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Tucker Carlson, the former Fox News host, is set to launch his own publishing imprint, Tucker Carlson Books, in partnership with US-based publisher Skyhorse. The imprint aims to provide a platform for books that might otherwise be censored or shut down.Among the initial titles to be published are Russell Brand's How to Become a Christian in Seven Days, described as a "testimony and guide to a timeless, yet zeitgeist-capturing, grounded, yet psychedelic encounter with Christ." Brand is currently facing charges of rape, sexual assault, and indecent assault in the UK, to which he has pleaded not guilty.Another title set to be published is Milo Yiannopoulos's Ex Gay. Yiannopoulos, a controversial "alt-right" commentator, has previously been shunned by publishers due to his contentious views. His 2017 memoir, Dangerous, was canceled by Simon & Schuster after footage surfaced in which he made comments that appeared to condone sex between adult men and underage boys.Carlson, a former Trump supporter and promoter of right-wing conspiracy theories, was reportedly fired from Fox News in 2023. He soon launched his own media company, Tucker Carlson Network, and the imprint is being launched in partnership with this network.Skyhorse publisher Tony Lyons stated that the imprint will give "a platform to things that would, in many cases, be shut down, be censored, and be covered over by propaganda." Carlson emphasized that Lyons is "just looking for books that nobody else will publish."Skyhorse, which was launched in 2006, claims to be one of the fastest-growing independent book publishers in the US. Its previous publications include Woody Allen's memoir Apropos of Nothing and US Secretary of Health and anti-vaccine activist Robert F Kennedy Jr's The Real Anthony Fauci.

Chala Chala Nav Bala (Maze Baal, 1943) marks the debut of Asha Bhosle, who entered the film world at ten years old. Paired with her sister Lata Mangeshkar, her bright falsetto captures the youthful innocence of the Marathi romance, foreshadowing the emotive style that would define her career. Aaiye Meherbaan (Howrah Bridge, 1958) showcases Bhosle’s rise during Hindi cinema’s golden age, thanks to her partnership with composer O.P. Nayyar. The song’s sultry vibrato and lush orchestration set the tone for the film’s noir atmosphere, establishing her as a leading‑lady playback voice. Aao Huzoor Tumko (Kismat, 1968) became a chart‑topping hit, featuring intricate vocal runs over a flamenco‑style guitar. Bhosle’s lower‑register chorus broke the conventional shrillness of female playback, while her nuanced phrasing added depth to the on‑screen heroine’s drunken allure. Dum Maro Dum (Hare Rama, Hare Krishna, 1971) stands out as her most successful crossover, later sampled by Western rappers. The track, produced with R.D. Burman—her future husband—blends psychedelic Beatles‑inspired grooves with Hindi lyrics, demonstrating her ability to bridge Eastern and Western pop sensibilities. Piya Tu Ab To Aaja (Caravan, 1971) pushes the fusion further into jazz‑cabaret territory, with bold horn sections and cinematic guitar reverb. Bhosle’s breathy, suggestive delivery sparked controversy, yet the performance remains a masterclass in balancing sensuality with technical agility. Chura Liya Hai Tumne Jo Dil Ko (Yaadon Ki Baaraat, 1973) epitomises the “masala” film soundtrack, merging drama, romance, and crime. Over a gentle guitar backdrop, Bhosle’s tender humming conveys quiet longing, contrasting with the film’s high‑octane narrative. In Ankhon Ki Masti (Umrao Jaan, 1981) sees Bhoske venture into Urdu ghazals with composer Khayyam. Her lower, huskier timbre—adjusted a half‑step down—highlights her continued artistic experimentation even as she approached fifty. Bow Down Mister (1991) illustrates her early 1990s foray into international collaborations, lending wordless, soaring vocals to Boy George’s post‑Culture Club project. The track transforms into a rave‑infused anthem, underscoring Bhosle’s versatility across genres. Radha Kaise Na Jale (Lagaan, 2001) pairs Bhosle with a young A.R. Rahman, reaffirming her status as an elder stateswoman of Indian music. The duet with Udit Narayan blends tabla and flute with powerful vocal runs, marrying traditional Hindustani scales to contemporary film scoring. The Way You Dream (2002) features an unexpected partnership with REM frontman Michael Stipe on the 1 Giant Leap project. The eight‑minute piece weaves tabla rhythms, subtle guitar, and a dramatic breakbeat, proving that Bhosle’s voice can seamlessly inhabit New Age and electronic soundscapes.

FIFA has officially declined the Iranian Football Federation’s (FFIRI) appeal to relocate its 2026 World Cup games from the United States to Mexico, stating that the logistical complexities of moving the matches are prohibitive, Mexican President Claudia Sheinbaum confirmed. The request, lodged last month, was met with a firm response from the sport’s governing body: all scheduled fixtures will proceed in the United States as originally drawn, eliminating any prospect of Mexican venues hosting Iran’s team. Sheinbaum reiterated the stance at a press conference in Mexico City, emphasizing that “FIFA ultimately decided that the matches cannot be moved from their original venues,” and that attempting relocation would create untenable logistical hurdles. FIFA declined to comment to Al Jazeera regarding the confirmation of Iran’s host venues. The backdrop to this dispute is the ongoing US‑Israel war against Iran, which erupted on 28 February, killing Supreme Leader Ali Khamenei and 168 people in a girls’ school on the first day of hostilities. Tehran retaliated with missile and drone strikes on Israeli and U.S. military installations across the Middle East. A Pakistan‑mediated ceasefire halted the exchanges on Wednesday, though Israel continues operations in parts of Lebanon. Iran was among the earliest qualifiers from the Asian confederation and is placed in Group G alongside Belgium, Egypt and New Zealand. The team’s three group matches are slated for the U.S. West Coast: Los Angeles on 15 June and 21 June, and Seattle on 26 June. While Mexico, a co‑host of the tournament with the United States and Canada, initially expressed willingness to accommodate Iran’s fixtures, President Sheinbaum’s recent remarks align with FIFA President Gianni Infantino’s position. Infantino, who met Iranian players, coaches and officials in Turkey on 31 March, affirmed that “the matches will be played where they are supposed to be, according to the draw.” Infantino also dismissed speculation that Iran might boycott the tournament altogether after FFIRI President Mehdi Taj warned of a potential boycott if security could not be guaranteed in the United States. Earlier, former U.S. President Donald Trump posted on social media that Iran’s participation would be unsafe, prompting Taj to state that Iran would refuse to travel to America under those conditions. Iranian Sports Minister Ahmad Donyamali later warned that Iran’s World Cup involvement remains uncertain unless FIFA relocates the games, underscoring the political sensitivity surrounding the event. In summary, despite regional conflict, diplomatic tensions, and security concerns voiced by Iranian officials, FIFA’s decision ensures that Iran will compete in the United States as originally scheduled, preserving the tournament’s logistical integrity.

Djibouti's voters are heading to the polls to choose their next president, with incumbent leader Ismail Omar Guelleh expected to easily secure a sixth term. Guelleh, 78, has been in power since 1999 and won re-election in 2021 with 98 per cent of the vote.Guelleh's only opponent is Mohamed Farah Samatar, the leader of the Unified Democratic Centre (CDU), a party with no seats in parliament. The election comes after politicians scrapped presidential age limits last year, paving the way for Guelleh to extend his 27-year rule.Human rights groups have accused authorities of abuses and repressing freedom of political activity, while the government has denied the allegations. Two main opposition parties have boycotted elections since 2016.The election is being observed by several international organisations, including the African Union (AU), the Organisation of Islamic Cooperation (OIC) and the League of Arab States. Guelleh has governed the small nation in the Horn of Africa since 1999, when he succeeded Hassan Gouled Aptidon, the founding president of the country with about a million people.Djibouti hosts important military bases for the United States, France, China and other powers, earning it a reputation as the country with the most foreign military bases. It is also an important port hub for landlocked neighbours such as Ethiopia.

San Francisco‑originated coffee chain Philz Coffee announced a policy shift that will see Pride flags removed from all California locations. CEO Mahesh Sadarangani framed the change as a step toward a "more consistent, inclusive experience" across its stores, emphasizing that the company’s support for the LGBTQIA+ community remains unchanged.The announcement has ignited a rapid consumer backlash. By Friday morning, a petition on Change.org had amassed more than 4,000 signatures, urging Philz to retain the flags that staff and patrons view as symbols of safe, welcoming spaces. Critics argue that the move threatens to alienate a core segment of employees and loyal customers who associate the brand with LGBTQ+ advocacy.Philz operates 17 stores in San Francisco alone, many of which have historically displayed Pride décor and hosted annual fundraisers for LGBTQ+ organizations. The company has not disclosed when the flag removal will take effect, and reports from the San Francisco Chronicle indicate that Pride decorations remain in place at downtown and Castro locations, the latter proudly displaying a sign that reads, "Welcome to the Queerest coffee shop in town. Period."While Philz pledges to continue its allyship through fundraising and other initiatives, the controversy arrives amid a broader national climate of increasing hostility toward LGBTQ+ symbols, exemplified by recent federal actions such as the removal of a Pride flag from the Stonewall National Monument.Analysts suggest that the backlash could have tangible financial repercussions. Consumer sentiment surveys show that brand alignment with LGBTQ+ causes can drive patronage, especially in progressive markets like San Francisco. A sustained boycott or negative publicity could erode foot traffic and impact sales, prompting the chain to reassess the timing and communication of its decor policy.For now, Philz remains under pressure to balance its stated commitment to inclusivity with the operational decision to standardize store aesthetics, a dilemma that highlights the delicate interplay between corporate branding and sociopolitical expectations in today’s market.

Compiling a definitive Top 10 of superhero movies proves as elusive as “herding thunder through a spreadsheet.” Critics must decide whether to prioritize cinematic craftsmanship, cultural influence, or the raw emotional resonance that these films generate.Over the past two decades the genre has diversified dramatically, spanning crime‑driven Batman sagas, family‑friendly adventures like The Incredibles and Guardians of the Galaxy, political allegories such as Captain America: The Winter Soldier and Black Panther, and experimental visual feats exemplified by Spider‑Man: Into the Spider‑Verse. This breadth makes any hierarchical ranking inherently subjective.Influence remains a key metric. Richard Donner’s Superman (1978) demonstrated that audiences would pay to see a man fly, paving the way for half a century of cape‑wearing blockbusters. Similarly, Iron Man reshaped the modern blockbuster formula, launching the Marvel Cinematic Universe and redefining franchise economics.Emotional impact also matters. Logan stands out as a bruised, mournful western that subverts the genre’s usual invincibility myth, presenting a weary Wolverine confronting mortality. Its rawness offers a rare catharsis rarely found in superhero narratives.Event status cannot be ignored. Avengers: Endgame turned its opening weekend into a cultural ritual, with multiplexes resembling revival tents where audiences collectively cheered, gasped, and celebrated. Even a “colder” analysis must acknowledge that the film transformed anticipation into a generational sacrament.Visual innovation is another hallmark. The Oscar‑winning animation Spider‑Man: Into the Spider‑Verse made comic‑book ink feel alive, delivering a sensory overload that redefined what animated superhero storytelling could achieve.Cultural relevance caps the discussion. Black Panther emerged as a modern myth that forced critics to confront race, identity, and heritage within blockbuster fantasy, expanding the perceived centre of the superhero universe beyond the traditional Batman, Superman and Spider‑Man triad.While outliers like Alex Garland’s Dredd and Guillermo del Toro’s Hellboy II: The Golden Army deserve mention, the critic’s final Top 10 list reflects a balance of influence, artistry, and cultural weight:1. The Dark Knight2. Spider‑Man: Into the Spider‑Verse3. Superman (1978)4. The Incredibles5. Spider‑Man 26. Dredd7. Spider‑Man: No Way Home8. Avengers: Endgame9. Spider‑Man10. Logan

The rapid advancement of artificial intelligence (AI) has led to a growing concern about who controls the companies behind these technologies. OpenAI, the creator of ChatGPT, is at the forefront of this discussion, with its products now integrated into various aspects of our lives, from smartphones to defense contracts and law enforcement. Investigative journalist Ronan Farrow's recent piece in The New Yorker has raised important questions about the power dynamics at OpenAI, particularly surrounding its billionaire founder and CEO, Sam Altman. Farrow's article suggests that Altman's leadership and the company's operations have sparked concerns about its growing influence and the potential risks associated with its technology. OpenAI's market valuation has reached an astonishing $852 billion, despite a projected loss of $14 billion in 2026. This commercial momentum has led to a significant expansion of its operations, including a deal with the US military to use its technology in classified operations. This move has raised eyebrows, especially given the company's own staff researchers' concerns that AI could be a "threat to humanity". The article also highlights the connections between OpenAI executives and political figures, including a $25 million donation to a Trump fundraising vehicle by OpenAI's top executive, Greg Brockman. These ties have sparked concerns about the company's commitment to democracy and its potential influence on AI regulations. The debate surrounding OpenAI and AI regulation has led to a "QuitGPT" campaign by activist/historian Rutger Bregman, calling for a worldwide boycott of Altman's company. As AI continues to shape our world, it is essential to consider the implications of who controls these technologies and the need for meaningful social, political, legal, and economic guardrails to minimize harm.

Afan Cizmic, a 14-year-old ball boy, has been hailed as a hero in Bosnia and Herzegovina for his quick thinking during a crucial FIFA World Cup 2026 qualifier playoff final against Italy.On March 31, Cizmic was deployed at the Bilino Polje Stadium in Zenica when he noticed Italian goalkeeper Gianluigi Donnarumma reading from a piece of paper tucked behind a towel. Realising it contained information on Bosnian penalty takers, Cizmic took the note and ran away from the goal.When the penalty shootout got under way, Donnarumma failed to save any of the four penalties he faced, and his teammates missed three of theirs, handing Bosnia a place in the global showpiece.Whether Cizmic's little trick played a role in the final scoreline remains unknown, but the teenage boy is being hailed as a hero in Bosnia, with fans urging the national team to take him along to the World Cup.Cizmic has been called on to football shows, interviewed by international media, and photographed at the venue where Bosnia created history by ensuring Italy became the only former champions to miss their third World Cup in a row.Recalling the moment he saw the paper, Cizmic says that he hesitated at first but ultimately decided to act on his instinct. "I saw where he left the paper and that he was reading from it. I thought about whether I should take it or not. Then I said, 'Whatever happens, happens,' and I took it," he told Turkish news agency Anadolu.While Donnarumma did not see Cizmic walk away, the Italian goalkeeper was left fuming when he could not find the paper and attempted to snatch his opposite number's penalty shootout notes in a tit-for-tat move.Cizmic believes Donnarumma's frustration confirmed his ploy had an impact on the game. "I was happy because I saw he got angry and lost concentration," he said.In the hours and days after Bosnia's win, Cizmic's act led to social media debates as well as national news. Despite mixed reactions on social media, he dismissed criticism, saying any fan would have done the same."If we were playing in Italy, someone would have done it to our goalkeeper, Nikola Vasilj, too," he said.The now-famous ball boy proudly carries the note, enclosed in a plastic cover, as a memorabilia item and takes it along for media appearances. He also announced that the paper will be auctioned, with all proceeds going to charity.Cizmic, who is a youth footballer with local club Celik Zenica, dreams of wearing the Bosnian national team jersey one day.His father, Emir Cizmic, said he was proud of his son, emphasising that ball boys are not just spectators but can affect the rhythm and outcome of matches.

Djibouti, a one‑million‑strong nation perched on the Bab al‑Mandeb Strait, is set to hold its presidential election on April 10. All signs point to incumbent Ismail Omar Guelleh securing a sixth term with little genuine opposition. The country’s strategic location—linking the Red Sea to the Gulf of Aden—makes it a linchpin for global trade and a magnet for foreign military installations. The United States, France, China, Italy and Japan all maintain bases there, earning Djibouti the reputation of hosting the highest concentration of overseas military sites. Officially, Djibouti recognizes French and Arabic, while Somali and Afar are widely spoken among the two main ethnic groups, which together comprise roughly 95% of the population. Islam is practiced by about 94% of residents, and the Djiboutian franc remains the national currency. According to the International Foundation for Electoral Systems, 243,471 citizens—about a quarter of the population—are registered to vote, up from roughly 215,000 in the 2021 poll. Historical turnout averages around 67%. IGAD’s eight‑nation bloc has dispatched 17 observers from Ethiopia, Kenya, Somalia, South Sudan and Uganda to monitor the process, with a post‑vote statement slated for April 12. Ismail Omar Guelleh, 78, leads the ruling People’s Rally for Progress. After parliament lifted the 75‑year age ceiling in November and abolished term limits back in 2010, Guelleh is now eligible for another term. Critics label his rule as authoritarian, yet they also acknowledge the relative stability he has maintained in a volatile region. Guelleh’s administration has turned Djibouti’s lack of natural resources into a revenue engine by signing infrastructure deals with China and leasing military facilities to Western powers. In 2017, Finance Minister Ilyas Dawaleh estimated that the bases generate roughly $125 million annually, with the United States contributing nearly half of that sum. The U.S. installation, Camp Lemonnier, remains the only permanent American base on the continent. The sole challenger, Mohamed Farah Samatar, runs under the Unified Democratic Centre after breaking away from the ruling party. His campaign slogan—“another Djibouti is possible”—has resonated only modestly, and observers such as Horn‑of‑Africa expert Sonia le Gouriellec describe the contest as a “token competition”. Human‑rights advocates echo this sentiment, calling the election a “masquerade” and a foregone conclusion. Key issues dominate the discourse. Democratic freedoms have eroded; opposition parties have boycotted elections since 2016, and Guelleh captured over 90% of the vote in 2021. The country ranks 168th out of 180 in the 2025 Reporters Without Borders press‑freedom index, and allegations of corruption and nepotism persist, including speculation that Guelleh’s stepson, Naguib Abdallah Kamil, is being groomed for succession. Economically, Djibouti’s reliance on Chinese financing is creating fiscal strain. By 2026 the nation owed China roughly $1.2 billion in loans, prompting the IMF to label its debt profile “in distress and unsustainable”. Massive infrastructure projects—most notably a railway to Ethiopia—have failed to curb poverty, with 73% of the youth unemployed. The country’s lifeline is its port system, which handles virtually all of Ethiopia’s maritime trade, amounting to about $2 billion in annual revenue. Ethiopia’s recent flirtation with a Somaliland port deal threatened Djibouti’s monopoly, though a Turkey‑mediated agreement in late 2024 redirected Ethiopia toward a “reliable and sustainable” sea corridor with Somalia. In sum, the upcoming election is less about a competitive political showdown and more about reaffirming a status quo that intertwines Djibouti’s geopolitical leverage, foreign‑military income, and mounting debt challenges.