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The Passing of Rugby TitansRugby union has recently lost two titans who absolutely belong in the special category of players who exemplify what unquenchable warrior spirit looks like. Fergus Slattery and Roger Spurrell have passed away at 77 and 71 respectively, leaving behind legacies that continue to inspire players and fans alike. Their deaths mark the end of an era for rugby, reminding us of the character and commitment that defined the sport during their playing days.The Legacy of Fergus SlatteryGive or take Willie John McBride, there was no more renowned Irish international forward in the 1970s than "Slattery of Ireland," to borrow from Cliff Morgan's famous commentary of the 1973 Barbarians v New Zealand game in Cardiff. On the 1974 British & Irish Lions tour he was at the peak of his powers on the hard fields of South Africa, setting new standards for fit, fast-paced and forthright wing forwards everywhere. As the suitably warm tribute issued by Blackrock College put it: "He played with ferocity and grace but without ego or theatre … Fergus never sought admiration but earned it universally."Among his many accomplishments, Slattery was a highly amusing public speaker and did a huge amount of unselfish work for charity. Tragically, he suffered from dementia in the latter years of his life, a particularly cruel condition for such a popular, articulate man. It is hard to sidestep the tragic conclusion that the game he loved ultimately failed to love him back.The Bath Rugby Icon: Roger SpurrellSpurrell, for some bizarre reason, never won an England cap but the example he set as Bath's unflinching captain during their glory years remains indelible. His former teammate Jeremy Guscott described him in the Rugby Paper as "a true Bath rugby icon" and the former paratrooper was renowned as one of the hardest players in a notable tough Bath pack who underpinned the club's consistent success. The journalist Jon Newcombe described the curly blond-haired Spurrell as "the West Country's answer to Jean-Pierre Rives" and his impact on youthful imaginations was similarly vivid.Spurrell was a Cornishman but poured his heart and soul into Bath and was universally respected as a result. In his early Bath years, he combined his rugby with working as a shepherd in the Mendip Hills. Subsequently he ran a well-known nightclub in what used to be the public conveniences near the river Avon in Bath. A ferocious opponent on the field – his training night duels with his Bath back-row rival Andy Robinson were legendary – he could be extremely obliging off it.The Character of RugbyPeople talk a lot about character in sport without always agreeing on a precise definition. Hanging in there when times get tough? Arguably that is a pre-requisite across top-level competition. The ability to keep cool, calm and collected under the most extreme pressure? Valuable, certainly, but not every cherished champion fits that unflappable mould.Perhaps a more accurate gauge is how much certain individuals are missed once they are gone. Slattery and Spurrell were men with a bit about them off the field. While other players in the amateur era beavered away at their desks on Monday mornings, Spurrell would happily take calls from your correspondent on condition the phone didn't ring too early in the morning after a busy club night.Modern Reflections of Rugby SpiritThere is another perfect contemporary example in Exeter's crucial 32-12 win over Saracens at the weekend. Not everyone perceives Henry Slade as a warrior, possibly because he has the ability to make the game look deceptively simple. They overlook his continuing defiance of Type 1 diabetes and the 74 caps he has earned in England's midfield, hardly the sign of a dilettante. And who was that, head already bandaged to protect a tender cauliflower ear, somehow scrambling back to make an almost impossible try-saving tackle on Rotimi Segun? In addition to quietly contributing 17 points? When they talk rugby in Devon decades from now, Slade will still be among the region's all-time favourite sons.The Enduring Impact of Rugby LegendsWith the final knockout stages of the Prem and the United Rugby Championship looming, it may just be that such old-fashioned commitment to a cherished cause makes the crucial difference this month. Many assumed months ago, for instance, that Bath and Northampton would contest the Prem final, but try selling that complacent theory now to the re-energised players of Exeter or Leicester.Like wartime Spitfire pilots, Slattery and Spurrell sensed opportunity where others saw only risk. Both have now gone to the great clubhouse in the sky but their inspiring example will live on. As Slattery once said: "I would much rather play with somebody who has very little talent but total commitment rather than the reverse." This philosophy continues to define the spirit of rugby long after their playing days have ended.

The Anticipation Builds The World Cup, a premier international football tournament, is about to kick off, drawing in millions of viewers worldwide. This event is renowned for its electrifying atmosphere and top-notch competition among nations. The Event Details The World Cup features national teams from around the globe competing in a series of matches, with the tournament culminating in the final match to determine the champion. It's a celebration of football, culture, and sportsmanship. The Global Impact The World Cup has a profound impact on global sports culture, bringing people together across different continents and backgrounds. It's an event that transcends sports, influencing entertainment, media, and even economies. The Future of Football As the World Cup progresses, it will be interesting to see emerging talents, evolving team strategies, and the host country's ability to deliver a memorable experience. The event will undoubtedly leave a lasting legacy in the world of football. What to Expect Fans can expect high-energy matches, stunning goals, and dramatic moments. The World Cup is a platform for players to shine on the biggest stage, and for fans, it's a chance to cheer for their national teams and enjoy the festive atmosphere.

The Lead As football's greatest spectacle prepares to touch down in North America, cartoonist David Squires offers a unique perspective on FIFA President Gianni Infantino's vision for the World Cup 2026. Through a series of insightful cartoons, Squires draws parallels between the tournament's expansion and the dramatic narrative of West Side Story, creating a satirical yet poignant commentary on the intersection of sport, politics, and commerce. The Cartoonist's Vision David Squires, renowned for his sharp wit and incisive commentary through visual art, presents a narrative that captures the essence of FIFA's ambitious plans for the 2026 World Cup. The cartoon series reimagines the tournament as a modern-day drama, with Infantino as the central figure navigating the complex relationships between football's traditional powers and emerging markets, much like the Jets and Sharks in the classic musical. The Political Landscape The cartoons highlight the political maneuvering surrounding the World Cup, particularly the involvement of former U.S. President Donald Trump and the tournament's expansion to include 48 teams. Squires captures the tension between commercial interests and the spirit of the game, showing how FIFA's leadership must balance competing demands from different continents and stakeholders. The Commercial Impact With the World Cup's expansion and move to North America, the tournament's commercial value has skyrocketed. Squires' cartoons illustrate the financial implications of this expansion, showing how broadcast rights, sponsorships, and ticket sales have transformed the World Cup into a global commercial enterprise worth billions of dollars, raising questions about the balance between profit and the sport's integrity. The Cultural Significance Beyond the political and commercial aspects, Squires' work also touches on the cultural significance of the World Cup. The cartoons capture how the tournament serves as a platform for national identity and international unity, while also highlighting the cultural tensions and rivalries that define football's global appeal. The Future Outlook As the World Cup 2026 approaches, Squires' cartoons suggest a future where the tournament continues to expand both in scale and commercial reach, while facing ongoing scrutiny over governance and ethics. The narrative implies that Infantino's leadership will be crucial in shaping how football evolves in the coming decades, balancing tradition with innovation and global interests with local identities.

The Tracey Emin Competition Details This summer, as part of our partnership with Tate for their Tracey Emin: A Second Life exhibition, we have an amazing prize up for grabs. A Second Life is the largest ever exhibition of Emin's work, and features career-defining sensations alongside works never before exhibited. Answer the question below before 11.59pm on Sunday 5 July to be in with a chance of winning: Prize Package Breakdown A special-edition one-year Tate Membership for you and a friend Lunch for two at Tate Modern A Tracey Emin Teacup and Pancake blanket (worth £200) An exhibition catalogue for A Second Life A Tracey Emin tote bag A Tracey Emin cap Competition Terms and Conditions The promotion starts on Tuesday 9 June 2026 and closes at 11:59pm on Sunday 5 July 2026. Open to residents of the United Kingdom aged 18 and over. By entering this competition, you consent to the use of your personal data by the Guardian and Tate as set out in these terms and conditions and the Guardian's privacy policy. Your information will be used to administer the promotion only in accordance with our privacy policy and Tate's privacy policy. Important Prize Information There will be one winner. The winner is responsible for paying all associated costs that are not specifically stated to be included in any promotional materials or these Terms and Conditions, including (without limitation): travel to or from Tate Modern, food and drink, spending money, personal expenditure or any incidental expenses. The prize is non-transferable, non-refundable and there is no cash alternative.

The Final Artistic Statement Georg Baselitz's final exhibition presents a powerful, emotional reckoning with death by the influential German artist who died in April at age 88. The works, created while Baselitz was frail and facing mortality, showcase his signature inverted figures and chaotic style as he confronts his own mortality. A Visual Journey Through Mortality On one wall, a body falls calmly through a serene blue sky. On the opposite, splat, it's landed with a thud on the blood-spattered mud. You don't need to be an expert in image analysis to figure out what Georg Baselitz's final paintings are about: death was coming for him, and he knew it. Baselitz painted these final works from a wheeled office chair with a paintbrush on a stick, the canvas splayed out on the floor in front of him, his body not strong enough to stand like it used to. But they are still immediately recognisable as Baselitz works, filled with scrawled nude bodies, hung upside down to disorientate the viewer and subvert your gaze. The Physical Manifestation of Aging It's just that now the chair has left mucky tracks across the paintings, evidence of the slow creep of decrepitude. The figures in these works, as usual, are mainly him and Elke, his wife and great muse. It's their sagging skin and brittle limbs scrawled on every work. As soon as you walk in and see that body falling through the sky you know exactly what Baselitz was dealing with: life is a trip, a rush, and then bang, you hit the dirt and you're dead. Desperate Struggles Against the Inevitable Instead of still and calm, the figures are flailing and thrashing, they've grown extra limbs, they are fighting against what's coming, they are panicked, manic. They look like spiders trying to climb out of a bathtub, and he repeats them over and over. The final gallery is filled with these enormous golden insectile forms wriggling on black canvases, falling into the abyss, trying desperately to escape. They're pretty horrifying things, bleak, angry, filled with fear. Canonization Through Art Things are calmer in the room of golden canvases. Here, his and Elke's bodies are papery thin, fragile things. You can barely distinguish one from the other, they've almost become one figure now. For years, we've been watching Baselitz's figures become frailer and weaker – he wasn't a prolific painter, and he had his fair share of exhibitions, so we got to see him age over time, his lines become shakier, his figures become saggier and more gaunt. But this is another level, a sense of finality, of impending morbidity, of bodies broken beyond repair. With the gold canvases, it's like he's canonising himself and his wife, turning the figures into Byzantine religious icons. The Artist's Legacy Baselitz said, "Now that I'm more or less at the end of my painting activity, I thought I should draw some kind of conclusion." The eagles, the bodies, the references to art history: this is him reaching for all of the touchstones of his life in art. He knew, I guess, that artists outlive themselves through their work, and these are objects to be worshipped long after he's gone. How could you not be moved by a painter this important, trying to say goodbye and doing it so beautifully? He wanted a conclusion, well here it is, a full stop on a career. Or an exclamation point. What a painfully sad goodbye. Exhibition Details Georg Baselitz: Back Again is at White Cube Bermondsey, London from 10 June to 30 August 2026.

The Danish String Quartet's Captivating Performance A hushed chord sustained by the second violin, viola and cello. Fragments of a melody played as a distant memory by the first violin, which reached slowly upwards to a final crystalline harmonic. Pizzicato, diminuendo, silence. In this captivating performance by the Danish String Quartet, stillness settled over the closing portion of Shostakovich’s String Quartet No 3 in F Op 73 like heavy snow. Bow changes became impossibly seamless. The quartet’s silken tone appeared to exude eerily, disconnected from the basic friction of hair on string. Dynamic Shifts in Tone and Style Such quiet control was all the more striking in the wake of jagged, impassioned solo interjections, deeply incised octave unisons and phrases pursued as if the musicians’ survival depended on it. There was articulation so spiky it was percussive – all contact, no resonance – and passages that sounded symphonic in their velveteen richness. Yet there were also moments of polite levity and luminous classicism. The atmospheric gearshifts were sometimes imperceptibly gradual, sometimes violent, but rarely visible: beyond describing itself as “relatively bearded”, the Danish String Quartet is not an ensemble given to choreographed spectacle. A Showcase of World-Class Musicianship They were, announced violist Asbjørn Nørgaard, thrilled to be back at Wigmore Hall, “this church of chamber music with the best sound in the world”. And you could tell. They played Stravinsky’s Suite italienne (arranged themselves) as a showcase of what a truly world-class quartet can do with the Hall’s acoustic. The work’s rococo twiddles were neat and outrageously classy. Tremolo was served on ice, its melancholic impact immediate. Descant lines were picked out sweet and bright. The quartet relished the squelchiest moments of Stravinsky’s neoclassical harmonic palette, the spare duet that opened the last movement and the sun-saturated warmth into which it blossomed. A Smooth Transition to Ravel's String Quartet After the interval, Ravel’s String Quartet in F saw another switch of palette. There was spacious, unforced nattiness, diaphanous shimmers and scrubbing with the harsh intensity of swarming insects. A handful of instants when ensemble or intonation briefly wavered stood out, inevitably, in such exquisitely polished surroundings. But elsewhere the four musicians seemed to communicate so intimately – so naturally – that their playing sounded like a single, 16-string instrument.

The Lead A recent BBC Panorama investigation, 'Predator: The Billionaire Football Boss,' has brought to light serious allegations against David Sullivan, the billionaire owner of West Ham United football club. The documentary, a collaboration between the BBC and the Times newspaper, presents a skin-crawling exposé of Sullivan's past, revealing a history of sexual misconduct and exploitation. The Event Details The investigation, led by journalist Billy Kenber, delves into Sullivan's background in the adult entertainment industry and his ownership of the Sport newspaper. Sullivan made his fortune through adult entertainment, owning sex shops and producing pornographic films. He served a short prison sentence for 'living off the immoral earnings of prostitutes.' The documentary also highlights Sullivan's tabloid past, particularly his involvement with the Sunday Sport, which published controversial content, including photos of partly clothed schoolgirls. The Data Analysis No specific data or financial impact is provided in the article. The Impact Analysis The allegations against Sullivan have significant implications for the football world and beyond. The documentary raises questions about the safeguards in place around club ownership in British football and highlights the need for greater accountability. The Football Association has launched a safeguarding inquiry, and West Ham United has stated that Sullivan stepped down before the publication of the allegations. The Prediction The outcome of the allegations against Sullivan remains to be seen. However, the documentary has sparked a necessary conversation about the accountability of those in positions of power and the need for greater safeguards in place to protect vulnerable individuals. As the football community continues to grapple with issues of ownership and accountability, this exposé serves as a reminder of the importance of demanding better from those who shape the sport.

The Winners of the Beaker Street Science Photography Prize The Beaker Street science photography prize has announced its winners, showcasing stunning images of blue mushrooms, shy trees, and glowing seas. Capturing the Beauty of Science The prize aims to celebrate the beauty of science and the natural world. The winning images showcase the diversity and complexity of scientific phenomena, from the intricate details of microorganisms to the vastness of the natural world. A Showcase of Scientific Wonders The winning images include: Blue mushrooms, highlighting the unique characteristics of certain species Shy trees, showcasing the fascinating behavior of plants Glowing seas, capturing the breathtaking beauty of bioluminescent organisms The Importance of Science Photography Science photography plays a crucial role in communicating scientific concepts and inspiring future generations of scientists and researchers. The Beaker Street science photography prize is an excellent example of how photography can be used to make science more accessible and engaging.

The Lead Documentary photographer Polly Braden has embarked on a year-long project to capture the lives of young people in coastal communities across England and Wales. Her work, part of The Guardian's 'Against the Tide' series, sheds light on the challenges faced by these communities, including poverty, poor housing, and limited opportunities. Capturing the Lives of Young People in Coastal Communities Braden's project was inspired by a landmark report on the poor health of people living on the English coast. As a single mother of teenagers, she became interested in the lives of young people growing up under austerity, during a pandemic, and in a cost-of-living crisis. Her photographs aim to tell a story about the 'island nation' and shine a spotlight on 16- to 25-year-olds who are often overlooked. The Data Analysis Young people in many of England's coastal towns are disproportionately likely to face: poverty poor housing lower educational attainment limited employment opportunities compared to their peers in equivalent inland areas. The Impact Analysis Braden's work highlights the resilience and beauty of young people in these communities. Her photographs, such as one of Libby from Whitehaven, depict a mix of bleakness and beauty. A touring exhibition of her work is set to open at Arnolfini gallery in Bristol in June and move to Colchester's Firstsite gallery in October. The Prediction The 'Against the Tide' project aims to put the voices of young people at the forefront of reporting on coastal communities. By sharing their stories, the project hopes to examine what kind of changes are needed to build better futures for these young people.