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The Premise of Legends Imagine The A-Team but instead of a band of wrongfully convicted US army commandos who become soldiers of fortune, it's a group of dissatisfied baggage searchers and VAT investigators who have taken their ties off. This is the premise of Legends, a six-part thriller by Neil Forsyth based on the true story of a group of ordinary men and women recruited from the rank and file of Her Majesty's Customs in the early 90s, given three weeks' training and sent undercover to infiltrate and bring down two massive drug cartels that were filling Britain's streets with heroin. The Main Characters and Plot Steve Coogan stars as former undercover police officer Don Clarke. He puts the team together for the home secretary and HMC's director of investigations Angus Blake. The team includes Guy, a 'lone wolf' operator played by Tom Burke; Kate, a hardbitten, hotheaded Essex native played by Hayley Squires; Bailey, a more thoughtful, tentative character played by Aml Ameen; and Erin, a backroom data hound extraordinaire played by Jasmine Blackborow. The Challenge of Bringing the Story to Life The energy spent keeping things serious prevents the series catching fire. But it remains a brilliant story, here well told. The article concludes that Forsyth mostly, if sometimes very, very narrowly avoids falling into the ever yawning trap that a story about customs officers becoming the A-Team inevitably faces, which is the potential for bathos, if not outright risibility. Where to Watch Legends is on Netflix.

The Shift in UK Film Studio Development The UK film industry has hit a turning point, with a slowdown in production leading to a decrease in demand for studio space. This shift is prompting property developers to reconsider their plans and pivot towards building datacentres, driven by the growing demand for data storage and processing capacity in the AI era. Peak TV Production and Its Aftermath The industry hit peak TV production four years ago, with a record £7.8bn spend on UK-made productions. This led to a surge in studio building and expansion, as well as the use of temporary sites such as old carpet factories and military sites. However, with the streaming wars recalibrating and a slowdown in the content arms race, the demand for studio space has decreased. The Data-Driven Decline The British Film Institute (BFI) is expected to report a third consecutive annual overall decline in the number of films and high-end TV shows made in the UK in 2025. This decline, combined with the financial pressures on domestic broadcasters, has led to a pull-back on content commissioning. As a result, property developers are reevaluating their plans for studio developments. The Rise of Datacentres Datacentres are becoming an attractive alternative for property developers, with land for datacentre development worth at least twice as much as studios. This has led to several high-profile projects, including Pinewood's plan to convert 78% of its proposed 1.4m sq ft expansion into a datacentre, and the abandonment of a £700m studio complex in Hertfordshire. The Future Outlook While there continues to be some expansion in the UK film industry, such as at Ealing Studios, the market appears to have hit peak studio space. As the industry adapts to the changing landscape, developers are likely to focus on datacentre development, driven by the growing demand for data storage and processing capacity in the AI era.

The Concept of the Garden Stinging nettles, buttercups, broken crockery, fly-tipped flowers and a discarded gnome are not the usual hallmarks of an RHS Chelsea flower show garden. But this year’s On the Edge garden by Sarah Eberle – the most decorated designer at Chelsea – is designed not to look like a garden at all, rather to transport its visitors to the liminal spaces on the outskirts of towns where the countryside begins and nature is in critical need of protection. The Garden's Design and Features The garden is about the fringe lands of towns and cities – and how vulnerable they are to development. There is very much a feel of the countryside to it, but with a town edge coming in, in its plant material. Right at the front is its centrepiece: a fallen mature tree sculpted into a reclining female figure by the chainsaw carver Chris Wood, “a mixture of stone and timber carved from a sequoia that’s fallen on this piece of edgelands”. The Symbolism of the Sculpture The sculpture, which represents Mother Nature or Gaia, the Greek goddess of the Earth, is intended to evoke the peacefulness and vulnerability of green belts and other countryside that surround urban centres. Its arm touches rainwater collected in a gravel pool and its willow hair flows into a dry stone wall that winds through a landscape dotted with native trees such as hornbeam, field maple and hawthorn. The Planting Scheme The planting scheme includes lots of wildlife-friendly native plants that are typically viewed as weeds, such as buttercup, wild strawberry, purple foxglove, cow parsley and stinging nettles. “There is beauty in our ordinary, native landscapes and the plants you find there – and a weed is only a plant in the wrong place,” said Eberle. The Impact of the Garden Eberle hopes the garden will help to convey how fragile, scrappy patches of countryside on the edges of towns and cities can serve as important sanctuaries for wildlife and urban communities. “If we look after these spaces, they can be good for nature and good for people,” she said.

Perplexity announced that its Personal Computer AI agent is now generally available to any macOS user through a dedicated desktop application, moving the technology from a cloud‑only model to the local machine.General‑Purpose AI Agent Moves From Cloud‑Only to Local Mac DevicesPersonal Computer expands the capabilities of the earlier Perplexity Computer by accessing local files, native macOS applications, and web resources.The app is distributed as a direct download and is not yet listed in the Mac App Store.It can be paired with Perplexity’s Comet browser to run web‑based tools without additional connectors.Subscription Model and Feature Set: What’s Included at LaunchRequires a Pro or Max subscription; the basic download is free.Supports integration with over 400 connectors and can orchestrate multi‑step workflows across apps.Designed for always‑on devices such as the Mac Mini and offers remote task approval via iPhone.Security Positioning Against Competing Local AgentsWhile competitors like OpenClaw have been criticized for elevated permissions and associated security risks, Perplexity markets Personal Computer as a “secure development environment” that keeps sensitive data on the device while processing in Perplexity’s servers.Future Roadmap: Deprecation of Legacy App and Expansion PlansThe older Perplexity Mac app will be phased out in the coming weeks.Perplexity hints at broader OS support and deeper integration with its AI ecosystem as adoption grows.Continued focus on remote accessibility suggests potential iOS‑only companion experiences.

Spotify Introduces Beta CLI for AI‑Generated Personal PodcastsSpotify announced a beta command‑line interface (CLI) that lets developers use large‑language‑model agents such as OpenAI’s Codex, Anthropic’s Claude Code or OpenClaw to generate custom audio sessions and automatically add them to a private Spotify library.How the CLI Transforms Text Prompts into Private PodcastsDevelopers clone the open‑source tool from GitHub and authenticate via a browser‑based Spotify login.A prompt (e.g., “Create an audio deep‑dive on World Cup history”) is sent to the chosen LLM agent.The agent synthesizes spoken content, packages it as a podcast episode, and pushes it to the user’s Spotify library.Episodes remain private – they are not discoverable by other Spotify users.Early Adoption Signals and Revenue OutlookSpotify has not released usage statistics for the beta; the tool is currently limited to developers and power users.Potential monetization routes include premium “AI‑audio” subscriptions or a marketplace for third‑party prompt templates.Impact on the Personal Audio EcosystemBlurs the line between traditional streaming and AI‑generated content, positioning Spotify as a hub for both consumption and creation.Encourages competition with emerging AI‑audio platforms and could drive new creator‑first business models.Raises questions about content moderation, copyright, and the user experience of private versus public audio.What Comes Next for AI‑Driven ListeningSpotify plans to expand the CLI to a graphical interface and integrate deeper with its recommendation engine.Broader rollout may include support for additional LLM providers and native editing tools.Industry observers expect a wave of personalized, on‑demand audio experiences that could reshape daily information consumption.

The Diller-Altman Trust Dynamic Billionaire media mogul Barry Diller doesn’t think OpenAI CEO Sam Altman is untrustworthy, despite recent reporting to the contrary. Onstage at The Wall Street Journal’s “Future of Everything” conference this week, Diller vouched for the AI exec, who has been accused by some former colleagues and board members of being manipulative and deceptive at times. The AGI Conundrum Diller, who is friendly with Altman, was responding to a question about whether or not people should put their faith in Altman to ensure that artificial intelligence benefits humanity. In particular, he was asked about the theoretical form of AI known as artificial general intelligence, or AGI, which could one day outperform humans on any task. The Limits of Trust in AI Development The media exec, a co-founder of Fox Broadcasting and chairman of IAC and Expedia Group, said that while he believes Altman is sincere in his pursuits, that’s not really the area of concern people should be focused on. Rather, it’s the unknown consequences that will result from AI. “One of the big issues with AI is it goes way beyond trust,” Diller said. “It may be that trust is irrelevant because the things that are happening are a surprise to the people who are making those things happen.” The Unknowns of AI Progress Diller added that the development of AI is a journey into the unknown, with even those creating it unsure of the outcomes. He emphasized that progress in AI is inevitable and that the focus should be on preparing for its consequences. “We have embarked on something that is going to change almost everything. It is not under-reported. Now, whether these huge investments are going to come through — I couldn’t care less. I’m not invested in it, but progress is going to be made,” The Need for Guardrails Diller also highlighted the importance of establishing guardrails for AI development to prevent unforeseen negative consequences. He warned that if humans don’t think about guardrails, then the alternative is that “another force, an AGI force, will do it themselves. And once that happens, once you unleash that, there’s no going back.”

DeepSeek’s Funding Surge: From $20B to $45B in Weeks DeepSeek, the Chinese AI lab known for a cost‑efficient large language model, is in talks to raise its first venture‑capital round that could push its valuation to $45 billion, up from $20 billion just weeks earlier. First Venture Capital Round Targets Chinese AI Champion The round will be led by the state investment vehicle China Integrated Circuit Industry Investment Fund. Potential co‑investors include cloud giants Tencent and Alibaba. Founder Liang Wenfeng, who owns nearly 90% of the company, is seeking capital to retain talent amid competitor poaching. Valuation Leap and Investor Line‑up: Numbers at a Glance Previous valuation: $20 billion Target valuation: $45 billion Founder ownership: ~90% Key investors: China Integrated Circuit Industry Investment Fund, Tencent, Alibaba Model advantage: runs on Huawei chips, lower compute cost Strategic Implications for China’s AI Independence The funding aligns with Beijing’s goal to develop home‑grown AI hardware and software, reducing reliance on U.S. chips. By optimizing models for Huawei silicon, DeepSeek offers a domestic alternative to OpenAI and Anthropic, potentially accelerating China’s AI ecosystem. What the Next Funding Milestone Could Mean for Global AI Competition If the round closes at the projected valuation, DeepSeek could attract further private and state capital, scale its model offerings, and challenge Western AI leaders on both performance and cost. Analysts expect increased pressure on U.S. firms to secure supply chains and consider strategic partnerships in Asia.

The Lead: Dating's New Social FrontierFor many young people, the dating game has become a thankless task of endless swiping and ghosting, with little hope of finding meaningful connections. As dating apps fall out of favor and a relationship recession looms, singles across England and Wales are discovering a refreshing alternative: talking up their pals to strangers at 'Date My Mate' events.The Event Details: Friend-Powered Matchmaking Takes Center Stage'Date My Mate' events involve pitching a friend to a room of singles, and they're gaining momentum across England and Wales. The night unfolds like a reality TV dating show, where participants are welcomed with a free drink token and a sticker branding them as either a 'date' or 'mate.' The 'mates' have a loosely enforced three-minute time slot to hype their single friend using a presentation projected on a screen.'We've hit a cultural nerve,' said Emily Churchill, who hosts the event in London. 'Single people are sick of swiping, they want real human connection.' What started as a one-off for Valentine's Day earlier this year—selling out in less than 48 hours—has become a recurring series where tickets now sell out within five minutes.The Data Analysis: Declining App Usage and Rising AlternativeThe shift away from dating apps is backed by data. According to a report published by Ofcom in 2024, the number of people using the top 10 most popular dating apps had declined by 16% since the previous year. Research reveals that rather than aiding the search for love, dating apps are designed to be addictive, creating an illusion of choice that ultimately leads to frustration.'It's the saturation of the market,' said Bruna Dalla-Vecchia, 26, who attended a recent event. 'There's far too many people, there's the illusion of choice. They get you to go and pay your premium memberships and you don't really make any meaningful connections.'The Impact Analysis: Changing the Dating LandscapeThese events represent a significant shift in how young people approach dating, moving away from the digital realm to more authentic human connections. The format offers a fun alternative to traditional singles mixers, with participants noting that the structured approach reduces the pressure of approaching strangers.'The dating event structure of going to speed dating is just so intense,' said Sophie Lord, who hosts an LGBTQIA+ Date My Mate event in Cardiff. 'It's really fun to go to regardless of whether you meet someone, instead of feeling like you're in an interview with people.'Although the aim is to combat app fatigue, the presentations often resemble online profiles, listing attributes including height, profession, 'red flags' and 'green flags.' Some presentations even include humorous elements, like embarrassing tweets from 2018 or video testimonials from family members.The Prediction: The Future of Social DatingAs these events continue to grow in popularity, we may see a broader trend toward more socially-driven dating experiences that combine the convenience of curated information with the authenticity of in-person interaction. The gender disparity in participation—mirroring online dating where men are represented more than women—presents an interesting challenge that organizers are addressing through targeted outreach and reserved tickets.For shy individuals like Dalla-Vecchia, these events offer a comfortable middle ground: 'You never know if they're taken or not. This is a good way of being a bit playful about it and taking the stress out of it.' As the dating landscape continues to evolve, the success of 'Date My Mate' suggests that the future of connection may lie not in algorithms, but in the people who know us best.

The Spread of Spotted Lanternflies Around grape harvest time about three years ago, an employee at Zephaniah Farm Vineyard in Leesburg, Virginia, noticed bugs, about 1in long with gray and black wings and a bright red underwing, atop some trees. They were spotted lanternflies, invasive insects that probably played a role in the fact that the vineyard produced about half as many grapes in 2025 as the previous year, according to Tremain Hatch, a co-owner and viticulturist. The Economic Impact on Vineyards Zephaniah Farm is not the only US business that has seen lanternflies suck away their revenue. Their US population has increased in recent years and affected the winemaking and forestry sectors. In New York, for example, researchers estimated that the bugs could cost wineries millions of dollars. The Data Analysis The spotted lanternflies are native to China and were first detected in the US in 2014 in Berks county, Pennsylvania. They have since spread to 19 states – with the largest infestations in the north-east – and Washington DC. The bugs suck the sap from a variety of plants, including grapevines, hops and fruit trees, and then secrete honeydew, a sugary liquid which can then facilitate the growth of sooty mould. The Impact Analysis Scientists are uncertain what the lanternfly population numbers could look like this summer and fall, but they expect them to continue to spread across the country. As such, researchers are looking for ways to protect vegetation – and the wine industry – from the bugs. “They don’t belong in our environment,” said Brian Walsh, a Penn State Extension horticulture educator who studies lanternflies. “And while you may not be having a huge impact overall on the population by killing individuals, each one that you see and encounter and kill, that is one less that you’re going to accidentally move to a new area.” The Prediction Despite the increasing US lanternfly population, Nathan Derstine, a visiting assistant professor of biology at the University of Richmond, does not expect the bugs to wreak as much havoc as, for example, the emerald ash borer, an invasive Asian beetle that has killed hundreds of millions of ash trees. “This is a recent invasion,” Derstine said. “It’s been about 12 years. That is not very long in the grand scheme of things, and so there has probably not been much adaptation or chance for any response by the natural enemies or parasitoids or things that are present here.”