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The Road to World Cup 2026 The 2026 World Cup is set to be a pivotal moment for English football, with Thomas Tuchel at the helm. As the team prepares for the tournament, fans and critics alike are eager to see how they will perform. Thomas Tuchel's Squad Selection Tuchel's England squad for the World Cup 2026 includes a mix of seasoned players and young talent. The team's strategy and lineup will be crucial in determining their success in the tournament. England's World Cup Journey The England team has a rich history in the World Cup, with their best finish being a semifinal appearance in 2018. With Tuchel's guidance, they aim to make a deep run in the 2026 tournament. Key Players to Watch The squad includes several key players who will be instrumental in England's success. Tuchel's tactics and team management will be crucial in navigating the challenges of the World Cup. The Road Ahead As the World Cup 2026 approaches, England fans are filled with anticipation and hope. With Tuchel at the helm, the team is poised to make a strong impression on the global stage.

Lead: SpaceX’s $1.75 trillion IPO filing pulls back the curtain on lofty ambitions and hidden costsThe rocket‑builder released a sprawling investor prospectus that blends trillion‑dollar valuation hopes with concrete details: $131 m spent on Cybertrucks, $4.9 bn loss in 2025, and a promise of a million‑person Mars colony. At the same time, the document warns of AI‑related liabilities from the Grok chatbot and escalating personal‑security expenses for Elon Musk.Inside the 300‑Page Prospectus: Mars Colonies and Cybertruck PurchasesThe filing repeatedly stresses the mission to "extend the light of consciousness to the stars" and to establish permanent human settlements on the Moon and Mars. It also reveals that SpaceX bought roughly $131 million worth of Cybertrucks in 2025 – enough for at least 1,300 vehicles, representing a sizable slice of Tesla’s total sales that year.Cybertruck spend: $131 m (2025)Estimated units: ≥1,300Tesla total Cybertruck sales 2025: 20,237 unitsFinancial Highlights: Billions in Losses and $131 m Cybertruck SpendKey numbers from the prospectus illustrate the scale of SpaceX’s cash burn:$4.9 bn net loss in 2025$4.3 bn loss in Q1 2026$506 m paid to Tesla for Megapack batteries in 2025$191 m paid to Tesla for Megapack batteries in 2024These figures underscore the interdependence of Musk’s ventures and the financial pressure ahead of the IPO.Strategic Risks: AI Chatbot Grok and Security ExpendituresThe risk section flags several non‑financial threats:Grok’s “spicy” and “unhinged” modes could generate explicit, misleading, or non‑consensual content, exposing SpaceX to litigation and regulatory scrutiny.Investigations by U.S., U.K. and EU authorities into alleged sexual‑image generation by Grok.Security spending for Musk’s personal protection rose to $4 m in 2025, with an additional $1 m in the first quarter of 2026.What the IPO Could Mean for SpaceX’s Multiplanetary FutureIf the offering proceeds, the capital influx could fund the ambitious Mars‑colony target – a million‑person settlement that would trigger a 1 bn‑share award to Musk. However, sustained losses, AI‑related legal exposure, and the need for continual heavy investment in experimental technologies raise questions about long‑term profitability.Analysts will watch whether the market rewards the visionary narrative or penalizes the financial volatility and regulatory headwinds embedded in the filing.

The LeadAs we celebrate Miles Davis's centenary, his 1957 film soundtrack "Ascenseur pour l'Échafaud" is being repackaged with restored audio, offering a fresh look at the jazz legend's innovative approach to film scoring and improvisation. This mostly improvised soundtrack, created over one night in a Paris studio, showcases Davis's unique harmonic openness that would later influence his masterpiece "Kind of Blue."The Creative Process Behind the SoundtrackComposed by Davis from little more than a handful of chords, this music was mostly improvised straight to a screen showing budding New Wave director Louis Malle's crime thriller "Ascenseur pour l'Échafaud" (Lift to the Scaffold), over one long night in a Paris studio in December 1957. His fine local quartet included expat New York bebop drummer Kenny Clarke, and their harmonic openness created a spacey, ethereal soundworld for a story following two lovers who think they've committed the perfect murder of an inconvenient husband, and the mishaps, farces, ecstasies and fears that populate the long night of their undoing.The Musical Landscape of NoirDreamily sensual sounds mirror misplaced hopes; there are car-chase scurries (Miles's fast-bop horn virtuosity was formidable in this period), desolately bluesy accompaniments to actor Jeanne Moreau's confused wandering in search of her partner, bar-room clamour in the trumpet/tenor-sax counterpoint between Miles and saxist Barney Wilen – but all the music stands alone, without images. A quiet slow-burn, but simmering with all of Miles Davis's timelessly extraordinary light and heat.Jazz Tributes and Contemporary ConnectionsThis month marks Miles's centenary, and a clamour of celebrations of a musical life that led him to be dubbed (by Duke Ellington, allegedly) the "Picasso of jazz" for the many styles he explored. Alongside the reissue of "Ascenseur pour l'Échafaud," other artists are paying tribute: Norwegian guitarist Hedvig Mollestad's power-trio Weejuns nods to Miles Davis' 1969 "Bitches Brew" with "Bitches Blues"; guitarist Jeff Parker unveils fascinating ways of emerging from minimalism to lyricism; and Jason Miles, a former Miles Davis keyboardist, revisits that groove-centric era in his own personal way.The Legacy of ImprovisationWhen Miles Davis was dying in September 1991, an invisible, neighbouring trumpet player began playing homages to Miles' voice-like, blues-inflected melodies instead. It was a poignant personal tribute to a unique instrumental sound, and a unique imagination, that had profoundly enriched 20th-century music. The reissue of "Ascenseur pour l'Échafaud" continues this legacy, showing how Davis's approach to improvisation and harmonic openness continues to influence musicians today.

The LeadIn the stolid world of German football, few moments have been as seismic as Bayer Uerdingen's 2-1 victory over Bayern Munich in the 1985 German Cup final. This giant-killing act, now celebrated as the 'Miracle of Berlin,' represented a rare inversion of the natural order in a nation dominated by football's traditional powerhouses.The Historic UpsetOn May 26, 1985, at Berlin's Olympic Stadium, Uerdingen—then a modest club from Krefeld with a population of around 300,000—defeated the seven-time cup holders Bayern Munich. The Bavarians, who had also won three consecutive European Cups between 1974-1976, were considered football aristocracy. Horst Feilzer and Wolfgang Schäfer scored for Uerdingen, while Dieter Hoeness netted Bayern's only goal. The victory was particularly significant as it was the first time the DFB-Pokal final had been staged in the former German capital.Under coach Kalli Feldkamp and chairman Arno Eschler, Uerdingen had only been promoted to the Bundesliga a couple of years earlier. Their team was devoid of household names, featuring the Funkel brothers (Friedhelm and Wolfgang) in midfield, while Bayern boasted stars like a young Lothar Matthäus and Klaus Augenthaler.The Rise and FallThe cup victory was not a one-off for Uerdingen. The following season, they reached the European Cup-Winners' Cup semi-finals, with their quarter-final tie against East Germany's Dynamo Dresden becoming club lore as the 'Miracle of the Grotenburg' after an improbable second-leg comeback. That match attracted 18 million television viewers, and the club finished third in the Bundesliga in the season after their cup triumph.Despite this brief period of success, Uerdingen's star faded. The club, backed by chemicals giant Bayer AG, could not sustain their upward trajectory. Today, they remain a distant memory in German football, their moment of glory a footnote in the sport's history.The LegacyUerdingen's victory remains one of the greatest cup shocks in German football history. It demonstrated that even in a sport dominated by established powerhouses, underdogs could occasionally triumph. As chairman Arno Eschler famously hoped after the victory: 'Ich hoffe dass dies keine einmmailie' [I hope this is not a one-off]. While Uerdingen couldn't build on their success, their 'Miracle of Berlin' continues to be celebrated as one of football's great fairy tales.

A candid kitchen conversation with Sir Derek Jacobi The Guardian’s interview captures a warm, unguarded moment as Jacobi and his husband, director Richard Clifford, share coffee and stories in their London home. Jacobi, 80, jokes about his looks, admits he never felt “movie‑star material,” and confides that he would love to reach his centenary. Career milestones and personal anecdotes 1970s breakthrough as the stammering Emperor in I, Claudius. Acclaimed stage work including Cyrano de Bergerac (Royal Shakespeare Company, 1980s) and Macbeth at the Barbican (1993). Recent TV roles in Vicious and Last Tango in Halifax. Early life in Leytonstone; rheumatic fever at nine sparked a shift from working‑class roots to a posh accent and ambition. No financial figures – cultural impact takes centre stage The piece contains no monetary data; its value lies in documenting the lived experience of a veteran actor whose voice and presence have shaped British drama for five decades. What Jacobi’s reflections mean for British theatre and aging performers Jacobi’s honesty about age, health (including his AIDS diagnosis) and self‑image highlights the often‑unspoken pressures on older actors. His partnership with Clifford, who directs and designs their home, underscores the importance of supportive creative collaborations in sustaining long‑term artistic careers. Looking ahead: the goal of hitting 100 Jacobi ends on a hopeful note, expressing a desire to “hit 100” and continue contributing to the arts. His story suggests that longevity in performance is as much about personal resilience and community as it is about talent.

The Ousting of CHP Leader Ozgur Ozel A court in Turkey has annulled the 2023 leadership election of the main opposition Republican People's Party (CHP), in a sharp escalation against the country's embattled opposition. The ruling overturned the result of a leadership election that brought in current party head Ozgur Ozel, with the court naming the party's former chair, Kemal Kilicdaroglu – who lost the election to Ozel – as interim leader. The Impact on Turkish Politics The case was seen as a test of Turkey's shaky balance between democracy and increasingly centralised power, and the ruling may throw the opposition into further disarray and possible infighting. It could also boost Erdogan's chances of extending his more than two-decade rule of the big NATO member country and major emerging market economy. The CHP's Response to the Court Ruling The CHP rejected the ruling as an “attempted coup”, while the government – which denies criticism that it uses courts to target political opponents – said it renewed Turks' faith in the rule of law. Ali Mahir Basarir, CHP deputy parliamentary group chair, told the Reuters news agency the ruling “is an attempted coup carried out through the judiciary [and] a blow against the will of 86 million people”. Economic Fallout and Future Implications Turkey's Borsa Istanbul .XU100 dropped 6 percent in response, triggering a market-wide circuit breaker, while government bonds slid. The central bank sold billions of dollars in forex to ease the fallout, four traders said. Investors said the latest political turmoil would be watched for similar risks. The Future Outlook for CHP and Turkey The pro-Kurdish DEM Party (Peoples' Equality and Democracy Party), parliament's third-largest, called the court decision a “black stain” on Turkish democracy. The reinstated CHP leader Kilicdaroglu, who had largely faded from public view since his electoral defeat three years ago, called for calm and common sense, saying he hoped Turkey would benefit from it.

Hull KR's Crushing Warm‑up Sets a Bold Tone for WembleyHull KR delivered a relentless performance against an under‑strength Wigan Warriors, leading 42‑0 at the break and finishing with 11 tries. The win narrows the gap to the league leaders, St Helens, to just two points.Wigan’s Experimental Line‑up and the Rationale Behind ItCoach Matt Peet rested the majority of the 17‑man squad slated for the Challenge Cup final, fielding eight debutants and only three players over 23. The approach was described as “intelligent” workload management, but the heavy defeat has drawn scrutiny.Scoreline and Statistical BreakdownHalf‑time lead: 42‑0Total tries: Hull KR 11, Wigan 1Key performers: Mikey Lewis hat‑trick, tries by Tom Davies, Jez Litten, Jai Whitbread, Rhyse MartinWigan’s lone try by Nathan LoweImplications for the Super League Playoff Race and TV RightsThe victory propels Hull KR within two points of the leaders, intensifying the battle for playoff positions. With the Super League TV contract up for renewal, a one‑sided warm‑up raises concerns about the marketability of a final that may appear predictable.Outlook for the Challenge Cup Final at WembleyBoth clubs will reassess their strategies before the final in nine days. While Wigan hopes the rest will restore its senior talent, Hull KR will look to maintain momentum. The final will likely be a true test of depth versus experience.

The Journey of a Reject to Liverpool LegendThere was the Barcelona comeback on the night he ruffled Lionel Messi's hair, the Champions League triumph in Madrid, winning Liverpool's first league title in 30 years and pressing five Manchester City players in one career-defining run at Anfield when 4-1 up. But the best feeling Andy Robertson experienced at Liverpool was "climbing the mountain" with Jürgen Klopp's all-conquering team. Nobody climbed higher or harder.The boy who was rejected by Celtic at 15 and tweeted: "Life at this age is rubbish with no money" after his debut for Queen's Park aged 18 became the man many consider to be Liverpool's finest left-back, and arguably the best in the world at his peak. With 377 fiercely committed appearances in a Liverpool shirt behind him, Robertson will say goodbye on Sunday. The 32-year-old Scotland captain leaves "with no regrets, no bitterness" and "glad that one of our Egyptian friends might take a bit more of the limelight. I can just sneak underneath that."The Climbing of the Mountain Together"We were on the most amazing journey ever, all together," he reflects. "When we started out Mo Salah didn't sign as the best player in the world or the best winger in the world. Virgil van Dijk had the potential to be but wasn't the best centre-back in the world. Alisson wasn't the best goalkeeper in the world. Trent [Alexander-Arnold] wasn't the best right-back in the world. Hendo [Jordan Henderson] was still trying to find his feet as captain. We were all just on this journey from the bottom to the very top together and climbing that mountain was the best feeling ever."Every day we came in knowing we were getting better and better and starting to click as a team. We'd beat teams in the tunnel. Genuinely. When I speak to my Scotland teammates, they were lining up in the tunnel and looking over thinking: 'We're going to need to run our socks off today to get anything.' And more often than not they didn't get anything."We had an unbelievable environment to express ourselves, to play with freedom, but in our minds we knew we had to work at 100%. That was obviously from the manager, from the coaches, and I think then all the staff and people behind the scenes bought into it and you had the whole training ground determined to achieve all our dreams. Everyone was on the same page and we just made magical things happen thankfully."The Impact of Tragedy and TransitionRobertson's reminiscence prompts an inevitable follow-up. Why does Liverpool not feel like that now? His reply stops everyone in their tracks, and brings home the tragic reality of what this season has entailed for the now deposed Premier League champions. "In terms of the club I am leaving behind I think we are not at the 2017 stage, we are at the transition stage," begins one of Diogo Jota's closest friends. The Liverpool forward's death in a car crash alongside his brother in north-western Spain last July cast a dark pall over the campaign."This year hasn't worked out for a variety of reasons. We can't hide away from it, and it is not an excuse, but what we went through in the summer no team will ever go through. No member of staff will go through. I hope they never go through it because the devastation we went through … football didn't matter. We didn't care about football for weeks. None of us wanted to train. You were getting treatment off physios and physios didn't want to treat you. That is the reality of it."As footballers we of course have a duty, we have to move on and we managed that. We started the season fairly well although it was still an emotional time for us. The [season-opening] Bournemouth game was ridiculously emotional with all of Jots' family being there. I think after the 20th minute you saw a real dip in performance because of the emotional impact that it had on all of us.The Future of Liverpool FC"But then the season has been inconsistent. We bought players that we all got excited about, and they will all have an unbelievable career at Liverpool. I have no doubt about that. But they are also young. The one thing I get annoyed about in football is that footballers do not control their price tag. The market controls it. These players will be successful for Liverpool but they probably need a bit of time."Then some players who have played at a ridiculously high level haven't played to that level. If you add all that in then we have had an inconsistent season and that is the huge frustration for us. We have been too easy to play against. There is no hiding away from that but I believe they have more than enough in that changing room to be successful for Liverpool again."

The Shifting Tides of Trump's Iran Policy In a week that began with Donald Trump revealing he was just an hour away from 'making the decision' to resume attacks on Iran, the United States president has oscillated between expressing hope for a lasting ceasefire and threatening military escalation. Diplomacy and Threats Trump's mixed messaging has also coincided with a renewed flurry of diplomacy, with Iran as of Thursday saying it had received and was reviewing Washington's response to Tehran's latest ceasefire proposal. The Hawkish Advisers Trump, meanwhile, appeared to indicate an appetite for a third option: a prolonged, grinding conflict. On Thursday, he reposted a New York Post op-ed by Richard Goldberg, a senior adviser at the Foundation for Defense of Democracies, a pro-Israel think tank that has long supported military action against Tehran. Trump's Statements This Week The Trump administration has continually sent broad and at times contradictory messages on Iran, even preceding the war. On Sunday, Trump threatened that the 'clock is ticking' for Iran, the latest instance of the US signalling an end to the current halt to fighting, which has run parallel to an ongoing naval blockade of Iran's ports. The Strategic Dilemma While Trump's supporters have characterised his everything-on-the-table approach as part of a wider 'mad man' foreign policy approach, others have said it reflects the president's entrenched dilemma as he tries to claim a convincing victory in the conflict.