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The Ultimate World Cup Bracket PredictorThe Guardian has launched an interactive World Cup bracket predictor tool, allowing fans to simulate tournament outcomes and predict their team's path to victory. This innovative "Bracketology" feature provides a comprehensive visualization of the tournament structure with customizable predictions.Interactive Tournament SimulationThe tool features a fully interactive bracket where users can:Drag and drop teams to different positions in the bracketSimulate match outcomes throughout the tournamentReset predictions to start overRandomize bracket outcomes for fun scenariosTournament Structure VisualizationThe bracket displays the complete World Cup tournament structure, including:Group stage matchups and standingsRound of 16 pairingsQuarterfinal matchupsSemifinal scenariosFinal championship matchMobile-Friendly DesignThe bracket predictor is optimized for all devices, with special considerations for mobile users including touch-friendly controls and responsive design elements that adapt to different screen sizes.Strategic Prediction FeaturesBeyond simple team selection, the tool provides insights into:Potential upsets and Cinderella storiesRegional strength analysisHistorical performance dataHead-to-head matchup historiesSharing Your PredictionsUsers can share their bracket predictions with friends through social media integration, creating engaging discussions about potential tournament outcomes and rivalries.The Future of Sports EngagementThis interactive tool represents the evolving landscape of sports journalism, combining data visualization with user engagement to create a more immersive experience for fans following the World Cup tournament.

The LeadRoman Mars, the creator of the popular podcast 99% Invisible, is launching a new podcast called A History of the United States in 100 Objects, a sequel to the series A History of the World in 100 Objects that aired on Radio 4 in 2010. The Event DetailsMars's new series, co-produced by BBC Studios, SiriusXM, and 99% Invisible, comprises 100 episodes airing across two years, each highlighting objects and designs that tell the broader story of the United States. The podcast aims to explore American history through unusual items, such as the screw thread, the Bundy Clock, a gold coin recovered from the SS Central America, and the Billy Possum. The Data AnalysisMars has been researching the series for months, reading multiple books at once and listening to audiobooks at double speed while walking his dog. He believes that the experience has been akin to "putting myself through an American Studies major". The Impact AnalysisThe podcast is timed to coincide with the 250th anniversary of the US Declaration of Independence. Mars hopes to approach American history from a different perspective, using design as a lens to look at certain objects and ask what they say about America. The PredictionMars believes that his broadcasting career would not have taken off without the rise of podcasting. He notes that his voice is not a good fit for traditional radio, which prefers a clear and clipped tone. However, he has found his voice and become very relaxed behind the microphone, and he prefers to be the voice in listeners' heads rather than on video.

The HBCU Radio Preservation Project After Shaw University's WSHA radio station went on air in 1968, several other historically Black colleges and universities (HBCUs) followed the North Carolina school's lead, launching a wave of their own. For decades, the students who worked on these channels used them to inform listeners about happenings on campus, while also playing musical selections and offering cultural programming. Preserving the Archives The HBCU Radio Preservation Project is working to ensure that the irreplaceable archives at these institutions are saved and accessible. As a result of the project's efforts, WSHA's archives are available through the American Archive of Public Broadcasting. Several other universities, including Fisk University in Nashville, Tennessee, have had their radio archive preserved for future generations. How the Project Works While working to preserve the archival collection of WYSO, a public radio station in Yellow Springs, Ohio, Jocelyn Robinson began wondering what collections at HBCU radio stations might include. She created a project that surveyed the radio stations to find out. Developed profiles of all the radio stations, including their founding, format, and broadcast footprint Wrote a report with recommendations for preserving radio stations in the campuses Remembering the History There is an oral history project component to the team's efforts, which is "where the storytelling becomes even more important and more apparent in the work". One of the very first oral history captures they did was with David Linton, a program director at WCOK at Clark Atlanta University, in Atlanta, Georgia, whose career started at WSHA at Shaw. Returning the History Celebrating the stations' histories helps different groups – from current students who might not be active listeners to family members of previous radio employees – understand the importance of the channels. Digitized over 1,125 hours of archival audio Visited nearly two dozen HBCU campuses Interviewed over 90 people, recording more than 140 hours of oral histories

The Revival of Motion Gaming For a wonderful moment in the noughties, video games became a truly universal pursuit. The Nintendo Wii flew off the shelves, inspiring a wave of competitors such as the Xbox Kinect camera that encouraged people to play games by moving their bodies. But the tide turned: outside of still-niche VR gaming and the odd controller-waggler on the Switch, motion-controlled gaming has barely been seen for more than a decade. Nex Playground Enters the Scene Now, 20 years later, a new console is aiming to get the whole family flailing in front of the TV once again: the Nex Playground. Launching in the UK later this month, the first thing that struck me about this family-friendly device is just how tiny it is. The size of two and a half Rubik’s Cubes taped together, this impressively unintrusive device swaps cumbersome controllers for camera-controlled minigames, putting you and your family directly in the game. The Technology Behind Nex Playground Using a wide-angle lens and AI-powered tracking tech, the Nex Playground offers over 50 games that track players’ bodies as they leap, flail and dance about the living room. It’s not hard to see the appeal. Physically leaping through puddles in Peppa Pig: Jump and Jiggle, dancing in time to Rick Astley on Starri and slicing up watermelons with my hands in the perennial hit Fruit Ninja, I’m impressed by how seamlessly – and accurately – the tech works. Market Performance and Pricing The Playground retails at £269 ($299) – significantly less than any other games console at the moment. But it comes with just five free games. The rest of its library is locked behind an eye-watering £90 annual subscription. In the US, where it launched in 2023, the Playground has sold over a million units, even outselling Microsoft’s Xbox consoles during 2025’s Black Friday week. Safety and Future Plans Nex appears to be taking great care to earn families’ trust. None of the camera data from Nex play sessions is saved – either offline or online – meaning that families can happily embarrass themselves without worrying that an omniscient tech firm is tracking their every movement. Online multiplayer is coming to Playground soon, via parent-controlled “playdates”, and Lee hopes that this will also help older relatives stay connected with their families. The Future of Family Gaming Game publishers who’ve previously made games for Kinect and VR are already coming to Nex, Kang says. Child-focused brands such as Hasbro, DreamWorks and Mattel have already licensed games for it, perhaps seeing it as a safer alternative to social media and smartphone platforms – a view that most parents are likely to share. The most family-friendly dedicated games console currently available, Nintendo’s Switch 2, recently raised its price to £395.99, with new games at £50+ each; a lot of families are looking for a more affordable option. Nex Playground launches in the UK on 22 June.

The Lead In a revealing interview, Mark Williams, beloved for his portrayal of Arthur Weasley in the Harry Potter films, shares candid insights about his experiences on set, his relationships with fellow cast members, and the enduring impact of his iconic roles on both his career and public recognition. On-Set Memories and Fellow Actors Williams reflects on the challenges and joys of filming the Harry Potter series, noting that the worst part was "being away from home and the long hours," while the best was "the work and talking to the other actors." He recalls the legendary storytelling abilities of his co-stars, particularly Michael Gambon and Richard Griffiths, whose backstage anecdotes were "brilliant, and completely unpublishable." One of the more unusual on-set activities involved browsing agricultural equipment magazines with Robbie Coltrane. "With Robbie Coltrane I used to like going through Plant Trader, which was a sales magazine for big stuff: cranes, tractors, earthmoving equipment. We never purchased anything, but we came close," Williams reveals. The Unexpected Recognition Williams shares an amusing anecdote about recognizing someone unexpected on the Harry Potter set. While filming in the Ministry of Magic, he spotted his accountant among the extras. "When we'd stopped shooting I went over and said: 'Harry? What are you doing?' He said: 'Oh, it's a group of us. We just come and do supporting artist extra work for a laugh. That guy over there is a high court judge, and he's a contract law specialist.'" This experience taught him to "never underestimate the extras," highlighting the diverse backgrounds of people working in the film industry. Career Highlights and Collaborations When asked about his favorite collaborations, Williams cites two distinct areas: working with Hugh Laurie in films like "101 Dalmatians" and "The Borrowers," and his relationships with costume departments. He recalls a particularly memorable meeting with costume designer Bunny Christie on "Shakespeare in Love," who looked him up and down and declared, "Hmm, a make, I think," making him feel like he'd "arrived" in the industry. Williams also discusses his role as Brian Williams in "Doctor Who," describing his character as "the sort of antihero," and expresses his fondness for the maritime culture of the British Isles, which he'd love to explore in a potential documentary series. Iconic Catchphrases and Public Perception The interview touches on Williams' most famous catchphrases from "The Fast Show," including "Suits you, sir" and "Nice." While he doesn't find himself frequently quoting these lines in everyday life, he reveals that his mother used to say "Which was nice" without acknowledging its origin. When asked if he's tired of hearing his catchphrases, Williams responds with characteristic humor: "If you can't do the time, don't do the crime." When asked which catchphrase he wishes was his, Williams singles out Catherine Tate's "How very dare you?" as "a work of genius," noting its political undertones and versatility. Life Beyond Harry Potter Williams discusses his current role as Father Brown, revealing his love for the "Britishness" of music hall traditions and the "lunacy, the madness of it." While he has an excellent voice and can perform an uncanny George Formby impression, he hasn't pursued a singing career, though he has played Doctor Dolittle on tour. He also shares his thoughts on the Harry Potter studio tour, particularly fond of "Fluffy's paw," describing it as "a giant animatronic hand" that reminds him of Ray Harryhausen's work, noting that such creations are unique to films.

Young Job‑Seeker’s Quest Through Grimsby’s Vape‑Shop CorridorA 19‑year‑old from Grimsby spends his days knocking on the doors of the town’s expanding vape‑shop network, hoping each will offer a first‑hand job. Despite the visible surge in storefronts, none of the owners have vacancies, leaving the young man to confront a stark reality: retail growth does not guarantee employment for local youth.Retail Expansion vs. Job Creation: The Numbers Behind Grimsby’s EconomyUnemployment rate in Grimsby (Q1 2026): 7.4%, higher than the national average of 4.1%.Youth unemployment (16‑24) in North East Lincolnshire: 12.8%, reflecting a persistent challenge for the region.Vape‑shop licences issued in the borough rose by 38% year‑on‑year between 2024 and 2025, according to local council records.While the sector’s licensing data shows rapid expansion, employment statistics reveal no corresponding rise in entry‑level positions.Why the Retail Boom Isn’t Translating Into JobsThe surge in vape‑shop openings is driven by changing consumer habits and relatively low entry barriers for entrepreneurs. However, most shops operate as small, owner‑run enterprises that rely on the proprietor’s labor, limiting the need for additional staff. This business model, combined with a tight local labor market, leaves young job‑seekers without viable options.Implications for Grimsby’s Youth and the Wider CommunityThe lack of entry‑level roles hampers skill development and income generation for young residents, potentially fueling out‑migration to larger cities. For the town, a disengaged youth cohort can depress consumer spending and strain social services.Looking Ahead: Potential Paths to Bridge the GapLocal authorities and industry groups are exploring apprenticeship schemes and incentive programmes to encourage vape‑shop owners to hire apprentices. Additionally, broader economic diversification—such as investment in green manufacturing or digital services—could create alternative pathways for young workers in Grimsby.

The Lead: Little Terns Find a Lifeline at Lindisfarne On Ross Sands in Northumberland, a little tern sprinted toward a group of visitors, urging them away from its scrape. Senior manager Andrew Craggs of Lindisfarne National Nature Reserve explains the bird’s behaviour is a natural alarm against perceived predators – a sign that the reserve’s new protection tactics are already influencing bird behaviour. Electrifiable Netting Fences Shield Nesting Sites The reserve has erected 3 miles (5 km) of short, perforated, electrifiable netted fences across eight patches of beach and dunes. The design lets terns and ringed plovers move in and out freely while preventing people, dogs and larger predators from entering the vulnerable nesting areas. Fences are short‑wired and can be turned off when birds are not present. Installation covers the most heavily used breeding zones on Ross Sands. Staff can deploy additional sections wherever birds settle during the season. Breeding Numbers Reveal a Steep Decline Data from the British Trust for Ornithology’s Seabird Monitoring Project show a worrying trend: Little tern breeding abundance fell 19% between 1986 and 2024. Arctic tern numbers dropped 25% over the same period. Common tern populations plummeted 63%. These declines underscore why Lindisfarne’s interventions are critical for the species that migrate thousands of miles from West Africa each spring. Human Disturbance and Climate Threats Reshape Shorebird Survival Experts cite two primary pressures: Human disturbance – increased car ownership, outdoor recreation, and dogs on beaches force terns into fewer, larger colonies, making them easy targets for predators. Climate change – rising sea levels and coastal flooding threaten the low‑lying sand dunes and mudflats that host nesting sites. Ginny Swaile, deputy director for Northumbria at Natural England, notes that terns often choose open, exposed spots, making accidental trampling common. Tony Juniper, chair of Natural England, adds that visitor numbers now approach one million annually, amplifying disturbance risk. Future Outlook: Scaling Protection and Community Engagement The reserve’s strategy combines physical barriers with education. Seasonal wardens, funded by the EU Life environmental programme, provide on‑site guidance, enforce leash rules for dogs, and explain the sensitivity of the habitat to the public. If the current model proves successful, it could be replicated along other vulnerable UK coastlines, offering a template for balancing tourism with wildlife conservation.

The Vision for a Just and Sustainable FutureImagine a future in which everyone enjoys high levels of wellbeing; where 90% of the world's population doubles their income but works half the hours we work today. A world in which the bottom half of humanity sees its share of global wealth rise from just 2% today to 30%; a world where we consume enough, but nobody over-consumes. And imagine achieving this on a planet that can comfortably sustain human life without its climate breaking down.Against the bleak techno-authoritarian futures now being sold to us, a radical new vision for global progress in the 21st century feels urgently needed. The most credible vision is one in which the habitability of the planet is a precondition for human development and equality.The Three Pillars of Global TransformationOur new report examines the conditions required for the world to progress towards this ambition on an economically and ecologically compatible path, by the end of the century. Its conclusion? A global transformation that reconciles planetary habitability and high standards of wellbeing for all is possible – as long as three conditions are simultaneously met.Fast decarbonisation of energy systems is necessary. But we also need a major shift away from overconsumption towards 'sufficiency'. This would involve a sharp reduction in labour hours and the use of raw materials, along with big changes in consumption patterns, food habits, land use and forest cover. Financing and politically sustaining decarbonisation and sufficiency will require a drastic reduction in inequality of income, wealth and power, between countries and within them.Quantifying the Path to Global JusticeThe Global Justice Report is the first attempt to propose a fully quantified plan for this transition. It combines four dimensions that today's debates often treat separately: redistribution at the world scale; a deep reform of the international financial and economic order; a radical transformation of energy systems; and substantial shifts in consumption patterns. Compared with most climate scenarios (including those of the Intergovernmental Panel on Climate Change), the main novelty is that we model all four dimensions together – and place inequality and sufficiency at the centre of the analysis.The Economic Convergence by 2100What would this transition deliver? At its heart is convergence between countries. Average per capita national income, today separated by a 16-fold gap between the poorest (€290 a month in sub-Saharan Africa) and richest (€4,590 in North America/Oceania) regions of the world, would rise towards a common level of about €5,000 a month in all countries by 2100.But this convergence is not just monetary. Annual working hours per employed person would fall from roughly 2,100 to about 1,000, continuing the long shift towards shorter working time; while the share of global working hours devoted to education and health would rise from 11% to 43%. Women and men would converge on equal pay and on an equal share of economic and domestic labour.Climate and Wealth TransformationAll of this would unfold within a habitable climate. Thanks to sustainable convergence and fast decarbonisation, global heating would reach 1.8C, against more than 4C on current trends.None of this will be possible without a deep contraction of inequality. The income scale between individuals would narrow to a ratio of one to five and the wealth scale to one to 10, prolonging what western and Nordic Europe achieved over the 20th century. The share of global wealth held by the poorest half of humanity would rise from 2% to 30%, while the share held by the billionaire class would fall from 6% to 0.05%.Financing the Global Justice TransitionThese shifts would be financed and governed through new institutions. A global justice fund would spend an average of 10% of world GDP a year from 2026 to 2060 on country dividends and investment, against the less than 0.4% that aid and the combined budgets of the UN, the International Monetary Fund (IMF) and the World Bank represent today.Its resources would come from a world sovereign fund holding 10% of the world capital stock, a global wealth tax rising to 20% a year on billionaires and a global income tax rising to 90% at the very top, each touching about 1% of the world's population.The Political Path ForwardThe result is not a transfer from many to few but a gain for almost everyone. Close to 90% of the world's population would double their income between 2026 and 2100, and once leisure and a habitable planet are counted, more than 99% come out ahead.Our report is part of a broader international agenda for planetary habitability, social justice and reform of the global financial architecture – including the Bridgetown agenda launched by Barbados in 2022, the Sevilla Commitment on development finance, the UN tax convention process, and G20 initiatives led by Brazil and South Africa on global inequality.A habitable, equal and prosperous 21st century is materially possible. The carbon budget allows it and history offers precedents at comparable scales: universal suffrage, the universalisation of healthcare and education, the halving of working hours and the sharp compression of inequality over the 20th century. Technical impossibility is not what is standing in the way, but rather the absence of a shared vision of social progress, at once concrete and radical. What it will take instead is political choice, and the hard work of coalition-building behind it.

The Nothing Phone 4a Pro: A Departure from Glass-Clad Designs Nothing’s latest smartphone, the Phone 4a Pro, marks a significant departure from its previous glass-clad transparent designs. The new device boasts a solid aluminium body, a rare sight in the world of Android phones, and a touch of those elements in the camera island at the top. Design and Display The Phone 4a Pro features a 6.83in OLED screen with a high 144Hz refresh rate, making it ideal for watching videos on the commute. The slim aluminium body feels great, but the phone is quite large, making it a two-handed affair most of the time. Specifications Screen: 6.83in 144Hz QHD+ OLED (450ppi) Processor: Qualcomm Snapdragon 7 Gen 4 RAM: 8 or 12GB Storage: 128 or 256GB Operating system: Nothing OS 4.1 (Android 16) Camera: 50MP main, 50MP 3.5x tele and 8MP ultrawide, 32MP selfie Connectivity: 5G, eSIM, wifi 6, NFC, Bluetooth 5.4 and GNSS Water resistance: IP65 (25cm depths for 20 minutes) Dimensions: 163.6 x 76.6 x 7.9mm Weight: 210g Mid-range Power with Solid Battery Life The Phone 4a Pro is equipped with a Qualcomm Snapdragon 7 Gen 4 chip, which handles daily tasks efficiently but may not win any raw processing awards. The battery lasts a solid two-plus days between charges with the screen in active use for more than seven hours across a mix of wifi and 5G for general messaging, browsing, watching video and using various apps.