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The Lead The Edinburgh Festival 2026 promises to be an exciting event with a wide range of theatre productions. From feminist explorations to epic dramas, there's something for everyone. Roleplay and Mayflies Producer Francesca Moody brings 'Roleplay', a new offering by Australia's Hannah Reilly, about a feminist podcaster who becomes an online 'slutfluencer'. Meanwhile, Andrew O'Hagan's coming-of-age novel 'Mayflies' is adapted by Ben Harrison and directed by Grid Iron. 'Roleplay' - Summerhall, 6-31 August 'Mayflies' - Brown's of Leith, 7-30 August Epic Dramas Paines Plough's Katie Posner directs 'After Party', an epic drama by Morna Young, which explores family secrets on the night of an actor's 80th birthday celebrations. Additionally, Internationaal Theater Amsterdam revives Tony Kushner's 'Angels in America', a masterpiece about AIDS in the 1980s, directed by Ivo van Hove. 'After Party' - Traverse, 6-30 August 'Angels in America' - King's theatre, 15-20 August Unique Performances Other notable productions include '116 Grams: A Play to Lose Weight' by Letícia Rodrigues, 'Cathy' starring Elaine C Smith, and 'The Jolly Fisherman' by John Dinneen. '116 Grams: A Play to Lose Weight' - Zoo Southside, 7-30 August 'Cathy' - Traverse, 31 July-30 August 'The Jolly Fisherman' - Underbelly, 5-31 August Experimental and Innovative The festival also features experimental and innovative productions like 'Bigfoot Ripped My Dog in Half I Saw It' by Xhloe and Natasha, 'The Singer' with music and lyrics by KT Tunstall, and 'Concerts of the Future' by Ciaran Frame. 'Bigfoot Ripped My Dog in Half I Saw It' - Summerhall, 6-30 August 'The Singer' - Traverse, 4-30 August 'Concerts of the Future' - Summerhall, 6-31 August Powerful Messages Lastly, productions like 'Hang Time' by Zora Howard and 'A Trial – After An Enemy of the People' tackle serious issues like racialised violence and social justice. 'Hang Time' - Royal Lyceum, 20-23 August

The Revival of a Spoof Classic The Scary Movie series has made a comeback with its sixth installment, bringing back original cast members Anna Faris and Regina Hall, as well as creators Marlon and Shawn Wayans. The film aims to revive the spoof comedy genre, which was popular in the 2000s. The Challenges of Timing The release of Scary Movie comes at a time when horror movies are thriving, with recent hits like Backrooms and Obsession dominating the box office. However, Scary Movie's reliance on outdated references and gags makes it feel less relevant. The Data Analysis The film's attempt to parody recent horror movies, including the Scream series, falls flat due to its lack of originality and sharpness. The Wayans brothers' approach to comedy seems to prioritize broad, shallow jokes over clever satire or insightful commentary. The Impact Analysis The Scary Movie series has always depended on timing, and this installment's release feels poorly timed. The film's failure to effectively parody modern horror movies may indicate that the spoof comedy genre is no longer viable. The Prediction While Scary Movie may still appeal to fans of the series, its lack of originality and impact may signal the end of the franchise. The film's reliance on nostalgia and familiar gags may not be enough to sustain its popularity in the long term.

The Lead In a revealing interview, Mark Williams, beloved for his portrayal of Arthur Weasley in the Harry Potter films, shares candid insights about his experiences on set, his relationships with fellow cast members, and the enduring impact of his iconic roles on both his career and public recognition. On-Set Memories and Fellow Actors Williams reflects on the challenges and joys of filming the Harry Potter series, noting that the worst part was "being away from home and the long hours," while the best was "the work and talking to the other actors." He recalls the legendary storytelling abilities of his co-stars, particularly Michael Gambon and Richard Griffiths, whose backstage anecdotes were "brilliant, and completely unpublishable." One of the more unusual on-set activities involved browsing agricultural equipment magazines with Robbie Coltrane. "With Robbie Coltrane I used to like going through Plant Trader, which was a sales magazine for big stuff: cranes, tractors, earthmoving equipment. We never purchased anything, but we came close," Williams reveals. The Unexpected Recognition Williams shares an amusing anecdote about recognizing someone unexpected on the Harry Potter set. While filming in the Ministry of Magic, he spotted his accountant among the extras. "When we'd stopped shooting I went over and said: 'Harry? What are you doing?' He said: 'Oh, it's a group of us. We just come and do supporting artist extra work for a laugh. That guy over there is a high court judge, and he's a contract law specialist.'" This experience taught him to "never underestimate the extras," highlighting the diverse backgrounds of people working in the film industry. Career Highlights and Collaborations When asked about his favorite collaborations, Williams cites two distinct areas: working with Hugh Laurie in films like "101 Dalmatians" and "The Borrowers," and his relationships with costume departments. He recalls a particularly memorable meeting with costume designer Bunny Christie on "Shakespeare in Love," who looked him up and down and declared, "Hmm, a make, I think," making him feel like he'd "arrived" in the industry. Williams also discusses his role as Brian Williams in "Doctor Who," describing his character as "the sort of antihero," and expresses his fondness for the maritime culture of the British Isles, which he'd love to explore in a potential documentary series. Iconic Catchphrases and Public Perception The interview touches on Williams' most famous catchphrases from "The Fast Show," including "Suits you, sir" and "Nice." While he doesn't find himself frequently quoting these lines in everyday life, he reveals that his mother used to say "Which was nice" without acknowledging its origin. When asked if he's tired of hearing his catchphrases, Williams responds with characteristic humor: "If you can't do the time, don't do the crime." When asked which catchphrase he wishes was his, Williams singles out Catherine Tate's "How very dare you?" as "a work of genius," noting its political undertones and versatility. Life Beyond Harry Potter Williams discusses his current role as Father Brown, revealing his love for the "Britishness" of music hall traditions and the "lunacy, the madness of it." While he has an excellent voice and can perform an uncanny George Formby impression, he hasn't pursued a singing career, though he has played Doctor Dolittle on tour. He also shares his thoughts on the Harry Potter studio tour, particularly fond of "Fluffy's paw," describing it as "a giant animatronic hand" that reminds him of Ray Harryhausen's work, noting that such creations are unique to films.

Visual Overview of the Biennial’s Core NarrativeThe Guardian’s picture‑rich report presents a snapshot of the Upstate Photography Biennial, emphasizing three intersecting motifs: lesbian rebels challenging gender norms, exotic dancing as a form of bodily expression, and domestic scenes that foreground everyday intimacy.Exploring the Three Narrative ThreadsLesbian rebels: Photographs showcase queer subjects asserting agency through bold poses and activist symbolism.Exotic dancing: Images capture kinetic performances that blur the line between art and ritual, highlighting movement as narrative.Domesticity: Intimate home settings reveal the quiet power of routine, contrasting the overt rebellion of the other themes.Why These Themes Resonate in Contemporary PhotographyBy juxtaposing radical queer visibility with sensual performance and ordinary life, the Biennial reflects a broader cultural appetite for nuanced representation. The curatorial choice underscores a move away from singular aesthetic statements toward layered, socially aware storytelling.Implications for Regional Art PlatformsHighlighting such diverse subject matter positions Upstate New York as a fertile ground for experimental photography, potentially attracting wider curatorial interest and funding. The exhibition may encourage other regional festivals to adopt similarly inclusive programming.Looking Ahead: The Next Chapter for the BiennialFuture editions are likely to build on this momentum, inviting more artists who explore identity, performance and the private sphere. Continued media coverage, like the Guardian’s visual essay, will be crucial in amplifying the Biennial’s impact beyond its geographic locale.

Why Reducing Screen Time Has Become CriticalSmartphones have become the primary source of dopamine for many, leading to compulsive scrolling that erodes mental wellbeing. Recent legal action against major platforms underscores the urgency of adopting concrete habits to break the cycle.Legal Wake‑Up Call: Meta and YouTube Fined $6 MillionIn March, Meta and YouTube were ordered to pay a combined $6 million after a U.S. court ruled their platforms were deliberately designed to be addictive. The ruling serves as a public acknowledgment that the tech industry’s engagement loops can have harmful consequences.Numbers That Reveal the Scope of Phone AddictionSearch interest for “phone addiction” has risen steadily over the past decade, according to Google Trends data for the UK.The court‑imposed fine totals $6 million, a tangible financial penalty for design practices that prioritize user attention over health.Experts cite parallels between substance addiction and app usage, noting similar patterns of positive and negative reinforcement.How Excessive Screen Use Is Reshaping Mental Health and Tech DesignProf Marcantonio Spada, emeritus professor of addictive behaviours at London South Bank University, explains that intermittent rewards—likes, notifications, short videos—keep the brain in a state of anticipation, amplifying the “hangover” effect after prolonged scrolling. Psychotherapist Hilda Burke observes that patients often experience low mood, sleep disruption, and concentration problems linked to phone overuse.Both experts stress the importance of conscious choice: moving from passive “I found myself scrolling” to active “I chose to open Instagram.”Practical Steps to Reclaim Control Over Your DeviceTrack your time: Use built‑in tools like Android’s Digital Wellbeing or iOS’s Screen Time to monitor app usage and set limits.Schedule screen‑free periods: Implement “wait training” by leaving the phone behind during walks or designating a full screen‑free day (e.g., Sundays).Change your lockscreen: Replace distracting widgets with neutral images or information that discourages immediate checking.Set clear boundaries: Turn off non‑essential notifications, especially for messaging apps, to reduce the urge to respond instantly.Create physical distance: Keep the phone in another room during meals or focused work sessions.What the Future Holds for Digital Wellbeing Tools and RegulationAs courts continue to hold platforms accountable, we can expect tighter scrutiny of design features that exploit attention. Meanwhile, operating‑system providers are likely to expand Digital Wellbeing and Screen Time functionalities, offering more granular controls and proactive alerts. Users who adopt the outlined habits now will be better positioned to benefit from these upcoming enhancements while safeguarding their mental health.

The Controversy Surrounding the US Ebola Quarantine Facility in Kenya An Ebola quarantine station for US citizens, which is being constructed on a military base in central Kenya, has caused outrage in the East African nation amid a continuing outbreak of the deadly disease. The Protests and Violence Hundreds took to the streets of Nanyuki town on Monday and Tuesday and gathered in front of the planned centre, to which Americans who contract Ebola while overseas will be sent rather than being allowed back home. At least two people were killed, and one person was injured when the demonstration turned violent on Monday. The Data Analysis: Ebola Outbreak Statistics At least 321 people are infected in the Democratic Republic of Congo (DRC) 48 have died in the DRC One person has died in Uganda, while nine cases have been confirmed The Impact Analysis: Risks and Concerns Kenyans across the country are worried about the risks of importing Ebola into the country. Health workers in the country have also reacted with anger: In the DRC, a lack of vaccines and protective gear has resulted in many health workers contracting the disease. The Prediction: Future Outlook Despite the protests in Kenya and a court order, plans for the centre have not been called off, with government officials doubling down in their defence of the project. The US has committed $13.5m towards “Kenya’s Ebola preparedness efforts” and another $112m was donated to the regional response.

The Layoff Details Meta has launched a wave of layoffs that will affect 10 percent of the company’s global workforce, representing about 8,000 people. The cuts, which began on Wednesday, are planned to occur in three waves, beginning at 4am local time for those affected. Severance Packages and Company Restructuring Workers in the United States will receive 16 weeks of severance pay, in addition to an extra two weeks for every year they have been employed at the company. In addition to the cuts, the parent company of WhatsApp, Facebook and Instagram said it would cancel plans to hire 6,000 people and shift 7,000 other employees into artificial intelligence (AI) workflow-related roles. The Impact on Morale and AI Development This comes amid reports of declining morale at the Mark Zuckerberg-led company following the launch of an AI tracking programme for workers. According to the Wall Street Journal, more than 1,500 people signed a petition demanding that the company not collect their data. Investing in AI Zuckerberg, who is the world’s sixth-richest person according to the Bloomberg Billionaires Index, is not averse to investing in the business. However, that spending has focused on AI development, including the Meta Superintelligence initiative. Capital expenditures are forecast to hit $125bn to $145bn for the year, an increase of more than double since 2025.

The Lead Meta, the parent company of Facebook, WhatsApp, and Instagram, has hit out at Australia's latest plans to force digital platforms to support media outlets financially, labelling the proposals 'poorly designed' and 'grossly unfair.' Meta's Objections to the News Bargaining Incentive Meta said the government's News Bargaining Incentive (NBI) would shield news publishers from needing to undertake the innovation necessary for a sustainable media landscape. The company argued that the NBI 'insulates publishers from the competitive pressure to evolve by guaranteeing revenue regardless of whether they build sustainable business models.' The Data Analysis Under the centre-left Labor Party government's plans, social media and search platforms would face a 2.25 percent levy on Australian revenues if they do not make deals to pay Australian outlets for their news content. Platforms that reach a set minimum number of commercial agreements would be able to reduce the levy to a rate that in effect would be 1.5 percent. The government estimated that the new scheme would generate 200 million to 250 million Australian dollars (US$143m to US$178m) for local media outlets. The Impact Analysis The proposals specifically target Meta, Google, and TikTok owner ByteDance but would not apply to AI developers that also influence search traffic, such as ChatGPT creator OpenAI. The initiative is intended to replace the previous government's News Bargaining Code, which Meta and other tech companies were able to bypass by pulling news content from their platforms. The Prediction Australia's media sector has been hammered by collapsing advertising revenues, which supported a flourishing industry in the heyday of print publications. More than 19,500 journalism jobs have been lost since 2008, according to the Media Entertainment and Arts Alliance, Australia's primary media union. The outcome of the proposed levy and its impact on the media landscape remains to be seen.

The Call for Energy Stability Saudi Arabia's Minister of Energy, Prince Abdulaziz bin Salman Al Saud, has met his Russian counterpart in St Petersburg and called for stability in global energy markets as OPEC+ grapples with disruptions caused by the wars in Iran and Ukraine, which have sent oil prices skyrocketing. OPEC+ Challenges OPEC+ has been mired with unprecedented challenges, with slashed oil exports, and the United Arab Emirates, an OPEC powerhouse for almost 60 years, left the oil cartel in April. Uncertainty in the Energy Sector “The situation we’re going through now does make a point here, which is the world needs every molecule of energy, and every form of stabilisation to this energy, because without energy security, you will lose sustainability,” the minister said. “There are so many moving parts, there are so many unknowns, there are things that you think have become a reality, but then you wake up the next morning, and the reality is no longer a reality.” Russia's Low Oil Production Russian counterpart and Deputy Prime Minister Alexander Novak echoed his views, adding that OPEC+ was able to offset global changes in the energy sector. Novak also mentioned that Russian oil production has fallen since the start of the year, blaming the decline on unplanned maintenance at refineries. Future Outlook Reuters reported that Saudi Arabia, Russia, and five other OPEC+ countries would likely agree to a further hike in their output target for July when they meet on Sunday, quoting unnamed sources.