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‘Your Friends & Neighbours’ returns for a second season that doubles down on its deliciously dark satire of the ultra‑rich enclave of Westport, New York – a thinly veiled stand‑in for Westchester’s high‑finance playground. The series remains a “rich dessert” of a show: indulgent, a little unhealthy, but undeniably moreish.Jon Hamm reprises Andrew “Coop” Cooper, a former Manhattan hedge‑fund star who now survives by burgling the opulent homes of his equally extravagant neighbours. Coop’s charisma is built on a blend of oak‑like steadiness and a perpetual tumbler of $500 whisky, allowing him to charm both victims and collaborators. Unlike Don Draper’s secret shame, Coop’s anxiety is a quieter, more comedic driver that fuels the season’s caper.Season two opens with Coop, now approaching fifty, injuring his back while rifling a mansion’s study. The mishap forces him to rely on his longtime lookout Elena (Aimee Carrero) and brings a new, reluctant ally into the fold. Meanwhile, the arrival of the flamboyant billionaire Owen (James Marsden) rattles the delicate Westport ecosystem, adding fresh tension to the criminal enterprise.The narrative also shifts focus to the personal toll of wealth. Coop’s ex‑wife Mel (Amanda Peet) navigates perimenopause and the looming emptiness of her children leaving for college, while their daughter Tori (Isabel Gravitt) deliberately flunks a Princeton interview, railing against the university as a “engine of rigged, corrosive capitalism.” This scene underscores the show’s satirical edge, reminding viewers that the glittering excess is built on fragile foundations.Despite its glossy façade, the series offers unexpected emotional depth. Hamm and Peet convey a wistful sadness that resonates beyond the bank‑balance zeros, suggesting that middle‑aged ex‑lovers remain bound by past mistakes. The season balances heist thrills with moments of genuine heart, positioning the show as a guilty‑pleasure dramedy that “gets away with it.”Your Friends & Neighbours is currently streaming on Apple TV+.

The current global landscape is marked by uncertainty, with Donald Trump's policies contributing to a sense of instability. As the world grapples with the implications of the Iran war, including a potential global shortage of jet fuel, the UK is reevaluating its relationships. Keir Starmer, leader of the Labour Party, has argued that a closer partnership with Europe is in Britain's national interest. This stance is echoed by Rachel Reeves, highlighting the need for the UK to strengthen its ties with the EU to mitigate the risks of a global economic crisis. The article notes that 63% of Britons would vote to rejoin the EU if a referendum were held today, according to recent YouGov polling. This sentiment is reflected in the growing popularity of a youth mobility scheme that would allow young people to work and study abroad, a proposal that has gained traction even among Leave voters. Starmer's ally, Nick Thomas-Symonds, has been negotiating a deal that would align with EU rules on food and drink, potentially leading to the relabelling of certain products like marmalade. While challenges remain, including competitive trade interests, the article suggests that Europe is choosing unity in the face of crisis. The author, Gaby Hinsliff, argues that Britain has learned from its past mistakes and is now seeking to build a new relationship with the EU at speed. While rejoining the EU is not imminent, the will and political courage are needed to seize this second chance.

The Easter Bunny is facing a significant challenge this year, one that is unrelated to chocolate or egg deliveries. According to a recent opinion piece, the Easter Bunny must navigate the complex issue of oil in the midst of global tensions.Donald Trump's demands have added a layer of complexity to the Easter Bunny's tasks, as the character must now consider the implications of pouring oil on troubled waters. This unexpected twist has left many wondering how the Easter Bunny will manage to balance its traditional Easter celebrations with the geopolitical landscape.The image accompanying the article, created by Fiona Katauskas, depicts the Easter Bunny in a humorous yet thought-provoking scenario, highlighting the challenges faced by this beloved character. As the world continues to grapple with global issues, the Easter Bunny's ability to adapt and overcome obstacles serves as a reminder of the importance of resilience and creativity.

Peter Whelan and the Irish Baroque Orchestra have returned Handel’s Messiah to Dublin, the city of its 1742 debut, with a landmark recording that is the first period‑instrument rendition by an Irish ensemble. The project seeks to echo the original performance at the Fishamble Street music hall, where audience etiquette was so strict that women were asked to forgo hoop skirts and men to leave their swords at home.The album features a cast of historically informed singers. Helen Charlston delivers the contralto arias once associated with the scandal‑ridden Susannah Cibber, her voice described as firm, slightly metallic and unflaggingly expressive. A rare duet‑and‑chorus version of “How Beautiful Are the Feet,” originally written for two Dublin cathedral countertenors, showcases Alexander Chance in buoyant form, while soprano Hilary Cronin provides a sweet‑sounding contrast.Whelan draws a fleet‑footed performance from a modest 13‑member choir and the orchestra, resulting in vocal lines that are light, precise, and at times almost conversational. Formerly a bassoonist with the orchestra, Whelan is poised to succeed Nicholas McGegan as music director of San Francisco’s Philharmonia Baroque, cementing his status as a rising star in the baroque world.Listeners can stream the recording on Apple Music or Spotify.

Friko, the Chicago‑based indie outfit, is gearing up for the launch of their second LP, Something Worth Waiting For, slated for 24 April. The record, described as a “radiant ramble” through modern indie rock, reflects the band’s recent touring experiences and explores themes of yearning, growth, and stability.The lead single, "Choo Choo", bursts with a road‑trip vibe, pairing vocalist‑guitarist Niko Kapetan’s urgent, quavering delivery with guitarist Korgan Robb’s atmospheric riffs. Critics note a vocal timbre reminiscent of Modest Mouse’s Isaac Brock and Sparks’ Russell Mael, while the track’s lyrical nods to classic American road food add a playful, homespun charm.Since their 2024 debut Where We’ve Been, Where We Go From Here, Friko has expanded from a duo (Kapetan and drummer Bailey Minzenberger) to a full four‑piece, adding Robb and touring bassist David Fuller. The new album also benefits from the touch of Grammy‑winning producer John Congleton, known for work with Mannequin Pussy, The Mountain Goats, and St Vincent. His influence shines on the Bowie‑esque chamber‑pop ballad "Seven Degrees", underscoring the group’s evolving sound.In addition to the album news, the Guardian’s weekly Add to Playlist roundup spotlights a curated selection of fresh tracks. Highlights include Wallis’s techno‑laden “Biscuit,” Beth Orton’s intense “The Ground Above,” Toronto pop‑star Chxrry’s catchy “Hall of Fame,” and a collaborative anti‑immigrant‑detention compilation track by Wendy Eisenberg’s trio Darlin’. The list also features Jeff Parker’s hopeful “Like Swimwear (Part One)”, a dubstep‑rap hybrid “Duro” from Skrillex and Young Miko, and Cass McCombs’s garage‑rock anthem “Seeing the Elephant”.Listeners can stream the full playlist on Spotify, Apple Music, Tidal, or other services, ensuring the week’s most inventive indie and electronic releases are just a click away.

The global energy landscape is facing a significant challenge: meeting the increasing demand for energy while reducing carbon emissions. As the world grapples with this dilemma, Russia's role in bridging the global energy gap has become a topic of interest. With its vast energy resources, Russia has the potential to play a crucial role in ensuring global energy security. The country's energy sector is a significant contributor to its economy, and its exports of oil, natural gas, and other energy commodities are essential to meeting the energy needs of many countries. However, Russia's ability to fill the global energy gap depends on various factors, including its production capacity, investment in the energy sector, and geopolitical relationships with other countries. As the global energy market continues to evolve, Russia's role in shaping the future of energy production and consumption will be closely watched.

Fire Island, a picturesque barrier island off the coast of Long Island, has long been a haven for LGBTQ+ individuals and a hub for artistic expression. The island's legacy as a queer mecca is deeply intertwined with its history of artistic innovation, which is now being celebrated in a new book titled 'Fire Island Art: 100 Years'.The book, edited by John Dempsey, president of the Fire Island Pines Historical Society, delves into the island's artistic heritage, showcasing the works of pioneers like Paul Cadmus, Jared French, and Margaret French, who formed the artistic collaboration PaJaMa. Their paintings and photographs captured the unconventional intimacies and beauty of the island, setting the stage for future generations of artists.Over the years, Fire Island has attracted a diverse array of talented artists, including Peter Hujar, Paul Thek, and Robert Mapplethorpe. These artists found inspiration in the island's serene landscapes, beaches, and vibrant queer community. Mapplethorpe, in particular, immortalized the beauty he found on the island, contributing to the island's reputation as a haven for creative expression.The book also highlights the contributions of women artists, who faced challenges in gaining acceptance on the island. Ksenia M Soboleva's chapter sheds light on the experiences of women artists, who began to make their mark in the late 1980s. This period saw an increase in lesbian presence in Cherry Grove, which reached unprecedented heights.Today, Fire Island continues to nurture artistic talent through initiatives like the Fire Island Artist Residency in Cherry Grove and its Pines sibling Boffo. These programs have launched the careers of notable artists such as Salmon Toor, Raúl de Nieves, Cassils, and Leilah Babirye. However, the legacy of Fire Island's artistic community is threatened by climate change and the rising right, which seeks to erase queer and trans people from public life.Dempsey emphasizes the importance of preserving Fire Island as a sanctuary for marginalized communities. 'Fire Island Art: 100 Years' serves as a testament to the island's enduring legacy as a haven for artistic expression and queer culture.

The Lead Apple has rolled out critical security updates for older iPhone and iPad models to counter a sophisticated web-based attack known as DarkSword. The release of iOS 18.7.7 and iPadOS 18.7.7 is a direct response to a leaked set of hacking tools that can compromise devices running versions 18.4 through 18.7. Understanding the DarkSword Vulnerability DarkSword is a sophisticated exploit kit that operates through a 'drive-by download' mechanism. Attackers do not need to trick users into clicking suspicious links; instead, simply visiting a legitimate website that has been breached can trigger the malicious code. This allows the toolkit to break into Apple devices and install spyware without the user's immediate knowledge. The Data Impact of the Exploit The capabilities of the DarkSword toolkit pose a significant threat to user privacy. Once a device is compromised, attackers gain access to a wide range of sensitive information, including: Private messages Browser history Location data Cryptocurrency wallet credentials Security researchers have observed these tools being used in targeted attacks across China, Malaysia, Turkey, Saudi Arabia, and Ukraine. User Friction and Update Resistance Despite the severity of the threat, Apple notes that millions of users remain vulnerable because they have chosen not to update their devices. The primary driver for this resistance is the user experience; many users have opted out of the latest software updates to avoid the new 'liquid glass' interface, prioritizing familiarity over security patches. The Role of Lockdown Mode For users who remain at high risk, Apple’s optional Lockdown Mode offers a robust defense. The company has confirmed that this feature effectively blocks attacks that would bypass standard protections, including those from government-sponsored spyware campaigns. Future Outlook on Web-Based Threats The publication of the DarkSword toolkit on the open web signals a worrying trend. As these tools become more accessible, we can expect an increase in low-cost, high-impact cyberattacks targeting older device versions that lack the latest security protocols.

As Easter approaches, concert halls from London to Leipzig are flooded with performances of Johann Sebastian Bach’s masterpieces, most notably the St Matthew Passion and the St John Passion. Chart data from the Official Classical Chart, Apple Music’s classical rankings and specialist listings show Bach out‑performing every other composer, with releases such as Yunchan Lim’s take on the Goldberg Variations and Raphaël Pichon’s recording of the St John Passion leading the pack.Two vivid descriptors have captured the public’s imagination this week: “Bach the zombie” and “Bach the meat‑grinder.”strong> Violinist James Ehnes coined the former to highlight the music’s ability to survive any arrangement or re‑imagining, while Guardian critic Clive Paget used the latter to describe the relentless, visceral intensity of the opening chorus in Pichon’s St John Passion recording.The “meat‑grinder” metaphor points to Bach’s obsessive repetitions and searing harmonies that convey the raw agony of the Passion narrative. In contrast, the “zombie” image underscores the composer’s uncanny durability: his works thrive whether rendered for saxophone quartet, Wendy Carlos’s synthesizers, Leopold Stokowski’s lush orchestration, or even a mandolin played in a New York park.Bach’s presence on the silver screen further illustrates his cultural elasticity. His slow, stately rendition of the final chorus of the St Matthew Passion underscored Pier Paolo Pasolini’s 1964 film The Gospel According to St Matthew, while the haunting aria from the Goldberg Variations was famously chosen by Hannibal Lecter in The Silence of the Lambs as he prepares a gruesome act. These examples show how Bach can serve as both spiritual solace and chilling inspiration.Modern performers continue to reinvent the canon. Pianist Víkingur Ólafsson, who logged more than ninety performances of the Goldberg Variations in a single year, describes each rendition as a “religious pilgrimage” that reshapes the listener’s experience. Meanwhile, mandolin virtuoso Chris Thile released a second volume of Bach’s Sonatas and Partitas performed on his instrument in Tompkins Square Park. The recording captures ambient city sounds—birds, footsteps, fellow buskers—blending them with Bach’s intricate C‑major fugue to create what Thile calls “the effortless fugue of city life.”These diverse reinterpretations confirm a simple truth: Bach’s music is indestructible. Whether heard in a grand cathedral, a streaming playlist, or a bustling park, his compositions adapt without losing their core emotional impact. This Easter, listeners are invited to embrace Bach not as a relic confined to history, but as a living, breathing force that continues to energise and inspire across genres and generations.