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Executive Summary: Tehran’s Ambiguous Signals and Diplomatic WithdrawalIran’s officials delivered mixed messages regarding ongoing talks while Pakistani mediators exited Tehran, leaving observers to assess the implications for bilateral relations and broader regional stability.Ambiguous Signals from Tehran Amid Diplomatic ExitIranian spokespersons offered non‑committal remarks on the status of the mediation.Pakistani diplomatic teams concluded their mission and departed the Iranian capital.The timing coincides with heightened regional tensions, though no explicit link was confirmed.Limited Quantitative Data on Immediate Economic ImpactNo concrete financial figures were released alongside the diplomatic developments, making it difficult to gauge short‑term market reactions. Analysts note that the absence of measurable data suggests any economic fallout, if present, is likely to be indirect and medium‑term.Potential Ripple Effects on Regional StabilityIran‑Pakistan cooperation has historically underpinned security and trade corridors in South‑West Asia.The mixed messaging may erode confidence among neighboring states that rely on Tehran‑Islamabad dialogue.Regional actors could recalibrate their diplomatic strategies in response to perceived uncertainty.Outlook for Future Iran‑Pakistan EngagementExperts anticipate a period of cautious reassessment. While the immediate diplomatic gap could stall joint initiatives, both capitals retain strategic incentives to re‑engage, suggesting that future mediation attempts may resume under clearer terms.

The Influence of Big Tech on Trump's AI Executive Order Only hours before Donald Trump was set to sign a long-awaited executive order on Thursday that would have called for a government safety review of new artificial intelligence models before their release, the president abruptly backed out. Despite growing public backlash to the technology and experts warning new models will pose critical security risks, Trump vowed the US government would not slow down the AI race. The Event Details During a meeting with reporters on Thursday, Trump cited both American dominance and competition with China and as his reasoning behind the reversal. "I didn’t like certain aspects of it, I postponed it," Trump said of the executive order in the Oval Office. "We’re leading China, we’re leaving everybody, and I don’t want to do anything that’s gonna get in the way of that lead." The Data Analysis Trump’s postponing of the order was a victory for tech leaders who have long opposed AI regulation and spent millions lobbying against it. The decision was also the direct result of their influence, according to reports from multiple news outlets, with tech billionaires including Elon Musk, Mark Zuckerberg and former White House “AI czar” David Sacks personally urging Trump to reverse course in private phone calls. The Impact Analysis The AI industry has greatly benefitted from Trump’s anti-regulation stance. The president has publicly embraced industry leaders including OpenAI CEO Sam Altman while appointing others such as Musk and Sacks to prominent government positions. In December the president signed an executive order seeking to block any state attempts on regulating AI, giving well-worn tech industry talking points about opposing bureaucracy and combating China as his rationale. The Prediction Less than a month after the first reports that the White House was considering vetting AI models, the prospect of the Trump administration creating any stringent AI regulations once again appears extremely unlikely. The threat of a global breakdown in cybersecurity joins disinformation, mass surveillance, as concerns that are not being addressed.

War's Lingering Environmental ScarsAl Jazeera's report titled The pollution that outlives war draws attention to the enduring environmental damage caused by armed conflicts. While battles may cease, the pollutants released—ranging from heavy metals to unexploded ordnance—remain in soils, water bodies, and air, affecting communities for decades.How Conflict‑Generated Contaminants PersistExplosive residues such as TNT, RDX, and heavy metals settle in soil and groundwater.Destruction of industrial infrastructure releases hazardous chemicals into the atmosphere.Unexploded ordnance and landmines continue to leach toxins as they corrode.Regional Consequences of Persistent PollutionPost‑conflict zones often experience elevated rates of respiratory illness, cancers, and birth defects linked to lingering contaminants. Agricultural productivity can decline as soils become toxic, while water sources may require costly treatment before they are safe for consumption.Policy Gaps and the Need for Coordinated RemediationThe article underscores a critical gap in international law: while war crimes are prosecuted, environmental remediation lacks enforceable standards. It calls for:Inclusion of environmental cleanup in peace agreements.Funding mechanisms similar to post‑disaster aid.Technical assistance from international bodies to assess and mitigate contamination.Looking Ahead: Building Resilience After ConflictExperts suggest that integrating environmental monitoring into post‑war reconstruction can reduce long‑term health costs and restore ecosystems faster. Sustainable land‑use planning, community‑led cleanup initiatives, and stricter regulation of wartime weaponry are proposed as pathways to break the cycle of pollution that outlives war.

Executive SummaryOn 23 May 2026, the Israeli Air Force conducted a series of strikes in southern Lebanon, leaving dozens injured and raising fears of a broader escalation along the Israel‑Lebanon border.Airstrike Targets Southern Lebanese Towns Amid Escalating Border TensionsLocation: villages of Marjayoun and surrounding areas in southern Lebanon.Time: approximately 13:00 GMT on 23 May 2026.Method: precision‑guided munitions from fighter jets, according to Lebanese officials.Casualties: local health authorities report over 30 injured, including civilians and members of the Lebanese armed forces.Casualty Estimates Remain UnclearLebanese health ministry figures are still being consolidated, but early reports suggest the death toll is low while the number of injured could exceed 30. No official Israeli casualty figures were released.Regional Fallout: Heightened Risks for Israeli‑Lebanese CeasefireHezbollah condemned the strike as a violation of the 2020 ceasefire.Israel cited “cross‑border attacks” as justification, though details were not disclosed.UNIFIL warned that civilian harm could undermine its monitoring mission.Outlook: Potential for Further Military ExchangesAnalysts warn that the strike could trigger retaliatory fire from Hezbollah, potentially drawing both sides into a cycle of escalation. Diplomatic channels are expected to intensify, with the United States and France urging restraint.

The Shift in Elon Musk's Energy Strategy Has Elon Musk given up on Tesla’s Master Plans, on the electrified economy, on solar power as we know it? From the SpaceX IPO filing released this week, it sure seems like it. Musk's Changing Approach to Renewable Energy Tesla has released four Master Plans over the years, and while details have varied, the through line has been electrification of the economy. Musk put it best in his first edition: “the overarching purpose of Tesla motors…is to help expedite the move from a mine-and-burn hydrocarbon economy towards a solar electric economy.” The Rise of Fossil Fuels in xAI's Data Centers But recently, one of Musk’s companies, xAI, has embraced the mine-and-burn hydrocarbon economy, using dozens of unregulated natural gas turbines to power its data centers with plans to buy $2.8 billion more, effectively cementing the fossil fuel’s role in the company’s AI operations. Space-Based Solar Power: The Future or a Distraction? Solar power isn’t missing in the SpaceX filing, it’s just all concentrated on space, which the company touts as the future of data center power. Terrestrial solar garners a few mentions — not as a power source for xAI data centers but instead to show how much better SpaceX thinks space-based solar will be. The Challenges of Space-Based Data Centers Even if SpaceX is able to bring down the cost of boosting a data center into orbit, the economics are challenging at best. Power prices for Starlink satellites are multiples higher than what a terrestrial data center typically spends, and protecting chips from the rigors of space won’t be easy or cheap. The Future of AI Compute and Energy Demand It’s likely that Musk considers xAI’s current data centers as stopgaps, that once SpaceX is able to loft gigawatts worth of servers into orbit — probably just a few years away, in his mind — he’ll scrap what’s here on the ground, natural gas turbines included and not have to think about NIMBYs anymore.

The Literary Highlights of MayAs spring blossoms into full bloom, May brings with it a literary feast for readers. Three highly anticipated paperbacks from celebrated authors Ocean Vuong, RF Kuang, and Nick Clegg are hitting shelves, offering diverse perspectives and compelling narratives that are sure to dominate reading lists this month.New Releases from Acclaimed VoicesOcean Vuong, known for his poetic prose and poignant storytelling, returns with a new collection that explores themes of identity and belonging. RF Kuang, the bestselling author of 'Babel,' presents a new work that continues her examination of power and language. Meanwhile, former Deputy Prime Minister Nick Clegg offers political memoirs that provide insight into contemporary governance and decision-making.Why These Books Matter NowIn an increasingly polarized world, these three authors offer distinct yet complementary perspectives that address our current cultural moment. Vuong's lyrical approach to personal narrative provides emotional resonance, Kuang's speculative fiction offers critical commentary on institutional power, and Clegg's insider perspective on politics sheds light on the mechanics of governance. Together, they represent the breadth and depth of contemporary literature that speaks to our times.The Future of These Literary VoicesWith these new releases, all three authors solidify their positions as significant voices in their respective fields. Vuong's work continues to establish him as a leading literary voice exploring themes of immigration and identity. Kuang's growing body of work positions her as a key figure in speculative fiction that engages with real-world issues. Clegg's memoir adds to the growing genre of political literature that seeks to bridge the gap between policy and public understanding.

The Dreamed Adventure debuted at the Cannes Film Festival, delivering a beautiful but deliberately opaque look at Bulgaria’s mountainous past and present. Director Valeska Grisebach blends archaeological intrigue with lingering war memories, leaving viewers to piece together meaning from atmospheric detail.Grisebach’s Opaque Bulgarian Drama Premieres at CannesThe film follows Veska (played by Yana Radeva), an archaeologist who uncovers more than ancient artifacts when an old acquaintance, Saïd, reappears with a shady diesel‑fuel deal. Set in the remote town of Matochina, the narrative weaves together local folklore, post‑communist decay, and a looming criminal enterprise.Artistic Choices and Narrative AmbiguityGrisebach continues her signature approach of casting non‑professionals for intimate, table‑side conversations that feel organic rather than plot‑driven. While the story adheres loosely to Chekhov’s gun principle, the climax avoids typical arthouse violence, opting instead for an unresolved, dream‑like conclusion that challenges conventional storytelling.Director: Valeska GrisebachLead Actress: Yana RadevaSetting: Matochina, southeast BulgariaFestival Premiere: Cannes Film Festival, May 2026Key Themes: Memory, exploitation, post‑communist transitionPotential Impact on the European Art‑House LandscapeThe film’s visual richness and refusal to provide tidy answers may resonate with festivals and niche audiences seeking contemplative cinema. However, its narrative opacity could limit broader commercial appeal, positioning it more as a critical darling than a box‑office contender.Future Prospects for Distribution and Audience ReceptionGiven its Cannes exposure, The Dreamed Adventure is likely to secure limited releases across European art‑house circuits and streaming platforms that specialize in auteur cinema. Audience reaction will hinge on tolerance for ambiguity; viewers drawn to atmospheric storytelling may champion it, while others may find the lack of clear resolution frustrating.

The Director’s Missed Moment: Hairy Armpits Cut from the Final EditAt the Hay Festival in Wales, Emerald Fennell explained that a scene featuring Margot Robbie's character Cathy with "extremely hairy armpits" did not survive the final cut of her 2026 adaptation of Wuthering Heights. She called the loss "unfortunate" because period pieces often sanitize female bodies.Why the Scene Was Intended and What Was LostFennell described the unshaven underarms as "so important" to her vision of a realistic 19th‑century woman.The director questioned the historical plausibility of razor‑free armpits in other period adaptations, especially those of Jane Austen.She also referenced other unconventional set details, such as the "skin room" and a controversial "fish scene" involving a dead fish.Contextual Numbers: Release Timing and Audience ReachThe film premiered on Valentine’s Day 2026, positioning it as a romantic‑gothic offering.Starring Margot Robbie and Jacob Elordi, the movie attracted attention from both literary fans and mainstream audiences.Industry Impact: Shifting Standards for Body Authenticity in Period DramaFennell’s regret underscores a broader debate about how period films portray women’s bodies. Traditional productions often present hairless, polished figures, reinforcing a modern aesthetic rather than historical accuracy. By pushing for visible body hair, Fennell challenges the industry norm and invites future creators to reconsider the balance between visual appeal and authenticity.Looking Ahead: The Future of Unvarnished Period StorytellingIf directors continue to prioritize realism, we may see more productions that retain natural body features, prompting audiences to adjust expectations. Fennell’s upcoming, undisclosed project—described as "profoundly evil"—suggests she will keep testing the boundaries of comfort and authenticity, potentially influencing a new wave of bold, unfiltered period narratives.

The LeadGame of Thrones actress Hannah Murray shares her experience of being sectioned in a psychiatric hospital in her new memoir "The Make-Believe: A Memoir of Magic and Madness." The actress describes her mental health journey and the experience of being involuntarily admitted under the Mental Health Act.The Hospital ExperienceThe door to the room opens. A man enters the room. He is a Black man, bald and overweight. He is dressed in uniform. Blue uniform, a blue lanyard that reads "NHS". But I know Steve, the leader of the organisation that introduced me to magic, is a magician. I know he can appear in disguise.I approach the man and try to kiss him.He does not let me kiss him. Then no. It is not Steve.The man has brought me a plate of toast. He has brought me a cup of tea. I add sugar to the tea, which I would never have done in my former life, but a spoonful of sugar helps the medicine go down!I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive … I will never need to eat again. I survive on liquids and air and lightI do not eat the toast. I drink the tea. I am alone in the room again and I urinate into the cup and drink that too.I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive. It is the most potent of potions I can drink. I am a self-contained, utterly self-sufficient being. I will never need to eat again. I survive on liquids and air and light.I decide to explore outside the room. Outside my sanctuary. He has not come. So maybe I need to go searching for him …The Phone CallTime jumps. I am in a corridor lit by overhead strip lights. The electric light is pale yellow in tone. I am sat on one of three chairs in a row against the wall. The chairs are purple, curved plastic. I am still waiting for him to appear.There are two doors in front of me. One is the door to the blue room with the blue sofa and chair. Behind the other door is an office of some kind, and there is a woman in there, shuffling papers and talking on the phone.The woman comes out of the office. She is holding out my phone. My only possession now – the one artefact from my previous life. There is someone she wants me to speak to.Him.When I hold the phone to my ear, I hear a voice I recognise.But the voice belongs to my mother."Hannah?" she says. "Where are you? What's going on?"There is distress in her voice. Her voice is trembling with pain and anxiety.I do not want to hear it.This is a test. A horrible test, certainly, but one that I can pass. They are trying to tempt me back into the human. They are trying to lure me back into the past.I hang up the phone.But, after a moment, it starts to ring. The word Mum lights up the screen."Talk to her," says the woman.I answer the call.My mother sounds different now. Calmer. She asks again what's going on but gently, even cheerfully. I tell her everything's OK. That I'm fine. I tell her not to worry. I'm in a good place.This is the last time I will ever hear her voice, I think. This is the way I say goodbye.The DiagnosisThey tell me I am being sectioned.The words jar with my beliefs."Section 2 … the Mental Health Act … 28 days … right to appeal … "I cock my head.This does not fit at all. It does not fit in the world of Steve, of Ritual Master, of Shambhala and the invention of magic.I am not concerned. I am concerned only with the energy I can feel spiralling up through my body and the voices I can hear in my head.I pace the hospital corridors, delivering a tearful monologue, delivering the greatest performance of my life. A phrase comes to me. The Girl With All the Gifts. The title of a post-apocalyptic horror film released in 2016, starring Gemma Arterton.I am a magician. I am an actress. I am a writer. I have superhuman strength. I can fly. Anything that can be imagined, I can perform it. Every skill and every ability is mine.The film came out as a warning, and a prophecy.And because of me, the apocalypse has been averted.I am the saviour of the planet. I am the girl with all the gifts.The Journey to RecoveryIt was very hard, the journey to get here. It took 27 years. The path was twisting and full of setbacks, there were challenges and so much pain. There were times I wanted to give up. It was very hard. Everyone will have to make their own journey, and their journeys will be their own, unique as snowflakes or fingerprints. That is the beauty of it, the joy of it. Everyone has to figure it out for themselves.But I have laid the groundwork. I have walked the path. It starts with the energy healing, and it goes on and on through the seven dimensions, through increasingly magical planes. It goes on and on until you meet your soulmate, like I met mine.I was in a TV show called Game of Thrones, hidden in plain sight in the midst of a cultural phenomenon. I, the key to the world's salvation, wore the face of a character called Gilly, but really I played every role. Then I worked on a film called Detroit in Boston. David Benioff and Dan Weiss and Kathryn Bigelow were the four horsemen of the apocalypse. Numbers are irrelevant. Three counts as four. David and Dan and Kathryn cast me in the roles that brought about my destiny. The end and beginning of the world.I am the Ur-actress. I am every actress. Every performance ever given has been animated by my energy, my talent, by the gestures and facial expressions I am performing here and now.The Memoir and BeyondThis is an edited extract from The Make-Believe: A Memoir of Magic and Madness by Hannah Murray, published by Cornerstone (£18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.Hannah Murray will be in conversation with Jessie Cave at Kings Place in London on 5 June.