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Early Reading Memories Virginia Evans shares her earliest reading memory, reading either 'The Velveteen Rabbit' by Margery Williams or poems from 'Where the Sidewalk Ends' by Shel Silverstein with her sister. Favorite Books Growing Up Evans loved mysteries and fantasy worlds, reading many Nancy Drew books, 'The Boxcar Children' by Gertrude Chandler Warner, and 'The Wind in the Willows'. She enjoyed books about things that can't exist, calling it escapism. The Book That Changed Her as a Teenager At 15, Evans read John Steinbeck's 'The Grapes of Wrath', which gave her a new understanding of what fiction can do and how words can portray complex living. The Writer Who Changed Her Mind Evans praises Joan Didion, saying every time she reads Didion's work, she is changed in some way, seeing the world, people, and politics differently. The Book That Made Her Want to Be a Writer In college, Evans read Jhumpa Lahiri's 'Interpreter of Maladies', which inspired her to write, making her think: 'I have to do this, I can do this, I will do this'. The Author She Came Back To Evans tried Jane Austen's 'Pride and Prejudice' too young, but when she came back to it in her late 20s, she enjoyed it tremendously. Books She Rereads Daphne du Maurier's 'Rebecca' Steinbeck's 'East of Eden' The Book She Could Never Read Again Evans devoured the Millennium series by Stieg Larsson but was too disturbed to read it again. The Book She Discovered Later in Life Evans didn't read 'Little Women' by Louisa May Alcott until her adult life, relating to the mother character and identifying with Jo's struggles as an author. Current and Comfort Reads Currently reading: 'While I Was Gone' by Sue Miller Comfort reads: 'The Uncommon Reader' by Alan Bennett, 'Beautiful Ruins' by Jess Walter, 'I Capture the Castle' by Dodie Smith

Translated Fiction Review Roundup A collection of recent translated fiction has been reviewed, showcasing the diversity and complexity of global literature. The reviews include: 'Sisters in Yellow' by Mieko Kawakami Sisters in Yellow by Mieko Kawakami, translated by Laurel Taylor and Hitomi Yoshio (Picador, £16.99) Kawakami’s latest opens with a bang, as narrator Hana learns that her old friend Kimiko has been charged with abduction. This MacGuffin takes us to their friendship in late-1990s Tokyo, when teen Hana and the older woman open a bar called Lemon: “Yellow attracts money.” But it’s a turbulent ride and soon Hana is in a world of organised crime. “The world is crazy. I feel like I’m living in a manga.” She’s not the only one, and you need an appetite for Kawakami’s style, which prefers to explore rather than explain – people come and go, buildings burn down, cancer is diagnosed, almost at random – but the relentless rush means there’s no time to get bored. At its best – as in a scene where Hana’s unreliable mother wants to borrow 2m yen for investment in lingerie that helps “your spine and organs move back to where they’re supposed to be” – this is a story both absurd and horrifying. 'All Flesh' by Ananda Devi All Flesh by Ananda Devi, translated by Jeffrey Zuckerman (Pushkin, £12.99) “Forgive me for starting this story with bodily, unpalatable origins.” You may as well – it’s all like that. In an unnamed European country, a schoolgirl “born with no urge but to consume” is getting bigger and bigger. “My gut, my ass, my thighs – they were all set on reaching the farthest corners of the world.” She blames her gluttony on the need to silence the voice of her dead twin sister, who was “absorbed into my tissues” in the womb. She hates school, where other kids mock her, as though her own self-disgust weren’t enough. After a blackly comic scene where she gets stuck in her bedroom doorframe like “an uncooperative cork”, she falls in love with the lonely carpenter who arrives to widen the door – but there are more twists to come. This powerful story is deeply physical, but driven by a compelling voice describing the torment of a girl who is “the psychical mirror of our time … immoderation made manifest”. 'The White Desert' by Luis López Carrasco The White Desert by Luis López Carrasco, translated by Rosalind Harvey (Granta, £14.99) This unpredictable book, comprising five linked stories about a Spanish couple, opens with the end of the world and gets weirder from there. A balloon debate about a post-apocalyptic scenario turns nasty when one participant pulls a knife, or thinks he does. A plane crash-lands on an island. “Can [we] go and get our luggage … Lots of people have, you know, soiled themselves.” What links the scenes is a sense of disconnection in our connected world, but the book subverts expectations: when a group of people celebrating New Year’s Eve go missing, it turns out to be a game of hide and seek. Footnotes peppered throughout suggest we’re viewing all this from the future (“Emirates was a well-known passenger airline …”), and discovering what the white desert is turns everything on its head. For readers who like to do their own joining up, and who want a playful, original take on our precarious lives, this is a thought-provoking treat. 'The Home of the Drowned' by Elin Anna Labba The Home of the Drowned by Elin Anna Labba, translated by Elizabeth Clark Wessel (Harvill, £16.99) “You could have waited, you bastards.” In 1942 Lapland, a village occupied by the semi-nomadic Sámi people is flooded by a new hydroelectric plant’s dam. One family watch as their goahti (peat-covered hut) disappears under the water. “It wasn’t the nicest goahti,” says Ánne. “No, but it was mine,” says her sister Rávdná. When Rávdná wants to build a house to replace it, the authorities refuse permission: the Sámi way of life has been rejected but alternatives are not permitted. A local newspaper half-heartedly offers to publicise their case, but “we receive a lot of angry letters if we use any foreign words”. When the government tells local people the new dam “will lift us out of poverty and injustice”, the words reek with irony. This intimate story of infuriating discrimination is, Labba says, based on real events in Sweden.

The Rumors Surrounding Tom Hardy's Departure Rumors are swirling that Tom Hardy has been fired from the Paramount+ series MobLand due to clashes with cast and crew. The news comes after reports of Hardy's difficult behavior on set, including late arrivals and demands for creative control. Hardy's History of Difficult Behavior This isn't the first time Tom Hardy has been accused of being difficult on set. During the filming of Mad Max: Fury Road, there were reports of blowups between Hardy and his co-star Charlize Theron. Similar incidents have been reported during the making of Star Trek: Nemesis, Lawless, and The Revenant. The Impact on MobLand Hardy is currently the center of gravity in MobLand, providing the series with charm and forward momentum. Without him, the show risks drifting off into nothingness. Production insiders claim that Hardy hasn't been fired and that 'things are being worked through creatively.' The Future of MobLand The choices now available to the MobLand producers are limited and painful. Assuming that the show will be recommissioned, MobLand will have to toy with the idea of letting Hardy go and recalibrating without him. However, this would be a difficult task, as Hardy is the show's main attraction.

The Lead: A Drama Reflecting Modern HateRussell T Davies's new Channel 4 drama 'Tip Toe' presents a chilling portrayal of how political rhetoric, toxic online bullying, and misinformation can escalate neighborhood conflicts into dangerous confrontations. Set on Manchester's Canal Street—the same location as Davies's groundbreaking 'Queer As Folk'—the series follows an escalating feud between gay bar manager Leo (Alan Cumming) and his reserved, judgmental neighbor Clive (David Morrissey). Unlike the hopeful future depicted in 'Queer As Folk,' 'Tip Toe' captures the current reality where increased visibility has paradoxically led to increased hostility toward LGBTQ+ individuals.The Drama's Core Message: Questioning Post-Visibility SocietyDavies explains that he has never written so furiously in his life, with the central question running through all five episodes being: if inclusion and representation are now a given, what if other people don't like what they see? The drama explores how LGBTQ+ people can find themselves in the firing line, with the election of Trump now giving permission for anyone who is angry to express their views without consequences. As Davies states, "This isn't exclusively a gay problem, but nonetheless we're an easy focus for it. Whatever this anger is, we're a target."The Digital Hate Landscape: Online Bullying and Real-World ConsequencesThe drama's title itself reflects the fear of being able to express oneself in public. "I used to walk into a room and go: 'Ta-da!'" says Melba (Paul Rhys), a close friend of Leo's, in episode one. "Now I tip toe. Just in case." Davies reveals the extent of online abuse he personally faces: "The amount of times online I'm called a groomer and a paedophile [for his support of trans rights] is shocking and maybe actionable, except I think if I took action, I'd make it even worse." This digital harassment fuels real-world tensions, as demonstrated in the escalating conflict between Leo and Clive.The Characters' Complexity: Beyond Simple VillainyUnlike typical portrayals of hate, 'Tip Toe' offers nuanced character development. "We're very, very fair to Clive in this," says Davies. "He's not just the monster next door." The series explores Clive's perspective in episode three, revealing his unhappiness in marriage, financial struggles, and isolation from colleagues. "Instead of having friends and reaching out, he finds validation online," explains David Morrissey, who plays Clive. "They go: it's those people. They're taking your job. It's reinforcing something that he had all the time. So he just becomes angrier and angrier and angrier." This complexity prevents the drama from reducing its characters to simple archetypes.The Cultural Context: From 'Queer As Folk' to 'Tip Toe'The location of 'Tip Toe' on Manchester's Canal Street won't be lost on viewers of Davies's 1999 classic 'Queer As Folk,' which regularly featured scenes shot in the same area and followed the lives of three gay men in a way that not only made being gay seem cool but also reflected a new era of tolerance. Viewers took from it that the future could only be bright. Now, as Davies observes, "We've got this slide back into something as bad as I can remember, if not worse, because now people know what they're doing. In the old days when we used to preach about visibility, if someone punched you in the face, or excluded you... you had the excuse of saying they were ignorant. They were in the dark and we must be visible. And now they've seen us, and now I think that anger and that violence is on the rise."The Future of Representation: Why Dramas Still MatterAlan Cumming defends the need for dramas that remind people of ongoing challenges. "No, because I think that's what dramas are for," he says. "Why do we do the Greeks? Why do we read Shakespeare? They have things to say, and we need to keep hearing the same stories and allegories, because they're important for us as a culture, to hear and to understand and to reinterpret." The series was inspired by Davies's personal experiences of feeling unsafe in his own home after a fan recognized his address from a BBC documentary. "I was fascinated by how startling that was, how porous your house feels," he says. "If it's reaching me, what the fuck is it like on levels where you have less defence and less ability to move and less money, frankly?" This personal concern elevates 'Tip Toe' beyond mere entertainment into a vital cultural commentary on the state of modern society.

The LeadViolet Grohl, daughter of Foo Fighters' Dave Grohl, releases her debut album "Be Sweet to Me" at just 20 years old, showcasing impressive alt-rock credentials despite her young age.The Alt-Rock DebutThe album features tracks like "595," a scuzzy, slasher-inspired alt-rock single that feels made for 90s MTV. Grohl's music combines elements of Veruca Salt and Queens of the Stone Age, with arch, deadpan verses giving way to big, bluesy, intentionally sleazy choruses finished with blown-out guitar and squealing feedback.The Family LegacyDespite her young age, Grohl has significant rock'n'roll credentials. She fronted a rare Nirvana reunion at just 13 years old, with her coolly authoritative vocals making it more symbolic than a mere family favor. Her father connected her with producer Justin Raisen, who has worked with artists like Kim Gordon, Yeah Yeah Yeahs, and Sky Ferreira.The Critical ReceptionWhile the review praises tracks like "Cool Buzz" for its persuasive combination of ska-inspired guitar and hardcore drums, and "Often Others" for its seething, sour, and groovy nature, it also notes that the album's nostalgia is sometimes too reverent and predictable. Tracks like "Last Day I Loved You" and "Plastic Couch" come off like stage makeup rather than real war paint, according to the reviewer.The Future OutlookGrohl shows promise as a genuine talent in the alt-rock scene, but the review suggests her hungry threats need sharper fangs. As she continues to develop her sound beyond her family connections, she may establish herself as a formidable force in rock music.

The Deadly School Fire At least eight students have been arrested on suspicion of arson after fire at a boarding school for girls in Kenya killed 16 students and injured 79, police said. The fire broke out in the early hours of Thursday at the Utumishi Girls Academy Senior School in Gilgil, west-central Kenya. Investigation and Arrests On Friday, the Directorate of Criminal Investigation said preliminary investigations had identified eight people as “persons of interest in connection with the planning and execution of the suspected arson attack”. “The eight girls have since been arrested and are currently in police custody,” the statement added. The Aftermath Student Hilda Njeri, who was in one of the dorms most-affected by the fire, told Al Jazeera she was still dealing with everything that happened. “I was badly injured on my leg, and my lower back was badly injured,” Njeri said outside the school on Friday, adding that the principal took the students to hospital and paid all bills for treatment. Government Response Kenyan Education Minister Julius Ogamba told reporters that early investigations found that two teachers had been informed of the students’ alleged plans, but failed to stop them. Ogamba added that the school failed to follow safety rules, citing overcrowding in the dorms and a locked emergency exit. The Kenyan government has disbanded the school board of management and will take appropriate legal and disciplinary action against any staff found to have neglected their duties, he said.

The USMCA Renegotiation The administration of United States President Donald Trump wants to increase the percentage of regionally produced content in North American-built vehicles to qualify for preferential treatment under the US-Mexico-Canada Agreement (USMCA) on trade to 82 percent, with 50 percent of that value produced in the US. Economic Implications The new proposal emerged amid negotiations to revise the USMCA in Mexico City, with Canada not present at the talks. The shift, if accepted, would be a major break from the current USMCA, which requires that 40 percent of the "core parts" value of North American passenger vehicles be produced in high-wage jurisdictions, effectively the US or Canada. The Data Analysis Canada's gross domestic product (GDP) declined, unexpectedly, at an annualised rate of 0.1 percent in the first quarter, Statistics Canada said on Friday, compared with a downwardly revised contraction of 1 percent in the fourth quarter of last year. The Impact Analysis The Canadian economy has been buffeted by, among other things, tariffs from Trump, who has threatened to annex the country and make it the 51st state of the US. Prime Minister Mark Carney was elected on the platform that he would strengthen and diversify the Canadian economy away from the US. The Prediction "Our forecast for growth to ramp up in H2 and through 2027 depends on a favourable USMCA renegotiation, an early end to the Middle East war, and resumption of normal commerce through the Strait of Hormuz," said Tony Stillo, director of Canada economics at Oxford Economics.

The Concept of 'Mind Children' A few months ago, an AI researcher from Europe attended a dinner party in Silicon Valley. During one of the many courses, the host addressed his guests, all of whom worked in AI. The researcher paraphrased his message like this: “Isn’t it amazing that we are the last generation of humans who will need to think about procreating biologically? We were lucky enough to be born at a time where we can simply upload our consciousnesses instead.” The Book That Sparked the Conversation The book in question was Hans Moravec’s Mind Children: The Future of Robot and Human Intelligence, which was first published in 1988, and which at the time, according to economist and futurist Robin Hanson of George Mason University, caused a big splash in a small pond – the community of robotics and machine-learning experts to which Moravec belonged. The Data Analysis Moravec’s book is more philosophical treatise than technological manual, but the central idea is that cultural evolution has long since taken over from biological evolution as the most powerful force shaping humanity. The logical extrapolation of this is that the information that encodes our future selves would soon be packed into hardware and software rather than DNA. The Impact Analysis Angela Aristidou, who studies the real-life deployment of AI at University College London, is not surprised that Moravec’s book is enjoying a revival. She says that what in 1988 might have read like science fiction – and still might to most of us – looks eminently realisable to those in the know. The Prediction Hanson shares his conviction that the revolution is inevitable, as soon as AI attains something experts agree to call human-level intelligence. “We are going to generate an explosion of things like us in the future, who will be different from us in many ways,” Hanson says. “To the extent that they have minds somewhat like ours, they are our mind children.”

The Lead: Liverpool at a CrossroadsAs Liverpool prepares for life after Arne Slot, the club faces significant challenges that will define their immediate future. The Dutchman's tenure ended without the dominance expected, leaving a squad in need of strategic overhaul both on and off the pitch. The new manager inherits a team that must rediscover its identity while addressing key personnel departures and tactical shortcomings.Style Evolution: From Heavy Metal to Soft RockPerhaps Mohamed Salah's style of communication wasn't the slickest, but he was correct that Liverpool need to redefine the style of football they play. Everything on the pitch last season under Arne Slot felt very placid as Liverpool failed to dominate opponents and were often found overrun. The new head coach will want to demonstrate his plans and implement an attacking style to best use what is available to him. Anfield does not want to witness back-foot football, fans want to see a swagger to those in red. Supporters and Slot suffered from a disconnect in the final months. The Dutchman was hindered by not possessing the vivacious personality of Jürgen Klopp nor the results in the end, and the aforementioned tedious style. The successor will want to put fans at the forefront and build a strong bond between stands and dugout, built on a platform of attractive play.Investment Analysis: Underperforming Key SigningsAfter spending heavily last summer trying to build a squad capable of dominating the Premier League for years to come, it was difficult to pick out someone who thrived. Hugo Ekitiké was the best of the new arrivals but record signings Florian Wirtz and Alexander Isak barely made the season's footnotes. Isak could at least attribute his struggles to fitness and injury problems, including a leg fracture, but the German's first taste of English football was a sour one. He never looked comfortable as a No 10, physically finding it tough going as speed on the ball and strength in battle were lacking. Getting the best out of a clearly talented player must be a priority, because Wirtz has the capabilities to open defences and help Liverpool control games but needs a confidence boost and an arm around the shoulder.Structural Impact: Midfield Deficiencies and Leadership VacuumWirtz is part of a wider midfield issue that lacks physicality and an obvious No 6. Ryan Gravenberch was elected as the man for the role by Slot, which worked well when the possession stats were in Liverpool's favour but finding someone who can break things up effectively is advisable. Every other team have someone who can break up play but Liverpool lack someone in that role. Not since Georginio Wijnaldum or Fabinho have the club possessed someone capable of overwhelming opponents with their physical attributes and in an evolving sport, this oversight must end. Dominik Szoboszlai being moved around the pitch was unhelpful because he can be one of the best central midfielders in the world but needs a defined position to make his own.The players departing Anfield are weighed down with individual and team trinkets, thanks to the success they have enjoyed with Liverpool. Arguably, the influence of Salah and Andy Robertson on the pitch waned in their final season with the club but their experience and winning mentality will be a huge loss to the dressing room and training ground. Ibrahima Konaté is another exiting, providing a recruitment headache the club were not fully anticipating. It does beg the question if it is the right time to allow Alisson Becker, who has suffered from injury problems in recent times, to be sold and allow a new generation to start afresh, with Virgil van Dijk leading the transition. There are plenty of potential internal candidates who can take on greater responsibility but it may require a change in transfer strategy to acquire players in their late-20s with Champions League experience to help give the right balance.Defensive Rebuild: Addressing Key DeparturesKonaté's contract expiration will be softened by Jérémy Jacquet's impending arrival but further investment is required. Van Dijk's longevity is unknown so finding a partnership for the long term will be critical; a more rugged centre-back like Nottingham Forest's Murillo could be an ideal choice to offer balance and greater aggression. Competition for Milos Kerkez will be important, but if Andoni Iraola does take the job the reunion could get the best out of the Hungarian and get him to flourish after a mixed first year on Merseyside. On the opposite side, continuity would help everyone because Slot was forced to trying numerous people in the role, many out of position. Ideally, Conor Bradley or Jeremie Frimpong can make it their own, having struggled to replace Trent Alexander-Arnold, although both have suffered with injury problems. If they can stay fit, they both possess the quality to be a solution, especially if clever coaching can embrace their attacking prowess and incorporate more defensive discipline.Future Outlook: Rebuilding the AttackSlot insisted that new wingers would change the dynamic next season but he will not be the one to benefit. Salah is off, Federico Chiesa cannot carry on as a bit-part, so will almost certainly leave too, freeing up some space on the flanks. Rio Ngumoha offered brief teenage glimpses of excitement as someone with the pace and trickery to get past full-backs. Frimpong, brought in as a right-back, was more often found on the wing because he possessed the speed Slot desired in those areas, while also offering a further indication that the transfer dealings left a lot to be desired. They did not replace the maverick tendencies of Luis Díaz and Cody Gakpo has never looked a natural winger. Targeting new wide men will be imperative. RB Leipzig's Yan Diomande, Brighton's Yankuba Minteh or Athletic Club's Neco Williams would be ideal candidates to bring thrust to a side lacking dynamism and get supporters off their seats.