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The Rise of Sam Campbell Sam Campbell's journey from Australian standup comedian to Britain's most distinctive comedic voice represents a fascinating evolution in modern comedy. Since moving to the UK in the early 2020s, the 34-year-old has carved out a unique space in the British comedy circuit with his irreverent style that swings between hammy overacting and childish belligerence. His approach forces observational comedy through an absurdist filter, with contrarian takes covering everything from hand sanitiser and dragonflies to Ferrero Rocher and Bratz dolls. This distinctive voice earned him the prestigious Edinburgh comedy award in 2022, followed by an arrogant victory lap the next year with his single 10-minute performance titled Bulletproof Ten. The Unconventional World of "Make That Movie" Channel 4's new series "Make That Movie" represents Campbell's boldest creative venture yet. The show-within-a-show format stars Campbell as an alternative version of himself: a pompous director whose creative well has run dry. He invites the public to share their bizarre movie ideas, which he and his dysfunctional crew then develop into actual feature films within the framework of a shoddy reality program. Each episode concludes with the film's premiere, creating a viewing experience that's equal parts hilarious and bewildering. The production process was remarkably hands-off, with Campbell noting that the production company was busy working on an animated Ricky Gervais series about cats, "so we sort of got left to our own devices." This creative freedom was bolstered by Channel 4's head of comedy, Charlie Perkins, a longtime champion and collaborator of Campbell's who was described as "very trusting" despite initially not fully understanding the concept. Campbell's Comedy Philosophy What sets Campbell apart in the comedy landscape is his instinctive approach to humor. As director Joe Pelling observes, "Sam doesn't really seem like someone who's prone to super analysing his stuff too much. He's just led instinctively by what's funny." This gut-driven creativity manifests in his standup material, which subverts and simultaneously adheres to observational comedy tropes. In "Make That Movie," this translates to embracing obviously "dumb" ideas with deadpan seriousness, finding humor in taking film-making too seriously, especially when disaster strikes. The series features an ensemble cast largely drawn from Campbell's friendship circle, including fellow Australian comic Aaron Chen as the nerdy yet incompetent Sebastian, whose parents fund the entire enterprise. Exuberant standup Helen Bauer plays against type as grumpy sound engineer Pat, while 86-year-old actor David Hargreaves completes the gang as cinematographer Winnie. Dressed in matching purple jumpsuits, the team's aesthetic blends Ghostbusters with Scooby-Doo, creating what Pelling describes as a "real-life cartoon feel" to prevent the show from feeling bleak and strange. Campbell's Impact on British Comedy Campbell's influence extends beyond his own series to reshape the British comedy landscape. His triumphant stint on Taskmaster led to numerous appearances as the resident oddball on panel shows like Would I Lie to You?, 8 Out of 10 Cats Does Countdown, and QI. His most high-profile gig to date was this year's series of Last One Laughing UK, where he battled established comedians like Alan Carr, David Mitchell, and Bob Mortimer with unconventional material including duck impressions and claims of dining next to "mole people" during Eat Out to Help Out. What makes Campbell particularly distinctive is his deadpan delivery that proved more than just a mask during Last One Laughing UK. His composure was so unshakable that producers eventually had to implement a rule change, with Campbell ultimately losing to David Mitchell by virtue of having made marginally fewer contestants crack up. This ability to maintain his comedic vision despite external pressures has solidified his reputation as a uniquely uncompromising comedic voice. The Future of Alternative Comedy As Campbell continues to gain prominence, his success signals a promising future for alternative comedy within mainstream media. His willingness to embrace absurdity while maintaining underlying comedic logic suggests that there's significant appetite for comedy that challenges conventional formats and expectations. The fact that Channel 4 has given him such creative freedom indicates that broadcasters are increasingly recognizing the value of distinctive voices over formulaic approaches. Looking ahead, Campbell's career trajectory suggests he'll continue to push boundaries while maintaining his unique comedic identity. Whether through more television projects, standup specials, or other creative ventures, his instinctive approach to humor and refusal to second-guess himself positions him as a comedian who will likely continue to surprise and delight audiences while expanding the possibilities of what comedy can be.

The Lead Kane Parsons' feature directing debut, Backrooms, is a horror film that has been making waves in the industry with its unique blend of psychological terror and conceptual storytelling. Based on Parsons' web series and scripted by Will Soodik, the film stars Chiwetel Ejiofor and Renate Reinsve. The Event Details The film revolves around Clark (Chiwetel Ejiofor), a failed architect and alcoholic who manages a vast discount furniture store called Cap'n Clark's Ottoman Empire. Clark's life takes a dark turn when he discovers a supernaturally porous section of wall in the store's basement, leading him to a vast network of 'backrooms' - strange, installation-style areas that show snapshots of different versions of reality. The Data Analysis The film features a blend of genuine constructions and digital fabrication in its production design by Danny Vermette. The cinematography by Jeremy Cox creates an oppressive, crepuscular kind of dead yellowish light, adding to the film's eerie atmosphere. The Impact Analysis Backrooms draws inspiration from various sources, including J-horror, the V/H/S found footage franchise, Dan Erickson's Severance, and Nathan Fielder's The Rehearsal. The film's unique approach to horror has been praised for its originality and ability to progressively raise the stakes towards a thrilling conclusion. The Prediction With its release scheduled for May 28 in Australia and May 29 in the UK and US, Backrooms is expected to make a significant impact on the horror film genre. Fans of psychological terror and conceptual storytelling are eagerly anticipating the film's release, which promises to deliver a fascinating exploration of memories, past traumas, and alternate realities.

The LeadSéamas O'Reilly's debut novel "Prestige Drama" presents a brilliant wry comedy set in Derry, where a Hollywood actor disappears while filming a TV series about the Troubles. The novel transcends its intriguing premise to explore how places become defined by historical moments, and how stories about such places often fall into predictable formulas.Multiple Perspectives on Historical TraumaO'Reilly uses the TV series "Dead City" as a starting point to weave through different characters connected to the production. From a stressed scriptwriter to a local historian questioning how to talk about the past while still living it, the novel creates a patchwork portrait of the city. This approach echoes Tommy Orange's "There, There," which used multiple voices to explore Native American lives. Each character speaks directly to the reader, revealing their complex relationship with Derry's history and the Hollywood production that has descended upon the city.Commodification of MemoryThe novel masterfully examines how historical trauma becomes marketable. O'Reilly has a keen eye for absurdities: the artist who once painted Bogside murals now doing lecture tours with a "wee moustache and crucifix earring like a plastic Provo"; the ex-IRA hitman offering services as a "consultant." Those once bound by silence now demonstrate how to make a bottle bomb for the cameras. The locals, facing economic necessity, take work that perpetuates clichés—local painters recreate old murals for film sets, while aspiring actors see the production as their only chance to escape.The Haunting of HistoryThis recreation and commodification of the past creates a kind of haunting. The novel is permeated by different ways in which the dead remain inescapable. Ann-Marie, whose son was shot by a British soldier and whose image now appears on book covers and "bloody tea-towels," delivers one of the novel's most powerful voices: "My heart is small and hard, wind-bleached like seaside beach seats." Her reflection on those who came home safely after her son was killed—"It wasn't their fault and I'll never forgive them"—captures the unfixable contradictions of grief.A New Voice in Irish LiteratureBuilding on his previous memoir "Did Ye Hear Mammy Died?"—described as "heartbreakingly funny"—O'Reilly demonstrates a rare gift for moving between opposing tones. The humor in "Prestige Drama" is skillfully weaponized, allowing him to address subjects we often tiptoe around. His language is gloriously vivid, as when a hungover man wakes up "slowly, like a column of dog food muscling its way out of a tin." While some readers may wish the missing actor thread had more prominence, the novel's true focus is on the ordinary people behind the televised version of events, offering a polyphonic exploration of how history continues to shape the present.

Martin Parr—renowned for documenting the idiosyncratic corners of British life—was given a farewell as unconventional as his work. On 31 May 2026, the chapel at Woodlands Memorial Garden near Bristol hosted a colourful country‑fete celebration, complete with music from The Girl from Ipanema, bunting, and a bus that famously got stuck in the mud. The Fete‑Style Send‑off That Defied Funeral Norms The ceremony blended solemnity with the photographer’s trademark humour. Guests were served cling‑film‑wrapped sandwiches, cupcakes with tiny Union Jack flags, and a tombola of unwanted Christmas gifts—an homage to the annual auction the Parr family used to run. The event was organised with help from the Martin Parr Foundation and featured a collaborative food installation by Ellen Parr (the photographer’s daughter) and set‑designer Alice Hodge. Key Players and Personal Touches Grayson Perry – celebrated artist and longtime friend, described the service as “tasteful, pared‑back and very touching.” Sophie Green – photographer who documented the funeral, linking the occasion to her “Death Rituals” project. Helô Pinheiro – the original “Girl from Ipanema,” whose music featured in the playlist. Family – Susie Parr, Martin’s wife of 40 years, confirmed he would have wanted the ceremony photographed. Why Parr’s Funeral Resonates in the Photography Community Parr spent half a century turning the mundane into visual satire; his own send‑off mirrored that ethos. By inviting a photographer to capture the event, the family highlighted a long‑standing taboo—funeral photography—while honoring Parr’s fascination with death rituals, evident in his 1993 Indonesian funeral series and the 2013 Photographers’ Gallery exhibition. What This Means for Future Death‑Ritual Documentation Sophie Green’s involvement underscores a growing interest in recording funerary moments as cultural artifacts. She notes that, on average, she photographs five funerals a year, a figure that may rise as artists and families seek more personalized memorials. The blend of celebration and documentation at Parr’s funeral could inspire a new genre where mourning and festivity coexist, reshaping how societies view death. Looking Ahead: From Taboo to Tribute As the conversation around death becomes more open—accelerated by pandemic‑era restrictions—events like Parr’s funeral suggest a shift toward inclusive, creative rituals. Institutions such as the Martin Parr Foundation may increasingly support projects that capture these moments, offering both solace to grieving families and valuable visual records for future generations.

Game‑7 Thriller Sends Spurs to NBA FinalsThe Spurs rallied to a 111‑103 victory over the reigning champions, ending the Western Conference finals in dramatic fashion and earning a showdown with the New York Knicks.Key Performances That Turned the TideVictor Wembanyama anchored the win and was later crowned series MVP. Supporting him, Julian Champagnie contributed 20 points, Dylan Harper provided a dangerous spark off the bench, and backup Luke Kornet delivered a crucial block in the fourth quarter.Scoreline and Series Stats Highlight the UpsetFinal score: 111‑103 (Spurs over Thunder)Game 7 decided the Western Conference championWembanyama named series MVPWhat the Victory Means for the Western Conference LandscapeThe win shatters expectations for the Thunder, who entered the series as defending champions, and signals a shift toward a new era led by Wembanyama’s Spurs. The performance underscores the depth of the Spurs roster and their ability to close out high‑pressure games.Looking Ahead: Spurs vs. Knicks in the FinalsGame 1 of the NBA Finals is set for Wednesday in San Antonio, pitting the Spurs against the New York Knicks. Both teams will look to capitalize on their momentum, with the Spurs hoping to translate their Game 7 resilience into a championship, while the Knicks aim to defend their Eastern Conference crown.

The Hurricanes End a Two‑Decade Wait for a Stanley Cup FinalRod Brind’Amour and his squad celebrated on the ice after capturing the Prince of Wales Trophy, marking the franchise’s first trip to the Stanley Cup final since 2006. The emotional scene underscored a long‑awaited breakthrough after eight years of Eastern Conference final setbacks. Dominant Game 5 Performance Overpowers Montreal CanadiensA 6‑1 rout in Game 5 saw Taylor Hall, Logan Stankoven and Eric Robinson each score in the opening period, establishing a 3‑0 lead. Subsequent goals from Jackson Blake, Shayne Gostisbehere, and an empty‑net tally by Seth Jarvis sealed the win, while goaltender Frederik Andersen held a shutout until midway through the third. Series result: Hurricanes win 4‑1. Key turning point: Rebound from a 6‑2 loss in Game 1 to win four straight. Historic run: First team since 1983 to reach the final with only one loss. Statistical Milestones: One Loss En Route to the FinalAccording to SportRadar, the Hurricanes are the only team since the league adopted best‑of‑seven series in all four postseason rounds (1987) to advance with a single defeat. Their 10‑straight‑goal stretch, beginning with Andrei Svechnikov’s overtime winner in Game 3, highlighted offensive firepower. What This Means for Carolina’s Franchise and the Eastern ConferenceThe victory reshapes the Hurricanes’ narrative from perennial contender to genuine championship threat. It also signals a shift in the Eastern Conference hierarchy, with the once‑dominant Canadiens exiting earlier than expected and the Hurricanes poised to challenge the West’s powerhouse, the Vegas Golden Knights. Looking Ahead: The Vegas Showdown and Future ProspectsNext up is a best‑of‑seven series against the Golden Knights, where Carolina’s depth and resilience will be tested. Analysts predict a tightly contested matchup, with the Hurricanes’ balanced scoring and defensive upgrades offering a realistic chance to capture their first Stanley Cup since the franchise’s relocation in 1997.

Asana's Strategic AI AcquisitionAsana has acquired the workflow automation company StackAI for $75 million, marking a significant step in the company's broader AI pivot. The acquisition aims to position Asana as an "AI-native workplace platform" and integrate StackAI's agent-building capabilities into Asana's existing work management system. The announcement was made Thursday afternoon to coincide with Asana's earnings and investor call.StackAI's Workflow Automation CapabilitiesStackAI, built as an AI workflow-automation system, designs agents to operate within existing business systems, pulling in data from platforms like Salesforce, Slack, and Gsuite. The company, founded by Tony Rosinol and Bernard Aceituno, will join Asana as part of the acquisition. StackAI has faced competition from automation tools like Zapier as well as AI labs like OpenAI and Anthropic in the rapidly evolving AI automation space.Financial Terms and Funding BackgroundThe acquisition comes as StackAI had raised just under $20 million, according to PitchBook data, with most of it coming in a recent $16 million Series A round. That round included funding from Gradient, Epakon Capital, Lobby VC, LifeX Ventures, and Vercel CEO Guillermo Rauch. While the $75 million acquisition price represents a significant premium over StackAI's funding, it reflects Asana's commitment to accelerating its AI capabilities.Asana's AI-Native TransformationWhile users are most familiar with Asana's work management system, the company has been releasing AI-oriented products in recent years, including the AI Studio agent builder and AI Teammates series of pre-built automations. Asana believes its deep integration into existing corporate workflows provides a key advantage, allowing it to distill context and training data that would otherwise be unavailable. This acquisition specifically aims to "agentify the most complex business processes end-to-end," according to CEO Dan Rogers.Future of Human-Agent Work in EnterpriseAsana has struggled on public markets during the AI era, losing more than half its market cap value since the introduction of ChatGPT. However, revenue has continued to grow steadily, and the new leadership is confident that human-agent products will enable a rebound. With this acquisition, Asana aims to accelerate its roadmap into "the next phase of human-agent work," potentially differentiating itself from both traditional work management platforms and standalone AI automation tools in the competitive enterprise software landscape.

The Series Begins England starts their T20 World Cup build-up with a challenging series against India, the 50-over world champions, after a 2-1 series win over New Zealand. India as Strong Contenders India is considered one of the top favorites to win the World Cup, making this series a significant test for both teams. The series will help determine the final XI for both teams before the World Cup. Key Takeaways The series begins at Chelmsford and will conclude at Taunton on Tuesday. England's recent win over New Zealand was a positive start, but India provides a tougher challenge. The match starts at 6:30 PM. Implications for the World Cup This series is crucial for both England and India as they finalize their teams for the upcoming T20 World Cup. Coaches Charlotte Edwards and Amol Muzumdar will closely watch the performances to decide on their starting XI. What to Expect The series promises to be an intriguing contest between two strong teams. With places up for grabs in both teams, individual performances will be critical.

The Comedy LineupChannel 4 presents 'Make That Movie' at 10pm, created and written by Sam Campbell and directed by Joe Pelling. This new comedy follows a director who turns ordinary people's movie ideas into reality, beginning with Mick's pitch about a man and woman who can turn into snakes, featuring real snake auditions and a creepy intimacy coordinator.Home Renovation DramaAt 8pm, Channel 4's 'George Clarke's Beautiful Builds' returns with architect George Clarke and garden designer Luke Millard helping people realize their renovation dreams. The premiere episode features couple Mitch and Elliot in Bromley, whose plans for a curve-arched kitchen are threatened by a house flood.Real-Life MysteryBBC One's 'Reported Missing' begins its fifth series at 9pm with the story of Larissa, a 16-year-old runaway from Glasgow living with bipolar disorder. The episode explores how lockdown has contributed to mental health issues among young people, as police try to track her down.Political ProfileBBC Two airs 'Putin: In Ten Pictures' at 9pm, a documentary that explores Russia's president through 10 key photographs. Observers and exiled former insiders psychoanalyse Putin, describing him as an overlooked weakling who vowed to change how the world saw him, with everything else being one long PR stunt.Period Drama ContinuesChannel 5's 'The Hardacres' at 9pm continues the story of Mary and Sam, whose house is put in quarantine due to fears Sam has caught the deadly Russian flu. As symptoms worsen, Lady Imelda sees an opportunity in this perfect dose of period drama.Music DocumentarySky Documentaries presents 'One to One: John & Yoko' at 9pm, a documentary covering 18 months in the lives of John Lennon and Yoko Ono after they moved to New York in 1971. The film mixes home movies, contemporary TV footage, and private phone calls to follow the couple as they engage with political causes, fashion, and their new life away from Britain.Live Sports CoverageSky Sports Cricket broadcasts the first match in a three-match Women's T20 cricket series between England and India at 6pm from Chelmsford.