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The Record‑Breaking IPO PlanSpaceX filed paperwork on 4 June 2026 to launch an initial public offering that could value the company at $1.78 trn, eclipsing the 2019 Saudi Aramco float. The filing outlines a primary raise of $75 bn, with an optional increase to $86 bn if underwriters exercise their share‑sale option.Financial Snapshot: Valuation vs RevenueNet loss in 2025: $4.94 bnRevenue 2025: $18.67 bn (up 33% YoY)Proposed valuation multiple: > 90× annual revenueBy contrast, Morningstar’s discounted‑cash‑flow model places the firm at roughly $780 bn, less than half of the IPO price.Market Reaction and Overvaluation WarningsMorningstar’s senior analyst Michael Hewson called the valuation “significantly overvalued,” suggesting investors may find “more attractive levels after the IPO.” The firm’s warning highlights the gap between the proposed price and traditional profit‑based multiples.“We think the company has been significantly overvalued and investors will have opportunities to buy the stock at more attractive levels after the IPO.” – MorningstarImplications for the Space Economy and InvestorsListing would give SpaceX fresh capital and provide “exit liquidity” for insiders, allowing pension funds and index trackers to acquire stakes in Musk’s broader ambitions, including orbital AI data centres and the Starlink network.Outlook: What Could Happen After the Float?Analysts warn that the lofty price could deter participation, risking an undersubscribed offering. If the IPO proceeds, the company could join the Nasdaq, further legitimising the commercial space sector, but the long‑term price trajectory will hinge on whether revenue growth can close the gap to the $1.78 trn benchmark.

The Record-Breaking IPO SpaceX is aiming to raise approximately $75 billion through its upcoming initial public offering (IPO), according to a company filing. This would make it the largest IPO in history. Elon Musk's Trillionaire Status If the IPO goes as planned, founder Elon Musk, currently the world's wealthiest person, could make history as the first trillionaire. His net worth is currently estimated at $825 billion, with his stake in SpaceX valued at $542 billion. The IPO Details SpaceX, formally known as Space Exploration Technologies Corp, plans to sell 555.6 million shares at $135 per share. This would give the company a market value of $1.77 trillion, placing it among the top seven companies in the S&P; 500. Shares to be sold: 555.6 million Price per share: $135 Market value: $1.77 trillion Musk's Stake and Voting Power Musk will not be selling any of his shares in the IPO and will retain 82.4% of the voting power in the company. The Future of SpaceX and AI Founded in 2002, SpaceX has been a key player in Musk's ambition to build a 'self-sufficient city on Mars'. The company has secured lucrative aerospace contracts, including with NASA. SpaceX is also investing in AI technology, having acquired Musk's xAI to support the development of solar-powered infrastructure.

A New Vision for Global ProsperityIn our increasingly dystopian world, the World Justice Report offers a utopian antidote by outlining how to build a prosperous, equitable world within safe planetary boundaries. This ambitious plan from the modern eco-socialist left presents a comprehensive vision for the future that could see the majority of people working less and earning more by the end of the century while keeping temperatures down and avoiding much of the current destruction of nature.The Core Principles of the Justice ReportThe report incorporates important concepts of "sufficiency" and "planetary habitability," addressing the fundamental question of how to reduce the material impact of economic activity—a topic long ignored by the traditional left. By widening the definition of prosperity and emphasizing "sufficiency," the report demonstrates that quality of life is more valuable than quantity of material goods, echoing ancient philosophies of a "golden mean" and Bhutan's concept of "gross national happiness."Challenging Economic OrthodoxyThomas Piketty, one of the coordinators of the report, argues that the ambition of the mega-rich has become unrealistic and undesirable. "Their new dream is to cover the entire planet with data centres," Piketty states, "This is their economic project for the world. But everybody can see that this is just going to increase the material footprint of our economy, that this is going to make global warming even worse."The Alternative to Techno-ExtractivismThe report stands in stark contrast to the far-right techno-extractivist vision currently being championed by the US president and his supporters in Silicon Valley, who are putting artificial intelligence ahead of renewable technology. In the quest for "energy dominance," the US is using tariffs and military power to widen markets for oil, gas and coal—a strategy that drives the world toward catastrophic levels of global heating and inequality.Bridging the Climate Science GapThe report fills a significant hole that has existed since the inception of the global climate science infrastructure in the 1990s. Robert Watson, a former chair of the UN Intergovernmental Panel on Climate Change, noted that if he could go back in time, he would have added more social scientists to the climate discussion. The "pure scientists" from physics and chemistry initially believed data alone would persuade governments to act, but later wished they had taken more account of social dynamics, economics, politics and psychology.Overcoming the Green Growth IllusionThe report challenges what Piketty calls the "illusion of classless ecology" or the "green growth illusion" that everything will be solved by producing more without worrying about distribution, sufficiency, or structural transformation. This illusion, he argues, has made green policy unpopular for many lower and middle-income voters by ignoring the social dimensions of climate action.The Path to Cultural Transformation"Sufficiency does not mean degrowth," explains Cornelia Mohren, Environmental Coordinator of the World Inequality Lab. "It is about less working hours, a different composition of consumption, and more health and education." The authors emphasize that they don't want to force people to change their lifestyles but rather initiate a cultural shift in how society perceives the good life.A Future Forged in CrisisPiketty acknowledges that crises are inevitable but argues it's important to initiate debates now so that alternatives are already in people's minds and will become more palatable in the future. "People need to get accustomed to the fact that big change will happen in any case," he states. "We are not in a situation where things can just continue as they are forever." The report remains open for suggestions and revisions, inviting global participation in shaping this alternative vision for our shared future.

The Landmark Case Against Betfair The widow of Luke Ashton, a 40-year-old man from Leicester who died in April 2021, is beginning a legal claim against Betfair, alleging that the company was negligent in allowing him to accumulate £18,000 in debt. Ashton had a gambling disorder and received promotional 'free' bets from Betfair, which his lawyers claim contributed to his death. The Events Leading to the Court Case Luke Ashton signed up for temporary exclusions from gambling with Betfair three times but returned to betting each time. He lost £21,777 over three years, including a net loss of £5,500 in March 2021, when he placed over 1,000 bets. His widow and lawyers argue that Betfair failed to intervene as his losses increased, breaching its duty of care. The Financial Impact of the Case The Ashton family is seeking damages of £846,478, which includes the money Betfair made from Luke and financial losses such as the earnings he would have provided to his family had he lived. If successful, this case could pave the way for millions of pounds in new claims against the UK gambling industry. The Impact on the UK Gambling Industry This case could have significant implications for the UK gambling industry, which earned over £12bn from British customers last year. An estimated 1.4 million adults in Britain have a gambling problem, according to a study for the Gambling Commission. A successful claim could establish that betting operators owe a duty of care to customers showing signs of problem gambling. The Future Outlook If the Ashtons' case is successful, it could lead to a significant shift in the way UK gambling companies operate and their liability for customers with gambling problems. The industry may need to implement stricter safer gambling measures and take more responsibility for customers' well-being. This case will be closely watched by the industry, regulators, and those affected by gambling addiction.

Tonight’s Executive OverviewThe BBC and commercial channels roll out a diverse slate at 9 pm, highlighted by a ten‑photo retrospective of David Beckham, a true‑crime documentary on missing persons, and the closing chapters of several hit series.Beckham: Ten Iconic Photographs on BBC Two9 pm, BBC Two – A curated visual essay traces Beckham’s career from a 1986 school‑yard snap to a Spice Girl‑era sarong, a gay‑magazine cover, and beyond. The piece underscores how the football star has become a cultural touchstone across fashion, media, and LGBTQ representation.Starts with teenage nephew’s friend winning a national skills competition.Features rare images such as a sarong‑clad Beckham and a magazine cover.Provides commentary by Hollie Richardson.Reported Missing: Police Scotland’s Search on BBC One9 pm, BBC One – A documentary series follows the baffling disappearance of a Chinese student from Edinburgh, his eventual discovery in Durham, and subsequent lies uncovered through CCTV footage. The episode also tracks a separate mountain‑hiker search.Highlights investigative challenges across jurisdictions.Explores themes of deception and media scrutiny.Commentary by Jack Seale.Taskmaster’s Penultimate Episode on Channel 49 pm, Channel 4 – Four contestants vie for Greg Davies’s golden noggin as the show leans into absurdity. Notable moments include screenwriter Armando Iannucci’s comedic outbursts.Contestants still have a realistic chance to win.Humor driven by celebrity guest dynamics.Review by Phil Harrison.The Hardacres: Period Drama Continuation on Channel 59 pm, Channel 5 – The Hardacres family hosts a staff ball where Liza and Edward become engaged, prompting emotional ripples for other characters.Engagement sparks tension for Adella.Harry grapples with his tutor’s impending departure.Photograph credit: Playground Television UK 2 Ltd.Prisoner: Dark Crime Finale on Sky Atlantic9 pm, Sky Atlantic – The final episode promises to tie up the Pegasus crime syndicate storyline, though recent plot twists cast doubt on a tidy resolution.Recent shock death and arrest raise stakes.Key characters Tibor and Amber face uncertain fates.Analysis by Priya Elan.Make That Movie: Comedy‑Film‑Making Show on Channel 410 pm, Channel 4 – Amy Gledhill guest‑stars as a teacher whose pupils pitch a “Bog Prom” concept, while Sebastian (Aaron Chen) remains the standout performer.Blend of absurdity and heartfelt storytelling.Highlights the show’s ability to turn everyday ideas into screen magic.Live Sport: England v New Zealand Test Cricket on Sky Sports Main Event10 am, Sky Sports Main Event – The first Test of the series kicks off at Lord’s, offering cricket fans a high‑stakes encounter between England and New Zealand.

Rubio's Shift on Netanyahu's Gaza Plan Senator Marco Rubio has taken a step back from Israeli Prime Minister Benjamin Netanyahu's proposed plan for Gaza, indicating a possible divergence in their views on the matter. The Context of the Plan Netanyahu's plan for Gaza has been a subject of international scrutiny, with many questioning its feasibility and impact on the region's stability. Rubio's Stance By distancing himself from the plan, Rubio may be signaling a cautious approach to the complex issue, potentially aligning with a more nuanced US policy towards the region. Implications for US-Israel Relations This development could have implications for the relationship between the US and Israel, particularly in the context of their historical alliance and shared interests in the Middle East. Future Developments As the situation in Gaza continues to evolve, it remains to be seen how Rubio's stance will influence US policy and whether it will lead to a more significant shift in the US approach to the Israeli-Palestinian conflict.

The Proposal for a Permanent UFC Arena Donald Trump has floated the idea of permanently keeping the Ultimate Fighting Championship (UFC) arena that is being constructed on the White House South Lawn for a series of fights later this month. Comparing the UFC Arena to the Eiffel Tower In a video posted on his official TikTok account on Tuesday, the president likened the structure to the Eiffel Tower, saying, "People don’t know that in Paris, France, the Eiffel Tower, 1889 it was built. It was supposed to be taken down immediately after the world’s fair, and then they said, ‘You know we sort of like it, let’s leave it up a little bit longer’, and then they said, ‘Let’s leave it up longer and longer and longer." The Event Details “Well, they never took it down, and you know we’re building something in front of the White House that’s quite attractive to a lot of people. It’s going to have the big UFC fight on 14 June, and I’m looking at it and maybe we’ll never ever take it down.” The Financial Investment The UFC is covering the cost of construction. Mark Shapiro, president of TKO Group Holdings, UFC’s parent company, has said that the production of the card – including construction, fighter pay and fan gatherings – is likely to cost at least $60m and that the event will not turn a profit. UFC president Dana White added that his organization will spend an estimated $700,000 to restore the grass on the South Lawn after the event. The Impact on the White House Trump told reporters last month that the arena will be able to hold 4,500 spectators for the event – most of them military members with no public tickets available. An additional 75,000 to 100,000 people will be able to watch on screens from the Ellipsis near the White House. The Future of the UFC Arena The Freedom 250 card, which has received a lukewarm reception from fighters and fans, will feature two title fights: Ilia Topuria v Justin Gaethje for the lightweight belt and Alex Pereira v Ciryl Gane for the heavyweight title.

The Return of Mourinho? Jose Mourinho will return to manage Real Madrid if Florentino Perez wins the club's presidential election on Sunday. Perez made the announcement on his social media channels with a short video featuring Mourinho simply saying 'Yes!' Perez's Campaign Announcement The clip followed the slogan 'So MOUch history to be made', a nod to the Portuguese coach who guided Real to a record La Liga points tally in 2012. Mourinho last lifted a league title with Chelsea in 2015. The Data Analysis Mourinho's managerial road has taken him to Tottenham Hotspur, Fenerbahce, Benfica, Manchester United, and AS Roma. He won the League Cup and Europa League with Manchester United, and led AS Roma to the third-tier Conference League title. The Impact Analysis Perez's announcement comes after a disappointing domestic campaign for Real Madrid, who secured back-to-back league titles by Barcelona. The absence of major silverware prompted Perez to call elections. The Prediction Should Perez win the election, Mourinho would return to the club 13 years after his departure in 2013. During his tenure, he won one La Liga title, a Copa del Rey, and a Spanish Super Cup.

The Lead From blacklists for UK passport holders to being asked to work illegally while on holiday, the plethora of extra costs and red tape thrown up post-Brexit are restricting opportunities for British actors seeking work in the EU. Mainland Europe has always been a springboard for those in the creative industries, from gaining crucial first credits on a TV, film or theatre production to building a marketable resume and paying the bills while attempting to make it big in the UK or US. The New Barriers for UK Performers Since Brexit, new barriers that have had a devastating effect for performers include visa rules that only allow work for up to 90 out of 180 days, inclusive of any European holiday time, and myriad customs, tax and other documents that can take an inordinate amount of time and cost to get processed, and can vary between countries. The performers' union Equity cited one common example of a member being taxed on their accommodation costs because that was classified as a "benefit in kind", which had a big impact on their net wages. Spotlight pointed out that, for UK performers, social security costs are deducted in the country where they are working – anywhere from 12% to 22% of their pay. This can be reclaimed but the process can take many months, and often requires paying accountants to chase the money. The Decline in European Opportunities Between 2016 and 2023, performing arts exports to the EU fell from £1.15bn to £929m, according to the Office for National Statistics. By contrast, figures for creative industry exports to non-EU countries show an 18% increase over the same period, from £1.57bn to £1.87bn. The National Theatre halted tours to mainland Europe in 2021 and Europe's largest educational touring company, White Horse Theatre, which has provided English-language performances to schools and theatres across Europe for almost half a century, said last year that Brexit threatened its future. In evidence provided to an investigation being conducted by the culture select committee on the impact of Brexit on performers going to the EU, Spotlight said that jobs on TV commercials were now "almost completely unavailable to UK performers". The Impact on Different Segments of the Industry While performers with star status continue to have a streamlined experience, it is jobbing actors who are often finding they are no longer on the list for parts. One past regular source of work was in adverts filmed abroad, such as the long-running "Get away!" campaign for the now defunct package holiday pioneer Lunn Poly, which featured British tourists filmed in locations such as the Balearic islands. In its written evidence sourced from the experiences of its members, Spotlight said it was "aware of named holiday companies that no longer audition UK-only passport holders" to appear in adverts filmed in the bloc. The difficulty for performers also extends to the many other crew involved. One casting director said that, pre-Brexit, one TV campaign employed 45 people based in the UK but similar campaigns are now being cast from Spain or another EU country. The paperwork involved, and the quick-turnaround nature of shooting, has meant that it is simply easier to not bother auditioning UK talent. The Growing Crisis for Emerging Talent It is young UK performers, and in particular those from a working-class background, who have been most hit by the loss of the EU for work and experience. Students and new graduates would previously have typically secured summer contracts for theme parks, tours and cruises, which are now largely closed off post Brexit because of factors such as the visa changes. According to Spotlight, casting directors have seen a significant decrease in working-class actors in particular picking up jobs in the EU. Unlike actors from wealthier backgrounds, who have access to finances to cover things such as visa costs and sometimes having to wait many months for payments relating to working in mainland Europe, they simply cannot afford to accept a job in the EU. The Future Outlook for UK Performers Agents have turned to encouraging actors to check their heritage to see if they are eligible for some form of dual citizenship, an Irish passport, for example, while some businesses based in the EU now actively blacklist UK-only passport holders. However, the "most concerning" anecdotal evidence is of UK performers being asked to skip getting a legitimate work visa if the paperwork can't be finalised in time, and to lie and work while claiming to be on holiday. Spotlight calls this practice a "ticking timebomb" that could involve the use of sanctions for performers and agents caught taking this route to secure work. The agency said this would include "deportation and potential blacklisting" from future opportunities. "The simple answer is Brexit has been catastrophic for the creative industries," says Jonathan Shalit, founder of InterTalent Rights Group. "We as a country made the decision to leave Europe. This is self-inflicted. Europe don't really want us unless they have to."