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A heartfelt tribute has been paid to Dame Jenni Murray, a renowned figure in British radio, known for her exceptional broadcasting skills and generosity of spirit. The author recalls her kindness and guidance when they appeared as a guest on Woman's Hour in the 1990s, discussing their novels on topics such as motherhood and dieting. Dame Jenni shared valuable insights into the art of radio broadcasting, including the importance of not discussing the main topic in the green room to save the best lines for the show. She also emphasized the need to turn off mobile phones before entering the studio, a lesson she occasionally forgot herself, much to the frustration of her producers. Her warm and approachable nature made her a beloved figure, both on and off the air. The author fondly remembers her staying on for a glass of wine in the BBC canteen after shows and her remarkable charity work, particularly with the Young Oncology Unit at the Christie hospital in Manchester. Dame Jenni's infectious humor and big-heartedness inspired others to get involved in charitable initiatives, leading to successful fundraising dinners and a significant impact on the community.

Wigan Warriors edged out Wakefield Trinity 22-20 in a thrilling Super League quarter-final, securing their spot in the semi-finals against St Helens. The match was marked by Wakefield's strong early performance, with tries from Jake Trueman and Ky Rodwell giving them a 12-0 lead.However, Wigan responded impressively, with Patrick Mago halving the deficit and Liam Marshall bringing the scores level. A crucial moment came when Wakefield's Jazz Tevaga was sent to the sin-bin for 10 minutes, allowing Wigan to gain momentum.Harry Smith's try on the hooter saw Wigan take a 16-14 lead at halftime. Wakefield continued to push, but Wigan's experience ultimately paid off as they held their nerve in a tense final quarter.Wakefield's Zach Eckersley scored twice, but it wasn't enough to overcome Wigan's strong finish. The win sets up a highly anticipated semi-final between Wigan and St Helens, while Wakefield will look to regroup and come back stronger next season.

Former world heavyweight champion Tyson Fury has weighed in considerably lighter than his previous fight in 2024, but still carries a few pounds more than his opponent, Russian Arslanbek Makhmudov. Fury registered 267.9 pounds in his underwear during Friday's weigh-in, while Makhmudov stepped up at 264.9 pounds.Fury's weight is a decrease from the 281 pounds he recorded for his rematch with world champion Oleksandr Usyk in December 2024 and 262 pounds against the Ukrainian in May that year. The 37-year-old Briton stated he still had 'a bit left in the tank' as he came out of retirement for the fifth time.'After another four or five retirements, I should be good,' Fury said. 'My priority is to beat this fella, I've got loads of Easter eggs in the fridge ready for me. Whoever has these belts, I want them back.'Fury emphasized his commitment to making a statement, saying he came in 'nice and light and lean' for the fight. He has spent 16 weeks training in Thailand and has promised fans a knockout win at the Tottenham Hotspur Stadium on Saturday night.'I'll knock his head right off his two shoulders,' Fury told reporters on Thursday. 'I'll be like the gamecock on top of Tottenham Hotspur Stadium, and he'll be like the knocked-out man sparked out on the floor.'The bout against Makhmudov will be broadcast exclusively on Netflix, highlighting Fury's continued commercial appeal even after a 16-month absence from the ring. Fury boasted about his financial draw, saying, 'I'm the money man. When you mention Tyson Fury in heavyweight boxing, you know you're getting paid.'

Willie Mullins has made the seemingly impossible look easy, securing his third consecutive win at the Grand National with I Am Maximus. This victory not only cements Mullins' reputation as a master trainer but also etches his name in the history books alongside Fred Rimell and Ginger McCain with his fourth Grand National win.The road to victory was far from straightforward. I Am Maximus, ridden by Paul Townend, faced significant challenges, including being blocked multiple times during the race. However, Townend's calm and strategic riding ultimately paid off, allowing I Am Maximus to secure a thrilling win.This achievement is all the more impressive given the challenging conditions. Mullins noted that this winter was the wettest he had experienced in 40 years, which made preparing his horses particularly difficult. Despite these obstacles, Mullins' team successfully primed I Am Maximus for the big event.The victory also marks a significant milestone for owner JP McManus, who has now secured his fourth Grand National win, a record. McManus expressed his admiration for Mullins and Townend, while also hinting at ambitions to equal Red Rum's legendary three consecutive National victories.Mullins, who will turn 70 in September, shows no signs of slowing down. He emphasized his passion for racing and his desire to continue building on his successes. With a clear focus on creating more history-making moments, Mullins and his team are already looking ahead to the next challenge.

The Aintree meeting was a resounding success, with a sellout crowd of 55,000 on Ladies' Day, marking the first sellout since 2012. The event saw a significant shift in demographics, with a younger crowd in attendance, many of whom were in their teens and 20s.The Jockey Club's strategic use of TikTok and Instagram played a crucial role in attracting this new audience. According to Joe Hughes, the social media manager at the Jockey Club, they now have 162,000 followers on TikTok. The club's efforts to stress the social side of the sport to younger audiences have clearly paid off.Attendees like Hayley Bentley, a bride-to-be, exemplified the festive atmosphere, dressing up in a bridal dress and veil as part of her hen party. The event featured a range of activities, including musicians, jugglers, and fanfare, as well as competitions with prizes such as trips to Ibiza.Despite the celebratory mood, the event was marred by the fatal injury of a horse, Gold Dancer, which suffered a broken back after jumping the final fence. The incident highlighted the ongoing concerns about horse safety in the sport.The Grand National, set to take place on Saturday, is expected to attract over five million viewers on TV and features a field of 34 horses. The Jockey Club acknowledges that more needs to be done to ensure horse safety, and they are committed to making changes to prioritize the welfare of horses and riders.

The New York Times Company has launched an investigation into the coverage of New England Patriots head coach Mike Vrabel by NFL reporter Dianna Russini. This move comes after photos of Russini and Vrabel together at an Arizona resort were published, raising concerns about their relationship and potential bias in reporting.Russini, who works for The Athletic, owned by The New York Times, has been temporarily sidelined while the review is ongoing. The images, published by the New York Post’s Page Six, show Russini and Vrabel together at a luxury hotel in Sedona, including by a pool, in a hot tub, and on a rooftop deck. Some photos appear to show the pair embracing and holding hands.Both Russini and Vrabel, who are married to other people, have claimed that the interaction was platonic and taken out of context. Russini stated that the photos did not reflect that they were part of a larger group gathering, while Vrabel called any suggestion of impropriety “laughable”.The Athletic initially defended Russini, with executive editor Steven Ginsberg saying the images lacked context and depicted public interactions among multiple people. However, the outlet has since expanded its review after additional reporting raised questions about Russini’s coverage of Vrabel and the nature of their relationship.Editors are now seeking to verify claims that others were present at the gathering. Notably, no stories under Russini’s by-line have been published since the photos surfaced earlier this week. The review is ongoing and expected to take time. Russini is among the highest-paid reporters at The Times Company, and her contract is set to expire later this year.

Barney Ronay set out to test whether a disciplined betting strategy could turn a modest £10 stake into a sizeable profit. Over five days he managed to grow the amount to £120, a return that sounded impressive but left him emotionally flat. His experiment underscores a broader truth: sport betting is engineered to disturb and addict. The personal journey is set against a looming financial shock for English football. Nine Premier League clubs have warned they cannot replace the cash flow previously supplied by gambling sponsors, which will be barred from shirt‑front advertising next season under a voluntary industry agreement. One club executive summed up the anxiety: “Nearly everyone is losing money.” The shortfall is estimated at around £4 million for the affected clubs. These concerns arrive at a time when the gambling sector itself faces scrutiny. Recent data show that up to 1.4 million UK adults may have a gambling problem, a figure that has risen alongside the proliferation of mobile betting apps. The Guardian previously reported that the world‑champion club could incur losses of £335 million in a single season, illustrating the massive financial stakes involved. Ronay’s betting log reads like a sports‑fan’s diary. He began with a £10 wager on a Florida horse race, which paid out modestly. Subsequent bets on high‑profile matches – Manchester City versus Liverpool, Southampton beating Arsenal in the FA Cup – produced a rapid climb to £120. Yet each win felt hollow, prompting him to chase larger, riskier bets such as a four‑way accumulator on the Champions League semi‑finalists, a gamble that ultimately fell short. Beyond the numbers, the piece highlights how gambling permeates the football experience: logos dominate club kits, betting terminology infiltrates fan conversation, and promotional offers tempt even casual viewers. Ronay argues that this saturation turns a simple pastime into a “highly available, stimulating activity designed to hook” users, exploiting the brain’s natural reward pathways. In concluding, Ronay stresses two take‑aways. First, the industry’s promise of “extra money” for clubs is a façade – the money only comes out of fans’ pockets. Second, the impending £4 million sponsorship gap may actually serve as a catalyst for sensible self‑regulation, forcing clubs to reconsider reliance on gambling revenue.

Despite a three‑game winless run that has seen Liverpool knocked out of the FA Cup by Manchester City and trailing Paris Saint‑Germain 2‑0 in the Champions League quarter‑final, manager Arne Slot insists he feels "complete support" from both the club’s hierarchy and its supporters. Slot told reporters that sporting director Richard Hughes and chief executive Michael Edwards stand firmly behind him. He added that, surprisingly, the fans have also shown solidarity, chanting "We love Liverpool" even after the 4‑0 defeat to City. With Liverpool perched in fifth place in the Premier League – the final Champions League qualification slot – and Chelsea just one point behind, the upcoming home fixture against Fulham carries heightened importance for the club’s European ambitions. Off the pitch, a faction of supporters is organising a protest at Anfield over the owners’ plan to raise ticket prices. The movement recalls a 2016 demonstration when roughly 10,000 fans exited a match to oppose a similar price hike, eventually forcing the American owners to retreat. Slot expressed hope that the iconic Anfield atmosphere will remain intact, stating, "Anfield has always shown its importance in both good and tough times, and I trust the fans will continue to be a positive force, even during protest." In related news, Slot paid tribute to Andy Robertson, who will depart after a nine‑year spell at the club. The Scotland captain, now out of contract, has seen his role diminish following the arrival of left‑back Milos Kerkez. Slot described Robertson as a "great player and a great person" who has served Liverpool loyally for nearly a decade. Overall, Slot’s message underscores a belief that the club’s internal cohesion and the unwavering passion of its fanbase can help navigate the current challenges on and off the field.

Kelsey Gentles, an England rugby league player, has experienced a significant transformation in her career and personal life after becoming a mother. She believes that motherhood has shifted her priorities and changed her approach to the sport.Gentles, who played for York Valkyrie, switched positions from outside back to prop after giving birth to her daughter Maia. She faced challenges in adapting to her new role and balancing motherhood with her rugby career.Charlotte Caslick, an Australian rugby player, is also expecting her first child and anticipates difficulties in returning to elite sevens rugby. She notes that the sport is young and demanding, with a grueling travel schedule that may not be suitable for mothers.Both Gentles and Caslick emphasize the importance of self-care and kindness during the transition to motherhood. Gentles encourages expectant players to embrace their new roles and not give up on their passions.The article also highlights the limited support for rugby league players who are mothers, compared to those in rugby union, who have access to 26 weeks of fully paid maternity leave and funds for childcare to attend matches.Despite the challenges, Gentles and other athletes, such as Elina Svitolina and Shelly-Ann Fraser-Pryce, have successfully returned to their sports after childbirth and achieved great results.