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US captain Jim Furyk has warned that the United States must make the Ryder Cup a year‑round priority if it hopes to break a streak of losses, outlining both an immediate goal of winning at Adare Manor in 2027 and a longer‑term cultural blueprint.Furyk’s Call for a Cultural Overhaul Ahead of the 2027 Ryder CupFuryk, appointed captain for a second time, said his job is to “create a culture, a chemistry amongst them” and to set two sets of goals: a short‑term aim to win on foreign soil and a long‑term plan to build continuity for future players and captains.Recent Ryder Cup Record Highlights US StrugglesUS have won 2 of the last 8 Ryder Cups.Victory for Europe at Bethpage in 2025 left the US trailing.Furyk was captain when the US were “trounced” in Paris 2018.Short‑Term Blueprint: Targeting Victory at Adare ManorThe immediate objective is to “scratch and claw” for a win at the 2027 event in Ireland, a feat the US has not achieved on foreign soil for many years.Long‑Term Vision: Building Continuity and Year‑Round FocusFuryk wants to establish a “blueprint” that ensures consistent preparation, player continuity, and a permanent emphasis on the Ryder Cup each year.Potential Backroom Role for Tiger Woods and European CounterpartsFuryk indicated interest in involving Tiger Woods in the backroom team, despite Woods’ ongoing recovery from a March car crash. Across the Atlantic, European captain Luke Donald confirmed that the recent dispute involving Jon Rahm and the DP World Tour has been resolved, keeping Europe’s squad unified.Outlook: US as Underdogs with a Chance to UpsetWhile Europe enters the 2027 Ryder Cup as heavy favourites, Furyk believes the US can relish the underdog role and that his cultural shift could narrow the gap.

The Global Obesity Landscape: Not a Uniform EpidemicA continuing rise in obesity around the world is not inevitable, research suggests, with rates in some countries levelling off or potentially in decline. Researchers say focusing on what has been described as a global epidemic of obesity hides large variations in trends across different countries, sexes and age groups.Majid Ezzati, a professor of global environmental health at Imperial College London and author of the study, said: "I think the thing that's really important is this diversity exists even across countries that have really similar economic, environmental, technological features. So countries may look the same on the surface of it but obesity looks different."Comprehensive Analysis Reveals Complex PatternsWriting in the journal Nature, the international team, which involved a network of almost 2,000 researchers, described how for each country they calculated the change in the prevalence of obesity each year between 1980 and 2024. They drew on data from 4,050 population-based studies involving 232 million participants aged five years and above.They found that the prevalence of obesity increased in almost all countries over the 45-year period. However, in most high-income countries, a rapid rise in the prevalence of obesity has been replaced by a slower increase, a plateau, or a potential decline.Regional Variations in Obesity PrevalenceThe rate of growth in obesity is slowing in adults in the US and UK, reaching a prevalence of 40-43% and 27-30% respectively in 2024. Obesity is increasing steadily in Finland, has plateaued in Germany and may have started to decline in France, where 24-25%, 20-23% and 11-12% of adults respectively were thought to have the condition in 2024.Slowdowns were often seen in children and adolescents before adults. For the former group, the slowdown started as early as 1990 in Denmark and rates stabilised in most high-income countries by the mid-2000s. Obesity has plateaued in boys and girls in the UK, US, Germany and Japan at prevalences of 10-12%, 20-23%, 7-12% and 3-7% respectively.Meanwhile, obesity among young people and adults in many low-income and middle-income countries continues to rise and in some cases this is accelerating.Understanding the Drivers Behind Divergent TrendsThe team say it is important now to unpick what is behind the trends in different countries. The situation is complex: while there may be shared reasons for obesity, such easy access to unhealthy foods or a decrease in physical activity, the team say country-specific factors rooted in social, economic and policy considerations could also be important, from perceptions around body image to the presence or absence of interventions such as healthy school meals.Naveed Sattar, a professor of metabolic medicine at the University of Glasgow, who was not involved in the work, said the study highlighted how obesity trends were diverging sharply across countries. "English-speaking nations are doing particularly poorly, with the UK now among the countries with the highest obesity levels worldwide," he said.Sattar said it was encouraging that some countries appeared to have reached a plateau in obesity rates. "Understanding what has worked in those settings is crucial as it could help shape more effective public health strategies for the UK," he said, although he noted there could be country-specific aspects or customs at play.Future Outlook and Potential InterventionsHe said the rapid rise in obesity across many developing countries was especially concerning, not least as it could result in increases in diabetes and cardiovascular conditions.He added: "Looking ahead, it will be important to see how wider use of effective weight-loss medicines affects obesity trends, particularly in the UK and the United States. Recent signs of stabilisation in the USA suggest there may be room for cautious optimism. Combining evidence-based medicines with strong public health measures could begin to shift obesity rates in the right direction."

The Discovery of a Lost Musical MasterpieceThe discovery of a new work by Ralph Vaughan Williams has set the world alight this week. In a box in the archives of London's Morley College, Elaine Andrews came across a previously unknown Vaughan Williams song titled "Before the Mirror," which sets a Swinburne poem inspired by a Whistler painting. The manuscript's workings, its crossings-out and corrections, offer a fascinating insight into Vaughan Williams's creative process, revealing music of surprising tonal adventure and expressive ambiguity written shortly after his marriage in 1897.The Vast Landscape of Lost Musical WorksBut a single song pales into comparison compared to the musical riches that may be lying dormant in libraries, archives and lofts all over the world. One of the most significant musical finds of all time was the treasure-trove of manuscripts by Florence Price found in a derelict house in Illinois in 2009, which included her two violin concertos, Fourth Symphony and dozens of other pieces. This discovery revealed not only wonderful music, but also pointed to the priorities – and prejudices – of music historians.The Systematic Erasure of Female ComposersThat discovery revealed not only wonderful music, but also pointed to the priorities – and prejudices – of music historians. The discovery of previous unknown manuscripts by the most familiar composers – a single page of Mozart, an exercise by Beethoven, a sketch by Haydn – often happen because historians know where to look for ephemera of lives whose every artefact has been combed over for centuries. But that had not been the case for Price, or for other composers who have been musicologically marginalised. Their work is supposed to be "lost" simply because no one had been looking for it.Rediscovering Forgotten Female VoicesThat's why some of the deepest holes in musical history – works that we know composers wrote and that were performed in their lifetimes, but which their biographies say are now "lost" – are by female composers. Francesca Caccini wrote more than 13 stage works in her lifetime in 17th-century Italy, but only one survives today. Caccini's dozen other operas may currently be "lost," but have researchers been looking for them as assiduously as they search for a page by Bruckner or a letter by Mahler?The Case of Joseph BologneThe same goes for at least three complete operas by Joseph Bologne, who lived an extraordinary life in 18th-century France, as composer, violinist, orchestral leader, fencer and soldier, becoming a colonel in the revolution's only all-black regiment. But Bologne's legacy suffered the prejudices of a culture that reinstated slavery and which erased his contribution to the revolution and to musical society after his death in 1799. Now that Bologne's work is at last finding its place there must be renewed focus on recovering these vital "lost" operas from the oblivion that they never deserved.Legendary Lost Works We Can Only Dream OfMind you, there is also lost music whose absence has been known of for centuries – we can only dream of what could be. Bach's St Mark Passion and scores of his cantatas, Monteverdi's Arianna and other stage works, the dozens of quartets and sonatas that Brahms threw out as unworthy, or Sibelius's Eighth Symphony, likely consigned to the flames by Sibelius himself.New Leadership in Classical MusicIn other classical music news, the Royal Scottish National Orchestra has announced that Lithuanian conductor Giedrė Šlekytė is to be their next music director, succeeding Thomas Søndergård from the 2027 season. The appointment comes after just two projects: a well-received week of Mahler's First Symphony, and a subsequent recording session. As the RSNO's chief executive Alistair Mackie said: "When she joined us last year, her musical ideas and the way she works with players spoke for themselves. Giedrė gives the orchestra room to breathe and to play."

As the US‑Israel war on Iran reaches its 12th week, the city of Tucson, Arizona, is quietly transforming its sports complex into the home base for Team Melli ahead of the 2026 FIFA World Cup, underscoring a stark contrast between battlefield headlines and the unifying promise of football. Training Camp Set Up at Kino Sports Complex The Kino Sports Complex, overseen by Sarah Hanna, director of the facility, is being pre‑pared to FIFA‑regulation standards. Grass is being watered and cut to exact height, weight rooms, ice‑baths and massage tables are readied, and meeting spaces have been booked for the team’s staff. Location: Tucson, Arizona – a desert oasis of ~540,000 residents. Facility: Kino Sports Complex, equipped with FIFA‑approved pitch. Key personnel: Sarah Hanna (facility director), Jon Pearlman (FC Tucson president). Logistics and Security Amid Geopolitical Tension Preparation intensity is high: Hanna reports averaging 12 to 20 meetings each week, ranging from food‑service contracts to FIFA inspections. Security measures have been tightened, and hotel rooms for the squad are locked in. Travel timeline: Arrival expected two weeks before opening match on June 15, 2026 in Los Angeles. Group‑stage venues: Los Angeles (vs New Zealand), Seattle (vs Egypt), and a match against Belgium six days after the opener. Political backdrop: Ongoing naval blockade of Iranian ports and a de‑facto closure of the Strait of Hormuz. Sport as a Diplomatic Bridge in a Conflict Zone Local leaders stress that football can transcend politics. Jon Pearlman said, “We welcome them with open arms… the game brings nations together, not drives them apart.” Residents echo this sentiment, despite President Donald Trump’s earlier social‑media doubts about the team’s safety. Community response: Positive, with local clubs and fans offering support. FIFA stance: The tournament will proceed with Iran’s participation as planned. Outlook for Iran’s World Cup Participation While visa and staff‑treatment demands remain under negotiation, the logistical groundwork in Tucson suggests a high probability that Iran will compete as scheduled. Should diplomatic friction intensify, contingency plans could involve neutral venues, but current momentum points to a full tournament presence. Potential risk: Escalation of hostilities could trigger travel restrictions. Best‑case scenario: Iran plays all group matches, using Tucson as a stable training hub.

The Regulatory Response to Deadly Online ContentA nihilistic internet suicide forum implicated in over 160 UK deaths has been fined £950,000 by the online regulator in its latest attempt to shut it down. Ofcom said the US-based website remains accessible in the UK despite over a year of warnings. Online safety campaigners have accused the regulator of taking an "interminable" amount of time to act.The Samaritans, mental health campaigners and the Molly Rose Foundation, have repeatedly raised concerns about the site – which promoted a particular poison – which has remained accessible despite it being cited in multiple coroners' reports regarding the deaths of UK citizens.Molly Rose was set up in the memory of Molly Russell, a 14-year-old who took her own life after descending into a vortex of negative online content, including about suicide. Its chief executive, Andy Burrows, welcomed the fine and a separate move that could block UK internet access to the site, but said it was "appalling that it has been left to bereaved families and campaign groups to press Ofcom into action".Legal Action Under the Online Safety ActOfcom has been trying to get the site to obey British laws criminalising intentionally encouraging or assisting suicide since last spring. It had some success with the site being blocked last July and then a mirror site being taken down in November. But it is now taking action because the site can be "used by people in the UK, including without a VPN, and presents a material risk of significant harm".The fine is being levied under the Online Safety Act which also allows Ofcom to seek a court for an order requiring internet service providers to block UK access to the site. It is preparing an application to have its connections effectively cut "if our concerns are not fully addressed and there continues to be an ongoing breach".It accused the provider of "serious and deliberate contraventions" and said the fine reflected the "the risk of fatal harm to people in the UK posed by the content present on the service".Human Cost and Family AdvocacyOn Wednesday, the forum was unavailable but its operator posted a page that said it was advocating for "the right to access lawful information without government overreach" and quoted Mark Twain: "Censorship is telling a man he can't have a steak just because a baby can't chew it."The Molly Rose Foundation and Together with Families and Survivors to Prevent Online Suicide Harms said coroners had warned the UK government 65 times about risks of further deaths from the forum "and a substance it promotes, glorifies and instructs for use as a suicide method". Adele Zeynap Walton, the sister of Aimee Walton who took her life after accessing suicide forums, said the wait for action had been agonising."While we've waited further lives have been lost and we've had to fight every step," she said, speaking on behalf of Families and Survivors to Prevent Online Suicide Harms. "We feel let down by the process and Ofcom's slow response to this threat to life."Regulatory Challenges and Future ActionsBurrows said: "Molly Rose Foundation submitted detailed evidence which showed scores of vulnerable young people remained at risk while Ofcom's investigation dragged on … There are real questions about why it has taken so long for the regulator to act against a forum linked to at least 164 UK deaths."Ofcom said it has "engaged extensively" with the forum provider and that last summer the forum geoblocked mirror sites in the UK and later removed information on a landing page promoting ways to circumvent the block."We share the urgency about the extreme harms that sites such as this can cause, and understand the anger felt towards them by those who have been so personally affected," a spokesperson said. "It is vital that we ensure our enforcement action is thorough, and this can take time, as is the case for any enforcement agency."Preventive Measures and Support Resources"Lucas was 16. Vlad 17. Aimee 21. Grace, Hannah and Tom 22. Immy 25. Adam 28 and Claire 41," the campaign groups said in a report last year. "They were drawn into a dark world that was allowed to exist online and continues to exist through the use of a VPN. We believe our loved ones suffered coercion, grooming, instruction on how to end their lives. Most accessed a poison that was allowed to cross borders or was readily available domestically."Suzanne Cater, director of enforcement at Ofcom, said the forum had "caused unimaginable pain and suffering … and no punishment can undo that harm"."The provider of this forum knows it's used to share illegal content encouraging and assisting suicide on their site," she said. "While they've responded to our enforcement action by making some changes to the accessibility of their service in the UK, this is not good enough and the changes they've made were not consistently applied or effective to reduce the risk of harm. Given the ongoing risk of harm, we are using all powers available to us to protect the public."

The Copyright Infringement VerdictKanye West has lost a lawsuit which alleged he infringed on other artists' copyright by playing an uncleared sample of their work during a live event. The artist, now legally known as Ye, was found liable for using a sample of MSD PT2, an instrumental composed by four musicians: Khalil Abdul-Rahman, Sam Barsh, Josh Mease and Dan Seeff.The Donda Listening Event ControversyIn July 2021, Ye played his then-unreleased album Donda to 40,000 fans at a listening party held at Atlanta's Mercedes-Benz Stadium. The version of the song Hurricane featured the sample of MSD PT2, which had been made in 2018 and had made its way to Ye via another producer. Ye removed the sample from the finished version of Hurricane when it was released to the public, instead interpolating elements of it. The four musicians were added to the songwriting credits, acknowledging the interpolation.Financial Impact of the LawsuitThe plaintiffs argued that they were owed compensation for the sample being used in the earlier version broadcast at the listening party, because the event made money for Ye via ticket sales, merchandising and more. "There was no deal, no agreement, no licence, and no clearance," their lawyer Irene Lee argued in a Los Angeles court. A jury sided with the plaintiffs, who will receive a six-figure sum. Lawyers for Ye argued to Billboard that the sum would be smaller than the plaintiffs hoped for, claiming that Ye was not liable to pay the four separate sums named in the compensation award.Legal Precedents in Music SamplingThis case highlights the ongoing legal complexities around music sampling, particularly in live performances and unreleased works. The ruling establishes that even if a sample is later removed from a final commercial release, its use in a public, revenue-generating event can still constitute copyright infringement. The decision may encourage more musicians to seek clearance for even temporary or unreleased uses of copyrighted material in live settings.Ye's Legal Troubles ContinueYe had appeared in person during the hearing. "I pride myself on giving people what they deserve," he told the court, adding: "I feel like a lot of people try to take advantage of me. As I sit in this courtroom today, I just think people are trying to make more than they otherwise would because it's me." This is the second lawsuit that Ye has lost this year, after he was ordered to pay $140,000 to a handyman who alleged he wasn't paid for renovations he carried out at a Malibu mansion owned by Ye. A representative for Ye acknowledged the outcome of the trial but described it as a "failed shakedown."Broader Implications for Ye's CareerYe has also caused widespread outrage in recent years for a series of antisemitic remarks, songs and clothing designs, though in March he was nevertheless booked to perform a three-night run at London's Wireless festival, scheduled for July. Jewish groups, and politicians including Keir Starmer and London mayor Sadiq Khan, opposed the booking, and corporate sponsors pulled out of the festival. The Home Office then banned Ye from entering the UK, and the festival was cancelled. These legal and public relations challenges continue to impact Ye's professional opportunities and public image.

The Lead: Carla Simón's Unique Approach to Family DramaFamily reunions in European arthouse cinema are almost always unhappy events, on a scale of strife that ranges from simmering resentment to spectacular score-settling. Carla Simón, however, has a rare gift: she makes you leave the cinema with renewed faith that having relatives and keeping in touch with them may actually be a wonderful thing.No film-maker working in Europe now is as capable of turning birthday gatherings, garden parties or poolside barbecues into thrillingly sprawling canvases of human virtue and vice as this 39-year-old rising star. From a riotous water fight in the Berlinale Golden Bear-winning farming drama Alcarràs to a foul-mouthed dinner table singalong in her new film Romería, Simón directs kinship meetings with the attention to detail that other film-makers may invest in action sequences or dance routines.The Event Details: Romería and the Journey to Self-DiscoveryAmong the tricks Simón employs, she explains, is to ensure her actors only read the script once before the camera starts rolling, so they have to improvise to fill the gaps. She takes her casts to parties, for walks and on shopping trips, and if there are disagreements on the way, so much the better. The ultimate secret sauce, though, is to ignore WC Fields's notorious advice and always work with children and animals."I never get bored of working with kids," she says. "When you are only working with adult actors, shooting becomes more like executing an idea that you have in your mind, and I think that is not interesting. With children, you always have this feeling that that things are going to happen in front of the camera by chance. It keeps things alive."Her new film Romería, meaning "pilgrimage" in Spanish, dives deeper into the story of the biological parents she barely got to know. Eighteen-year-old Marina travels to her relatives in Vigo, in north-western Galicia, purportedly to find the death certificate of her biological father, which she needs to study film-making in Barcelona. The initial reaction is warm, but family is a room with dark corners and locked closets.The Personal Journey: Aids, Loss and Family SecretsSimón's fascination with freewheeling scenes of family life was undoubtedly honed through her own biography. Born in Barcelona in 1986, her father died when she was three and her mother when she was six. Both of them succumbed to Aids. She was 12 when her adoptive mother told her that her parents had been infected with the autoimmune disease through their use of drugs.All of her first three films have been strongly autobiographical: Summer 1993 tells the story of a six-year-old girl who moves to an unspecified location countryside to live with her aunt after the death of her mother, while 2022's Alcarràs is specifically set in the Catalan peach-growing community of her adoptive family.In the film, a cache of letters written by her late mother opens up a portal to the time when her parents met and discovered love – for each other, the Atlantic Ocean and drugs. The letters, Simón explains, are real. "She wrote to her friends and family while she lived in Vigo. Her Catalan is full of mistakes, because teaching Catalan was banned under the Franco regime. But they are the most important thing that I have from my mother, because suddenly I can hear her talking."The Impact Analysis: Spanish Cinema and the Legacy of AidsSpanish cinema has a track record in making films where child actors take centre stage: Ana Torrent's spell-binding turn as a young girl obsessed with the Frankenstein tale in Víctor Erice's 1973 film The Spirit of the Beehive is considered an all-time great performance by a minor, and Simón describes it as "a very, very important film for me".During the transition period after Franco's rule, Madrid gave birth to la movida, a countercultural movement that celebrated lifestyles that had been banned under military rule. "All these kids who were raised under Franco and religious oppression, suddenly freedom arrived and they embraced it", Simón says. "They didn't think much about the future or the consequences of what they were experimenting with. And then the drugs came in."When we talk about this generation in Spain, people sometimes use words like shame and blame, but I feel that's really unfair: people like my parents just had bad luck.The Future Direction: Beyond Family in Simón's Next ProjectHalfway through Romería there is a stylistic shift, from the Eurorealism she favoured in her previous works toward something more magical-realist: there is a mysterious cat you might expect to encounter in a Miyazaki film, and an unforgettable dance number set to Vigo punk rocker's Siniestro Total's song Bailaré Sobre Tu Tumba ("I'll Dance on Your Grave")."These three films I've made are kind of a cycle, because they all talk about my family, adoptive and biological. But since I became a mother a few years ago, I feel that my place in the family changed. When you have kids you feel it's a new period in your life, so I feel like maybe doing something that has nothing to do with my family."Her next film, she confides, is going to be a flamenco musical.

The Lead: Virtual Renovations Fill a Real‑World VoidYoung people facing sky‑high property prices are turning to a growing subgenre of "cosy" games that simulate home‑ownership, cleaning, painting and decorating virtual houses. Titles like Hozy and MakeRoom provide a calming, controllable environment that mirrors the desire for stability many cannot achieve offline.The Rise of Cosy Gaming as a Substitute for Home‑OwnershipRooted in early social simulators such as Harvest Moon (1996) and The Sims (2000), cosy gaming emphasizes gentle, low‑stakes tasks—think farming in Stardew Valley or interior design in Renovation Plan. The latest twist adds abandoned‑house makeovers, letting players experience the satisfaction of turning a derelict property into a tidy, aesthetic space.The Numbers Behind the TrendIn 2020, Steam recorded only 19 cosy‑gaming releases.By 2025, that figure exploded to 616 titles, a more than thirty‑fold increase.In the UK, 29% of adults aged 20‑34 still live with their parents, underscoring the housing affordability crunch.Societal Implications of Virtual Home‑RenovationThe appeal lies not just in escapism but in a sense of agency. With unemployment high and mortgage thresholds soaring, players find a predictable sanctuary where they can control paint colours, furniture placement and even virtual plumbing without tax bills or structural decay. Critics argue this may mask deeper anxieties, yet many gamers report reduced stress and a boost in mood after completing a virtual room makeover.Outlook: Will Cosy Gaming Remain a Niche or Shape Future Game Design?As the housing market stays unaffordable for many, developers are likely to double down on home‑ownership mechanics, integrating more realistic budgeting tools and community‑building features. If the trend continues, cosy games could evolve from simple time‑wasters into platforms for financial literacy and social connection, blurring the line between virtual comfort and real‑world empowerment.

The Disappointing Conclusion The Good Omens finale has left viewers with mixed feelings. Despite a talented cast, including David Tennant and Michael Sheen, the script has been criticized for being a 'puzzling mess'. The show's third and final run was initially planned as six episodes but was reduced to a 90-minute special due to controversy surrounding creator Neil Gaiman. The Impact of Controversy The controversy surrounding Neil Gaiman has had a significant impact on the show. Gaiman has been accused of sexual assault and other serious misconduct by several women, and although three lawsuits against him were dismissed, his involvement in the show was limited. This has resulted in a disjointed narrative that fails to live up to the standards set by the previous seasons. The Cast's Redeeming Performance Despite the shortcomings of the script, the cast delivers a redeeming performance. David Tennant and Michael Sheen shine as Crowley and Aziraphale, bringing their characters to life with their chemistry and wit. The cast's performance is a highlight of the finale, making it worth watching despite the disappointing storyline. The Future of Good Omens The future of Good Omens is uncertain, but fans are hoping that the show will continue in some form. The finale's conclusion leaves room for further exploration of the characters and their relationships, and fans are eager to see what the future holds for Crowley and Aziraphale.