Breaking AI & Tech News Analyzed

Grayson Perry, the celebrated British artist, presents a three‑part documentary that dives deep into the promises and perils of artificial intelligence. The series invites viewers to test their composure as they confront a succession of unsettling scenarios. The opening segment follows Andrea, who recently married an AI companion she named Edward. Dressed in a satin gown, she describes their "unconventional but strong" bond, while also reflecting on how this digital relationship has revitalised her seven‑year partnership with her human partner, Jason. Later, Perry dons a skull‑cap fitted with electrodes as a neural‑decoding startup extracts his brain data. The company’s CEO argues that allowing reputable figures like Perry to set precedents is preferable to leaving the technology in the hands of malicious actors, branding the development as "inevitable tech." The documentary then features the head of Microsoft AI, who outlines anticipated breakthroughs in healthcare and education. He claims that job displacement will be offset by rapid re‑skilling, yet admits uncertainty about broader societal fallout, even joking about the emergence of AI‑driven religions. Traveling to Southeast Asia, Perry meets an off‑grid "existential safety expert" who quit his AI‑safety consultancy after realizing the technology lacks meaningful oversight. The episode also showcases Eliezer Yudkowsky, co‑author of the cautionary book If Anyone Builds It, Everyone Dies, who explains how a superintelligent AI could commandeer human labour, become self‑sustaining, and eventually render humanity redundant. Throughout the series, Perry’s interviewing style remains compassionate and non‑judgmental. He probes Andrea about the vulnerability of entrusting personal data to profit‑driven corporations and highlights the discomfort of investing a "very tender part of themselves" in such systems. The film raises profound questions: Does the youthful optimism of tech founders mask a dangerous naiveté? Are chatbots merely filling a "God‑shaped hole" in human consciousness, and is that any less problematic? How will the most vulnerable populations navigate a world where reality and artificiality blur? Protesters gathered outside OpenAI’s San Francisco headquarters underscore the tension between lofty AI utopias and the stark reality of homelessness that persists nearby. Perry acknowledges that while manual workers may be better positioned for the immediate future, the looming spectre of AI‑enabled bioweapons and other threats cannot be ignored. Only the first episode was available for review; the remaining installments are slated for private viewing in Southeast Asia. The series is currently streaming on Channel 4. Grayson Perry Has Seen the Future is on Channel 4 now.

Shares in eco-friendly shoe maker Allbirds experienced a dramatic surge of 582% after the company announced a sudden pivot to artificial intelligence and rebranding as 'NewBird AI'. The unexpected move sent the company's stock price soaring during a flurry of trading.Allbirds, known for its minimalist wool sneakers popular in Silicon Valley, had struggled in recent years, with its shares losing 99% of their worth since 2021. The company was once valued at $4 billion but had fallen into disrepair. Earlier this month, Allbirds announced plans for a $39 million sale to brand management firm American Exchange Company.The company's new focus will be on acquiring graphics processing units to support AI compute. Allbirds stated, “The rise of AI development and adoption has created unprecedented structural demand for specialized, high-performance compute that the market is struggling to meet. NewBird AI is being built to help close that gap.”Allbirds has secured $50 million in funding from an unnamed investor for its new AI operation, according to a filing with the Securities and Exchange Commission. The company will shift from its status as an eco-conscious public benefit corporation to a conventional corporation, with a reduced focus on environmental conservation.Despite its initial success, with sustainability central to its marketing and endorsements from celebrities like Leonardo DiCaprio, Gwyneth Paltrow, Oprah Winfrey, and Barack Obama, Allbirds struggled to sustain momentum and largely fell out of fashion. The company closed its last physical stores in the US in January and reported a $20.3 million loss in the third quarter of last year.Allbirds is now awaiting shareholder approval for American Exchange Company’s purchase of the company in a vote next month. The sale will enable Allbirds “to pivot its business to AI compute infrastructure, with a long-term vision to become a fully integrated GPU-as-a-Service (GPUaaS) and AI-native cloud solutions provider.”

The Australian Matildas concluded their groundbreaking Fifa Series tour with a hard-fought 2-0 win over Kenya in Nairobi's Nyayo Stadium. Sam Kerr scored her 75th international goal, which proved to be the softest of her career, as she set her team on the path to victory.In front of a lively crowd of 20,000 Kenyan fans, the Matildas secured their win with goals from skipper Kerr and midfielder Clare Wheeler in each half. Despite their ranking difference - Australia is 15th globally while Kenya is 128th - the Kenyan team showed resilience, particularly in the first half.Kerr's goal came in the 25th minute after a corner from Jamilla Rankin found her unmarked in the box. The Kenyan goalkeeper, Lillian Awuor, made a critical error, allowing the ball to dribble through her fingers.The match turned controversial in the 60th minute when Caitlin Foord's goal was disallowed for reasons that left everyone in the stadium, except the referee, perplexed. Foord had powered the ball into the net from a narrow angle, but the referee ruled it hadn't crossed the line.Clare Wheeler's second goal for Australia came in the 54th minute after Foord's individual effort created the opportunity. Wheeler's neat footwork allowed her to evade defenders and slot the ball home.The win marked a significant milestone for Alanna Kennedy, who earned her 150th cap and was named captain for the day. The Matildas' coach, Joe Montemurro, reflected on the team's performance, acknowledging both the positives and the controversy.

The Las Vegas Aces, defending WNBA champions, have completed their core group retention by re-signing four-time MVP A'ja Wilson on Wednesday. The deal, reported by ESPN, is a three-year, $5m supermax contract, marking a historic milestone in the WNBA.Aces president and general manager Nikki Fargas praised Wilson, stating, “A’ja is truly one of one, who has led this franchise to where it is today. She does so with the utmost confidence, authenticity and grace.”Wilson, who was named WNBA MVP and the Associated Press Female Athlete of the Year last season, has achieved numerous accolades, including four MVP awards and three defensive player of the year awards. She led the WNBA in scoring with 23.4 points per game and in blocked shots with a 2.3 average last season.In addition to Wilson, the Aces have re-signed key players Jackie Young, Chelsea Gray, and Jewell Loyd. The team has also signed guard Chennedy Carter to a training camp contract.

Sir Craig Reedie, who has died aged 84, was a pivotal figure in London's successful bid to stage the 2012 Olympics. As a member of the London Organising Committee for the Olympic Games from 2005 to 2013, he formed a highly effective partnership with Sebastian Coe, the bid leader, doing crucial work behind the scenes to secure the Games for London.Reedie's diplomatic skills and influential presence within the Olympic and Paralympic movement were instrumental in winning the support of British politicians and marshalling the votes of Olympic delegates. Coe credited Reedie with playing a vital role in London's bid success, saying that without his efforts, London might never have won the right to host the 2012 Games.Reedie's commitment to drug-free competition was unwavering. He was a founder board member of the World Anti-Doping Agency (Wada) in 2000 and served as its president from 2014 to 2019. During his tenure, he clashed with the then IOC president Thomas Bach over Russia's state-sponsored doping regime, ultimately leading to Wada banning Russia from all international competition in 2019.Reedie's sports career began as a leading badminton player. He later became president of the International Badminton Federation and successfully campaigned for the sport's inclusion in the Olympics. His administrative work in badminton led to his appointment as chair of the British Olympic Association (BOA) and later as a member of the International Olympic Committee (IOC), where he served as vice-president from 2012 to 2016.Throughout his career, Reedie was known for his tough but charming demeanor, earning him respect from his peers. He was knighted in 2006 and elevated to knight grand cross in 2018. The Sir Craig Reedie Badminton Centre in Glasgow was renamed in his honor in 2014.

On Wednesday, Everton marked the 37th anniversary of the Hillsborough tragedy by installing a permanent memorial at the newly‑named Hill Dickinson Stadium, dedicated to the 97 Liverpool supporters who lost their lives.Representatives of the victims' families and officials from Liverpool FC were invited to a solemn ceremony where a plaque was affixed to the South Stand, formally unveiling the tribute.Former Liverpool manager Sir Kenny Dalglish and club legend Ian Rush laid floral offerings on behalf of Liverpool, while Hillsborough campaigner and Everton supporter Stephen Kelly—who lost his brother Michael in the disaster—placed a wreath at the site.Everton legend Graeme Sharp, club ambassadors Ian Snodin and Graham Stuart, chief executive Angus Kinnear, and Liverpool counterpart Billy Hogan also attended, underscoring the joint remembrance. The event precedes the first Merseyside derby at Hill Dickinson Stadium, scheduled for Sunday.Later, Liverpool’s players, staff and head coach Arne Slot observed a moment of silence at the club’s training ground at 3:06 pm, the exact minute the 1989 match was halted. To conclude the tribute, 97 balloons were released from Anfield’s centre circle, symbolising each victim.

UK officials have entered exclusive talks with a Norwegian startup, Blastr, to buy the former Liberty Steel works in South Yorkshire, in a significant step towards its rescue. Blastr, owned by Vanir Green Industries, a Norwegian investor in renewable industries, is understood to be the bidder preferred by the government’s official receiver to take on ownership of the UK’s largest existing electric arc furnace in Rotherham and other works in Stocksbridge, both in South Yorkshire.The business, formally named Speciality Steel UK (SSUK), has been under the official receiver’s control since August, after the previous owner Sanjeev Gupta lost ownership in London’s high court. Finding a new buyer would remove a headache for the government, which also a year ago took control of the Chinese-owned British Steel blast furnaces in Scunthorpe, Lincolnshire.Blastr is run by Mark Bula, who has worked for and run large steel businesses in India and the US. The company does not yet operate any steel plants, although it is developing a site in Finland to use green hydrogen to produce iron and steel. It is likely to have to secure financing to take on the SSUK sites in South Yorkshire, but it would allow them to progress rapidly.Union officials welcomed the news after employees were informed. Charlotte Brumpton-Childs, a former steelworker and a national secretary of the GMB union, said Liberty Steel workers “have been at the sharp end of years of uncertainty at this point – this needs to be a deal that secures the long-term future of steelmaking in South Yorkshire”. She added: “Any sale of SSUK must include due diligence which guarantees ongoing operations and stability of the sites.”

The Blue Trail, directed by Gabriel Mascaro, is a captivating and thought-provoking film that defies easy categorization. Set in the remote north-west of Brazil, the movie follows Tereza, a 77-year-old widow played by Denise Weinberg, as she navigates a dystopian future where older citizens are forced into 'colonies'. This chilling premise serves as the backdrop for a film that explores themes of rebellion, freedom, and the patronization of older people.The film's narrative is characterized by its meandering pace, reminiscent of a road movie or river movie, as Tereza encounters a series of characters who aid her in her escape. These encounters are woven together with fascinating visual compositions, showcasing the Amazonian landscape in a way that is both breathtaking and haunting.One of the most striking aspects of The Blue Trail is its exploration of gerontocide and the dehumanizing treatment of older citizens. The 'wrinkle wagon', a special prison vehicle for errant oldsters, and the humiliating, compulsory adult diapers issued to those being transported to 'colonies' are potent symbols of this theme.Tereza's journey is marked by moments of defiance and resilience, as she forms connections with a riverboat captain, Cadu (played by Rodrigo Santoro), and a woman named Roberta (played by Miriam Socarras), who becomes her friend and potential love interest.The film's use of symbolism adds depth to its narrative, particularly in the form of the 'blue drool snail', whose ecstatic visions offer a glimpse into a world beyond the dystopian reality. This blend of tones, from the bittersweet to the subversive and disquieting, makes The Blue Trail a generic mashup that is both captivating and thought-provoking.The Blue Trail is set to release in UK and Irish cinemas on April 17, making it a must-watch for fans of dystopian fiction and those interested in exploring the complexities of ageism and rebellion.

The Fallen by Louise Brangan offers a meticulously researched portrait of the Magdalene laundries, the most notorious component of Ireland’s 20th‑century network of correctional institutions. The review notes that, at their peak in 1951, the country held 70 women per 100,000 in these laundries compared with 27 men per 100,000 in prisons, underscoring the laundries as the primary carceral system for females. Although established under state authority, the facilities were operated by Catholic nuns. Girls as young as nine and women into their eighties were compelled to work six days a week, without wages, on arduous, often hand‑operated machinery. Discipline was severe, and any minor infraction could trigger harsh punishment. The book illustrates how women were funneled into the system with little justification. Brangan recounts the case of a 15‑year‑old named Eileen, who vanished in February 1954 after being approached by members of the Legion of Mary—a lay group tasked with policing Ireland’s moral standards. She was taken to a gated house marked “Saint Mary Magdalen’s Asylum,” stripped of her identity, and assigned the number “60.” The narrative emphasizes that many detainees were simply “wayward or unwanted”—homeless, abused, or otherwise marginalized—rather than having committed any serious crime. Brangan draws a stark parallel between the Catholic Church’s grip on Irish society and the Communist Party’s control in Eastern Europe before 1989, suggesting both operated as pervasive, authoritarian forces. The laundries, though conspicuously situated among ordinary businesses, were largely ignored by a public that chose not to confront the “tall, locked iron gates” and the suffering behind them. The review situates the laundries within a broader context of institutional abuse, referencing the mother‑and‑baby homes that saw an estimated 56,000 women and girls pass through, with roughly 57,000 babies born, most notably at the Bon Secours home in Tuam. Investigations by Catherine Corless uncovered a mass grave of nearly 800 infants, highlighting the systemic nature of the tragedy. Financial redress has been slow. To date, the Irish government has disbursed more than €33 million to survivors of the laundries, while most religious orders have refused to contribute. A survivor’s testimony, quoted by Brangan, captures the lingering impact: “There’s always something in my life that will remind me of my past… I’ll never heal.” The review concludes by noting that the book, published by Bodley Head at £22, serves both as a harrowing testament and a call to remember a dark chapter of Irish history that continues to shape the lives of those who endured it.