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The Devastating Impact of Extreme Rainfall on Tapanuli Orangutans Extreme rainfall and landslides fuelled by the climate crisis killed 7% of the remaining population of the world’s rarest great ape, a study has found, prompting fears for the species’ survival. The Event Details The research suggests 58 out of the remaining 800 critically endangered Tapanuli orangutans (Pongo tapanuliensis) were killed after more than 1,000mm (39in) of rain fell over four days in Indonesia’s North Sumatra province in November 2025. This equates to 11% of the local population and 7% of the entire species. The Data Analysis 58 Tapanuli orangutans killed in the floods 800: remaining population of Tapanuli orangutans 7%: proportion of the world's rarest great ape population killed 11.7%: proportion of key forest habitat wiped out by landslides The Impact Analysis “It is tragic to lose so many apes in this way. In landscapes where populations are small and fragmented, this type of weather or climate event can have population-level consequences. It is extremely worrying for the future of this ape,” said Prof Serge Wich, a primatologist at Liverpool John Moores University and co-author of the study. The Prediction Previous research has suggested annual losses of 1% of the Tapanuli orangutan population would be sufficient to lead to eventual extinction. The Indonesian government has temporarily paused all major industrial activity in the Batang Toru area to give scientists the opportunity to investigate how best to secure the long-term survival of the Tapanuli orangutan.

The Lead The Evil Lawyer, a Thai crime-thriller-cum-courtroom-drama, is a gripping and twisty series with a complex plot that explores power, corruption, and systemic injustice. The Show's Premise The series follows Jittri, a ruthless lawyer who defends guilty clients by any means necessary, and Mek, a morally upright lawyer who finds himself framed for murder and forced to work with Jittri. As Mek navigates the dark side of the legal system, he uncovers a web of corruption and inequality that threatens to destroy him. The Cast and Crew The show features strong performances from Rhatha Phongam as Jittri and Nat Kitcharit as Mek. The supporting cast is equally impressive, with standout performances from Ploy Siriudomset as a woman raped by a doctor Jittri is defending. The show's director, Nottapon Boonprakob, and his team have done an excellent job of balancing the show's tone and pacing. The Impact Analysis The Evil Lawyer raises important questions about power, corruption, and systemic injustice in Thailand. The show's portrayal of the legal system and its flaws is both thought-provoking and uncomfortable. While the show's tonal erraticness and some ridiculous moments detract from its overall impact, it remains a compelling and engaging watch. The Prediction With its gripping plot and strong performances, The Evil Lawyer is likely to appeal to fans of crime-thrillers and courtroom dramas. The show's exploration of complex themes and its nuanced portrayal of its characters make it a standout in its genre. As the series concludes, viewers can expect a satisfying denouement that ties up loose ends and provides a sense of closure.

The Lead Thomas Tuchel said that England are ready for the World Cup after cruising to an impressive 3-0 victory over Costa Rica in Orlando. England's Dominant Performance England side dealt with storms delaying kick-off for an hour at the Inter & Co Stadium and looked in excellent condition as they secured victory in their final warm-up game with goals from Declan Rice, Anthony Gordon and Ollie Watkins. There was also an impressive performance from Jude Bellingham, placing him in contention to start against Croatia in Dallas next Wednesday. Tuchel's Analysis “I wished for that, I demanded that; I said before the match we want to push it to the next level, from intensity, commitment, cohesion, and we did that,” the head coach said. “We could see the impact of the Arsenal players coming into camp and we could see the impact of training.” The Impact of Key Players Bellingham was given an opportunity to start over Morgan Rogers at No 10 and his quality on the ball was matched by his workrate without it. The midfielder combined well with Harry Kane, Elliot Anderson and Rice. England's World Cup Preparation England face Miami United in a behind-closed-doors game on Thursday. They leave Florida and head to their tournament base in Kansas City on Saturday.

Australia cruise to six‑wicket win over West Indies in final warm‑upSophie Molineux’s side delivered a clinical performance in Cardiff, wrapping up the warm‑up series with a six‑wicket triumph that left the West Indies all out for 131. The Australians reached the target of 132/4 with five overs remaining, underscoring their intent ahead of the Women’s T20 World Cup.Dominant bowling and a blitz from Georgia Voll seal the chaseSeven of Australia’s eight bowlers claimed a wicket, with the most economical figures coming from Lucy Hamilton (2‑19) and Georgia Wareham (1‑10). In response, the batting line‑up saw Georgia Voll explode for 77* off 48 balls (10 fours, 2 sixes), while Beth Mooney contributed a quick 34 off 18 before being retired.West Indies innings: 131 all outAustralia chase: 132/4 in 15 oversKey bowlers: Molineux 1‑19 (3 overs), Garth 1‑13, Hamilton 2‑19, Perry 1‑16, Carey 1‑11, Wareham 1‑10, Gardner 2‑17Key batters: Voll 77* (48), Mooney 34 (18), Perry 5 (??), Gardner 7, Wareham 1Stat sheet: runs, wickets and overs breakdownThe match featured a balanced attack:Australia’s total wickets: 8 bowlers shared 9 wicketsEconomy highlights: Garth 1‑13, Hamilton 2‑19, Wareham 1‑10Run rate: Australia 8.8 runs per over in the chaseFielding note: West Indies lost all‑rounder Chinelle Henry to a tumble, raising injury concerns.What the victory signals for Australia’s title defenceThe comprehensive win reinforces Australia’s reputation as the tournament favourite after a previous crushing warm‑up over hosts England. Coach Sophie Molineux highlighted the “clinical” chase as evidence that the squad can rotate bowlers and still maintain pressure, a crucial factor for the varied conditions they will face in the World Cup.Looking ahead: South Africa showdown and World Cup prospectsAustralia now turn their focus to the opening World Cup match against South Africa. The team’s depth—evident in the ability to field 15 effective players—suggests they are prepared for the tactical flexibility required in tournament play. If the momentum from this warm‑up continues, Australia could reclaim the title they lost to South Africa in the 2024 Dubai semi‑finals.

The LeadLegendary actor Laurence Olivier has been posthumously honored with an English Heritage blue plaque at his former London home in Pimlico, where he discovered his acting talent as a child. The plaque was unveiled by fellow acting legend Ian McKellen, marking a significant tribute to one of Britain's most celebrated theatrical figures.A Historic HomecomingThe blue plaque was installed at 22 Lupus Street in Pimlico, the very residence where Olivier lived from the age of five to twelve. It was during this formative period that the young Olivier discovered his talent for acting under the guidance of his father, who served as a curate at St Saviour's church across the road. This location now joins the prestigious list of homes honored with English Heritage blue plaques, including those of David Garrick, Henry Irving, Oscar Wilde, and Noël Coward.Tributes from a Fellow LegendIn a heartfelt ceremony, Ian McKellen delivered a moving tribute to Olivier, acknowledging the actor's enduring impact on British theatre. McKellen reflected on the transient nature of theatrical fame, noting that actors are often forgotten within two decades of their death, but emphasized that Olivier's memory continues through multiple channels: not only through having a theatre and an awards ceremony named after him, but more significantly through the timeless glow of his performances.McKellen shared personal anecdotes, revealing that although he never had the opportunity to act alongside Olivier, he was briefly part of his National Theatre company at the Old Vic. He recounted how Olivier had sent a message to his agent expressing that he was 'haunted by the spectre of lost opportunities' when McKellen left the company. McKellen also performed a rousing rendition of the 'once more unto the breach' speech from Henry V, a performance Olivier had recorded as part of a campaign to save the Rose theatre.Olivier's Enduring LegacyThe ceremony highlighted Olivier's profound influence on British theatre and culture. Indhu Rubasingham, the National Theatre's artistic director, spoke movingly of Olivier's courage and vision in creating a National Theatre company from scratch, despite never having the opportunity to see him perform on stage. The Olivier Theatre and the prestigious Olivier Awards stand as testaments to his lasting impact on the theatrical world.Those who attended the ceremony, including McKellen himself, shared memories of having witnessed Olivier's performances during their youth, underscoring the generational nature of his influence. The actor's ability to captivate audiences across decades continues to inspire new generations of performers.The Making of a MasterThe plaque unveiling also brought attention to the formative influences that shaped Olivier's extraordinary talent. As a child living in Pimlico, Olivier was not only a choirboy at St Saviour's church but was deeply influenced by the powerful sermons delivered by his father and other preachers. Olivier later recalled how these religious orators demonstrated masterful techniques: 'They knew when to drop the voice, when to bellow about the perils of hellfire, when to slip in a gag, when to suddenly wax sentimental, when to turn solemn, when to pronounce the blessing.'These early experiences in Pimlico likely contributed to Olivier's understanding of dramatic timing and emotional delivery—qualities that would later define his legendary performances on stage and screen. The church, incidentally, is also notable as the place where a young Diana, Princess of Wales, worked as a kindergarten assistant, adding another layer of historical significance to this corner of London.

What the Guardian Puzzle Challenges ReadersThe Guardian’s latest Monday puzzle invites fans of the number 4 to solve a classic digit‑rotation riddle. Readers are asked to find the smallest integer N that starts with 4 and, when the leading 4 is moved to the end, the new number equals one‑quarter of N.The 4‑Shift Puzzle: Rules and the Quest for NFormally, N is of the form 4… (a leading 4 followed by a sequence of digits) and satisfies:N ÷ 4 = …4 (the same digits with the 4 now at the end)The article provides a hint to start with two‑digit numbers and increase the length until a solution is found.Mathematical Insight: Why the Solution Exists at 102564Solving the equation 4 × (10·x + 4) = 10·x + 4 yields the smallest integer 102564. Moving the leading 4 to the end gives 025641, which is exactly ¼ of 102564.Why Such Brain Teasers Matter in Modern MediaThese puzzles stimulate logical thinking, drive engagement on social platforms, and reinforce the Guardian’s brand as a source of intellectually‑rich content. They also create a community of solvers who share methods without revealing the answer, fostering discussion.What to Expect from Future Guardian PuzzlesThe column promises a new challenge every alternate Monday, suggesting a continued mix of classic Olympiad problems and original riddles. Readers can anticipate more mathematically‑driven content that blends education with entertainment.

The Judicial Fallacy of DemeanourImagine a juror on a murder trial, instructed to rely on a defendant's body language to determine guilt. This is not a hypothetical scenario; the UK's judicial system currently advises jurors to observe witnesses' demeanour and mannerisms. In Scotland, courts explicitly direct jurors to look at body language, while in England and Wales, they are warned not to take so many notes that they miss a witness's expressions. This reliance on non-verbal cues is as scientifically dubious as the 1994 case where a jury consulted a Ouija board to determine a verdict, a decision that was eventually overturned.Debunking the Body Language MythosDespite popular belief, the most common cues used to spot a liar are actually the least reliable. Research indicates that liars are often excellent at making eye contact, as they need to monitor the listener's reaction to gauge the success of their deception. Other pervasive myths include the belief that looking to the left indicates lying or that nose scratching betrays guilt. Furthermore, a facial-feature bias exists where attractive defendants are statistically more likely to be found not guilty or receive lighter sentences, proving that appearance often clouds judgment more than any micro-expression.Eye Contact: Liars often maintain intense eye contact to gather feedback.Eye Direction: There is no scientific link between eye direction and truthfulness.Mouth Covering/Nose Scratching: These are not reliable indicators of deception.The Cognitive Load of LyingThe core of the problem lies in the assumption that lying is a physical act. In reality, lying is primarily a linguistic act. Because lying requires significant cognitive effort—simultaneously managing the lie, the listener's reaction, and the adaptation of the story—it leaves the speaker vulnerable to slips in language. Unlike body language, which can be controlled, the structure and selection of words are harder to fake in real-time.Linguistic Cues Over Facial ExpressionsTo accurately detect deception, one must listen rather than watch. Liars often struggle with self-focus, leading to sudden self-corrections where they replace the first-person singular pronoun “I” with the plural “we” to create distance. Additionally, truthful accounts of trauma or dramatic events are rich in sensory-perceptual details (what was seen, heard, or felt), whereas fabricated stories tend to rely on internal thought processes (“I remember thinking”) rather than external sensory input. The future of lie detection lies in analyzing these linguistic patterns rather than relying on unreliable visual cues.

The Uncertain Economic Impact of the FIFA World Cup Global sporting events like the FIFA World Cup are often pitched to host cities as economic jackpots. It's a promise fuelled by an influx of tourists, packed hotels, new jobs, and billions in spending. Challenges Facing US Host Cities But as the games approach, skyrocketing ticket prices, weaker-than-expected hotel bookings, and broader economic uncertainty are raising questions about whether the event will deliver the windfall many cities anticipated. 80 percent of hotel bookings are below expectations, with 70 percent of respondents citing visa barriers and geopolitical turmoil as major reasons for weaker travel demand. In New York City, bookings are at roughly 65 percent of what respondents expected. In Seattle, Washington, 80 percent of hotels are lagging behind typical summer booking levels. The Data Analysis: Tourism and Travel Demand Domestic travellers account for nearly 70 percent of all flight bookings, according to Sojern data. Travellers from foreign countries trail far behind, with Canada making up just over 6 percent of bookings and the United Kingdom accounting for 4.8 percent. Air travel is showing a pattern of increased demand, despite rising fuel prices and reduced flights for major US carriers. Bookings to Houston and Dallas surged 38 percent and 42 percent respectively, compared with the same period last year. The Impact Analysis: Economic Pressures and Geopolitical Factors Economic pressures, driven by a stagnant job market and higher prices of essentials such as petrol, are weighing on discretionary spending. Gas prices now stand at $4.16 per gallon, compared with $2.98 per gallon on February 28th. For international travellers, US President Donald Trump's immigration agenda has become a deterrent. Groups, including the American Civil Liberties Union (ACLU), issued warnings for foreign visitors headed to the US to watch the World Cup. The Prediction: A More Cautious Outlook Some city officials and business leaders are not overly concerned that the slowdown will be as severe as early forecasts suggested. New York City officials expect bookings to return to near-normal summer levels by the time the tournament begins. However, the heightened price tag for tickets and accommodations may limit the economic benefits for host cities. Average prices for nosebleed-section tickets to early games are well over $800 at the low end, and tickets for the final match are selling for as much as $43,553.

Lead: A Quiet Examination of Family FracturesIn We Had a World, Harmon traces the shifting, sinking relationship between a mother and her mother, using the protagonist Josh as the emotional fulcrum that forces both women to confront long‑standing grievances.Exploring the Intergenerational Conflict on StageThe play centres on Renee (played by Suzanne Bertish) and her daughter Ellen (portrayed by Anna Francolini). Bertish’s performance oscillates between generosity and petulance, while Francolini delivers a sharp, stubborn yet loving portrait of a mother whose affection is tangled with expectation.Performance Highlights and Character DynamicsRyan Kopel as Josh provides the audience’s entry point, his sincere delivery grounding the emotional turbulence.The trio’s interactions often feel like a mediated therapy session, with Josh acting as a facilitator between the two women.The script’s pace occasionally stutters as arguments swell, yet moments of tentative hope surface when the characters attempt reconciliation.Staging Choices and Symbolic Set DesignDirector Josh Seymour employs a minimalist set featuring an ice cube melting on a plinth—a visual echo of Josh’s museum‑going past with his grandmother and a subtle nod to the climate crisis. This prop underscores the central theme that “nothing lasts forever.”Critical Perspective and Audience OutlookWhile the production’s pacing can feel sedate, its strength lies in the precise, almost scientific observation of familial dynamics. The play invites audiences to reflect on their own intergenerational tensions, making it a resonant, if understated, theatrical experience.Practical DetailsRunning at Hampstead Theatre, London until 4 July 2026.