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The Literary Highlights of MayAs spring blossoms into full bloom, May brings with it a literary feast for readers. Three highly anticipated paperbacks from celebrated authors Ocean Vuong, RF Kuang, and Nick Clegg are hitting shelves, offering diverse perspectives and compelling narratives that are sure to dominate reading lists this month.New Releases from Acclaimed VoicesOcean Vuong, known for his poetic prose and poignant storytelling, returns with a new collection that explores themes of identity and belonging. RF Kuang, the bestselling author of 'Babel,' presents a new work that continues her examination of power and language. Meanwhile, former Deputy Prime Minister Nick Clegg offers political memoirs that provide insight into contemporary governance and decision-making.Why These Books Matter NowIn an increasingly polarized world, these three authors offer distinct yet complementary perspectives that address our current cultural moment. Vuong's lyrical approach to personal narrative provides emotional resonance, Kuang's speculative fiction offers critical commentary on institutional power, and Clegg's insider perspective on politics sheds light on the mechanics of governance. Together, they represent the breadth and depth of contemporary literature that speaks to our times.The Future of These Literary VoicesWith these new releases, all three authors solidify their positions as significant voices in their respective fields. Vuong's work continues to establish him as a leading literary voice exploring themes of immigration and identity. Kuang's growing body of work positions her as a key figure in speculative fiction that engages with real-world issues. Clegg's memoir adds to the growing genre of political literature that seeks to bridge the gap between policy and public understanding.

The LeadGame of Thrones actress Hannah Murray shares her experience of being sectioned in a psychiatric hospital in her new memoir "The Make-Believe: A Memoir of Magic and Madness." The actress describes her mental health journey and the experience of being involuntarily admitted under the Mental Health Act.The Hospital ExperienceThe door to the room opens. A man enters the room. He is a Black man, bald and overweight. He is dressed in uniform. Blue uniform, a blue lanyard that reads "NHS". But I know Steve, the leader of the organisation that introduced me to magic, is a magician. I know he can appear in disguise.I approach the man and try to kiss him.He does not let me kiss him. Then no. It is not Steve.The man has brought me a plate of toast. He has brought me a cup of tea. I add sugar to the tea, which I would never have done in my former life, but a spoonful of sugar helps the medicine go down!I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive … I will never need to eat again. I survive on liquids and air and lightI do not eat the toast. I drink the tea. I am alone in the room again and I urinate into the cup and drink that too.I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive. It is the most potent of potions I can drink. I am a self-contained, utterly self-sufficient being. I will never need to eat again. I survive on liquids and air and light.I decide to explore outside the room. Outside my sanctuary. He has not come. So maybe I need to go searching for him …The Phone CallTime jumps. I am in a corridor lit by overhead strip lights. The electric light is pale yellow in tone. I am sat on one of three chairs in a row against the wall. The chairs are purple, curved plastic. I am still waiting for him to appear.There are two doors in front of me. One is the door to the blue room with the blue sofa and chair. Behind the other door is an office of some kind, and there is a woman in there, shuffling papers and talking on the phone.The woman comes out of the office. She is holding out my phone. My only possession now – the one artefact from my previous life. There is someone she wants me to speak to.Him.When I hold the phone to my ear, I hear a voice I recognise.But the voice belongs to my mother."Hannah?" she says. "Where are you? What's going on?"There is distress in her voice. Her voice is trembling with pain and anxiety.I do not want to hear it.This is a test. A horrible test, certainly, but one that I can pass. They are trying to tempt me back into the human. They are trying to lure me back into the past.I hang up the phone.But, after a moment, it starts to ring. The word Mum lights up the screen."Talk to her," says the woman.I answer the call.My mother sounds different now. Calmer. She asks again what's going on but gently, even cheerfully. I tell her everything's OK. That I'm fine. I tell her not to worry. I'm in a good place.This is the last time I will ever hear her voice, I think. This is the way I say goodbye.The DiagnosisThey tell me I am being sectioned.The words jar with my beliefs."Section 2 … the Mental Health Act … 28 days … right to appeal … "I cock my head.This does not fit at all. It does not fit in the world of Steve, of Ritual Master, of Shambhala and the invention of magic.I am not concerned. I am concerned only with the energy I can feel spiralling up through my body and the voices I can hear in my head.I pace the hospital corridors, delivering a tearful monologue, delivering the greatest performance of my life. A phrase comes to me. The Girl With All the Gifts. The title of a post-apocalyptic horror film released in 2016, starring Gemma Arterton.I am a magician. I am an actress. I am a writer. I have superhuman strength. I can fly. Anything that can be imagined, I can perform it. Every skill and every ability is mine.The film came out as a warning, and a prophecy.And because of me, the apocalypse has been averted.I am the saviour of the planet. I am the girl with all the gifts.The Journey to RecoveryIt was very hard, the journey to get here. It took 27 years. The path was twisting and full of setbacks, there were challenges and so much pain. There were times I wanted to give up. It was very hard. Everyone will have to make their own journey, and their journeys will be their own, unique as snowflakes or fingerprints. That is the beauty of it, the joy of it. Everyone has to figure it out for themselves.But I have laid the groundwork. I have walked the path. It starts with the energy healing, and it goes on and on through the seven dimensions, through increasingly magical planes. It goes on and on until you meet your soulmate, like I met mine.I was in a TV show called Game of Thrones, hidden in plain sight in the midst of a cultural phenomenon. I, the key to the world's salvation, wore the face of a character called Gilly, but really I played every role. Then I worked on a film called Detroit in Boston. David Benioff and Dan Weiss and Kathryn Bigelow were the four horsemen of the apocalypse. Numbers are irrelevant. Three counts as four. David and Dan and Kathryn cast me in the roles that brought about my destiny. The end and beginning of the world.I am the Ur-actress. I am every actress. Every performance ever given has been animated by my energy, my talent, by the gestures and facial expressions I am performing here and now.The Memoir and BeyondThis is an edited extract from The Make-Believe: A Memoir of Magic and Madness by Hannah Murray, published by Cornerstone (£18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.Hannah Murray will be in conversation with Jessie Cave at Kings Place in London on 5 June.

The LeadIn an era of digital distractions, renowned authors and public figures have come together to share their most compelling book recommendations, aiming to reignite readers' passion for literature. From Nobel laureates to best-selling authors, these selections offer diverse perspectives and captivating stories designed to rekindle the joy of reading.The Literary SelectionsMalala Yousafzai, the activist and Nobel laureate, recommends Enter Ghost by Isabella Hammad. This British-Palestinian novel follows an actor who travels to the West Bank and becomes involved in a local production of Hamlet. Yousafzai was particularly moved by the rehearsal scenes that explore "arguments over translations, personal relationships, the question of whether a performance is even possible under Israeli occupation." She believes Hammad demonstrates that "theatre is capable of carrying weight that other art forms cannot hold."David Miliband, CEO of the International Rescue Committee, suggests Free: Coming of Age at the End of History by Lea Ypi. This memoir chronicles growing up in Albania, the last Stalinist country in Europe. Miliband describes the book as "at once hilarious and serious, appalling in its description of the lies and tentacles of the regime of Enver Hoxha and touching in its humanity." He notes that the author's journey from "Young Pioneer" in the Albanian Communist party to professor in the UK makes the book "more than a work of memory or history. It is also an engagement with the challenges of the present."Katherine Rundell, acclaimed author, enthusiastically recommends Luke Kennard's Black Bag. She admits to laughing "aloud dozens and dozens of times" while reading this novel about a young actor who takes a job dressing in a black bag during psychology lectures to gauge students' reactions to strangeness. Based on a real 1967 experiment, Rundell praises its "brilliant" and "inventive originality," calling it "a triumph of a book" that is "very powerfully worth your time."Jack Thorne, screenwriter, revisits Susan Cooper's classic The Dark Is Rising. As someone who identifies as "quite a weird kid," Thorne found that the book "found that weirdness and twisted it." He's holding off sharing it with his 10-year-old until the "perfect age" of 11, praising its exploration of "the battle between the Dark and the Light" that "weaves myth and history into a glorious concoction that uses language as a weapon."Margaret Busby, publisher and president of English PEN, recommends CLR James's The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution. First published in 1938, this historical work documents "the only successful revolt of the enslaved in history." Busby, who had a personal connection to the author (her father was James's friend from schooldays in Trinidad), calls it an "uplifting example of how the personal and political connect" and notes its continuing relevance as "a defiant call to resisting oppression."The Reader ImpactThese diverse recommendations offer readers a pathway back to literary engagement by providing books that are not only entertaining but also intellectually stimulating. Each selection offers a unique perspective that can challenge readers' thinking while providing the pleasure of immersive storytelling. The variety of genres and styles represented ensures that there's something for every type of reader, whether they prefer contemporary fiction, historical accounts, or fantasy.The Cultural SignificanceIn an increasingly fragmented media landscape, these recommendations highlight the enduring power of books to connect us to different experiences and perspectives. The selections reflect both timeless themes and contemporary concerns, demonstrating how literature continues to evolve while addressing fundamental human questions. The fact that these recommendations come from diverse figures—activists, politicians, writers, and scholars—underscores the broad cultural relevance of reading across different professions and backgrounds.The Future of ReadingAs digital distractions continue to compete for our attention, curated recommendations from trusted voices may become increasingly important in guiding readers back to literature. These selections suggest a trend toward books that offer both entertainment and substance—works that can make us laugh while making us think. The enduring appeal of physical books, as evidenced by the care taken in describing these specific editions, indicates that despite digital alternatives, many readers still value the tangible experience of reading a well-crafted book.

Tracker Mortgages Resurge Amid Rate Uncertainty After a period of dominance by fixed‑rate products, tracker mortgages are seeing a renewed surge in applications. Brokers report that April applications were more than three times March’s volume, signalling that borrowers are reconsidering a loan whose interest moves with the Bank of England base rate. Rate Comparisons Show Trackers Cheaper Than Fixed Deals Bank of England base rate: 3.75% (held steady at the end of April). Worst‑case scenario: base rate could climb to about 5.25% by early 2027. Cheapest two‑year fixed rate: around 4.55%. Cheapest two‑year tracker rate: about 3.96%. Monthly cost on a £250,000, 20‑year mortgage – fixed: £1,588; tracker: £1,510 (≈£78 cheaper). Typical arrangement fees for trackers: £900‑£1,000; some deals (e.g., Halifax) add a £1,499 product fee. What the Tracker Revival Means for UK Borrowers and Lenders Trackers offer flexibility: many have no early repayment charge, allowing borrowers to switch to a fixed deal if rates fall or if a better fixed offer appears. Lenders such as Halifax and Nationwide currently provide fee‑free tracker products, while others like NatWest may impose charges. However, the upside comes with risk. If the base rate follows the Bank’s worst‑case path, a tracker could rise to roughly 5.46%, erasing the monthly saving and leaving borrowers exposed to higher payments. Future Outlook: Rate Movements and Mortgage Strategy Analysts suggest that the trajectory of the base rate will hinge on the resolution of the Iran conflict and its impact on oil‑driven inflation. If inflation eases, the Bank may keep rates at 3.75% for the remainder of the year; otherwise, incremental 25‑basis‑point hikes are likely. Borrowers with strong cash cushions and the ability to absorb a few rate increases may find trackers attractive as a short‑term holding position. Those with tighter budgets or low risk tolerance are advised to lock in a fixed rate for certainty. In the longer term, the mortgage market could see a more balanced mix of products, with lenders adjusting early‑repayment charge policies and fee structures to remain competitive as borrowers navigate an uncertain rate environment.

Google has officially joined the glitterati of app icon design, rolling out disco-ball themed icons for Pixel devices in a move that blurs the line between functional UI and digital kitsch. This follows Spotify’s controversial 20th-anniversary icon, which initially drew heavy criticism before evolving into a meme-worthy moment. The Disco Ball Rollout: From Tease to Reality The feature was teased by Android ecosystem head Sameer Samat on X, who asked, "Should we make this icon pack happen on Android?" The answer was a resounding "yes," with the icons now available on Pixel devices via the custom icons feature introduced in March's Pixel Drop. Feature Origin: Part of the "Pixel Drop" update series. Creator: Android head Sameer Samat. Availability: Currently rolling out to Pixel users. Analyzing the "Ugly" Aesthetic: User Sentiment While Spotify's temporary icon sparked complaints about "glitter not being for everyone," Google’s full rollout suggests a shift in consumer tolerance—or preference—for maximalist design. The reaction has been polarized, with users calling it "awful" yet "taking it," indicating a complex emotional response to the change. The Rise of Whimsy in UI Design This move highlights a significant cultural shift in digital aesthetics. As reported by The New York Times, Zillennials are increasingly favoring "whimsical" designs as a playful response to a difficult world. Google’s embrace of the disco ball aligns with this trend, moving away from sterile, uniform iconography toward personalized, expressive interfaces. The Future of App Icon Customization Google isn't the only player in this space; tools like Lovable are already offering disco-ball effects for logos. We predict that as AI-generated design tools become more accessible, the line between "functional app icon" and "digital art" will continue to dissolve, leading to more frequent, bizarre, and highly personalized home screens.

The Familiar FinalYou could be forgiven for having a sense of deja vu before a fourth Champions League final between the Spanish champions, Barcelona, and French champions, Lyonnes, on Saturday evening.The three-time champions and eight-time champions played each other in the final of Europe's premier competition three times in six years between 2019 and 2024, with Lyonnes earning a 4-1 win over the Catalan giants in 2019 and a 3-1 win in 2022 before Barcelona delivered a 2-0 defeat of the French side in 2024.However, predicting the outcome could not be harder and Barcelona's talismanic No 11, Alexia Putellas, said there is little that can be discerned from those previous meetings. "We can't compare seasons and we can't compare finals," said the two-time Ballon d'Or winner. "Our squad has evolved a lot, so previous finals don't have an influence on the final we are playing tomorrow."The Tactical Chess MatchA lot has changed. Most notably, Lyonnes are now managed by Jonatan Giráldez, who was a coach at Barcelona as they claimed their maiden UWCL title and at the helm for their second and third. Few managers are better equipped to return Lyonnes to the top of European football after a three-year hiatus than the man who understands the way Barça work and exactly how they ended the domination of the French side.As a result, the tactical approach of those on the sidelines is perhaps the most interesting piece of the puzzle in Oslo's Ullevaal Stadion.Giráldez said of Barça's development since he left: "They have some different players but their identity remains the same; this will to dominate and apply pressure. Not thinking about the result as much as about the show and the performance, that's their identity. I feel privileged to face Barcelona as I'm grateful for the experience I had there and I wish them the best – except when we have to win!"Master and ApprenticeOne of Giráldez's two assistants, Pere Romeu, replaced him when he departed for Washington Spirit in June 2024. "We are the two teams that have done the most in this competition to reach the final in recent years," said Romeu. "Tomorrow is going to be a very demanding match. Tomorrow is going to be a match with a lot of quality from both teams. Tomorrow is going to be a match that, as in all finals, is going to be decided by small details. We are going to try to take care of and control it to the maximum."The 32-year-old Barcelona manager won a domestic treble in his first season in charge, but fell short in the Champions League final last season as Arsenal delivered a shock defeat."I see a team that is more mature than last season," said Romeu. "I see a team with greater capacity to change things during the game than last season and I think we have reached a good point."Putellas described Romeu as a "complete coach", before the showdown on Saturday. "We've been working together for several seasons now and he has always tried to help me evolve as a player, which I'm very grateful for," she said. "He's the most complete coach. This season I've tried to do the best I possibly can without forgetting my own qualities in order to help the team."Romeu is relishing the master-apprentice battle in such a significant game. "I, as a coach, am super-excited to be able to face this match against a former coach of the club in Jonatan," he said. "I'm sure we'll both do everything we can to keep our teams' identities and keep doing the best we can to win."Dominate DomesticallyBarcelona secured another domestic treble on Saturday with a 3-1 Copa de la Reina final win over Atlético Madrid in their final game before travelling to Norway. Meanwhile, Lyonnes are one game away from their own domestic treble, having dispatched Nantes with an emphatic 8-0 win in the semi-final of the Premiere Ligue play-offs, with the final between the holders and Paris FC, taking place next Friday.The Lyonnes midfielder Lily Yohannes told Uefa that the club "just have so much hunger in us," after their three-year European dry spell. "We have so much fight. No matter what happens, we stick together, we rise above the challenges, and we just have such a winning mentality in the group."The 35-year-old centre-back Wendie Renard, who has been involved in each of the club's record eight Champions League wins, similarly spoke about a togetherness and desire in the team after a disappointing European run last season."If I had to sum up our journey this season: dedication," she told Uefa. "A Champions League campaign never comes easy, from one game to another. We've also had doubts and fears at times, but the squad has remained strong, and we've kept focusing on work and humility and performed well together."The Midfield BattleThe midfield battle will be key, with the impact of Melchie Dumornay, who was the difference maker in their semi-final fightback against Arsenal, critical for Lyonnes and Barcelona unsure of the readiness of the three-time Ballon d'Or winner Aitana Bonmatí, who is "feeling better every day", according to Romeu, but has not played 90 minutes for the team since November and only played 18 minutes of the Copa de la Reina final.Contrasting StylesThe Champions League final will ultimately be a contest between two different ways of playing, Barcelona's slick tiki-taka football and the more aggressive way Lyonnes play. Both cannot dominate possession in this game, one will have to cede it and find a different way to win. That is what makes it an enthralling fixture.

The Rediscovery of Gaza's Pre-Conflict EraDecades-old photographs have emerged, offering a rare glimpse into life in Gaza during happier times. These images, recently brought to light, showcase a vibrant community filled with laughter, cultural activities, and everyday joys that stand in stark contrast to the current reality in the region.A Visual Journey Through Gaza's HistoryThe collection of photographs spans several decades, capturing moments of celebration, family gatherings, and community life in Gaza. The images reveal a society rich in culture and social connections, with markets bustling, children playing in the streets, and families enjoying leisure time together.Documenting a Lost EraThese photographs hold significant historical value, documenting a period before the conflicts that have shaped Gaza's recent history. They serve as an important cultural record, preserving memories of a time when daily life was marked by normalcy rather than the challenges faced by residents today.Generational Impact of Historical ImagesThe circulation of these historical images has sparked conversations about Gaza's cultural heritage and the resilience of its people. For many, particularly younger generations who have only known life under conflict, these photographs provide a connection to a past that may seem almost foreign.Cultural Preservation Through PhotographyHistorians and cultural preservationists emphasize the importance of such visual documentation in maintaining collective memory. These photographs not only capture moments of joy but also serve as a testament to the rich social fabric of Gaza that continues to endure despite ongoing challenges.

The Fashion Revolution of Pep GuardiolaIn 2016, when Pep Guardiola took his place in the dugout for his first game in charge of Manchester City, the fashion plates in the Premier League included José Mourinho, in a quarter zip and mac at Manchester United and Arsène Wenger, dapper in his suit and unzippable puffer jacket at Arsenal. Guardiola, dressed like an overgrown school boy in v-neck, shirt, tie and blazer, didn't seem as if he was going to be that much of a sartorial threat. But 10 years down the line he is the undisputed champion of dugout style.The Transformation of Managerial FashionGuardiola can be credited as the man to relax the unwritten manager dress code, which swung between wedding-worthy smart suits or club-issued tracksuits. Instead, he chose clothes that worked beyond that small patch of grass managers stand in: blouson jackets, nice brogues, three quarter coat. By 2019, his style was a talking point – and he had a hand in making cardigans a trend for men. He wore a £1200 "lucky" grey knit 30 times in the season Man City won the treble.How Guardiola Redefined Football StyleGuardiola's loosening up continued – he brought sneakers to the dug out, preferring baseball boots by catwalk designer Rick Owens as well as combat-style trousers and Stone Island jackets. If he was increasingly praised for what he wore, in 2022 he credited his then-wife, Cristina Serra, as the person to pick his outfits. "Absolutely, ever since I met her," he told Sky Sports "before I was a disaster, now I'm elegant, thanks to her."When Football Fashion Went ViralWhen Guardiola wore a slacker-style checked shirt by Swedish brand Our Legacy to a Champions League game in March, the look – which GQ described as "cool stoner" – went viral across fashion and football time lines. Some speculated the look was the influence of his Gen Z daughter, others suggested he had hired a stylist. Whatever the backstory, he has followed it up with elegant polo necks and pleated trousers that wouldn't be out of place on the front row of the menswear shows.Guardiola's Fashion Legacy in FootballGuardiola may be saying goodbye to the Premier League but football always needs style champions to show managers – and men - life beyond the quarter zip. His fashion evolution has not only transformed how managers dress but has also influenced broader menswear trends, proving that style and substance can coexist even in the high-pressure world of professional football.

Only 16% of Americans now view the U.S. economy as "good" or "excellent," and the Gallup Economic Confidence Index has fallen to -45, the lowest reading since 2022. The decline follows a sharp rise in inflation and gasoline prices triggered by the ongoing war on Iran, adding fresh pressure to President Donald Trump's re‑election prospects.Gallup Survey Reveals Record‑Low Economic ConfidenceThe Gallup poll, released on May 24, 2026, asked respondents to rate current economic conditions and outlook. Findings include:49% say conditions are "poor"34% rate them as "fair"76% believe the economy is getting worse20% think it is improvingThe index combines two sub‑scores: economic conditions (-33) and economic outlook (-56).Key Numbers: Inflation, Gasoline Prices, and the Energy ShockEnergy costs have surged since the conflict began in late February:Average gasoline price: $4.55 per gallon, up from under $3.00 pre‑warConsumer‑price inflation rose in March and April, driven primarily by higher energy pricesIran’s closure of the Strait of Hormuz and U.S. naval blockades have constrained global oil supplies, amplifying domestic price pressures.War on Iran Drives Sentiment and Shapes the 2026 MidtermsThe deteriorating confidence adds to President Trump's political woes. A concurrent New York Times/Sienna poll shows only 31% approval of his handling of the Iran war. Critics argue the administration’s focus on foreign intervention distracts from domestic economic concerns, while the president maintains the campaign is essential to prevent Iran from acquiring a nuclear weapon.Outlook: Recovery Paths or Continued Decline?Analysts warn that unless the energy blockade eases, gasoline prices could remain elevated, keeping consumer sentiment low. Potential scenarios include:Ceasefire and reopening of the Strait of Hormuz – could lower oil prices and improve confidence.Prolonged conflict – may entrench high energy costs, further eroding the index.Policy interventions such as targeted subsidies or tax relief to offset inflationary pressures.The next few months will be pivotal for both the economy and the upcoming midterm elections, as voters weigh the cost of war against domestic economic performance.