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A Tennis Legend's Academic JourneyWhen Billie Jean King left college in 1964, she had a clear purpose. Within a few years, she had become the top-ranked tennis professional in the world. Over a trailblazing career, she won 39 championships, a Presidential Medal of Freedom and a congressional Gold Medal – all while pushing publicly for gender and pay equality.Last year, she finally returned to finish the degree in history she started more than six decades ago. On Monday, she graduated at 82 years old.The Commencement Celebration"It is a privilege for me to be here as a member of your graduating class," King said at her commencement. "Yeah baby, only 61 years!"King recalled growing up in a working-class family, the daughter of a firefighter father and homemaker mother."Like so many of my fellow graduates, I am the first member of my immediate family to graduate college, like many of you," King said.Early Life and Tennis BeginningsShe chose Cal State Los Angeles, then known as Los Angeles State College, because the tennis coach, Scotty Deeds, trained men and women together. He said it would help give her the level of competition she needed to excel."Their approach to winning in tennis was revolutionary at the time," King said of Deeds and the women's coach Dr Joan Johnson. "Even today most collegiate D-1 and D-2 tennis teams do not have the women and men practice together. Scotty and Dr Johnson had it right and they took the extra step for their student athletes."King distinguished herself as a tennis champ in college, winning Wimbledon doubles while enrolled. King was 18 and her partner, Karen Hantze, was 17, making them the youngest team to win at the time.A Lifelong Commitment to EqualityBut King told the crowd that her true motivation since childhood had been to fight discrimination, a calling she first remembered feeling at age 12, when she realized that virtually everyone at the tennis clubs where she trained was white."I asked myself, where is everybody else?" King said. "From that day forward, I committed my life to equality and inclusion for all. Tennis is a global sport and it became my platform, but equality was my dream – to make the world a better place."She added: "We can never understand inclusion unless we've been excluded."King, one of the first openly gay professional athletes, founded the Women's Tennis Association in 1973 and successfully campaigned to get the US Open to pay equal purses at the US Open. That same year, she defeated Bobby Riggs in a historic match billed "The Battle of the Sexes" – a feat later dramatized in a Hollywood film staring Emma Stone and Steve Carell.Legacy and Final WordsKing ended her speech with words of advice for her fellow graduates."Have fun," King said. "Be fearless. And make history."

The Prize Under Scrutiny: AI Allegations SurfaceA prestigious Commonwealth short‑story prize for the Caribbean region has been thrust into controversy after an AI detection platform suggested the winning entry, The Serpent in the Grove, may have been generated by artificial intelligence. Both the Commonwealth Foundation and Granta have said they are reviewing the claims but have not reached a definitive verdict.Detection Tools Flag the Winning StoryProfessor Ethan Mollick of Wharton cited the AI detector Pangram, which labeled the story as AI‑generated. The same tool highlighted stylistic markers such as “not x, but y” constructions that are commonly associated with large‑language‑model output. Granta also ran the text through the AI model Claude, which gave an equivocal result – suggesting the work was probably not pure AI but also not entirely human.Numbers Behind the DebateAuthor Jamir Nazir is a 61‑year‑old writer from Trinidad and Tobago with limited prior publications.The story was announced as the winner on Saturday, 15 May 2026.AI detector Pangram reports a confidence level above its internal threshold for AI‑generated text (exact figure not disclosed).Implications for Literary Awards and the AI‑Detection MarketThe episode adds to a string of recent incidents – from a New York Times freelance journalist’s AI‑written review to Hachette’s cancellation of a horror novel over AI concerns – that are driving demand for AI‑detection services. The Commonwealth Foundation noted it does not use AI checkers on unpublished submissions due to consent and ownership issues, underscoring a trust‑based approach that may be untenable as detection tools improve.What Lies Ahead for AI‑Generated LiteratureExperts predict a “continuous technical arms race” between AI models, detection algorithms, and writers who adapt their use of AI. Until a reliable, consent‑respecting detection method emerges, literary bodies may have to rely on author attestations and manual scrutiny, potentially reshaping judging criteria and award policies across the industry.

Google's Foray into Next-Gen Smart Glasses Google is re-entering the smart glasses market with a new line of AI-powered glasses. At Google I/O on Tuesday, the company announced a partnership with Warby Parker and Gentle Monster to produce these devices, which will pair with both Android and iOS devices and were designed in collaboration with Samsung. The Features of Google's Audio Glasses The new devices, dubbed 'audio glasses,' allow users to issue verbal commands and interact with Google's ecosystem of apps and services, including Gemini. Users can simply talk to their glasses to get things done, as demonstrated by a Googler ordering a coffee online by voice command. A New Approach to Smart Glasses Google has previously explored smart glasses, launching Google Glass years ago. The smart glasses space has evolved, with major companies like Meta investing heavily in the area. The new audio glasses are set to be available later this year. The Competitive Landscape The smart glasses market has seen renewed interest, with Meta being a notable player. Google's entry into this space with audio-powered glasses could potentially shift the dynamics, offering users a new way to interact with technology. The Future of Wearable Technology With the introduction of these audio glasses, Google is positioning itself at the forefront of wearable technology. As the company continues to develop its ecosystem, the integration of AI and voice commands could set a new standard for user interaction.

The Journey to IstanbulAs Aston Villa arrived at Besiktas Park on the banks of the Bosphorus for their final training session before the Europa League final, the remarkable journey from the Championship to this moment was impossible to ignore. John McGinn, who will lead Villa out as captain in Istanbul, was part of the side promoted from the Championship via the playoff final seven years ago. Tyrone Mings also started that day at Wembley, and across the following 12 months, Villa built a spine that would be central to their hopes of winning their first major European trophy since 1982.McGinn reflected on a 3-0 league defeat at Wigan and a midweek trip to Rotherham in the season they clinched promotion, averting a likely financial disaster. "If we lose that match, are Aston Villa here at the minute?" McGinn asks. "Probably not. For us, tomorrow night, it will be nice to see the supporters who were there at Rotherham away, Wigan away, nights like that on a Tuesday evening when it's very easy to stay at home. They deserve it just as much as the players do and hopefully we can give them something to remember."The Core That Built European SuccessThe foundation of this Villa side was built through careful recruitment. Ezri Konsa, a beacon of consistency who was labeled a "Rolls-Royce" by Prince William (who is expected to attend the final as an avid Villa supporter), joined in the months after they returned to the Premier League. Emiliano Martínez, Ollie Watkins and Matty Cash arrived the following summer. Together, this core of players have reached the Europa Conference League semi-finals, the Champions League quarter-finals and a FA Cup semi-final."We've been together for so many years, played so many games together, going from mid-table to the European places, semi-finals and now we're in the final," says Martínez. "I think we deserve it. I think the fans deserve it. And obviously the manager has had five finals and you wouldn't want anyone else on the bench leading us in a European final."The Hunger for Trophy SuccessMcGinn has spoken about shedding the tag of "nearly men" and Martínez acknowledges it would be "massive" to get over the line against Freiburg. Martínez likens trying to feed Villa's hunger for a first trophy since the League Cup in 1996 to his first Copa América with Argentina in 2021."I went into my first Copa América without seeing Argentina win a trophy," says the World Cup winner. "I was 27, 28 years old and this is the same. In Birmingham the Villa fans always say: 'I've never seen Villa in a European final, I've never seen Villa lifting a trophy.' So it's that same mindset as I went into my first Copa América, with that anger, belief and confidence I can do it. I believe in my team and myself."The Emery FactorMartínez was speaking publicly for the first time since attempting to leave the club last summer. It was this time last season he cried as he left Villa Park, presuming it would be for the last time. "We are in a European final, in the Champions League again with all the circumstances and the ups and downs, and with the budget we had this year, we were among the lowest spenders in the Premier League," says Martínez. "Sometimes football can change … when we stick together and fight together we can beat anybody. I am really proud to stay – I made the right choice."Villa yearn for a trophy and, as Martínez says, the consensus is that in Emery they have something of a superpower. Thomas Tuchel's comments in the buildup to Chelsea's Super Cup victory over Emery's Villarreal in 2021 spring to mind. "They can call the [Europa League] trophy the Unai Emery trophy soon," said the now England manager."I am not a king in this competition," says the Basque. "I am now here with Aston Villa in a new chapter. And everything I did is done – of course it's there in that moment but with it I am not winning tomorrow. I need to win with the players we have now, with Villa now. It's a new way, a new moment and, hopefully, a new era."The Final ChallengeVilla, who could welcome back Amadou Onana from a calf injury after he trained with his teammates on Tuesday, are heavy favourites to beat a Freiburg side seventh in the Bundesliga. McGinn and Emery recognise as much, both reading from the same hymn sheet. McGinn talks of treating Freiburg with the respect they deserve, Emery of a tricky task."Tomorrow we have a huge challenge," Villa's manager says. "Are we thinking about the next party on Friday? No, no, no."

The Strategic Delay in Player RotationEngland's head coach, Steve Borthwick, has confirmed he may rest some senior players including his captain, Maro Itoje, for all or part of his squad's summer Nations Championship games. A final decision will not be taken until next month but, barring an injury crisis, it seems probable England will be under fresh leadership on the field for at least one of their July Tests.The Three-Continent Tournament ChallengeRather than a traditional tour to a single country, the new tournament will require Borthwick and his squad to play internationals on three different continents on successive weekends, starting against South Africa in Johannesburg on 4 July and finishing in Santiago del Estero in Argentina on 18 July. Sandwiched in between is a fixture against Fiji at Everton's Hill Dickinson Stadium on 11 July.Individualized Player Management ApproachBorthwick acknowledges he has been having discussions with several players, Itoje included, about how best to manage their schedule to the satisfaction of all parties. For now, according to Borthwick, the conversation with Itoje is still ongoing with no firm decision to be taken until the summer squad is finalised on 22 June."Myself and Phil Morrow [England's head of performance] met with Maro and had a discussion about what's right for him," said Borthwick. "This last year has been a big year and a challenging year for a number of different reasons."Leadership Transition on the HorizonThe best-laid plans could yet need tweaking if second-row injuries start piling up over the season's closing weeks but it does not require a massive crystal ball to foresee Leicester's Ollie Chessum leading England in at least one of their July Tests. Back in 2002 England chose to rest most of their key men and went on to win the World Cup the following year; it could easily be that history is partly repeated.Squad Selection ControversyBorthwick, meanwhile, has defended his decision to pick the former South Africa Under-20 centre Benhard Janse van Rensburg, not yet technically available to represent England, to train with the national squad in Bagshot this week. The Rugby Football Union had to seek special dispensation from World Rugby to pick the 29-year-old, who played 21 minutes as a replacement for South Africa's Under-20 side back in 2016."The players welcomed him and all the new guys into the squad really warmly," said Borthwick. "The World Rugby eligibility rules are really clear. I think he's a very good player who has committed to playing his rugby here."Path to Recovery After Six Nations DisappointmentRegardless of who makes the final tour party there is pressure on Borthwick and his squad to bounce back from a below-par Six Nations campaign in which they lost four of their five games. The management have highlighted the need for improved discipline and a better conversion rate in the opposing 22 but otherwise the full findings of the RFU's post-tournament review have not been divulged.Borthwick is also looking forward to Courtney Lawes and Joe Marchant being back in the selection frame, with both players set to be available again having opted to return from France. One player who will definitely not be on the field this summer, however, is the Harlequins prop Fin Baxter who has undergone another foot operation and will miss the July Tests.

The Return of Brazil's Star PlayerWhen coach Carlo Ancelotti read aloud the list of players who made the cut to Brazil's World Cup squad, one name earned the loudest cheers: Neymar Jr. After months of sweating over his fitness, the 34-year-old forward breathed a sigh of relief as he earned a place in Brazil's 26-man squad for the tournament in North America, which begins on June 11.His return to the national team, following a two-and-a-half-year hiatus, has come with its own share of drama and doubts. Brazil coach Ancelotti said he chose Neymar among the nine attackers after seeing an improvement in his fitness levels.The Fitness ControversyNeymar da Silva Santos Jr is Brazil's all-time leading scorer. But his selection to the squad was considered doubtful after a series of injuries kept him out for much of the Selecao's qualifying campaign for the 2026 tournament, where they are aiming for a record-extending sixth title."We evaluated Neymar throughout the year and noticed that recently he has been playing consistently and has improved his physical condition," Ancelotti told reporters during Monday's squad announcement in Rio de Janeiro. "He has the same role and responsibilities as everyone else, but he is an experienced player. It's true that in some positions we prioritised experience."The simple answer to the controversy is injuries. Neymar struggled to return to top fitness and had not been part of the national team since suffering a serious knee injury – an anterior cruciate ligament (ACL) tear – in October 2023. An injury-marred spell at Saudi club Al Hilal and an underwhelming return to his boyhood club Santos last year further cast doubts over the veteran's inclusion.World Cup Records and StatisticsThe 2026 tournament will be Neymar's fourth World Cup. He played at the 2014 edition on home soil, followed by Russia 2018 and then the last World Cup in Qatar four years ago. In 13 games across three World Cups, Neymar has scored eight times and registered four assists.He also boasts the impressive record of being Brazil's highest scorer with 79 goals, a feat he achieved by surpassing Brazilian great Pele, who was their outright leading marksman for 60 years. His four goals and two assists in the Brazilian Serie A 2026 – following his return from surgery in February – are a far cry from his usual top form, one that once saw him win two La Liga titles and a Champions League trophy with Barcelona, and five Ligue 1 crowns with Paris Saint-German (PSG).National Celebration and SupportDespite being away from the national team since late 2023, Neymar still holds a special place in the hearts of Brazil fans and players alike. As World Cup selections were revealed, hundreds of fans gathered outside Rio de Janeiro's Museum of Tomorrow, holding up their phones, frantically waiting for Ancelotti to announce the name of their beloved superstar.And when Neymar's inclusion was finally confirmed inside the venue, a party-like atmosphere swept across parts of the football-crazy South American nation. Players, too, have been vocal about their support for Neymar. Marcelo, the former Brazil defender, celebrated Neymar's inclusion with a post on Instagram, punching his fist in the air after seeing the announcement on a TV screen, while Barcelona star Raphinha, who was also called up, told TV Globo earlier this month that Neymar is "the guy to take us to our sixth World Cup title".Captain Marquinhos was at the forefront of the players' public lobbying for Neymar's inclusion, saying to Brazilian website UOL in March: "As teammates, as Brazilians and as fans, we want him at the World Cup".A Final World Cup Appearance?With his history of injuries and fitness issues, a declining skill set, as well as his mounting age (he would be 38 by the 2030 tournament), it's highly unlikely that Neymar will feature at another World Cup. Whether Ancelotti's decision to include him for the 2026 tournament will backfire or prove to be another coaching masterstroke by the Italian manager remains to be seen.

The Cannon's RediscoverySixty years after Clint Eastwood used a cannon to fell a fleeing Eli Wallach in The Good, the Bad and the Ugly, the iconic weapon has been found in a museum in south-east Spain. The artillery piece, a 75mm cannon made in Manchester by Whitworth in 1873, was lent to Sergio Leone's production team by the Spanish military and was returned to the army museum in Madrid after filming.The Cannon's HistoryThe Sad Hill Cultural Association, a group of volunteers dedicated to restoring the graveyard near Burgos, northern Spain, built for the climax of the film, tracked down the cannon. They came across images of the cannon in a book on the film and set about trying to trace some of the weapons used in preparation for the 60th anniversary of the movie's release later this year.The Data AnalysisThe cannon was made in Manchester by Whitworth in 1873.The cannon is now on display at the military history museum in Cartagena, south-east Spain.The Impact AnalysisThe rediscovery of the cannon has generated significant interest, with the city council using its fame to draw more visitors to the museum. The museum's director, Lt Col Ernesto Terry, said the cannon's fame was already causing a stir, with many people ringing to ask about it.The PredictionWhile the Sad Hill Cultural Association would love to borrow the cannon and temporarily reinstall it in the Burgos landscape, where it last stood 60 years ago, its protected heritage status means that will not be in time for the anniversary. However, they plan to try to get hold of the piece and bring it to Burgos in the future.

The LeadIn a photographic self-portrait taken not long after she was diagnosed with squamous cell bladder cancer in 2020, Tracey Emin's iPhone shrouds her right breast as our line of vision descends from her catheter to her urostomy bag to her disposable knickers. Her body is fragile here in this hospital mirror, yet her gaze is anything but. It looks us dead in the eye as if to say: I matter, this matters – a sureness that challenges the notion of subjugation in times of ill-health.The Art of Bodily AutonomyEven now, six years after her life-saving surgery, Emin refuses to conform to what may, or may not, make us feel comfortable when it comes to her post-operative body. As well as losing her bladder, Emin also lost her uterus, ovaries, lymph nodes, part of her colon, her urethra and part of her vagina. And yet she has found a striking autonomy in documenting the changes in her body. "This is mine, I own it," she affirmed in an interview not long after her surgery.The Personal Becomes PoliticalWould I have taken these photographs if it wasn't for Emin? Probably not. In the weeks that led up to my own life-saving surgery, I became increasingly fixated on the ways in which her no-holds-barred Polaroids, like the squares of her autobiographical blankets, were urging us to look at her in ways that perhaps we'd rather not. Twenty-seven years after her sculptural work My Bed catapulted her to tabloid fame in the late 1990s, Emin is still challenging us to acknowledge the things we tend to pull away from. Only these days her bleeding nudes are centred squarely on the presence of non-visible disability and what Harry Weller, creative director of Emin's studio, calls "her wild scramble for existence".Challenging the "Confessional" Label"Back in the 90s, people used to say it was confessional art," Emin recently mused to Maria Balshaw, director of the Tate. Only it wasn't. "I wasn't confessing anything at all to anybody," she corrected her past critics – and maybe even her present fans. I thought of Emin's vital reframe only a few weeks ago when I visited her landmark show at Tate Modern and contemplated her 2023 painting, I watched Myself die and come alive. In it, her red-swabbed body is splayed out on a table, she is watched over by the black cloak of death, and her mother's ashes are resting in a casket behind her bloody hair. Like most of Emin's artworks, this painting isn't asking for a certain kind of gaze from us – it exists for itself alone, and that's what makes it so corporeally present.The Legacy of Frida KahloCall it visceral, call it personal. But, like Emin, I too struggle with the word "confessional" in relation to women's expression of their experiences. The implication being that there is something guilt-inducing and therefore even shameful about a woman drawing attention to herself both in her life and art. As if by doing so, she needs to beg pardon for it. Only Emin has never subscribed to this falsehood. Come to think of it, neither did Frida Kahlo over the course of her all-too-short life (Kahlo died when she was only 47) – another autobiographical artist whose retrospective is set to appear at Tate Modern next month.Transforming Trauma into TranscendenceWith an anatomical eye on her wounds, Kahlo would redraw what she called her "body's landscape" on her own terms, making her disabilities into something transcendental, a devotional act that helped her transform the mundanity of her physical limitations into something extraordinary. As Kahlo's biographer Hayden Herrera remarked in 1983, Kahlo's art has a particular intensity and strength "that can hold the viewer in an uncomfortably tight grip". We can see this for ourselves in her 1944 artwork, The Broken Column: a valiant self-portrait of chronic pain that evokes the Saint Sebastian paintings of the Christian faith.

The Arrest of Mango HeirPolice in Catalonia have arrested Jonathan Andic, the son of Isak Andic, founder of the fashion chain Mango, in connection with the death of his father in the mountains near Barcelona almost 18 months ago. The arrest comes after the case was reclassified from an accident to a possible homicide investigation.Death of Fashion MogulIsak Andic, who was 71, died in December 2024 after apparently falling 100 metres down a ravine while hiking in Montserrat with his son, Jonathan. His death initially prompted tributes from politicians, journalists and the fashion world. Despite the initial assessment by Catalan police (Mossos d'Esquadra) that it was an accident, officers and judicial sources later revealed the case was being treated as a possible homicide.Investigation DevelopmentsOn Tuesday, the Mossos d'Esquadra confirmed Jonathan Andic's arrest. A spokesperson for the family confirmed he was being questioned over his father's death, stating "The cooperation has been, and will remain, total," and adding that the family was confident of Jonathan Andic's innocence.According to reports, police had found no direct or definitive evidence to explain what happened in the ravine, but had "come across a series of clues which, when taken together, had led them to move away from the idea of a mere accident and toward the possibility of a homicide." In September last year, a judge overseeing the case changed Jonathan Andic's official status from witness to possible suspect.Family ResponseThe Andic family has maintained a consistent position since the death, initially stating they would not comment on Isak Andic's death but showing respect for the ongoing investigations. They have repeatedly emphasized their cooperation with authorities and confidence in Jonathan Andic's innocence.Mango Empire BackgroundIsak Andic, born to a Sephardic Jewish family in Istanbul in 1953, emigrated to Catalonia with his relatives in the late 1960s. He started his career selling T-shirts to fellow high school pupils before progressing to a wholesale business and street markets. In 1984, he opened his first Mango store, recognizing the need for color and style in the market.Andic quickly expanded across Europe, realizing that having a consistent brand name across all stores would strengthen the concept. Today, Mango has grown into a global fashion empire with Jonathan Andic serving as vice-chair of the board following his father's death.