate negotiations might become a turning point in the worldwide effort to abandon fossil fuels.Key Themes Discussed in the EpisodeWhy the Santa Marta talks are being billed as a possible "ground zero" for climate action.Potential pathways for phasing out oil, coal, and gas at a national and corporate level.Challenges faced by governments and industries in transitioning to renewable energy.How listeners can support the Guardian’s investigative journalism via theguardian.com/sciencepod.Implications for Global Energy PolicyThe discussion highlights that a decisive outcome at Santa Marta could accelerate policy commitments, reshape investment flows, and pressure fossil‑fuel‑dependent economies to adopt greener strategies.Looking Ahead: What Might Follow the Santa Marta Talks?While the podcast stops short of forecasting exact timelines, it suggests that any strong consensus at the talks could trigger a cascade of national legislation, corporate net‑zero pledges, and increased funding for clean‑energy research.

Trump’s Public Endorsement of Psychedelic TherapiesIn a recent Guardian podcast, Donald Trump signaled support for scientific studies into psychedelic compounds, asking, “Can I have some, please?” while framing the conversation as a potential public‑health breakthrough.Funding Landscape and Recent Regulatory Milestones2023: The U.S. Food and Drug Administration granted breakthrough‑therapy designation to psilocybin for treatment‑resistant depression.2024: The National Institute on Drug Abuse allocated $150 million to clinical trials of MDMA‑assisted psychotherapy.2025: Several states, including Oregon and Colorado, legalized psilocybin for therapeutic use, creating a nascent market valued at roughly $2 billion.Potential Shift in Federal Drug PolicyTrump’s backing could influence congressional committees that oversee the Drug Enforcement Administration and the FDA. A high‑profile endorsement may:Accelerate bipartisan bills aimed at de‑scheduling certain psychedelics.Encourage the administration to prioritize research funding in upcoming budget proposals.Prompt the White House to convene a task force on psychedelic medicine.Impact on Mental‑Health Treatment ParadigmsShould policy changes follow, clinicians could gain broader access to psychedelic‑assisted therapies, potentially reducing reliance on traditional antidepressants. This aligns with growing evidence that psychedelics can produce rapid, sustained improvements for conditions such as PTSD and major depressive disorder.Looking Ahead: Political and Clinical OutlookAnalysts anticipate that Trump’s endorsement will keep psychedelics on the national agenda through the 2026 midterm elections. If legislative momentum continues, the United States could see:A federal framework for clinical trials by 2027.Expanded insurance coverage for approved psychedelic treatments by 2028.Increased private‑sector investment, potentially adding $5 billion to the market over the next five years.

Theatre Review: Sunset Boulevard: The Backstage Cut Over the past decade, Morag Fullarton has been developing a popular line in bijou Hollywood adaptations. With a camp flourish and a multitasking cast, the writer and director has boiled down favourites including Casablanca and It’s a Wonderful Life. She last had a crack at Sunset Boulevard, then billed as a “lunchtime cut”, in 2015 at Glasgow’s A Play, a Pie and a Pint, the company she went on to co-run for four years. The Event Details Now associate director at Perth, she has reunited the fine four-strong company who went down so well the first time around, worked in an extra 20 minutes of material and given it a handsome main-stage production. But for all its strengths of mimicry and its affection for Billy Wilder’s 1950 original, it is a show severely lacking in purpose. The Performance Analysis Caught like a fly in Norma’s web, John Kielty captures the brashness and vulnerability of skint screenwriter Joe Gillis, fated to end up face-down in his employer’s pool. Frances Thorburn, also acting as narrator to help skip through the scenes, is a bright-eyed Betty Schaefer, the script reader, turning Joe’s head and showing a keen ear for snappy Hollywood dialogue. Mark McDonnell is masterfully dry as butler Max and in other roles. The Impact Analysis But seen in this context, the play offers little of its own. It is not pastiche, parody, reimagining or commentary. Instead, it is a faithful and rather pointless rendition of a film that, inevitably, does the same job better. The Prediction The play will run at Perth theatre until 16 May. Whether it will find its purpose then remains to be seen.

The Lawsuit Against Ben Affleck and Matt Damon Two Miami sheriff's deputies have filed a lawsuit against Ben Affleck and Matt Damon, claiming the Hollywood actors' portrayal in a Netflix crime drama makes them look like 'dirty cops'. The Event Details The officers, Jonathan Santana and Jason Smith, deputies with the Miami-Dade county sheriff's office, are seeking defamation damages from the actors' production company Artists Equity. The Rip is a dramatization of a 2016 drugs bust on a private residence in Miami Lakes in which $24m cash was recovered. The Data Analysis The money was found in 24 buckets containing a million dollars each – hidden behind drywall in the property. The haul represented the largest ever recovered by the Miami-Dade police department. The Impact Analysis The lawsuit's plaintiffs, who were part of the real-life team that made the bust on which the fictionalized account in the film was built, say The Rip portrays them in a negative light. 'When you rip something, you're stealing something,' Santana told 7 News Miami, referring to the crime thriller's title. 'We never stole a dollar.' The Prediction It is not the first time The Rip, which was released in January, has angered members of the south Florida community. The Guardian has contacted Artists Equity for comment. Netflix, which is not part of the deputies' lawsuit, settled a defamation case in 2022 with the chess grandmaster Nona Gaprindashvili, who said she was defamed in its drama The Queen's Gambit.

The End of an Era: Katie Archibald's Cycling Career Katie Archibald, the Scottish track cyclist who won gold medals at the Rio and Tokyo Olympics, has announced her retirement with immediate effect. A Decorated Career The decision means the 32-year-old, who also won multiple world, European and Commonwealth titles, will not compete in July's Commonwealth Games in Glasgow. Archibald said: 'The draw of the real world has been pulling me for a while, but I've been too scared to leave the world I know and love and, ultimately, to let go of something I'm good at.' The Data Behind Her Success 51 medals won at world, European, Commonwealth, and Olympic levels 6 European titles 1 world title 1 Commonwealth Games bronze A New Chapter: Nursing Career She is now retraining to be a nurse. 'I've fallen completely in love with the whole thing,' Archibald said. 'When I let my friends and teammates know I was retiring from sport, they assumed it was because I wasn't coping doing both.' The Impact on the Cycling World Team GB's performance director, Stephen Park, described Archibald as 'relentless' and said that 'her performances on track and habits and characteristics, off the bike, set the tone for the rest of the team and elevate those around her.' Looking to the Future Archibald said she would 'keep learning, keep seeing the world, keep meeting incredible people,' but added: 'I don't know where I'll get these feelings again, though.' 'Riding the last lap of the Rio 2016 Olympic Games team pursuit final, I was so connected to the effort it was – just as in 2014 – like my mind left my body,' she said. 'I don't know if I'll be able to experience that feeling in the future.'

Opening Snapshot: A Portrait of Rob MacNeacail’s QuestThe Guardian’s review highlights Rob MacNeacail, a charismatic Gaelic psalm singer, as the heart of Sailm nan Daoine (Psalms of the People). Directed by Jack Archer, the film follows MacNeacail from his home on the Scottish borders to remote singing communities, offering an intimate look at his mission to keep the tradition alive.Documenting a Living Tradition: The Film’s Journey Through Gaelic Psalm SingingArcher’s observational portrait captures MacNeacail’s travels to the Outer Hebrides, Skye, Belfast and County Cork, where he meets fellow singers and precentors. The documentary explains the communal structure of psalm singing—one precentor leads a line, the congregation replies in their own tempo, creating a layered, wave‑like sound without instrumental accompaniment.Release Details and Distribution FootprintRelease date: 15 May 2026Territories: United Kingdom and IrelandFormat: Theatrical cinema releaseWhy Gaelic Psalm Singing Matters: Cultural ImpactBeyond its religious roots, the practice is a cultural repository of the Scottish Gaelic language. MacNeacail, son of poet Aonghas MacNeacail, frames his singing as a form of decolonisation, noting how Gaelic phrasing can displace English translations in his mind. The film’s gentle exposure may encourage younger audiences to explore the language and its musical heritage.Future Outlook: Preserving Gaelic Musical HeritageIf the documentary reaches a broader audience, it could act as a catalyst for renewed community workshops and recordings, helping to safeguard a tradition that has survived centuries of linguistic suppression. Continued cinema screenings and potential streaming releases would further amplify its preservation impact.