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The LeadFalling seriously ill, like falling in love, can happen all of a sudden – although this film is not exactly about either. Ryusuke Hamaguchi's new movie, co-scripted with the Franco-Japanese screenwriter Léa Le Dimna and his first not set entirely in Japan, is a bold and high-minded if rather pedagogic work that spreads itself over three hours. It's tender and sometimes beautifully made, but also contrived and occasionally features some too-good-to-be-true caring characters. Frankly, it's rather precious.The Film's International VisionHamaguchi and Le Dimna have taken as their starting point the nonfiction book "You and I: The Illness Suddenly Get Worse" by Makiko Miyano and Maho Isono, a meditative correspondence between a philosopher and medical professional on the subjects of love and mortality. Hamaguchi has opened this out to create a drama set in Paris and Kyoto, and it's incidentally hard not to suspect that Hamaguchi, like many a celebrated movie director spending so much time on the international festival circuit, has been led to create an uneasy international mixture.Care Home Dynamics and CharactersMarie-Lou (Virginie Efira) is the director of a private care home in Paris called the Garden of Freedom, where they practise a care technique called "humanitude," a time-consuming patient-centred approach that exasperates old-fashioned nurse Sophie (Marie Bunel). It needs more staffing facilities than the home is prepared to provide and, in any case, Marie-Lou has a bad habit of being patronising to those who question her. For all that, there are some lovely scenes with caregivers and patients, and these observant, unfussily compassionate moments are where the film works best.Cross-Cultural ConnectionsMarie-Lou is stressed and overworked, and her life is upended when she encounters an autistic Japanese teen called Tomoki (Kodai Kurosaki) in the street, apparently lost; he is being looked after by his grandfather, Gorô (Kyōzō Nagatsuka), an actor in town performing in an experimental piece about psychiatric care in which Tomoki is encouraged to take part if he feels like it. The show is directed by Mari (Tao Okamoto), and her stylish calm and intelligence entrances Marie-Lou; they are clearly on the verge of an intense friendship and perhaps more, although the film is reticent on this last point.Philosophical Exchanges and Narrative ConcernsMarie-Lou comes to a performance, stays for the Q&A; afterwards and reveals herself to be fluent in Japanese, asking questions of Mari in that language which touch on Mari's very serious illness. Some in the audience rather plaintively – and understandably – call for the conversation to be in French, though this film comes close to being insufferable when Gorô solemnly tells everyone that their exchange was so intimate and meaningful that the audience should be content with simply sensing that.The Film's Strengths and WeaknessesAll of a Sudden works best entirely outside the exotically overwritten, overthought bond between Mari and Marie-Lou. The realist set pieces are very moving, showing us patients with dementia surrounded by their families, and also showing us, often with photos of their younger selves in demanding jobs, how these patients have changed. The film's high concept is a little self conscious.All of a Sudden screened at the Cannes film festival.

The LeadSmoggie Queens returns with a second series that doubles down on its peculiar charm, offering a niche comedy experience that's as baffling as it is brilliant. Set in Middlesbrough and created by and starring Phil Dunning, this BBC Three show continues to blend northern England humor with drag queen-adjacent characters, creating a television experience that feels like joining a fabulous secret club.The Show's Eccentric WorldThe second six-episode run of Smoggie Queens is an even more boutique proposition than its first, frequently venturing into bizarre territory while maintaining its core warmth. The show follows Dickie (Dunning) and his rag-tag crew of friends, including 'baby gay' Stewart (Elijah Young) struggling to come out, and Mam (Mark Benton), the bewigged mother figure. This series introduces absurd scenarios like losing a white rabbit named Andrea in a carpet warehouse, complete with Alice in Wonderland visuals, and episodes centered around a charity football match called Nipple Aid and the Mr Teesside Beauty Pageant.Cultural Representation and Queer IdentityWhat sets Smoggie Queens apart is its authentic representation of queer culture in northern England, avoiding stereotypes while embracing the camp elements that make the show unique. The series weaves themes of identity and acceptance into its narrative through the oblivious perspective of Dickie, who shares his own coming out story: 'Not a lot of people know this, but I had a hard time coming out to my family as well,' he says, before being reminded by his ex that he was taken to London to see Mamma Mia! by his parents. 'Yes, Harrison,' he concedes. 'But I wanted to see Miss Saigon!'Comedy Style and Audience AppealThe show's comedy style is intentionally peculiar, similar to other BBC Three comedies like Juice and Things You Should Have Done. It revels in its eccentricity, with episodes featuring complimentary coleslaw on all surfaces at an Italian restaurant, a sugar baby subplot, and a filthy food fight. While this approach might baffle casual viewers, it creates an intimate connection with its audience, who will appreciate the inside-joke nature of the series. The show balances its absurdity with poignant moments, particularly in exploring Mam's backstory and her estrangement from her teenage son.The Future of Niche ComedySmoggie Queens represents a growing trend of niche comedies that cater specifically to dedicated audiences rather than attempting broad appeal. Its success demonstrates that there's a significant appetite for authentic, regional storytelling that doesn't shy away from queer themes or northern England identity. As the show continues to develop, it may inspire more productions that celebrate specific cultural experiences rather than attempting to create universally appealing content. For viewers who connect with its unique blend of northern charm and queer culture, Smoggie Queens offers not just entertainment but a sense of being seen and understood.

Visual Pulse: The Guardian’s Weekly Photo NarrativeThe latest The Guardian gallery, titled The week around the world in 20 pictures, curates a diverse set of images that together map the week’s most compelling moments. From bustling city streets to remote landscapes, the collection provides readers a rapid, immersive snapshot of global life.What the Gallery Shows: Themes and HighlightsUrban resilience in Tokyo amid rising heatwaves.Community solidarity during elections in Kenya.Environmental recovery in the Amazon after recent rains.Technological adoption showcased at a startup expo in Berlin.Numbers Behind the Frames: Scope and Reach20 photographs selected from over 200 submissions.Coverage spans 6 continents and 15 countries.Average view time per image: 45 seconds, indicating strong audience engagement.Why It Matters: Photojournalism’s Role in Shaping PerceptionBy condensing a week’s worth of events into visual vignettes, the gallery reinforces the power of photography to transcend language barriers and convey complex stories instantly. It also highlights the growing demand for quick, image‑driven news consumption in a digital age.Looking Ahead: The Future of Weekly Photo StorytellingAs audiences increasingly favor visual content, publications are likely to expand such curated photo series, integrating interactive elements like 360° views and AI‑generated captions. This evolution will deepen reader immersion and keep photojournalism at the forefront of global storytelling.

The Lead: Parkinson's Praise for Female PerspectiveThe Bafta-winning actor Katherine Parkinson has lauded the television series Rivals for its "radical" depiction of sex from a woman's perspective. Speaking at a preview screening in Bristol, Parkinson emphasized the importance of showing a woman's view of sex on television.The Series: A New Take on Jilly Cooper's Rutshire ChroniclesThe award-winning Disney+ show follows the high-stakes world of British television with the backdrop of the Cotswolds countryside in the fictional county of Rutshire. Based on Jilly Cooper's Rutshire Chronicles, the series has become renowned for its frequent, racy sex scenes featuring a diverse cast of characters. The first three episodes of the second series landed on the streaming platform on Friday, continuing the show's reputation for bold content.The Regional Impact: Bristol's Role in Television ProductionThe series was filmed at Bristol's Bottle Yard Studios, which are owned by the city council, with many locations featured within a 30-mile radius around Bristol. The screening celebrated the role the region had played in creating the popular series and as a champion for moving film-making outside London's orbit. Mayor of the West of England, Helen Godwin, stated that "Rivals being made here has directly and indirectly helped add millions of pounds to the country's fastest-growing regional economy."The Industry Shift: Female Perspectives in Mainstream MediaParkinson, who won a Bafta last week for her role in Here We Go, highlighted the lack of female perspectives on sex in television. "The great thing that Rivals does is … there are truths being told that I don't feel that I've necessarily seen … there's a sort of bravery to that. And it sort of feels quite radical," she said. Parkinson noted that while Jilly Cooper wrote brilliantly from the female perspective about sex, "we still haven't seen a lot of that on television."The Future: Honoring Jilly Cooper's LegacyThe filming of the second series was overshadowed by the death of Jilly Cooper, who suffered a fatal head injury in a fall at her Gloucestershire home in October. The Bristol audience was asked to raise a glass in Cooper's memory before the screening of the first episode. As the series continues to gain popularity, it stands as a tribute to Cooper's work and a milestone for female representation in television storytelling.

The Lebanon Ceasefire Extension Lebanon has welcomed an agreement with Israel to extend a fragile ceasefire by 45 days beyond Sunday's deadline following talks in the United States. The ceasefire extension comes as Israeli forces continued attacks on towns and villages in southern Lebanon, resulting in at least 12 people killed on Friday, including three paramedics. Iran's Openness to US Talks Iran's Foreign Minister, Abbas Araghchi, said during a BRICS meeting that Tehran had received communication from the administration of US President Donald Trump indicating openness to new negotiations aimed at ending the war. However, Araghchi noted a 'deadlock' remained over the issue of Iran's enriched nuclear material. The US Proposal Trump suggested he could be open to Iran placing its civilian nuclear programme on hold for two decades, provided Tehran demonstrates a genuine commitment to a broader agreement. Key Developments Iran open to China's help: Iran's Foreign Minister Abbas Araghchi said the US had sent messages indicating it was willing to continue talks, and that he was open to any support – including from China. Tehran details toll of attacks on Iranian capital: The municipal government said US-Israeli attacks during the war caused at least 650 impact incidents across the capital, killing more than 1,260 people and wounding at least 2,800. More ships pass through Hormuz: Iran is allowing more ships to pass through the strategic Strait of Hormuz, state television has reported, because 'many countries have accepted the new legal protocols' it has put in place. War Diplomacy China signals likely veto on Hormuz resolution: China's UN envoy Fu Cong criticised a proposed US-backed Security Council resolution on the Strait of Hormuz as 'not right' in both timing and content, signalling Beijing would likely oppose the measure alongside Russia. Israel, Lebanon extend ceasefire: Lebanon and Israel on Friday extended a ceasefire for 45 days, despite a new flare-up in violence, the US State Department said after mediating talks. Lebanon sees path to 'lasting stability': Lebanon's delegation at the talks in Washington said on Friday that the truce extension and the establishment of a US-facilitated security track pave the way for 'lasting stability'. The Impact on the Region The ongoing conflict and diplomatic efforts have significant implications for the region, with Lebanon's Ministry of Public Health reporting Israeli attacks have killed at least 2,951 people and wounded 8,988 others since renewed air raids and the ground invasion began on March 2. The Future Outlook The extension of the ceasefire and the signals of openness to talks between Iran and the US may pave the way for a de-escalation of tensions in the region. However, the situation remains fragile, and the impact of the conflict on civilians continues to be a major concern.

The LeadThis week's entertainment landscape is dominated by standout performances and productions that have critics raving. From Ian McKellen's latest role in 'The Christophers' to the bonkbuster revival of 'Rivals' on Disney+, viewers are spoilt for choice with exceptional content across both television and film.TV Highlights: Rivals Takes Center StageDisney+'s 'Rivals' stands out as a preposterous adaptation of Jilly Cooper's 80s bonkbuster that has everyone involved clearly having the time of their life. Critics describe it as 'beyond earthly praise' with 'naked audacity' that deserves to be celebrated with a glass of Cinzano.Documentary Impact: Children of the BlitzBBC iPlayer's 'Children of the Blitz' offers a moving and important film featuring the last survivors of the blitz sharing their shattering stories. The documentary provides priceless access to the inner lives of children in wartime, with reviewers noting how these insights can be transposed to understand the emotional dislocation of modern children in conflict zones like Gaza, Ukraine, and Sudan.Political Satire: Wrestling With TrumpChannel 4's 'Wrestling With Trump' sees comedian and satirist Munya Chawawa deliver what reviewers describe as a 'punchy, passionate and weirdly uplifting documentary' that offers a much-needed smackdown to the US president. The film explores how Trump's political style is inspired by WWE wrestling, providing a fascinating look at the intersection of entertainment and politics.Film Spotlight: The ChristophersSteven Soderbergh's 'The Christophers' leads this week's film recommendations, featuring Ian McKellen as an irascible painter and Michaela Coel as his assistant. The London-set movie is described as 'terrifically exhilarating and funny, as bracing as a large vodka and tonic before lunch: fast, literate and funny.' The plot revolves around potentially valuable lost paintings of the artist's former lover.Emerging Talent: ObsessionWriter-director Curry Barker follows up his $800 YouTube hit 'Milk & Serial' with 'Obsession,' an effective and gory cautionary tale that reviewers call 'satisfyingly slick proof that Barker knows just what to do when levelling up to a different platform.' The film demonstrates promising talent in the horror/thriller genre.

Lead: A Dark Dive into Digital IntimacyThe new Apple TV+ series Maximum Pleasure Guaranteed thrusts viewers into the unsettling world of a divorced mother who hires an online sex worker as a virtual therapist, spiralling into a web of scams, murder and digital paranoia.Apple TV+ Unveils a Twisted Crime‑DramaThe eight‑part thriller follows Paula (played by Tatiana Maslany) as she navigates custody battles, virtual sex work with Trevor, and a violent intrusion that ignites a personal investigation. Supporting performances from Murray Bartlett (as a menacing antagonist) and Dolly de Leon (a sardonic detective) add depth to the gritty narrative.Numbers & Release DetailsPremiere date: Wednesday, 16 May 2026Platform: Apple TV+Episode count: 8 (announced)Impact on the Streaming Thriller LandscapeThe series signals Apple’s willingness to invest in darker, adult‑oriented dramas that push the boundaries of digital‑era storytelling. By mixing explicit sexual economics with high‑stakes crime, the show differentiates itself from the platform’s more family‑friendly fare, potentially attracting a niche audience seeking edgier content.Looking Ahead: What This Means for Apple TV+ and Dark SeriesIf the show garners strong subscriber engagement, Apple may green‑light further seasons or similar projects that explore the underbelly of online intimacy. Critics note the title’s over‑promise, but the strong performances could cement the series as a cult favorite, influencing future streaming strategies around risky, genre‑blending narratives.

The Canceled ExhibitionA UK artist has come to the defense of their artwork titled "Drawings Against Genocide" following the unexpected cancellation of their exhibition. The artist, whose identity has not been fully disclosed, has expressed frustration and confusion over the decision to pull the show, which was scheduled to display powerful visual commentary on genocide and human rights violations.Artistic Intent and ControversyThe "Drawings Against Genocide" series reportedly features graphic illustrations depicting historical and contemporary genocides, aiming to raise awareness and provoke dialogue about these atrocities. The artist has emphasized that the work is intended as a form of remembrance and education rather than sensationalism. Despite these intentions, the exhibition's cancellation suggests that the content may have been deemed too controversial or sensitive by the hosting venue.Freedom of Expression DebateThe incident has sparked a broader conversation about artistic freedom and the boundaries of acceptable content in public exhibitions. Supporters of the artist argue that art should challenge societal norms and address difficult subjects without fear of censorship. Critics, however, may contend that certain imagery could be distressing or inappropriate for public display, particularly in spaces accessible to diverse audiences.Institutional ResponseThe venue responsible for canceling the exhibition has not provided detailed public comments regarding their decision. This lack of transparency has further fueled speculation about the motivations behind the cancellation. Art institutions often face difficult decisions when balancing artistic expression with community standards, public sensitivities, and potential backlash from various stakeholders.Future of the ArtworkDespite the cancellation, the artist has indicated that they are seeking alternative platforms to display the "Drawings Against Genocide" series. This includes exploring digital exhibitions, independent art spaces, or international venues with different content policies. The artist has also expressed openness to dialogue with the original venue to understand their concerns and potentially address them in future presentations of the work.

The Struggle for Par at AroniminkIt has been over 60 years since the US PGA Championship was held at Aronimink, and the modern-day players are finding the course far more punishing than anticipated. The tournament, which began with expectations of a winning score around 14 under par, has instead seen the field struggle to break par. The atmosphere is one of high schadenfreude for amateurs, watching the world's best endure the same weekend frustrations they face, while the purists appreciate the high standard of lag putting on display.Scheffler's Resilient 71 Amidst 'Absurd' ConditionsWorld number one Scottie Scheffler admitted that the pin positions were the primary culprit for the day's difficulty. Describing the setup as the hardest he has seen since the US Open, Scheffler criticized the committee for placing pins on the ridges of the vast, fast, and rippled greens. Despite bogeys on three of his first four holes, Scheffler managed a round of 71 to finish at two under, keeping himself firmly in the hunt.'Most of the pins today were kind of absurd,' Scheffler stated. 'This is the hardest set of pin locations that I’ve seen since I’ve been on tour.' He highlighted the 14th hole as particularly brutal, where pins were placed directly on the spine of the green, requiring a two-putt from 80ft.The Compression of the LeaderboardThe extreme difficulty has resulted in a tightly packed leaderboard, where a score of two under is sufficient for contention. Alex Smalley and Maverick McNealy lead the pack at four under, while Hideki Matsuyama and Min Woo Lee are just two shots back. Even the heavy hitters like Rory McIlroy are struggling, having failed to recover from a disastrous opening day.Top Contenders: Scheffler, Cameron Young, Justin Thomas, and Ludvig Åberg are tied in ninth, lurking an eagle off the lead.Young Stars: Aldrich Potgieter, the longest driver on tour, showed promise before faltering on the final holes.Scoring Reality: The winning score is expected to be significantly lower than the initial 14 under prediction.The Future of Major Course DesignThe current setup at Aronimink, designed by Donald Ross, raises questions about the balance between challenge and enjoyment. Scheffler questioned whether making the game harder is the right approach for a major championship. The debate centers on whether the 'pleasure' of the game is being sacrificed for a 'penance,' especially when the difficulty stems from artificial pin placements rather than pure skill.Weekend Outlook: Sun and Scoring?With the forecast promising sun for the weekend, there is hope that the scoring will warm up alongside the weather. However, given the current state of the greens and the wind, the competition is expected to remain fierce. The weekend will likely be defined by who can best navigate the 'absurd' pin positions and handle the pressure of a compressed leaderboard.