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The Birth of NegroMuro Rio de Janeiro, once home to the world's largest port of arrival for enslaved Africans, has a majority Afro-descendant population. Despite this, the city's public monuments largely overlook its Black heritage. Only about 10% of the 360 statues and busts across Rio commemorate Black people, with just 29 men and three women represented. The Mural Project's Impact This striking lack of representation drove two Black men, Fernando Cazé and Pedro Rajão, to create the NegroMuro project in 2018. The project now comprises 80 murals spread across the city, portraying about 120 people, 60% of them men. The duo aims to address the disparity by including more women in future murals. A Cartography of Black Memory “We're creating a cartography of Black memory,” says Pedro Rajão, a researcher and producer who created the project alongside visual artist Fernando Sawaya. The murals, on walls of schools, museums, train stations, and private homes, feature brightly coloured, bold-lined paintings of people born in Rio or with a strong connection to the city. Honouring Black Figures The murals depict notable figures such as Brazilian singer-songwriter and composer Luiz Melodia, writer Machado de Assis, and Black feminist activist Lélia Gonzalez. By honouring these individuals, the project seeks to celebrate Black cultural heritage and provide a more inclusive representation of Rio's history.

The Rise and Fall of a Rising ManagerAfter Francesco Farioli surrendered a nine-point lead in his final five matches at Ajax, he felt the word 'loser' had been stamped across his forehead. Clubs that had pursued him quietly stepped back and his rise abruptly stalled. This dramatic fall from grace came just months after he had been considered one of European football's brightest managerial talents.Now, after an impressive campaign at Porto, the 37-year-old Italian is again one of Europe's most sought-after coaches. His journey from the depths of despair to the pinnacle of success in Portuguese football serves as a compelling narrative about resilience and the unpredictable nature of football management.The Porto TransformationPorto's title triumph, wrapped up with two games to spare, came 12 months after Ajax's collapse enabled PSV to become Dutch champions. It is a sign of Farioli's status that he was linked with Chelsea before they appointed Xabi Alonso, raising fears among Porto supporters of an early departure. They remember what happened 15 years ago when André Villas-Boas was prised away to Stamford Bridge after winning the league.Farioli, though, insists the club and fans have nothing to worry about. "I feel I need to go again and push again – now the expectations are even higher," he says. "Three weeks ago, from the outside, I had big question marks on my head. Now there is an exclamation mark that needs to be confirmed and proved."A Calculated Risk Pays OffVillas-Boas is Porto's president these days, voted in just over two years ago, and the trust he placed in Farioli has been good for both parties. Porto had gone three seasons without the title before Farioli's arrival."I was really looking for a club with people who had the same motivation I had – a spirit of overturning a failure or something that went wrong – after the very heavy season I had at Ajax," Farioli says. The Italian inherited a Porto squad that had experienced a chaotic season marked by two managerial changes, a third-placed finish and the loss of Champions League football."The president's decision to give me this opportunity was remarkable, especially after a year with two young coaches [Vítor Bruno and Martín Anselmi] already," Farioli says. "Choosing a third one – and someone who had 'loser' stamped on his head – was not a rational move. But André Villas-Boas had faith and deep belief."An Unconventional Path to SuccessFarioli's path has differed greatly from that of most elite managers. At 23 he was studying philosophy at the University of Florence and he started working in top-level football as a goalkeeping coach under Roberto De Zerbi at Benevento and Sassuolo.His first head coach role came six years ago at Fatih Karagumruk in Turkey, when he became the youngest manager in Turkish top-flight history. Since leaving that country he has spent a season each at Nice (finishing fifth), Ajax and Porto.The Defensive MasterclassWith those three teams he recorded the best defensive record in the league, Porto conceding 18 goals in 34 matches last season. Their change in attitude under Farioli was unmistakable. Porto pressed relentlessly, never backed down from duels and stayed united in difficult moments. The commitment was obvious to supporters, who applauded the players' effort in every match."Metrics like total distance, high-speed running and sprint distance have been very reliable indicators for us throughout the season," Farioli says. "In almost all matches we managed to outperform our opponents in these areas, and that gave us important confirmation about the effectiveness of our physical planning and workload management."Emotional Resilience and Team UnityThe squad also united emotionally after the death of Jorge Costa, the football director, at the training ground in the opening days of the season. The club flag that covered his coffin was hung inside the stadium from one of the stands – a constant reminder of what they were fighting for.Farioli held tightly to one sentence Costa uttered in his final days: "We have a team again." As part of his reboot Farioli took new players to the club museum. "Porto needed to reconnect with certain values and rediscover the mystique that, in recent seasons, had partially faded away," he says. "But it was also essential to change the emotional atmosphere around the team: to bring back enthusiasm for the work, serenity inside the environment, and the desire to feel like a true team."Tactical Philosophy and Key PlayersFor Farioli, the goalkeeper is the keystone tactically – creating numerical superiority in the first phase of buildup and attracting pressure to open central spaces. In Diogo Costa, the Portugal keeper who passes with the poise of a midfielder, he found the ideal fit. Costa can pinpoint the free man under heavy pressure. "The goalkeeper has a very particular perspective on football because he sees the game globally," Farioli says.In front of Costa, the Polish duo Jan Bednarek and Jakub Kiwior formed a towering defensive wall. Often they were the only players behind the halfway line as Porto operated with an exceptionally high defensive line. Just ahead of them stood the team's breakout star, Victor Froholdt. The 20-year-old Danish midfielder, signed for €20m (£17.3m) from Copenhagen, was initially regarded as a risky investment but emerged as a key player in Farioli's system.The Road AheadAs Porto celebrates their title triumph, questions arise about Farioli's future. His name has been linked with several top European clubs, and his success at Porto has only increased his market value. The 37-year-old manager, however, remains focused on the present and the challenges that lie ahead."They had the freedom to hit us with a bazooka," Farioli says of the anonymous questionnaires he gives his players as he prepares for next season. This approach of seeking honest feedback and maintaining open communication exemplifies his management style and commitment to continuous improvement.Whatever the future holds, Francesco Farioli has already proven that he can overcome adversity, transform struggling teams, and silence his critics. His journey from being branded a 'loser' to becoming a champion manager serves as an inspiration in the unpredictable world of football management.

The Lebaudy manuscript, one of the earliest illustrated copies of the Old French Lancelot‑Grail cycle, is set to be auctioned by Christie’s on 8 July with an estimated hammer price of £1.5m‑£2m, offering institutions a rare chance to acquire a piece of Arthurian heritage that has never been publicly exhibited. Rare Arthurian Manuscript Set for Christie’s Auction Dating from c1290‑1310, the vellum‑bound tome contains 126 miniature illustrations, including a unique depiction of Merlin transformed into a talking stag. Produced by the anonymous Master of the Liège Apocalypse, the manuscript’s gold‑leafed miniatures were aggressively polished to achieve a dazzling shine. Its provenance traces back to a 15th‑century knight, a young jouster, the bibliophile Sir Thomas Phillipps, and 20th‑century French industrialist Jean Lebaudy, who survived two world wars and earned the croix de guerre. Estimated £1.5‑£2 Million Valuation and Market Context Current auction estimate: £1.5m‑£2m. Only three similar Arthurian manuscripts are known to reside in private collections, making this the earliest and most richly illustrated of the trio, according to Dr Eugenio Donadoni, Christie’s director of medieval and renaissance manuscripts. The manuscript will be featured in Christie’s “valuable books and manuscripts” sale, a marquee event for high‑value cultural assets. Scholarly Significance and Public Access Implications Experts such as Dr Irene Fabry‑Tehranchi of Cambridge University Library stress that the manuscript’s private ownership has limited comprehensive academic study. The work’s unique ending to the Suite Vulgate du Merlin, which emphasizes Arthur’s battles and questions of kingship, offers fresh insight into medieval narrative adaptation. Its potential transfer to a public institution could break a centuries‑long pattern of elite exclusivity, enabling digitisation and broader scholarly engagement. Future Prospects: Ownership and Research Opportunities Should a museum or university secure the manuscript, it would likely become a cornerstone for exhibitions on medieval literature and art, as well as a catalyst for new research on Arthurian myth‑making. Conversely, acquisition by a private collector could preserve the work but maintain current access barriers. Market observers anticipate strong competition, given the manuscript’s rarity, condition, and cultural cachet, which may drive the final price toward the upper end of the estimate.

Executive Snapshot: Friedlander’s Playful Lens on Display The Guardian’s picture‑rich feature walks readers through the newest showcase of Lee Friedlander, emphasizing his knack for turning everyday moments into witty visual jokes. The essay serves as both a tribute and a primer for anyone curious about his enduring influence. Inside the Exhibition: Curating Friedlander’s Signature Humor The gallery arranges Friedlander’s black‑and‑white prints alongside candid snapshots, each framed to reveal the photographer’s love of visual puns, layered compositions, and urban detours. Highlights include: Street scenes where shadows become characters. Self‑portraits that blur the line between observer and observed. Series of storefront windows that turn commercial signage into visual riddles. Numbers on the Wall: Attendance and Market Signals The article does not disclose specific visitor counts or sales figures for the show. However, past Friedlander retrospectives have typically drawn tens of thousands of visitors and sparked renewed interest in his limited‑edition prints. Why It Matters: Shaping Contemporary Photographic Discourse Friedlander’s blend of humor and meticulous composition continues to inspire a new generation of photographers who seek to embed narrative depth in everyday scenes. The exhibition reinforces his role as a bridge between classic documentary traditions and modern visual storytelling, reaffirming the market’s appetite for work that balances aesthetic rigor with accessible wit. Looking Ahead: The Future of Friedlander’s Legacy As museums and galleries worldwide revisit Friedlander’s oeuvre, his influence is likely to expand into digital platforms, where his compositional tricks can be re‑imagined through interactive media. Collectors and institutions are expected to pursue further collaborations, ensuring that his “gift that keeps on giving” endures for decades to come.

The Story Museum: A Family-Friendly Gem in Oxford Play cafes are not for everyone, but that doesn’t mean you can’t have a fun and engaging experience with your toddler in a museum. The Story Museum in Oxford is a great example of a family-oriented museum that sparks curiosity in arts and culture. Exploring the Galleries The museum offers a variety of interactive exhibits, including the Small Worlds gallery for under-fives, inspired by picture books and nursery rhymes. The Story Portal, where children receive a special passport, leads to the Whispering Wood, an indoor forest filled with fables and fairytales from around the world. A Dragon-Themed Temporary Exhibition During the visit, a temporary exhibition space was filled with all things dragon, co-curated with How to Train Your Dragon author Cressida Cowell. Children could dress up as a dragon, create their own origami dragon claw, and discover what a dragon’s den might smell like. The Enchanted Library The Enchanted Library takes visitors through the history of children’s literature in an engaging way. Visitors can play digital Pooh sticks in the Hundred Acre Wood and explore a wardrobe into the frosty forest of Narnia. A Hands-On Approach The museum’s approach is hands-on and interactive, encouraging children to touch, explore, and learn. As Lucy Webber, the museum’s head of learning, says, “We’re very much the opposite of a don’t-touch environment. So, do talk, do touch, see what happens.” More Story-Focused Museums to Explore Seven Stories, Newcastle Discover, London The Storybarn at The Reader, Liverpool

Whistler Serves Up Comfort‑Food Narrative of Reunited LoversWhistler is Ann Patchett’s latest novel, a gentle, nostalgia‑laden story that reunites a high‑school teacher with her former stepfather after four decades. Set against the backdrop of Westchester suburbs and the Metropolitan Museum, the book trades the farm‑yard intimacy of Tom Lake for a polished, almost curated, domestic world.Story Mechanics and Thematic ThreadsProtagonist Daphne Fuller, a high‑school English teacher, is drawn back into childhood memories when Eddie Triplett, a Manhattan literary editor, reappears.The narrative pivots on a past car accident that split their lives, using flashbacks to explore grief, missed time, and the “sharp kernel” of Daphne’s happiness.Supporting characters—steady husband Jonathan and daring sister Leda—populate a world of brunches, art‑gallery meet‑cutes, and “pricey ice‑cream” comfort.Publication Facts and PricingPublisher: BloomsburyRelease price: £20Available through the Guardian Bookshop and major retailers.Critical Reception and Cultural ResonanceThe Guardian’s review frames the novel as “top‑shelf comfort food,” noting its polished prose and lack of the “Anthropocene terrors” that gave Tom Lake its edge. While the story may feel “mawkish” to some, its meticulous construction and nostalgic tone resonate with readers seeking solace in post‑pandemic fiction.Future Outlook for Patchett’s OeuvreIf the novel’s warm reception translates into strong sales, Whistler could cement Patchett’s reputation for crafting emotionally resonant, character‑driven narratives. Its modest commercial price point and broad appeal suggest it will remain a staple in book clubs and literary discussions throughout 2026‑2027.

The World's First Robot Theme Park Opens in SeoulGalaxy Robot Park has opened in Seoul, claiming to be the world's first robot theme park, featuring humanoid robots that perform K-pop concerts. The ambitious project by Galaxy Corporation aims to revolutionize entertainment by having robots perform thousands of shows annually and potentially tour globally.Humanoid Performers Take the StageFour child-sized humanoid robots take the stage at an arena in eastern Seoul, performing synchronized dance moves to K-pop songs by stars like G-Dragon and Taemin. These robots, dressed in wigs and baggy clothes, execute their moves with surprising fluidity across a repertoire of different songs, including G-Dragon's "Home Sweet Home" and Taemin's "Advice and Idea."Behind the project is Galaxy Corporation, an entertainment company that positions itself as an "enter-tech" firm, blending entertainment with technology. The company manages megastar G-Dragon, as well as Taemin from the group Shinee and actor Song Kang-ho, known to western audiences for his role in the film "Parasite."Ambitious Performance Schedule and Global PlansAccording to Choi Yong-ho, Galaxy's chief executive and self-styled "chief happiness officer," the park plans to host three to six K-pop concerts daily, over 1,000 shows annually. By the end of 2026, the company aims to take the robots on a world tour, potentially transforming how concerts are experienced globally.K-pop has long served as a testing ground for experimental tech, from SM Entertainment's Aespa, which pairs real members with virtual avatars, to fully virtual boybands like Plave. The robot performances represent the next frontier in this technological evolution of entertainment.Cultural and Economic ImplicationsCha Woo-jin, a music critic and industry analyst, views the ambitious plan as both a cultural and economic experiment. "If you put a robot in an Elvis museum, fans would be repulsed," he says. "But K-pop is a visual packaging model, so robots feel less alien."A robot tour, he explains, would be like a cover dance crew – the groups that replicate routines of famous K-pop performers – but without hotel bills or per diems. This could significantly reduce production costs while potentially expanding the reach of K-pop performances globally.The Future of Automated EntertainmentThe Galaxy Robot Park represents a bold vision for the future of entertainment, where robots don't just assist humans but perform for them, potentially across continents simultaneously. As technology advances, we may see humanoid robots taking on more complex creative roles in various entertainment sectors, from music to fashion, with the K-pop industry leading this technological frontier.While questions remain about audience acceptance and the artistic authenticity of robotic performances, the project demonstrates South Korea's continued commitment to pushing technological boundaries in entertainment and its position as a global cultural innovator.

The Lead The 2026 Met Gala became a flashpoint for cultural tension as Amazon's $10 million patronage by Jeff Bezos and Lauren Sánchez Bezos sparked unprecedented protests from both activists and fashion industry insiders. The event highlighted the growing friction between tech billionaires seeking cultural validation and a fashion community increasingly uncomfortable with their presence. The Fashion-Tech Collision The Met Gala has evolved beyond a mere fashion event into a cultural battleground where the values of the fashion industry clash with those of Silicon Valley. This year's gala, honoring "The Garden of Time" theme, featured an unprecedented guest list of tech titans including Google co-founder Sergey Brin, Mark Zuckerberg, and staff from OpenAI. The $42 million raised—tickets priced at a staggering $100,000 each—funds the Metropolitan Museum of Art's Costume Institute, yet the presence of tech barons whose companies have faced criticism for labor practices and political alignments has created an uncomfortable juxtaposition. The Protests and Cultural Resistance Opposition to Bezos's involvement manifested in multiple forms. The activist group Everyone Hates Elon projected interviews with disgruntled Amazon workers onto Bezos's Manhattan penthouse and distributed fake urine containers to highlight reports of drivers urinating in bottles due to relentless work schedules. Former US Vogue editor Gabriella Karefa-Johnson organized a "Ball Without Billionaires" as an alternative event, featuring Amazon workers on the runway. In a powerful statement, Karefa-Johnson wrote: "Fashion has always had a talent for laundering. In these moments, it wraps the most sinister individuals in silk, under the warm glow of flashing lights, and manages to convince us it's culture. This is not new. But I have my limits." The Hollywood Parallel: Fiction Meets Reality Interestingly, the cultural backlash against tech's infiltration of fashion was mirrored in Hollywood's "The Devil Wears Prada 2," released just before the gala. The film features a tech baron character named Benji Barnes who attempts to buy the struggling Runway magazine for his girlfriend, echoing unsubstantiated rumors about Bezos potentially acquiring Vogue for his wife. The film's villain delivers a chilling monologue about AI replacing human creativity in publishing, mirroring real concerns about tech's influence on creative industries. The Fashion Industry's Faustian Pact Despite the backlash, the fashion industry has increasingly embraced tech billionaires as patrons and collaborators. Lauren Sánchez Bezos has been prominently featured in US Vogue, received a digital wedding cover in 2025, and sits front row at Paris fashion week shows. The couple has also announced millions in grants for sustainable fabric research. This relationship represents a complex interdependence: fashion gains financial support and cultural relevance, while tech billionaires acquire the cultural cachet they crave. Editor Anna Wintour, who continues to oversee the Met Gala after stepping down from her Vogue editor role in 2025, has a history of bringing commercially potent figures into the fashion fold, often against public criticism. The Future of Fashion and Tech Relations The growing tension between tech's wealth and fashion's cultural values may signal a pivotal moment for both industries. As inequality continues to rise and tech companies face increasing scrutiny over labor practices and political influence, the fashion community may need to reconcile its financial dependence on tech patrons with its traditional values of creativity and cultural significance. The question remains whether this relationship can evolve into something more equitable or if the cultural backlash will force a fundamental restructuring of how these industries interact.

The Call for Free Champions League Final Keir Starmer has written to broadcaster TNT Sports asking it to make next weekend’s Champions League final free to view. The move is the latest measure that appears designed to appeal directly to voters, after the government announced earlier this week that it would cut VAT on entry to some attractions – such as theme parks, zoos and museums – during the school summer holidays. Starmer's Letter to TNT Sports Starmer, who has a season ticket for recently crowned Premier League champions Arsenal, told TNT Sports on Friday that he was “saddened” that the club’s match with Paris Saint-Germain would not be free to watch for supporters in the UK. The fixture is due to be played in Budapest next Saturday evening and will mark the first time British viewers will be unable to watch the final free of charge. It will be streamed by TNT Sports on HBO Max, where the cheapest subscription package costs £4.99 per month. In his letter, Starmer said: “The Champions League is the biggest club football competition in the world and rightly means a lot to fans in this country – the home of football. I am a firm believer that the final of this competition should remain free to watch, whether Arsenal have made it or not. The Data Analysis Cheapest subscription package to HBO Max: £4.99 per month First time British viewers will have to pay to watch the Champions League final The Impact Analysis The prime minister is fighting for his political life after disastrous local election results earlier this month. He is widely expected to face a leadership challenge from Andy Burnham if the Greater Manchester mayor wins the Makerfield byelection next month. Labour MPs have long feared that the party faces heavy losses should Starmer lead it into the next election amid a sharp increase in support for Reform UK. The Prediction Starmer's move to make the Champions League final free to view is seen as an attempt to appeal directly to voters and boost his leadership credentials. However, it remains to be seen whether this move will have a significant impact on the polls.