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The Portrait That Merges Masculine Power and Feminine VulnerabilityThe Guardian features Marisol Mendez’s striking photograph of Marta Salinas, a Bolivian theatre actor, standing nude in a bull costume. The work confronts traditional Bolivian representations of women by foregrounding masculine traits—ambition, competitiveness, and the symbolism of the bull—while celebrating bodily autonomy.The Creation of the Bull‑Costume PhotographConceived in 2019, the image emerged from Mendez’s dream of a half‑woman, half‑animal figure in a field. Drawing on the waka tokori dance, which reenacts Bolivian bullfighting where men only taunt the bull, she used the bull as a symbol of masculinity. The setting—a fruit‑and‑bee farm outside Cochabamba—was suggested by Mendez’s mother, who acted as chauffeur and logistical support.Photographer: Marisol Mendez (Bolivia)Subject: Marta Salinas, theatre actor (Bolivia/Argentina)Series: Madre – a study of womanhood and archetypesPrize: 2026 Saltzman‑Leibovitz prize winnerExhibition: Photo London, Olympia, until 17 May 2026Cultural Resonance of Gender Fluidity in Bolivian ArtThe photograph challenges the media’s habit of portraying Bolivian women in strictly feminine roles. By presenting a nude figure who embraces masculine energy, Mendez questions the automatic labeling of such women as “lesbian” and pushes for nuance in gender representation. The work also references the influence of US photographer Ryan McGinley, whose non‑sexualized nudes inspired Mendez’s approach.What Lies Ahead for Mendez and the Madre SeriesWith the Saltzman‑Leibovitz prize spotlighting her practice, Mendez is poised to expand the Madre series internationally. Upcoming shows, such as the Photo London exhibition, will introduce broader audiences to her interrogation of archetypes like the Virgin Mary versus Mary Magdalene. Critics anticipate that her blend of personal narrative, cultural critique, and bold visual language will continue to shape contemporary discourse on gender and identity in Latin American photography.

Assessing the USA's World Cup Readiness With only a month to go until the 2026 World Cup in the USA, Canada, and Mexico, experts are weighing in on the country's preparedness to host the tournament. The discussion includes concerns over ticket prices, Iran's participation, visa issues, and the impact of policies like those from ICE and Donald Trump's administration. Key Challenges Facing the USA Ticket prices and availability Visa issues for international visitors Public transport and infrastructure General enthusiasm and support for the tournament The USMNT's Chances and Grassroots Football The podcast also touched on the prospects of the US Men's National Team (USMNT) and the state of grassroots football in the country. Nostalgia for the history of the men's game was another topic of discussion. Support and Engagement Listeners can support The Guardian and engage with Football Weekly on various platforms including Instagram, TikTok, and YouTube.

The Investigation into Nigel Farage Nigel Farage is facing a formal investigation by the parliamentary standards watchdog over a £5m gift from the crypto billionaire Christopher Harborne. The Gift and Its Disclosure The Reform UK leader received the money weeks before announcing he would stand as a candidate in the 2024 general election. Farage has said the gift, first revealed by the Guardian, was intended to cover his personal security costs and therefore did not need to be declared. The Rules and Potential Consequences However, Labour and other parties argue that MPs are required to declare any potentially relevant gifts or donations received in the 12 months before entering parliament, and that the money from the Thailand-based Harborne falls within these rules. If the investigation finds Farage committed a particularly serious breach of parliamentary declaration rules, he could be suspended from the Commons. A suspension of 10 days or more could trigger a recall petition, potentially forcing him to fight again for his Clacton seat.

The Cultural Phenomenon Returns On a chilly morning at a Silvertown studio behind London City airport, the sunburst intro to Jimmy Cliff's The Harder They Come is on repeat. Dancers run through a routine studded with reggae and dancehall moves. "Get high," commands associate choreographer Neisha-yen Jones with a smile. "Get low!" The ensemble rise and dip. They do the bogle and whine around each other as their watchful director Matthew Xia nods along. They circle Natey Jones who breaks out the opening line: "Well, they tell me of a pie up in the sky." In the distance, a plane leaves the ground. From Film to Theatrical Celebration It's eight months since The Harder They Come's full-throttle takeoff at Stratford East, where the musical was so popular that it is now returning for a second run which will also serve as a eulogy for Cliff who died in November. Playwright Suzan-Lori Parks' adaptation of Perry Henzell's 1972 Jamaican film is bolstered by a handful of her own songs as well as classics including Israelites and Wonderful World, Beautiful People – plus every number on the film's monumental soundtrack. Jones is reprising the role of Ivan (played on screen by Cliff and inspired by real-life outlaw Rhyging), who arrives in Kingston from the country and is dismissed and exploited, before becoming both a hit singer and a fugitive. The Evolution of a Cultural Narrative The original was akin to cinéma vérité, directly evoked spaghetti westerns and veered into blaxploitation territory; Ivan's tale has gained greater warmth, humour and protest spirit on stage. It was the best musical I saw in 2025. "The story is a tragedy but the theatrical event is a celebration," says Xia of his production. Twenty years ago, the film was adapted as a musical with a book by Henzell, also at Stratford East. "It all started at Ivan's Nine Night," Xia recalls. "There was a massive poster of Ivan on the wall, with everyone coming, and it was told in retrospect with vignettes." Choreography and Cultural Connection Shelley Maxwell, recently arrived from Jamaica, was watching the musical in the audience one night and has since become the choreographer of the new production. She has fused the folk dance forms of revivalism and pocomania, learned in her childhood, with reggae, dancehall and moves that today's teenagers can recognise. "I wanted to tap into the youth market," she says. It's brought some enthusiastic feedback from audience members who may not know the film. "Like: 'Oh my God, they did that step I always do at a party!' It allows them to form a connection." Authenticity and Cultural Representation Xia, wearing trainers in the Jamaican flag's colours, and Maxwell, whose tracksuit has the same black, green and gold trim, were intent on instantly transporting their audience to Kingston. The opening, says the director, is an "establishing shot" with characters coming and going on Simon Kenny's magnificent multi-level set, accompanied by Toots and the Maytals' hit Funky Kingston. To borrow from its lyrics, you really can believe everything they do. Even each move in the dominoes game we see is scripted, explains Maxwell, who mapped out the market scene with precision: "Where are you going to? How heavy is the item that you're holding? This is the swing of the hips." Social Commentary Through Performance Xia, whose father came to England from Jamaica in the 1970s, praises the freewheeling realism of the film. "Lots of the background performers are just whoever happened to be in the market that day, or walking through the shantytown. Lots of the actors were people that Perry knew, they had no training." Henzell, says Xia, showed "the part of Jamaica that had always been hidden, people living hand to mouth". The musical depicts a "quartet of oppression" against Ivan, as he takes a stand against individuals representing hypocrisies of the church, law, drugs trade and music industry. Universal Themes and Contemporary Relevance The Harder They Come was both a pioneering example of independent film-making for Jamaicans and a portrait of a newly independent country. Maxwell, who grew up glued to Hollywood musicals, says it was empowering to discover a film full of the Jamaican songs she loved. "I was probably way too young when I saw it. But what I saw was the world around me." She traces how different forms of music played a pivotal part in the country establishing its identity, moving from African forms and American R&B; to mento, ska, rocksteady, reggae and the rise of Bob Marley and Jimmy Cliff. Maxwell captures that chain reaction with a tantalizing question: "What's this groove becoming?" Transforming the Narrative for Modern Audiences The musical also makes its hero's actions more understandable. "In the film, Ivan becomes a kind of wanton murderer," says Xia. In the musical, "he accidentally shoots a police officer when he's under threat, is remorseful, yet also knows that if he gives himself in then that's the end of his journey". Another significant change is the depth given to the principal women – Ivan's mother Daisy and Elsa, with whom he falls in love under the eye of her authoritarian guardian, the preacher. "The moral heart of the piece now resides in those two women," says Xia. Maxwell transforms a brief sequence from the film, in which Ivan imagines a tryst with the devout Elsa, into a floor-trembling set piece when the preacher's congregation lose their robes to indulge in lustful fantasy. The male gaze of the original scene is duly excised: "it had to be like it was both of them in partnership in that fantasy world," says Maxwell, who adds that the nature of dancehall – "grinding, gyrating on another body" required her to use her skillset as an intimacy director.

Executive Overview: Syringe‑Smuggled Ants in NairobiThe Guardian article reveals that Nairobi is emerging as a nexus for the illegal trade of giant harvester ants, which are being hidden inside medical syringes to evade detection. This unconventional smuggling method highlights a growing challenge at the intersection of wildlife trafficking and public‑health safety.How Syringes Enable the Giant Harvester Ant TradeAccording to the report, traffickers exploit the small, sealed nature of syringes to conceal live ants during transport. The method allows large numbers of insects to be moved discreetly through customs and local markets, bypassing traditional inspection procedures.Scale of the Illicit Ant MarketWhile precise figures are not disclosed, the article notes a noticeable increase in seizures and police investigations related to ant smuggling in Nairobi.Local markets are reportedly offering the insects for purposes ranging from traditional medicine to exotic pet trade.Implications for Public Health and BiodiversityThe practice poses dual risks: the potential spread of ant‑borne pathogens to humans, and the ecological impact of removing a keystone species from its native habitats. Kenyan authorities are urged to strengthen bio‑security protocols to mitigate these threats.Future Outlook: Regulation and EnforcementExperts cited in the Guardian piece suggest that tighter customs inspections, public awareness campaigns, and regional cooperation will be essential to curb the syringe‑based trafficking network. Ongoing monitoring will determine whether Nairobi can shift from a trafficking hub to a model for effective wildlife‑trade enforcement.

First Ascent: The Allure of Carn Ffoi’s Jagged EdgeThe Guardian’s Country Diary captures a solitary climber’s obsession with a dark, looming rock outcrop on the brow of a Pembrokeshire hill. From a modest “home away from home,” the author watches the storm‑washed landscape settle, the wind drying the volcanic stone and setting the stage for a daring bouldering session.On‑Ground Details: Route‑Finding Without a GuidebookWithout a phone or detailed topos, the climber relies on a hand‑drawn booklet of routes that proves indecipherable. Instead, he scouts a potential line on the lee side of the boulder, warms his fingers, and visualises the climb in his mind before committing to the overhanging block.Physical Metrics: Climb Length, Elevation Gain, and Weather ConditionsClimb height: approximately 4‑5 metres of vertical gain.Elevation gain from base to summit: ~12 m above sea level.Wind: post‑storm gusts around 15‑20 km/h, drying the rock surface.Temperature: mild coastal chill, roughly 12 °C.Why This Matters: Highlighting Remote Coastal Climbing in WalesThe piece underscores a growing niche of climbers seeking untouched tors along the Welsh coast. The volcanic geology offers a texture “rough as old bark,” while the surrounding landscape—sandy Trefdraeth Bay, gorse scrub, and distant fishing boats—provides a dramatic backdrop that differentiates these sites from inland crags.Looking Ahead: Future Exploration of Pembrokeshire’s TorsAfter topping the boulder, the author spots a freshly‑moulted adder, a reminder of the area’s rich biodiversity. The encounter, combined with the panoramic sea view, suggests that Pembrokeshire’s tors will continue to attract adventurous climbers and nature enthusiasts alike, encouraging more detailed route documentation and sustainable access initiatives.

In a recent Guardian column, Jonathan Liew reframes Sir David Attenborough as a quiet radical whose public persona masks a long‑standing critique of capitalism and a call for wealth redistribution, juxtaposing this stance with the largely apolitical tone of his 2026 centenary celebration.Attenborough’s Radical Economic Vision RevealedDuring a 2020 BBC interview, the 100‑year‑old naturalist argued for a “utopian future” where “those who have a great deal, perhaps, will have a little bit less, and those that have very little will have a little more.” This stance aligns with broader eco‑socialist ideas and contrasts sharply with the profit‑driven narrative of contemporary capitalism.Centenary Broadcast: Celebration Over Substance?The BBC One tribute featured celebrity tributes, a royal birthday letter delivered by CGI fauna, and a polished showcase of Attenborough’s wildlife footage, yet the climate crisis was not mentioned once. The event’s focus on spectacle over policy underscores how his radical views are often sidelined in mainstream media.Quantifying Attenborough’s Media Reach and TrustPolls repeatedly rank Attenborough as the most trusted figure in the United Kingdom, granting him a unique platform to shape public opinion. However, the absence of concrete policy advocacy in his high‑profile appearances limits the translation of that trust into measurable political pressure.Implications for Environmental Advocacy and Public DiscourseAttenborough’s depoliticised image makes him an appealing messenger for a broad audience, but it also allows powerful interests to co‑opt his environmental narrative without demanding systemic change. The tension between his activist instincts and the sanitized public persona raises doubts about whether his influence can drive the “tough and bloody compromises” needed for climate mitigation.Future Role: From Symbolic Figure to Policy Catalyst?As Attenborough enters his eleventh decade, the key question is whether future broadcasts will integrate his radical economic ideas with concrete climate policy proposals. If his platform begins to foreground systemic redistribution alongside biodiversity storytelling, he could shift from a symbolic guardian of nature to a catalyst for substantive environmental legislation.

Morning Snapshot: UK Bond Market Bruised by Political Turbulence Good morning, and welcome to our rolling coverage of business, the financial markets and the world economy. The UK bond market is bruised this morning after a day of political turbulence drove up Britain’s borrowing costs. Rising Yields: 10‑Year Gilt Above 5% – Highest Since 1998 UK long‑term bond yields hit their highest levels in 28 years on Tuesday, pushing the 10‑year gilt yield back above 5%, the highest level since 1998. Numbers at a Glance: Yield Spike and Borrowing Cost Implications 10‑year gilt yield: > 5% (first time above 5% since 1998) Yield rise triggered by fears of a left‑leaning Labour government and potential fiscal expansion. Higher yields mean investors demand greater compensation, increasing the cost of borrowing for the UK Treasury. Political Shockwaves: Labour Leadership Uncertainty and Reform’s Rise Investors are wary that a shift to the left under Keir Starmer could lead to higher spending and larger deficits. At the same time, the prospect of Nigel Farage entering Downing Street after Reform’s gains in the recent local elections adds another layer of uncertainty. Senior analyst Ipek Ozkardeskaya of Swissquote notes that the market is "grappling with their own political shakeups" and that the combination of fiscal concerns and inflation outlook is driving yields up. Market strategist Bill Blain of Wind Shift Capital cautions that investors may not view Reform as a "safe pair of hands" for managing the bond market and public spending. Looking Ahead: What the King’s Speech Could Mean for Debt Markets The UK government will outline its legislative agenda in the King’s Speech later today, which could provide some respite for Keir Starmer amid ministerial resignations and calls for his departure. 10am BST: IEA monthly oil market report 10am BST: Eurozone GDP report (latest estimate for Q1 2026) 1.30pm BST: US producer prices inflation report for April 3pm BST: Bank of England policymaker Catherine L. Mann to release speech on “The UK’s international exposures and vulnerabilities”

A Novel of Female Defiance"Yes, you will leave this place," the chorus of child protagonists in a community of sex workers say at the start of Tahmima Anam's incantatory and fiery new novel of female defiance, Uprising. "This story will save your life," we were told three times in Deepa Anappara's 2020 debut, also featuring precarious children dwelling in the margins. What is the distance between imagination and action, lived realities and dreams? How can solidarities be forged in such circumstances? Uprising holds within its pages some answers and a deep conviction – for a better life, a more just world – and then reaches out and fights for it.The Island Community and Its OppressionAs a journalist, Anam visited the infamous "floating brothel" Banishanta in Bangladesh; her new novel, set on an isolated island "at the end of the country, in the middle of a river that emptied into the sea", fictionalises the island's community and ecological precarity. Here, a generation of daughters grow up watching their mothers trapped in sex work – "we knew that the work was something that was paid for in money, and also in bodies" – and wish a different life for themselves. The women are controlled by the cruel Amma, who was once herself sold into sex trafficking. The victim becomes the perpetrator – and the children are discerning enough to know that their mothers are "not here because they had done something bad, but because something bad had been done to them". The first lesson of the island? No one is coming to save you – and living here changes you, as inexorably as the rising tides.The island is a prison. The mothers are ghosts of their former selves. The children, witnessing the "sexing", are all too grown up, stripped of their innocence. By the time they are born, their mothers' memories have faded "like paint in the sun"; they live on the island "tied to" their daughters. What, or who, will it take to break free from these chains?Feminism and Climate Crisis in LiteratureWhen the waters rise, customers stay away. The mothers speculate: "the swirling river was keeping the smaller boats from making the journey"; "the land was cursed". In a last-ditch attempt to lure men back for business, Amma sends for a new girl. Little does she know that Kusum Khan's arrival will signal the beginning of the end. A girl from the city with a history of participating in protests against the Dictator, she doesn't acquiesce to the island's rules, as the others have been conditioned to; instead, she sows the seeds for what will grow into a life-altering act of resistance. The children start to believe that she is their saviour – maybe even Bon Bibi, a legendary guardian of the forest. A different life seems graspable, just beyond the island's shore. When the titular uprising at last arrives, it summons an all-consuming storm, washing over the island. And the reader, too, is ready to join the revolution – their fist in the open air.Uprising is a feminist novel ("here they were: a wall of women") and a protest novel ("The moment Kusum entered the protest, she felt as if she was becoming a small organ in a living, breathing thing"). It is a coming-of-age novel, and a response to the climate crisis; a story of sisterhood protecting, and failing to protect; of structural inequality and the rotten core of patriarchal corruption; of unlucky women in an unfair world. "When the men came to reclaim the island, we stood rooted in place with our eyes closed, unable to watch. We stood rooted in place with our eyes open, unable to stop watching." While the mothers and daughters in Anam's fictional world are victims of specific generational violence, this observation can be applied to humanity at large: we are all watching – frozen, complicit – as injustices rise the world over.The Power of Rage and Radical HopeThrough her unwaveringly political and unflinchingly forthright novel, Anam shows the power of rage and radical hope. A new world can burn bright from the fires of injustice – and here, it's the mothers that hold the match.