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The Uncharted Territory of Women's Pornography Just as there is a lack of pornography made by women, there is a lack of books about making pornography written by women. Recent nonfiction titles such as Polly Barton’s Porn: An Oral History and Fiona Vera-Gray’s Women on Porn have sought to address the silence and moral confusion, while Rufi Thorpe’s novel Margo’s Got Money Troubles imagined a student mum paying her way with OnlyFans. Into the Neon-Lit Underworld of 80s LA Allie Rowbottom, author of a memoir, Jell-O Girls, and a novel, Aesthetica, braves the dicey terrain in her sleazy, cinematic second novel. Published into a contemporary landscape where algorithms promote increasingly extreme content, Lovers XXX takes us to the so-called golden age of the Los Angeles porn industry, through the eyes of two teenage runaways who trade troubled homes for big-city dreams. The Dark Side of Desire and Power The obvious preoccupations of any porn industry narrative are: how do you get into it? What is it like? And how do you get out? Rowbottom answers these questions and more in a hurtling trip through LA’s early 1980s underworld. It’s a neon-lit, tobacco-stained scene as dusted with cocaine and packed with toupeed men touting “modelling” work as your wildest Boogie Nights fantasies might conjure; a place where desire is shaped by men, for men, yet which runs on an endless supply of disposable women. A Mirrored Structure and Divergent Journeys The novel uses a mirroring structure, the first half opening with Jude searching for Winnie and the second with Winnie, 30 years later, on a mission to discover what happened to Jude, who vanishes in 1984. As Winnie retraces Jude’s steps, she must confront the industry she has struggled to outrun. A Reckless Joyride into Youthful Longing and Hedonism Lovers XXX is a reckless joyride into youthful longing and hedonism, and their bruising flipside. In its humane, heady portrayal of lives on the margins, and its evocative sense of place, it recalls the films of Sean Baker and the novels of Emma Cline – and is presided over by the ghost of Eve Babitz.

The Unexpected Leftward Walking Bias UncoveredScientists observed that, when asked to start walking in an empty or everyday space, most people drift counter‑clockwise. The phenomenon was first noticed during pandemic‑era crowd‑density experiments and has since been confirmed in controlled laboratory settings.Laboratory and Real‑World Experiments Reveal Counter‑Clockwise TendencyDr Iñaki Echeverría Huarte at the University of Navarra led a series of tests where individual pedestrians and small groups moved around enclosed areas. The same left‑turn bias emerged when the team collaborated with Dr Claudio Feliciani at the University of Tokyo, replicating the effect in Japan.Observed in museums, supermarkets, and empty rooms.Consistent across right‑handed, right‑footed, and right‑eye‑dominant participants.More pronounced in children than adults.Quantifying the Bias Across Age and CultureWhile the study did not publish exact percentages, the researchers noted that the bias appeared in the majority of trials across both Spanish and Japanese cohorts. The effect persisted regardless of gender and remained after accounting for dominant side preferences.Implications for Crowd Management, Architecture, and SportsThe discovery suggests that current crowd‑evacuation simulations may underestimate natural rotation patterns, potentially affecting the design of public spaces such as museums, supermarkets, train stations, and stadiums. In athletics, the historic shift to anticlockwise running tracks may reflect the same underlying human asymmetry.Future Research Directions and Potential ApplicationsFurther work will explore virtual‑reality scenarios, simulated injuries (e.g., pretending a leg is broken), and possible biomechanical or neurological origins. Understanding the bias could improve safety protocols, inform architectural layout, and inspire new studies on lateral preferences in other species, such as the left‑turn bias observed in rock ants.

The Expanded 48‑Team Format UnveiledThe tournament will feature 48 national teams, up from the 32‑team format used since France 1998. The three host nations—the United States, Mexico and Canada—qualify automatically, while the remaining 45 teams earned spots through a two‑year qualifying cycle across FIFA’s six continental confederations.Match Schedule and Venue DistributionGroup play consists of 12 groups of four teams, generating 72 matches in the first stage. The knockout phase adds 32 matches, for a total of 104 games, surpassing the 64 matches held in Qatar 2022.Opening match: June 11, 13:00 local (Mexico City Stadium)Final: July 19, 15:00 local (New York‑New Jersey Stadium)Host venues: 16 cities – the United States hosts 78 matches across 11 stadiums; Mexico and Canada each host 13 matches across three and two stadiums respectively.Prize Money Milestone ReachedThe winning side will receive a record $50 million in prize money, plus an 18‑carat gold‑plated trophy. This marks an increase from $42 million in Qatar 2022 and continues a growth trend that began at $2.2 million in 1982.Implications for Host Nations and Global FootballCo‑hosting across three countries creates the most geographically dispersed World Cup to date, promising broader fan engagement and significant economic activity in North America. The expanded format allows more nations to experience the tournament, potentially boosting football development in regions that previously struggled to qualify.Looking Ahead: What 2026 Means for Future TournamentsWith the successful rollout of a 48‑team structure, FIFA may consider maintaining this format for subsequent editions, reshaping qualification pathways and commercial strategies. The increased prize pool and venue spread also set new benchmarks for future host bids, emphasizing multi‑nation collaborations and larger-scale infrastructure investments.

The Johannesburg Mass Shooting Incident Unidentified gunmen have stormed an informal settlement near Johannesburg and fatally shot 12 people, wounding nine others. More than 10 armed people were driven to the area and stormed the settlement shortly after 11pm (21:00 GMT) on Tuesday, a police spokeswoman said. Details of the Attack “Eight adult males and three adult females were declared dead at the scene,” Colonel Dimakatso Nevhuhulwi said. “The suspects allegedly entered the informal settlement through both entrances and moved through the area, opening fire on residents and community members at multiple locations before fleeing the scene in the same vehicle.” Another person later died in hospital. The motive for the attack is not known. The Ongoing Manhunt and Investigation Police said they had launched a manhunt for more than 10 suspects after the attack at the Jumpers informal settlement. The attack was in an area called Cleveland, about six kilometres (less than four miles) east of the Johannesburg city centre. South Africa's Gun Violence Problem South Africa has one of the world’s highest murder rates, with more than 60 homicides recorded on average each day. The country is awash with legal and illegal firearms, and shootings are common, often fuelled by gang rivalry and competition between informal businesses.

The Sevastopol Museum Strike Ukrainian drones have struck a historic museum in Russia-annexed Sevastopol in Crimea, igniting a roof fire, as Russian authorities slashed nighttime train schedules amid intensifying air attacks across the peninsula and deep into Russia. Damage and Response Sevastopol’s Russian-installed governor, Mikhail Razvozhayev, announced the damage on Telegram early on Wednesday. The museum commemorates Russia’s 1853-1856 Crimean War struggle against a coalition including the Ottoman Empire. The UAV damaged the building of the Panorama ‘Defense of Sevastopol 1854-1855’ [painting], the roof is on fire. This building is not just a museum, it is a symbol of resilience, which has repeatedly taken the blows of the enemy. Impact on Russian Oil Refineries Russian Defence Ministry officials reported overnight that air defence systems destroyed 326 Ukrainian drones over Russia, with more than a dozen heading towards Moscow. In Novokuibyshevsk in Russia’s Samara oil hub region, hosting Rosneft refineries, regional governors said authorities repelled drone attacks while urging one million residents to seek shelter. The Kuibyshevsk oil refinery was burning after at least 29 drones attacked. In Russia’s Rostov region bordering Ukraine, falling debris from a drone triggered a fire in a fuel tank at a civilian site. Escalating Conflict Ukrainian President Volodymyr Zelenskyy last week proposed face-to-page talks with Putin, which the Russian leader rejected. After the train incident, the Kremlin said Ukraine was undermining peaceful resolution efforts.

The Call for TV Show Recommendations The Guardian’s culture writers have compiled their favourite TV shows of 2026 so far and are now inviting readers to share theirs. The online form provided allows users to recommend new series they've enjoyed, along with reasons why they liked them. The Submission Process To share your favourite TV show of 2026, users can fill out a form that asks for: Name Location A bit about themselves (age, background, occupation) Their favourite TV show released in 2026 so far, and why An optional photo of themselves Contact details (phone number and email address) Permission to publish their response Interest in speaking to audio and/or video teams Privacy and Security Responses can be anonymous, and the form is encrypted, ensuring that only The Guardian has access to the submissions. Personal data will be deleted once it's no longer needed for the feature. The Invitation Readers are encouraged to share their experiences and recommendations. The Guardian also provides alternative ways to get in touch securely for those who prefer not to use the form. Additional Information For more details, readers can visit The Guardian's terms of service and privacy policy.

A Flawed Two‑Hander: The Premise of ‘How to Make a Mess’The new musical How to Make a Mess imagines celebrity chef Nigella Lawson emerging from a cookbook to help a grieving young woman, Anna, confront her past. While the concept is whimsical, the review finds the execution uneven, with the magical Nigella feeling more like a decorative prop than a fully realised character.Plot, Characters and Production ChoicesWritten by Emily Rose Simons and directed by Grace Taylor, the show follows Anna (played by Natasha Karp) as she wrestles with her mother’s death and an absent father. Tanya Truman portrays Nigella, delivering a performance that balances satire and sincerity, yet the script spends excessive time on back‑story at the expense of on‑stage cooking moments. The musical numbers have Broadway‑style heart but lack memorable hooks, and the staging relies heavily on a spangly kitchen set rather than tangible culinary action.Box‑Office and Critical MetricsVenue: Upstairs at the Gatehouse, LondonRun dates: Until 28 June 2026Critical tone: Mixed – strong performances praised, narrative and musical distinctiveness criticisedImplications for Celebrity‑Centric MusicalsThe production highlights the risk of building a show around a public figure’s persona. While Nigella Lawson brings instant name recognition, the review suggests that without a compelling story and distinctive music, the novelty may wear thin, limiting appeal beyond niche audiences and short‑term runs.Outlook: Will the Show Find a Wider Audience?Given the limited run and mixed critical response, the musical may struggle to secure a transfer to larger venues or touring productions. Future success could depend on revisions that deepen Anna’s culinary journey, tighten the score, and give Nigella more narrative weight beyond cameo‑style appearances.

The US Remake of Doc Martin: A Fresh Take on Smalltown Life The US remake of Doc Martin, titled Best Medicine, has arrived on Sky One and Now, bringing with it a quirky charm that is reminiscent of its British counterpart. The show, created by Dominic Minghella and starring Josh Charles as Dr. Martin Best, has been tweaked for a new market, relabelled Best Medicine, and transplanted to Maine. Character Backstories and Smalltown Charm Charles shines as the tetchy doctor with a heart of gold, a departure from his usual smooth sophistication seen in The Good Wife and Unbreakable Kimmy Schmidt. The character's name is Dr. Martin Best instead of Ellingham, and he attended Harvard medical school instead of Imperial College London. The show maintains the original's cast of eccentric characters, including a saintly local schoolteacher Louisa (Abigail Spencer) and a pharmacist-in-a-neck-brace Sally Tishall, now Mark's mother, Sally Mylow (Clea Lewis). Comparing Best Medicine to Doc Martin Best Medicine is softer than Doc Martin, with a backstory that explains away Dr. Best's abrasiveness. The show features more hugging and learning, making it a celebration of smalltown values and the secret goodness hidden behind even the prickliest of men. The series promises to soothe viewers' souls with its wholesome content, making it 'perfect rubbish' that viewers need. The Future of Best Medicine As the show progresses, it will be interesting to see how Dr. Best navigates his new life in Maine, including his relationship with Louisa and his interactions with the town's eccentric residents. With its lighthearted tone and quirky charm, Best Medicine is sure to delight audiences looking for a feel-good television experience.

The PlanThe team’s transformation under Sébastien Desabre can perhaps be summed up by one sentence the coach said to Leopardsfoot in an interview: “Discipline must begin on the pitch.” The Frenchman has imposed structure on a national team long associated with chaos and inconsistency. More than a traditional coach, Desabre operates almost like a manager in the English sense of the term, obsessing over details ranging from defensive positioning to the federation’s communication strategy. So far, it has worked.The CoachSometimes nicknamed “Tatu Seba” by Congolese fans (“Papa Seba”), Sébastien Desabre arrived in 2022 carrying years of African football experience gained in Uganda, Egypt, Morocco, Tunisia, Angola, Côte d’Ivoire and Cameroon. The former Chamois Niortais coach left Ligue 2 to take on one of the continent’s most talented, and structurally complicated, football nations. “DR Congo is a true football country,” he told Afrik-Foot after qualification. “People love their national team and are proud of it.” Pragmatic by nature, Desabre believes in continuity and stability above all else. The veteran striker Cédric Bakambu credits him with finally giving the Leopards “a framework”. More importantly, he has built a united squad around a clear collective identity, something the DRC had lacked for years.Star PlayerAfter missing the Africa Cup of Nations in order to regain sharpness following a knee injury, Yoane Wissa arrives at the World Cup carrying huge expectations. Nicknamed “Kovo” (“the bald one”) by Congolese supporters, the Newcastle forward became the first player from the DRC to score more than 10 Premier League goals in a season during his time at Brentford. Deployed usually from the left in the national team, Wissa combines pace with intelligent movement and relentless pressing. His first season at Newcastle was disrupted by injuries, but when fully fit he remains the Leopards’ most dangerous attacking weapon and their biggest international star.One to WatchThere is something unusually elegant about the way Ngal’ayel Mukau plays football. Tall, technically refined and blessed with a decent left foot, the Lille midfielder glides through games with a calmness that is rare for a 21-year-old. He can recover possession, escape pressure, progress with the ball and speed up attacks. Belgium tried hard to keep him but instead Mukau committed early to the DRC, becoming one of several highly rated Belgian-Congolese youngsters helping to reshape the future of the national team. Already linked with clubs such as Barcelona, Mukau could emerge from this tournament as one of Africa’s breakout midfielders.