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A recent study published in Nature Communications by the UK Centre for Ecology & Hydrology (UKCEH) has sounded the alarm on the precarious state of Britain's native species. The merlin, Britain's smallest bird of prey, is among more than 200 species that could become extinct in the UK if immediate action is not taken to address climate change and unsustainable land use. The study, led by senior ecologist Dr. Rob Cooke, indicates that the next 20 years will be decisive in determining the fate of dozens of native species. By 2050, the British Isles, already one of the most nature-depleted regions in the world, may reach an ecological "point of no return." The researchers modeled six future scenarios with varying levels of greenhouse gas emissions and land management practices. The worst-case scenario, which involves environmentally damaging agricultural and urban intensification and 4C of global heating above pre-industrial levels, could lead to the extinction of 196 plant species, 31 bird species, and seven butterfly species in Britain. This represents losses at more than three times the historical extinction rate. In such a scenario, many areas of the country could lose up to 20% of their existing local species. The merlin, mountain ringlet and large heath butterflies, as well as plants like burnt orchid, grass-of-Parnassus, and Alpine gentian, are among those at risk of being lost. However, the study also offers a glimmer of hope. If society adopts more sustainable climate and land use policies, 69 fewer species could become extinct compared to the worst-case scenario. This underscores the critical importance of immediate action to curb emissions and adopt sustainable practices to protect Britain's biodiversity.

Dame Carole Jordan, who has died aged 84, was a prominent figure in astrophysics, celebrated for her groundbreaking research on the outer atmosphere of the sun and other cool stars. Her contributions to the field have left a lasting impact, and her legacy extends beyond her scientific achievements as a champion for women in science.Jordan's fascination with astronomy began at a young age, inspired by books from authors like Arthur Eddington and Fred Hoyle. She pursued her passion for astronomy at University College London, where she was interviewed by CW Allen, professor of astronomy, and offered a place. Her academic journey led her to become a leading expert in ultraviolet spectroscopy of the sun and other stars.In 1962, a rocket-borne experiment led by US astronomer Richard Tousey measured the EUV spectrum of the sun, discovering a dozen unidentified emission lines. Jordan dedicated her research to understanding these lines, eventually becoming the world expert on the subject. Her 1965 PhD thesis, Analysis of the Solar Ultraviolet Spectrum, concluded that several lines were due to transitions in highly ionized iron.Jordan's most-cited paper, The Ionization Equilibrium of Elements Between Carbon and Nickel, published in 1969, laid out the ionization equilibrium as a function of temperature for the main ionized states of common heavy elements. This work became a definitive guide to EUV spectroscopy. The launch of the International Ultraviolet Explorer (IUE) in 1978 enabled her to extend her analyses to other stars, solidifying her position as an expert on the chromospheres of cool stars.Jordan's achievements extended beyond her scientific contributions. In 1994, she became the first female president of the Royal Astronomical Society, a testament to her dedication to promoting women in science. She was also a staunch supporter of the Royal Astronomical Society, serving as secretary and vice-president of the Institute of Physics.Throughout her career, Jordan received numerous accolades, including the RAS's gold medal in 2005 and being made a dame in 2006. Her legacy serves as an inspiration to future generations of scientists, particularly women, to pursue careers in STEM fields.

Ethiopian women's rights activists are facing a rising tide of digital violence, including online threats, doxing, and deepfake abuse, forcing some to flee the country. Yordanos Bezabih, an Ethiopian women's rights activist, had faced online threats for years, including acid attacks, gang-rape, and death. However, in 2025, the threats became more menacing, with an anonymous Telegram group organizing an effort to track down her location.The group shared deepfakes of her – nude images and videos. A stranger started filming her in the streets, calling her by her social media handle. Thieves broke into her house and stole her laptop. Soon after, her Telegram account was hacked, and her private photos and messages were circulated on social media. The perpetrators later circulated her address, demanding she be found and “executed”.In August, Bezabih left Ethiopia on a fellowship for human rights defenders. She has not returned since; it is too dangerous. “I have been forced to remain outside the country in order to protect my safety and continue my work,” she says.Bezabih is one of a small but growing number of feminists and women’s rights defenders who have left Ethiopia over the past two years, as online violence has become all-pervasive and uncontrolled. Three years after Facebook was accused of allowing hate speech to spread unchecked in Ethiopia, amid genocidal violence against ethnic Tigrayans during the civil war – claims rejected by Meta – social media inciters in Ethiopia have found a new target: women online.Research by the Centre for Information Resilience (CIR) bears out the scale of online gendered abuse in Ethiopia. Its 2024 report, Silence, Shamed and Threatened, found that technology-facilitated gender-based violence (TFGBV) has become “normalized to the point of invisibility” and is a daily occurrence with severe offline impacts, including psychological harm, physical assault, and arrests.Activists say the government and social media platforms are not doing enough to protect them. “I don’t think the government is much concerned about online harassment. It is barely a government agenda,” says Befekadu Hailu, an Ethiopian civil society leader and former director of Ethiopia’s Centre for the Advancement of Rights and Democracy.Bezabih says the online platforms that enable the violence also do little about it. “Even though they claim to have all these community guidelines, tech platforms never respond to reports, claims or even appeals.”

Desmond Williams, a pioneering architect renowned for his contributions to modern Catholic church design, has passed away at the age of 93. His architectural style was characterized by a unique blend of liturgical function, architectural ambition, and artistic collaboration, setting him apart as a leading figure in post-war British architecture. Williams's work was significantly influenced by the Second Vatican Council in the early 1960s, which led to a shift towards more inclusive and dynamic church designs. His buildings, such as St Mary's church in Dunstable, completed in 1964, showcased his innovative approach. The church's circular form and tetrahedral ceiling, composed of 600 aluminum pyramids, created a modern and immersive worship space. Throughout his career, Williams collaborated with various artists, including Robert Brumby and Pierre Fourmaintraux, to create unified and powerful liturgical spaces. His work was recognized with the listing of four of his churches, a testament to his impact on British architecture. Beyond his architectural achievements, Williams played an influential role in the profession, serving as chair of RIBA's north-west region and president of the Manchester Society of Architects. He was also a generous mentor to young architects and was appointed OBE in 1988.

Lonely lives, falling between the gaps, are at the heart of this 1935 psychological thriller by Rodney Ackland, adapted from Hugh Walpole's novel. It's an atmospheric period piece, but isn't entirely a stretch to reflect on our own concerns about solitude in an ageing population.The three ladies in an English cathedral town are without partners, families or much of an income. They eke out their genteel poverty in a rickety boarding house. They weren't raised to work; Miss Beringer, in desperate need of a job, can only imagine becoming a paid companion or, possibly, flower arranging.In Brigid Larmour's finely etched production, irritable passions ferment beneath the frowsty knits and beads. The characters are prey to spite and greed, nerves and night terrors. Voices are tremulous; eyes glance at a fearful future.Beringer is the new lodger: Catherine Cusack, whittled by anxiety, timidly nibbles on a scallop-edged biscuit. She is welcomed by Julia Watson's Mrs Amorest, flustered but keeping up appearances. Down to her last £10, she writes into the void to a long-absent son.The third lady is Agatha. Fruitily overblown in the novel, that's how Edith Evans played her in 1935. Abigail Thaw makes her disconcertingly eccentric: forbidding in jet black, she mocks and snaps at quivering Miss Beringer. She covets Beringer's one cherished possession – a translucent chunk of amber from a beloved female friend.It's a play of cross-hatched conversations and melodramatic plotting. Larmour's design team help turn the screw: the dank-toned house and clothes in tones of moth and cobweb, a bitter wind blowing.Ackland's plays about rackety lives are increasingly revived. He, Walpole and John Gielgud, the play's original director, were all queer artists, and it's tempting to imagine them drawn to these lives on the margins of British society. Though these ladies don't so much rage against the dying of the light as wait, fearfully, to be snuffed out.

The Royal Liverpool Philharmonic, led by conductor Daniela Candillari, presented a unique concert experience that juxtaposed the serene with the apocalyptic. The program began with Elgar's Serenade for Strings, a piece that epitomizes Victorian salon music. The performance was gentle and dainty, with a lovely translucent quality to the Allegretto.The highlight of the evening was undoubtedly Mark Simpson's oratorio, 'The Immortal', inspired by Victorian occultism. This 2015 work invites the audience to a seance, featuring texts from mediums of the time and the words of Frederic Myers, founder of the Society for Psychical Research. The piece was characterized by its impossibly dense, deliberately impenetrable textures and apocalyptic soundscapes, complete with amplified howls and shrieks from the vocalists of Exaudi and solo baritone Rory Musgrave.In contrast, the performance of Sibelius's Second Symphony was smooth and polished, but lacked real tension and buildup. The symphony's ominous timpani rumble and scherzo were played with speed, but without the intensity one might expect. Overall, the concert promised life and death but ultimately left the audience hovering in between.

UK savers who want to maximize their cash Isa allowance are being warned not to leave it until the last minute, as the deadline for applications is on Easter Sunday, April 5. The cash Isa allows individuals to save or invest up to £20,000 per tax year, with returns free of tax. Experts are advising savers to take action now, as the allowance for those under 65 will be reduced to £12,000 from the next tax year. This change, announced in last year's budget, aims to encourage younger savers to consider investing in the stock market. In April 2025, a record £14 billion was paid into cash Isas, and this year is expected to see a similar surge. Anna Bowes, personal savings expert at The Private Office, emphasized that savers need to act quickly, as some providers may withdraw their offerings early to process applications before the deadline. Savers can currently find competitive interest rates, with fixed rates of around 4.45% available from providers like Close Brothers Savings, Furness building society, and Vida Savings. For variable-rate Isas, Plum is offering 4.66%, and Tembo Money is paying 4.55%, both including a bonus for the first 12 months. Rachel Springall, finance expert at Moneyfactscompare.co.uk, warned that savers should not delay, as missing the deadline could mean losing the chance to use this year's allowance. She also recommended exploring options beyond traditional high street banks, as challenger banks and building societies are offering some of the best deals.

The poignant statement 'We can insure the ship, but we cannot insure a human life' brings to light the stark reality of insurance limitations. This phrase, often attributed to maritime contexts, emphasizes the disparity in how financial protection is offered to vessels versus human lives. In the realm of maritime insurance, ships and cargo can be insured against a variety of risks, including accidents, natural disasters, and theft. However, when it comes to human lives, the concept of insurance takes on a different form. Life insurance and health insurance are designed to provide financial protection to dependents in the event of a person's death or illness, but these policies have their own set of limitations and exclusions. The inability to insure a human life in the same way as a ship or property highlights the intrinsic value placed on human existence and the complexities of quantifying human life in monetary terms. This philosophical and practical distinction raises questions about the nature of value and protection in our society. As we reflect on this statement, it becomes clear that the true value of human life lies not in its monetary worth but in its inherent dignity and the impact individuals have on those around them. While insurance can provide financial security, it cannot replace the irreplaceable nature of human life.

The tradwife phenomenon has taken the world by storm, with influencers like Hannah Neeleman and Nara Smith showcasing their seemingly perfect lives on social media. But beneath the surface of this curated world lies a complex web of gender politics and societal expectations.The term 'tradwife' was originally coined in online 'incel' forums, where men discussed their ideal vision of a wife who would manage the household, give birth to children, and submit to their partners' demands. However, the mainstream media coverage of tradwives has been largely feminized, with many articles written by women.The tradwife is often associated with a nostalgic vision of the 1950s housewife, but with a significant difference: she is not just a submissive figure, but also a consenting participant in her own submission. This distinction makes the tradwife a more complex and nuanced character than her predecessors.The rise of the tradwife has been linked to the decline of feminist resistance and the lack of a coherent symbol of feminist resistance. The article suggests that the tradwife is an advertisement for a curated performance of womanhood, with a link in bio for purchases, reminding women of their true purpose: serve, smile, procreate, and purchase.The tradwife phenomenon has also been tied to the childcare crisis and the wage gap, with many women feeling forced to leave the workforce due to caregiving responsibilities. The article argues that the purpose of the tradwife movement is not to empower women, but to remind them of their place in society and to encourage them to relent to their own disappearance.