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Richard Wagner’s near‑death at sea in 1839 inspired the legend of the cursed ghost ship that underpins The Flying Dutchman. The Welsh National Opera (WNO) brings this myth to life in a fresh production that treats the libretto as a poetic meditation on birth, love, and mortality. Directed by Jack Furness, the opening scene intertwines a woman’s labor with the overture’s turbulent surges, symbolising the birth of Senta—destined to lose her mother and become haunted by the Dutchman’s promise of redemption, which can surface only once every seven years. Visual motifs—circling movements, blood‑red dresses echoing the ship’s sails—reinforce the cyclical fate of both protagonists. Designer Elin Steele and lighting designer Lizzie Powell conjure stormy seas and mist without literal ships, allowing the audience to focus on the raw emotions conveyed by the singers. Minimalist set pieces, occasional gold‑dust flourishes, and precise costume changes keep the drama tight and immersive. The cast delivers a musically rewarding performance. James Creswell shines as Daland with crystal‑clear German diction, while Simon Bailey portrays the tormented Dutchman with a compelling blend of menace and sympathy, especially in the final act. Rachel Nicholls as Senta offers a believable, passionately deluded love, delivering bel canto lines with immaculate pitch. Tenors Trystan Llŷr Griffiths (the Steersman) and Leonardo Caimi (Erik) make strong impressions, though the opera’s numerous choruses feel over‑extended. The WNO orchestra, under the authoritative baton of outgoing music director Tomáš Hanus, creates a convincing tempest that underpins the drama. Facing a thin 2026/27 season, the company is eager to prove its vitality, making these performances a must‑see—though audiences should not anticipate a conventional resolution. Staging dates include the Wales Millennium Centre in Cardiff (19 April), Theatre Royal Plymouth (24 April), Birmingham Hippodrome (7 May) and Milton Keynes Theatre (15 May).Review by Rian Evans, The Guardian, 17 April 2026.

Javokhir Sindarov sealed the men’s Candidates in Pegeia, Cyprus, with a historic 10 out of 14 points, finishing 1.5 points clear of Anish Giri. The 20‑year‑old Uzbek also posted the highest tally of six wins and eight draws since the current Candidates format began in 2013. In the women’s section, India’s Vaishali Rameshbabu claimed the title by a narrow ½‑point margin over Kazakhstan’s Bibisara Assaubayeva. Sindarov’s play evoked the classic Soviet master Mikhail Botvinnik, with meticulous opening preparation that often anticipated his opponents’ ideas deep into the endgame. When pressure mounted – notably in his second round against world No. 3 and US champion Fabiano Caruana – his defensive technique remained precise and confident. Final standings (14 rounds): Sindarov 10, Giri 8.5, Caruana 7.5, Wei Yi 7, Hikaru Nakamura 6.5, Praggnanandhaa Rameshbabu 6, Matthias Blübaum 6, Andrey Esipenko 4.5. The upcoming world championship match will be a best‑of‑14 showdown, pitting Sindarov against reigning champion Gukesh Dommaraju. Both will be 20 years old when the contest takes place in the second half of 2026, though the venue remains undecided. Gukesh’s recent dip to 15th in the ratings has added intrigue to the encounter. Analysts rate Sindarov as at least a 60 % favourite, while India’s grandmaster cohort – led by former champion Viswanathan Anand – is expected to rally behind Gukesh. Speculation also surrounds Magnus Carlsen, the current world No. 1, who stepped away from the classical crown in 2023. He indicated a willingness to defend only against Alireza Firouzja, but Firouzja’s recent focus on blitz and fashion has left the door open for a possible Carlsen‑Sindarov clash, should the Norwegian be persuaded. Sindarov’s rise is remarkable: he earned the grandmaster title at 12 years 10 months, later fell into a teenage obsession with the video game Counter‑Strike, and refocused on chess after defeating Firouzja at the 2021 World Cup. His resurgence helped Uzbekistan win gold at the 2022 Olympiad. Financial projections suggest a potential $10 million revenue stream for a Carlsen‑vs‑Sindarov title match, a figure that could also bolster Carlsen’s claim as the all‑time No. 1 ahead of Garry Kasparov. Nonetheless, Carlsen’s aversion to the intensive computer‑prep demanded by modern classical play remains a major hurdle. Carlsen may instead target the forthcoming 2027 FIDE World Total Championship Tour, which blends classical, rapid, and blitz formats, offering a more varied competitive landscape. In the Women’s Candidates, Vaishali Rameshbabu staged a stunning turnaround. After a 0‑5 start, she surged to the top after round 11, maintained a one‑point lead despite a round‑12 loss to China’s Zhu Jiner, and clinched the final round with a decisive victory over Kateryna Lagno in a sharp Sicilian Dragon, delivering the winning combination 39 Rd8+! 40 c4! Women’s final scores (14 rounds): Vaishali 8.5, Assaubayeva 8, Aleksandra Goryachkina 7.5, Zhu 7.5, Anna Muzychuk 7, Kateryna Lagno 6.5, Divya Deshmukh 5.5, Tan Zhongyi 5.5. Five‑time women’s world champion Ju Wenjun enters the upcoming title defence as a clear favourite, holding a peak rating above 2600 and currently rated 2559 against Vaishali’s 2470. Elsewhere, English GM Dan Fernandez posted an unbeaten 7/9 at the Menorca Open, achieving a 2601 performance rating and boosting his chances for selection to the England Olympiad squad. Young talents also featured: Argentina’s Faustino Oro and England’s Supratit Banerjee – both 12‑year‑olds – failed to secure their final GM norms, while India’s 10‑year‑old prodigy Aarit Kapil became only the fifth player ever to earn an IM norm before turning 11, later flirting with a historic GM norm. The English Chess Federation will host a 24‑hour chess marathon on Chess.com in memory of coaches GM Jonathan Hawkins and IM Adam Hunt, with proceeds supporting Macmillan Cancer Support. 4020: 1…Bxd4! 2 cxd4 Nf4! 3 Qb3 Qxf1+! 4 Kxf1 Rc1+ 5 Qd1 Rxd1 #

Equity’s Choreographers and Movement Directors Network (CMDN) says that theatre’s physical storytellers are still marginalised by awards bodies and should receive dedicated recognition.At the recent Olivier Awards, Fabian Aloise secured the best theatre choreographer prize for "Evita" at the London Palladium. While the network welcomed the visibility, it pointed out that the movement directors behind the nominated productions were omitted from any specific category, sparking a broader debate about the language used to credit theatrical creation.CMDN highlighted several movement directors whose work shaped this season’s most impactful shows, naming Leanne Pinder ("Punch"), Sarah Golding ("Kenrex"), Imogen Knight ("Dead Man Walking"), Jenny Ogilvie ("Into the Woods"), Sung Im Her ("The Glass Menagerie"), Lucy Hind ("Inter Alia") and Kloé Dean ("The Boy at the Back of the Class").Movement direction, the network explains, is not always dance but is essential to a production’s physical language, characterisation and dramatic flow. "If we celebrate the impact of physical storytelling, we must also evolve how we acknowledge the artists behind it," CMDN said.The network praised the Black British Theatre Awards for expanding their choreography category in 2022 to include movement direction, but noted that the UK Theatre Awards and Critics’ Circle Awards still lack dedicated categories for either choreography or movement direction.Founded in 2023 by movement director and choreographer Polly Bennett, CMDN now counts over 200 members. In a 2025 interview, steering‑group member Ellen Kane asked, "Why aren’t there Oscars or BAFTAs for choreography? Why aren’t we being credited?"Last month, more than a hundred theatre professionals signed a petition urging the Olivier Awards to create a separate video‑design category, arguing that the current system lumps video designers with other disciplines. This year’s Olivier winners illustrate the overlap: Tom Pye (set) and Ash J Woodward (video) shared the best set‑design award for "Paddington: The Musical", while Aideen Malone (lighting) and Roland Horvath (video) shared best lighting‑design for "Into the Woods".

President Donald Trump's ambitious plan to erect a colossal arch in Washington, DC, has cleared a significant hurdle with the US Commission of Fine Arts giving its approval to the proposed design. The arch, which would stand at 76 meters (250 feet) high, is intended to be built on Memorial Circle, between the Arlington National Cemetery and the Lincoln Memorial. The commission's approval is a crucial step forward for the project, which has faced criticism and legal challenges. The arch would be significantly larger than the Lincoln Memorial, which stands at 99 feet (30 meters) tall, and approximately twice as tall as the famous Arc de Triomphe in Paris, which the design resembles. The proposed monument, dubbed the 'Triumphal Arch,' would feature the phrases 'One Nation Under God' and 'Liberty and Justice for All' in gold lettering atop either side. However, the design has faced opposition, with about three out of every four people who delivered public comments expressing opposition, many citing its enormous size. Criticism has also centered on the potential impact on views of the national cemetery, a resting place for war veterans. Public Citizen Litigation Group is representing some Vietnam War veterans in a lawsuit against the proposed construction, arguing that it needs congressional approval. Even within the Commission of Fine Arts, there was some dissent. James McCrery II, the vice chair, suggested modifications to the design, including removing the winged statue and eagles on top and the lions at its base, citing that African animals are 'not a beast natural to the North American continent.' The project is part of Trump's efforts to leave his mark on the physical landscape of Washington, DC. The commission still needs to vote on final approval for the proposal after reviewing updated designs. If given final approval, the arch would tower above other landmarks in the national capital.

Pope Leo XIV has strongly denounced a 'handful of tyrants' ravaging the Earth with war and exploitation, while preaching a message of peace in Cameroon, a region plagued by a longstanding separatist conflict. During his visit to the western Cameroon city of Bamenda, Leo presided over a peace meeting involving leaders from various faiths, aiming to highlight the interfaith movement seeking to end the conflict and support its victims. In his remarks at the St Joseph Cathedral, Leo praised the peace movement and warned against using religion to justify conflicts. He emphasized that 'Blessed are the peacemakers!' but expressed concern over those who manipulate religion for military, economic, or political gain. The pope called for a 'decisive change of course' away from conflict and exploitation, stating, 'The world is being ravaged by a handful of tyrants, yet it is held together by a multitude of supportive brothers and sisters!' His comments come amid an ongoing feud with US President Donald Trump, who recently attacked the pope on social media. The conflict in Cameroon has resulted in over 6,000 deaths and displaced more than 600,000 people since 2017. Cameroon, rich in natural resources such as oil, natural gas, cobalt, and gold, has seen its extraction industry dominated by French, English, and increasingly Chinese companies. The pope criticized the exploitation of these resources, saying, 'Those who rob your land of its resources generally invest much of the profit in weapons, thus perpetuating an endless cycle of destabilisation and death.' Despite a temporary pause in fighting by separatist fighters to ensure the pope's safe passage, the conflict shows no signs of resolution, with peace talks stalled due to mutual accusations of bad faith.

In the rugged Hindu Kush mountains of eastern Afghanistan, hundreds of men are scouring the rocky Kunar riverbed for precious gold dust, creating a livelihood amid limited economic options.Against the backdrop of towering peaks, some still snow-capped in April, workers labour near the Pakistan border, seeking valuable flecks that could change their fortunes in a country plagued by low wages.Near Kharwalu village in Kunar province – with its mud-brick homes and terraced wheat fields – men excavate dry sections of the riverbed before washing their rocky hauls with river water.Delawar, 45, joined these gold prospectors after leaving his construction job seven hours from his Kabul home. “There are not many job opportunities in the country, and in this way, we have created work for ourselves,” said the father of eight who uses only one name.“The gold nuggets we find are usually smaller than a grain of wheat,” he added.In nearby Ghaziabad, hundreds chip away at the mountainside with picks, carrying heavy sacks down steep slopes to empty onto sieves for gold filtration.Others use yellow jerrycans attached to long wooden handles to pour river water over sieves, allowing smaller, potentially gold-bearing stones to slide onto mats. After two additional siftings, gold nuggets occasionally appear in metal pans.Gul Ahmad Jan, 35, claims the work can be lucrative. “We can get up to about 1gm of gold,” worth approximately 8,000 Afghani ($125) in just one week, he said.Afghanistan’s natural resources remained largely unexploited during decades of conflict, though a Kunar official told the AFP news agency that gold panning has occurred there for more than 10 years.

The Golden State Warriors have kept their NBA playoff hopes alive with a thrilling 126-121 comeback victory over the Los Angeles Clippers in a Western Conference play-in game. Stephen Curry led the charge with a game-high 35 points, including a crucial deep 3-pointer with 50.4 seconds remaining to put the Warriors ahead for good.However, it was Al Horford who stole the show with his late-game heroics. The 39-year-old veteran had just two points off the bench before his pivotal outburst, finishing with 14 points. Horford connected on four 3-pointers in the final 5:37, including the game-ending baskets, as part of a 27-13 Golden State run to seal the win.The Warriors' victory eliminates the Clippers and sets up a sudden-death matchup against the Phoenix Suns in Phoenix on Friday to determine the West's No. 8 seed and the Oklahoma City Thunder's first-round playoff opponent. Stephen Curry's seven makes on 12 attempts from beyond the arc paced the Warriors to a 19-of-41 long-range barrage (46.3 percent).Other key contributors for the Warriors included Gui Santos with 20 points, six rebounds, and five assists, and Kristaps Porzingis with 20 points. For the Clippers, Darius Garland and Kawhi Leonard each finished with 21 points, while Bennedict Mathurin led Los Angeles with 23 points off the bench.In other NBA play-in action, Tyrese Maxey scored a team-high 31 points to lead the Philadelphia 76ers to a 109-97 victory over the Orlando Magic, securing the 76ers' spot in the Eastern Conference playoffs as the seventh seed.

In a remarkable display of solidarity, people in Indian-administered Kashmir are donating gold, jewelry, and household items to support civilians in Iran affected by the ongoing US-Israel conflict. The donations, which include cash, livestock, bicycles, and even piggy banks broken open by children, reflect the deep cultural ties between Kashmir and Iran.The bond between the two regions dates back over six centuries, with Sufi scholar Mir Sayyid Ali Hamadani introducing religious practices, art forms, and Persian literary traditions to Kashmir in the 14th century. This historical connection has led to Kashmir being referred to as 'Little Iran' or 'Iran-e-Sagheer'.Masrat Mukhtar, a 55-year-old woman from Budgam, handed over gold earrings gifted to her by her father on her birthday, saying, 'We give what we love. This brings us closer to them.' Her cousins and other families in the region have also contributed items of personal value, including copper utensils, livestock, and portions of savings.The scope of donations is significant, with estimates from local authorities placing the value of contributions at up to six billion rupees ($64m). The Iranian embassy in New Delhi acknowledged the contributions, thanking the people of Kashmir for their 'humanitarian support and heartfelt solidarity'.However, Indian authorities have raised concerns about potential misuse of funds, citing examples of collections being allegedly funnelled towards rebel groups in the past. Authorities have asked volunteers to maintain records to ensure compliance with fundraising regulations.

California's attorney general has filed a lawsuit accusing Amazon of orchestrating price‑fixing schemes, based on newly unsealed court records released this week. The filing alleges the e‑commerce giant colluded with vendors to artificially set product prices, violating state antitrust statutes and potentially harming consumers.The unsealed documents, obtained through a freedom‑of‑information request, detail internal communications suggesting Amazon pressured sellers to maintain uniform pricing across its platform. Prosecutors argue this practice restricts competition and inflates costs for shoppers in the Golden State.While the case is still in its early stages, legal experts warn that a ruling against Amazon could set a precedent for broader antitrust scrutiny of online marketplaces nationwide. The lawsuit also underscores growing regulatory focus on big‑tech firms' market power.Amazon has declined to comment on the allegations pending further proceedings. The outcome may influence future policy debates on how digital platforms should be regulated to ensure fair pricing and competition.