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Turkey's New Generation Turkey coach Vincenzo Montella has built one of the nation's strongest teams in living memory. A youth-driven squad with two genuine stars – Arda Guler and Kenan Yildiz – several players were not even born when the Crescent Stars last qualified for a World Cup and finished third in 2002. The Shift in Turkey's Football Culture Montella has constructed a squad that sits among those on the rung below heavyweights Spain, France and Argentina. Turkey enter Group D alongside Australia, Paraguay and co-hosts the United States, fancying their chances of progressing. Key Players and Tactics Arda Guler and Kenan Yildiz are the team's two genuine stars, both 21 years old and playing with maturity beyond their years. Hakan Calhanoglu is the elder statesmen and will be pulling strings in midfield. Montella's team will likely dominate possession and dictate the tempo of play. Challenges and Concerns The main area of concern for Turkey is in defence, where the team is most unpredictable and at times lacking discipline and organisation. Australia's threat on counterattacks and from set pieces is a genuine concern. The Road Ahead Montella has engineered a tactically fluid, high-intensity 4-2-3-1 system which he often tweaks to try to get the best out of his key players. With a young and talented squad, Turkey aims to make a strong impression in World Cup 2026 and overcome their 'dark horses' label.

The PlanEngland cruised through qualifying with eight wins and no losses, but the real test comes against top-tier opponents. Thomas Tuchel, newly appointed, aims to end 60 years of hurt for the men's side.The CoachThomas Tuchel, an anglophile and one of the world's best managers, brings experience from league titles with Bayern Munich and Paris Saint-Germain, and a Champions League win with Chelsea in 2021.Star PlayerHarry Kane, England's record goalscorer and captain, remains the team's inspiration. Tuchel needs Kane to be fresh to lead England to a strong World Cup performance.One to WatchMorgan Rogers, the Aston Villa attacker, has impressed Tuchel with his counterpressing abilities and could play a key role.Unsung HeroElliot Anderson, the Nottingham Forest midfielder, has been a find for Tuchel and is expected to start for England.Probable Starting XIEngland is likely to line up in a 4-2-3-1 system with enviable attacking options and Declan Rice in midfield.

The Historic Opener at Estadio AztecaThe 2026 edition of the FIFA World Cup officially kicks off with co-hosts Mexico entertaining South Africa. This match marks the beginning of a historic tournament expansion, bringing global football to a wider audience than ever before. The atmosphere in Mexico City is expected to be electric as the host nation looks to set a winning tone for the upcoming months.The tournament opener takes place at the iconic Estadio Azteca in Mexico City, Mexico.Match kick-off time is scheduled for 1pm local time (19:00 GMT).This event signifies the start of the first World Cup hosted by three nations: Mexico, USA, and Canada.The Scale of the 2026 ExpansionThe significance of this match extends beyond a single game; it represents the logistical and structural shift of the World Cup format. By expanding the tournament to 48 teams, the organizers have introduced a new level of complexity and competition. The co-hosting model allows for a broader geographical spread of the event, distributing the economic and cultural impact across North America.Implications for Global FootballThis opener is crucial for establishing the narrative of the tournament. For Mexico, playing at home carries immense weight, serving as a psychological advantage and a test of their readiness for the challenges ahead. For South Africa, it is an opportunity to make a statement on the world stage, proving their competitiveness against a football powerhouse.Future Outlook for the TournamentWith the opening whistle set to blow at 19:00 GMT, the global football community turns its attention to the Americas. The success of this opener will likely dictate the momentum for the subsequent matches, setting the standard for the intensity and spectacle that fans can expect throughout the 2026 campaign.

The World Cup Kicks OffThe 2026 World Cup is set to begin today with co-hosts Mexico facing South Africa at the Azteca Stadium. The tournament has been surrounded by controversy, but fans are eager to see the world's top teams in action.Controversy Surrounding the TournamentFIFA president Gianni Infantino addressed concerns about the tournament's controversies at a press conference on Wednesday. He emphasized the importance of respecting governments and police forces, and encouraged fans to 'chill, relax' and enjoy the games.The Excitement BuildsThe 48-team tournament includes 72 group matches, which will produce 108 hours of football. Fans can expect to see dozens of moments of euphoria, wonder, shock, anger, or despair over the next five weeks.Newcomers to the World CupThe tournament will feature several debutants, including Cape Verde, Curaçao, Jordan, and Uzbekistan. Their presence is expected to bring a fresh perspective to the competition.Coverage and PredictionsThe Guardian will provide live coverage of the tournament, including a news blog and minute-by-minute updates. Fans can also participate in the Bracketology game to predict the winner of the tournament.

The Unexpected Appointment Somali referee Omar Artan, who was denied entry to the United States for the World Cup, has been named to officiate UEFA's Super Cup, European football's governing body announced. UEFA's Support for Artan UEFA President Aleksander Ceferin poured praise on the Somali referee in a statement released on Thursday, a few hours before global body FIFA's flagship World Cup kicks off. “Omar Artan is an excellent young but already experienced referee, who has proven himself at the highest competition level of the Confederation of African Football,” said Ceferin. “Football is made to connect people, and UEFA wants to show its respect to Omar and his outstanding officiating skills, which had earned him such a prestigious nomination.” The Super Cup Appointment UEFA said that after talks with the African confederation, it “has today appointed Somali referee Omar Artan to officiate the 2026 UEFA Super Cup” on August 12 in Salzburg, Austria, between Champions League winners Paris Saint-Germain and Europa League winners Aston Villa. Background on Artan's US Ban Artan was barred from entering the US on Saturday after arriving at Miami International Airport. A US State Department official told the AFP news agency that the referee was “associated with suspected members of terrorist organisations”, therefore “making the traveller ineligible for admission to the United States”. FIFA also confirmed that he would no longer be part of the World Cup. Reaction from CAF President CAF President Patrice Motsepe said Artan had “made Somalia and the entire people of the African continent extremely proud”. “His receipt of the CAF men's referee of the year award 2025 and his appointment as a referee of the FIFA World Cup 2026 are a recognition of his world-class refereeing ability and the international respect that he enjoys.”

The Rise of Archie McParland Plenty of aspiring young players will relate to how Archie McParland once felt. Northampton’s fast-emerging scrum-half, on the verge of a full England debut this summer, possessed the requisite talent but not always the freedom of expression to maximise it. Perfectionists can often be like that, so averse to making the slightest mistake they end up holding themselves back. Breaking Through Self-Doubt Eventually there is a choice to be made: abandon all inner doubt and trust in his ability or stay frustratingly trapped in never never land. The turning point for McParland arrived just after Christmas in Bath when he starred for Saints in a pivotal league fixture at the Recreation Ground having been specifically encouraged by his coaches to follow his gut instinct. “That was the moment,” he says now. “I’d been training well but struggling to put it on to the pitch. In that game we felt quite free to play our game and it all worked out. Since then I’ve been able to show my game more and more.” A Standout Performance In what has been an eye-catching personal season for the 21-year-old there was another prime example at Bath in the sixth minute of the Champions Cup quarter-final in April. Clean off-the-top ball, a deft lob by Rory Hutchinson, a glorious one-handed flick on by McParland to Fin Smith and great support from Tommy Freeman and Fraser Dingwall made for the slickest of first-phase strike plays. Saints lost a thrilling contest 43-41 but for a while their attacking game was untouchable. McParland's Ambitions and Influences McParland also comes from a family accustomed to operating under pressure. His mother Emma is a maxillofacial surgeon at Glan Clwyd hospital near Rhyl specialising in skin cancer of the face and neck and jaw deformities. But despite growing up in north Wales – he first played rugby at Ruthin RFC at the age of five – it was always an England cap he craved. “As soon as I knew what England rugby was I wanted to play for them. To get the call up (to England’s training squad) was an amazing feeling ... I rang my parents straight afterwards and they were over the moon for me.” Future Outlook On the contrary, the evidence strongly points to a deceptively smart operator with a constant thirst for self-improvement. Among other opponents he has been closely studying Bordeaux’s scrum-half and captain, Maxime Lucu, keen to emulate the way the French international artfully controls the tempo of a game and contributes even when he does not have the ball. “Watching Lucu the thing that shouts out to me is his defensive leadership. It’s crazy how much he’s involved in the defensive system and he also leads through his actions. I’d love to put that in my game but equally I want to show my own strengths.

The LeadIf you're Macbeth, a moving forest generally isn't a good thing. But what if you're Mahler? The instrumentalists of Sinfonia Smith Square, conductor Stephanie Childress and director Tom Morris decided to test the result in The Mahler Experiment. As Morris declared cheerfully at the outset: "None of us quite know what's going to happen!"The Experimental Performance ConceptThe composer's First Symphony conjures a shifting landscape of bird calls and blooming flowers, town bands and hunting parties, spring's rebirth and man's death and funeral procession. You can see the temptation to turn a sonic journey into a physical one, especially when you're working with a space as flexible as Smith Square Hall.The trend for getting orchestras and audiences up on their feet in "spatialised" performances is an interesting one. For good or ill, it turns a work of art into a playground: first and second violins toss a tune to and fro over your head; timpani rolls set your body vibrating; a clarinet entry jumps out from behind you. It's fun, especially if you're someone who wants to count the rests in the horn part, or marvel at the semiquavers in the violins. But is it more than that?Musical Compromises in the PerformanceYou can see the possibility here, but this first outing was, as advertised, very much an experiment: R&D; rather than the finished product. The Sinfonia's recent music-college graduates coped brilliantly with Morris's choreography, frequently separated from their music, playing on the move. But the physical drama came at a musical cost. Tuning wavered, violins busked and smudged runs and entries juddered across the space. And the challenges forced Childress into safe choices, too often a traffic cop rather than a conductor.Highlights and Potential ImprovementsThere were some lovely moments, mostly in the third movement where you could chase the eerie "Frère Jacques" theme around the orchestra in Yoon Jae Lee's efficient reduction, but also in the engulfing power of the finale (though you had to be careful not to get stuck in the brass oom-pahs when there was a lovely string melody going on). But it felt like a warm-up. A second half of Mahler as Mahler intended – the composer's balance and orchestration supplying the professional guided tour after our amateur wanderings – might have turned an experiment into the finished product.

The World of 'The Artist' When a British journalist named Joseph Adelaide tracks down a reclusive artist to his remote farmhouse in the south of France, his plan is to interview him for a magazine profile. Edouard Tartuffe is a revered painter who was taught by Cézanne and is known on the Parisian art scene as the “Master of Light”. But then he retreated from the limelight amid rumours of a feud with his former mentor. A Sensory Experience Lucy Steeds’s evocative novel is set over a summer in Provence in 1920 where the landscape shimmers, the cicadas hum and “sunlight radiates from the yellow fields”. Steeds’ book is as much a sensory as literary experience as the listener is immersed in the heady smell of turpentine and the pungent stink of still life fruit and fish arrangements deliberately left to rot in the Provençal heat. The Performance The reader is Tanya Reynolds, who imbues the mystery of the brutish Tata and his withdrawal from the world with atmosphere and slow-burning tension. Joseph believes the key to understanding this once-towering artist lies with the quiet, contemplative Ettie, who has lived with her uncle since childhood and is harbouring secrets of her own. Further Listening Recommendations Sanctuary by Marina Warner, William Collins, 12hr 56min - A moving essay series on the places we choose to live. Am I Having Fun Now? by Suzi Ruffell, Bluebird, 8hr 54min - A memoir about growing up as a working-class queer woman and a self-help manual on how to navigate life.

The LeadIn 1969, two teenage students at the Paris Conservatoire recorded Olivier Messiaen's formidable Visions de l'Amen under the composer's supervision. Fifty-five years later, Katia and Marielle Labèque's musical curiosity is undimmed as this handsome three-disc tribute set demonstrates.A Musical Journey Through Diverse RepertoireAlthough best known as a two-piano duo, there's plenty of four-hands repertoire here, including an iridescent new recording of Le Jardin Féerique from Ravel's Ma Mère l'Oye alongside music by Bizet, Fauré (two movements from his Dolly Suite) and a finger-shredding Dance of the Earth from Stravinsky's Rite of Spring. Works by Gershwin, Bernstein and De Falla are among other highlights.French Music and Female Composers in FocusFrench music is foregrounded with a boisterous account of Debussy's Fêtes as transcribed by Ravel and a poised Clair de Lune in Dutilleux's two-piano transcription. Music by female composers, much of it newly recorded, is also welcome, including by Fanny Mendelssohn and Lili Boulanger, but also tangy miniatures from Polish composer Grażyna Bacewicz, a haunting Nocturne by the marvellous Croatian composer Dora Pejačević and a boogie-woogie spiritual by Margaret Bonds.New Music and LegacyNew music was their first love, however, and there's a feast of it here, from 20th-century iconoclasts such as Berio and Cage to meditative Arvo Pärt, film music by Philip Glass, whose work they've long championed, and Bryce Dessner, whose Basque-inspired Goiza Larrunen is a standout. Ending where they began, Messiaen's barnstorming Amen de la Consommation rounds off a thoughtfully curated compilation.