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Court Blocks Trump's Transgender Military BanA United States court of appeals has ruled that a policy under President Donald Trump to expel transgender troops from the military was a violation of the Constitution. Monday's decision was a split one among the three-judge panel of the US appeals court for the District of Columbia.One judge, Robert Wilkins, an appointee of former Democratic President Barack Obama, upheld a lower court ruling rejecting the Trump administration's policy as it pertains to already enlisted service members. A second judge – Judith Rogers, who was picked by former Democratic President Bill Clinton – agreed with his opinion, but only in part. She felt it should extend to those who seek to enlist, too.And the third judge, Trump pick Justin Walker, issued a dissent questioning the court's ability to second-guess US military policy.Origins of Trump's Controversial PolicyThe case focused on one of the earliest actions Trump took during his second term in office. On January 27, 2025, a week after his second inauguration, Trump issued an executive order called "Prioritizing Military Excellence and Readiness".In it, he denounced the US armed forces as having been infiltrated with "radical gender ideology". He proceeded to describe transgender people as unfit for service for embracing a "false 'gender identity'"."A man's assertion that he is a woman, and his requirement that others honor this falsehood, is not consistent with the humility and selflessness required of a service member," Trump wrote.The executive order became the basis for a 13-page Pentagon memorandum, issued in February 2025 under Defense Secretary Pete Hegseth. It declared that any service member who has "symptoms" of gender dysphoria, or who has used hormone therapy or surgery to affirm their gender, would be "disqualified from military service".Military Service Record of Transgender PlaintiffsIn Monday's ruling, Wilkins described the policy as blatantly discriminatory. The policy, he wrote, "appears to be driven by the bare desire to harm a politically unpopular group: persons who identify as transgender"."To add insult, the President labeled transgender persons as dishonorable, undisciplined, arrogant, selfish liars," Wilkins added, pointing to the executive order.He pointed out that the transgender plaintiffs in the case had a combined 130 years of military service and had earned more than 80 commendations for their work.In the face of such evidence, Wilkins said the Trump administration had "forfeited any argument" that "retaining these service members will harm national security".Divided Rulings and Legal ImplicationsBut Wilkins stopped short of fully upholding a lower court ruling against the policy. Previously, Judge Ana Reyes had issued a temporary injunction against Trump's executive order, finding that the discrimination against transgender troops was unconstitutional.Wilkins agreed with Reyes that the Trump administration could not dismiss those already in the military's employ. But, he added, the harm was less for those seeking to enlist.Monday's ruling, therefore, strikes down the part of Reyes's injunction that would have barred the Trump administration from banning transgender people from the enlistment process.Rogers, the Clinton appointee, disagreed with that distinction. She pointed to testimony indicating that excluding transgender recruits from joining the military would deprive "our force of qualified personnel who have proven their ability to serve".Meanwhile, the dissent from the Trump appointee, Walker, hinged on his argument that the court had violated the separation of powers in the US government.Courts, he argued, should not be able to rule on the composition of the military."We have neither the expertise nor the authority to decide whether the military can exclude the plaintiffs from its ranks," Walker wrote. "The Constitution assigns that authority to Congress and the Commander in Chief."What Happens Next in the Legal BattleThe split decision is unlikely to have an immediate effect on US military policy. The appeals court has stayed the preliminary injunction from Reyes, as the legal fight continues, and last year, the US Supreme Court also halted an injunction against Trump's anti-transgender policy, in the case United States v Shilling.In a short, four-word social media post, Hegseth signalled that the Pentagon would appeal Monday's decision."See you at SCOTUS," he wrote, using the acronym for Supreme Court of the United States.But Democrats and LGBTQ+ advocates hailed the ruling as a victory against prejudice and discrimination in the Trump administration."No one who is qualified and answers the call to serve should be denied that opportunity because of who they are," US Representative John Larson of Connecticut wrote in a statement."Trump's trans military ban is discrimination — plain and simple. We'll keep fighting these attacks on our troops and all transgender Americans."

The Launch of Ferrari's First Electric Vehicle Ferrari's share price has dropped after it revealed a long-awaited first electric vehicle, with a minimalist look created by the former Apple design chief Jony Ive that departs from the Italian manufacturer's petrol sportscars. Ferrari Luce: Design and Specifications The Luce, starting at $640,000 (£477,000), has a range of 329 miles (530km) thanks to its battery capacity of 122 kilowatt hours, the company said, with four motors that can accelerate from 0 to 100km/h in 2.5 seconds, with a top speed of more than 310km/h (193mph). Market Reaction and Investor Sentiment The launch was hotly anticipated, given the world's most valuable sportscar maker's totemic status among car and Formula One racing fans. However, the Luce's saloon-like design immediately proved divisive, with some analysts questioning whether it lived up to Ferrari's sportscar heritage. Ferrari's share price dropped by as much as 8% in morning trading on Tuesday in Milan, before recovering to a 6% decline. The carmaker, which produces all its cars in Maranello, northern Italy, was valued at €56bn (£48bn) before the launch. The Impact of Jony Ive's Design The Luce was developed in partnership with LoveFrom, the studio founded by Ive after his long career at Apple, during which he led the design of products including the iPhone, MacBook and Apple Watch. Others said they believed it diverged too far from the blueprint that has made Ferrari one of the most profitable carmakers in the world. The Luce looks like a “mix between a Honda Accord EV and Tesla 3”, wrote Pierre-Olivier Essig, the head of research at AIR Capital, in a note for clients reported by Bloomberg. Ferrari's Future Plans Ferrari, founded in 1939, said the car's design was “simplified and rationalised in service of the driving experience”, and emphasised that was creating an “entirely new Ferrari”. The company last year scaled back its ambitions to shift from petrol to electric. It is aiming to have a 2030 lineup of 40% internal combustion engine models, 40% hybrids and 20% fully-electric.

The Birth of a Classic The Bluetones' lead singer Mark Morriss and guitarist Adam Devlin share the story of their hit song 'Slight Return', from its humble beginnings to its massive success in the 90s. Mark Morriss' Vocals and the Song's Early Days We were still a three piece: Adam Devlin, my brother Scott and myself. We hadn’t met Eds Chesters yet, so we didn’t have a drummer. We were spending a lot of time writing songs, trying to hone this west coast, mid-60s, Crosby, Stills & Nash sound – even though it was the 90s and we were from Hounslow in London. Slight Return was the fourth or fifth song we wrote. Scott wrote the chord progressions and structure, but didn’t have any words or melody. He recorded guitar into a cassette player, then played that back on a second cassette player so he could record himself playing along to what he’d just recorded, in a very rudimentary way of four-tracking. We liked it, but we weren’t skipping around the room going: “My God, we’re going to be millionaires.” That came later. The Song's Rise to Fame It went down well at our early shows. It was catchy and memorable. We recorded a demo version and sold it on blue 7-inch vinyl at our gigs. When we got signed to A&M, they were keen for it to be a single, but we felt like it would be short-changing our fanbase, which was about 200 people, who had already bought it. We had to be talked around by the label, who said: “We can hear it being played on the radio.” But they wanted us to change the song’s name because Slight Return isn’t actually in the lyrics. The title in part refers to the last line of the song: “I’m coming home but just for a short while.” It’s also a kind of sideways tribute to Jimi Hendrix’s Voodoo Child (Slight Return). When we finally succumbed and let them release it as a single, lo and behold, it went ballistic. Adam Devlin's Perspective on the Band's Journey We thought we could write half-decent songs, so we cobbled together a set that would get us on the London circuit. I remember Scott bringing in a faster, simpler version of Slight Return. I fleshed out the guitar parts and put in a guitar solo. Mark worked out the vocal melodies, and we added a coda – the instrumental that fades out at the end, which originally had a sample from Tom Courtenay in Billy Liar, which was all very 60s. We had very different ideas from the record label and thought Can’t Be Trusted should have been the single. By then, I was living in another shared house in Wimbledon that didn’t have a washing machine. I was in the launderette when our manager phoned and said: “You’ve gone in at No 2.” I don’t think we were ready for it being so successful. The Legacy of Slight Return We've been playing it for 30 years. One tour, we’d got so bored with it, we didn’t even play it, which was a mistake because people thought we’d gone up our own arses. We learned our lesson: it’s the song everyone wants to hear. People get confused because Slight Return isn’t actually in the lyrics. I was at a farmers’ market recently when one of the stallholders said: “You were in that band who sang Where Did You Go?” I said: “Yes, but that’s not what it’s called.”

The Incident During the Performance Rosamund Pike has criticised an audience member for texting during the climax of her West End performance, saying she hoped the message was “very important”. After a performance of Inter Alia on Saturday, Pike returned to the stage after the final bows. She told the audience at Wyndham’s theatre in London: “I just wanted to say for anyone going to the theatre, it’s a huge thing that we’re trying to give you. I am trying to tell you a story, and I’m feeling you, and I hope you’re feeling me too.” Pike's Address to the Audience “Somebody was texting in this part,” she said, gesturing towards a section of the audience. “You know who you are and I’m not going to single you out. “Maybe it was very important, and maybe you’re a doctor, and you’re saving someone’s life, and I hope you are, but we do see these, we do feel them. I’ve got you, I feel like I’ve got to hold you all, so when I feel that and see it, it’s hard.” The Growing Trend of Actors Speaking Out Pike joins a growing number of actors who have criticised audience etiquette and phone usage during theatre performances. Last month, Lesley Manville told BBC Radio 4 that audiences should not take photos and videos during curtain calls. “Clap or don’t clap, but don’t just stick up your phone in our faces,” she said, “I find it insulting.” In April, Cynthia Erivo interrupted her performance of Dracula in the West End after spotting an audience member filming the show. During a performance of Hamlet in 2024, Andrew Scott halted the “to be or not to be” soliloquy when he saw an audience member had taken out a laptop to send emails. Background on the Play Pike, 47, won an Olivier award in April for her role as Jessica Parks in Inter Alia. The play follows Parks, a crown court judge dedicated to challenging the legal system’s approach to sexual violence, who is forced to contend with her own son being accused of rape. Inter Alia was written by the Australian playwright Suzie Miller, who also wrote one-woman-play Prima Facie starring Jodie Comer.

The Dance Challenge: A Weekend Immersion As I wait for my first Cuban salsa class to begin, I have the distinct feeling that I am poorly prepared. I'm wearing heavy jeans, a bulky woollen sweater and boots. I have never done a dance class in my life – or any kind of exercise class. I don't know anything about salsa, Cuban or otherwise. Standing alone, I notice that everyone has come with at least one friend, and begin to suspect that it takes two to Cuban salsa. This year, Rising festival – Melbourne's winter arts offering – has consolidated its longstanding dance focus into a mini-festival: the inaugural Australian Dance Biennale, showcasing Australian and international work. There's also a series of dance classes, romantically titled The Land of 1000 Dances, held in the romantically decrepit Flinders Street Ballroom. Running daily until 7 June, with classes costing $29 a pop, the diverse schedule includes Afro-fusion, ballroom, voguing, waltz and K-pop for teens and tweens. From Salsa to Shuffle: A Dancer's Journey As an audience member, I am an avid appreciator of dance; as a participant, I can most kindly be described as "curious" but uncoordinated. What if I went to a bunch of dance classes and then wrote about it? Precisely 24 hours before my first class, the misgivings begin – doing my first dance class while dressed for the show I'm seeing directly afterwards sounds like a bad idea. At the ballroom, I am briefly reassured: the crowd is a diverse mix of ages, genders and bodies, and hardly anyone is wearing dance-appropriate clothing. But the class itself is a blur – sometimes literally – as I try to learn and enact the cucaracha, the guapo and other basic Cuban salsa moves; attempt to locate the beat, my hips, any sense of coordination at all. Every time I feel as though I'm starting to get the hang of something, the instructor adds a new step. Then he corrals us into pairs – and a series of new moves, yelling "change partners!" every three minutes. Going solo, it turns out, is fine: everyone is friendly; many seem as unsure as I am. Some are nailing it but there's a sense of camaraderie: we're all in this together. That said, we're all a bit too sweaty to be holding each other. The Social Dynamics of Dance Classes I move from absolute befuddlement, through occasional moments of triumph, to a sense of quiet despair. A move that involves a 360-degree rotation to an eight-count almost breaks my spirit and I consider quitting. To my surprise, this awakens a latent fighting spirit: screw the rules, I'm doing it my way. I experience brief elation. Then we change partners and I find myself in a cursed duet involving four left feet. The elation shrivels. The class ends and I run to the theatre feeling like a dank, demoralised biohazard. I spend the next hour watching a show by the Irish choreographer Oona Doherty featuring a mix of professional, student and untrained dancers – and I mentally salute them all, with a newfound appreciation for the dark art of dance. Finding Joy in Movement I approach my next class, Melbourne shuffle, with a sense of dread. Not only do I now know how bad I am but I have agreed to be photographed. And I made the choice without knowing anything about the Melbourne shuffle, mistakenly assuming it was somewhere in the ballpark of the city's other great cultural tradition. This feeling I am experiencing, I discover, is known as "endorphins". The physical exertion, the mental focus required, the social connection – it all combines to create a chemical cocktail that makes the experience worthwhile despite the occasional humiliation. By the end of my dance weekend, I haven't become a dancer, but I've gained a profound respect for those who are. The Australian Dance Biennale and The Land of 1000 Dances offer not just entertainment, but an invitation to participate, to challenge oneself, and to discover new dimensions of movement and expression.

The Unexpected DepartureArne Slot has been sacked as Liverpool head coach just 12 months after leading the club to their first Premier League title in 30 years. The Dutchman's departure comes after a disappointing season that saw Liverpool finish in fifth place, with the club making the decision to part ways despite his recent success.A Season of Triumph and TurmoilSlot's tenure at Liverpool was marked by extraordinary highs and significant challenges. After winning the Premier League title in 2025, the team struggled to maintain their form in the following season. The Dutchman's achievements included overcoming the disappointment of Liverpool's previous title success during the pandemic in 2020, which had been marred by COVID-19 restrictions that prevented proper celebrations.Emotional Connection Beyond the PitchIn an open letter to Liverpool fans published in the Liverpool Echo, Slot expressed a profound emotional connection with the club that transcends football. He wrote: "The connection we share goes beyond football, beyond European nights under the Anfield lights or the sound of You'll Never Walk Alone being sung from The." This sentiment reflects the deep bond he formed with the club's supporters during his time in charge.Slot highlighted several significant moments that shaped his connection with Liverpool, including the tragic incident when 134 supporters were injured during celebrations after the title win. He praised the fans' "spirit of compassion and unity" in the aftermath of the attack, as well as their extraordinary response to the death of forward Diogo Jota in a car crash.Legacy and AppreciationThe departing manager took the opportunity to thank players, staff, and the club's owners for their support during his time at Anfield. He expressed pride in Liverpool's 20th league title, which he described as belonging to "all of us" and remaining "an important chapter in its history." Slot's letter emphasized the values upheld by the players and the foundations they have built for the club's future.What's Next for LiverpoolWith Slot's departure, Liverpool now faces the task of finding a new manager to lead the club forward. Reports suggest the club is set to hold talks with Andoni Iraola as they seek a swift appointment. The challenge will be to maintain the club's competitive edge while transitioning to a new leadership style, with Slot having established a strong foundation during his time in charge.

The Environmental Advocate's New MissionEnvironmental activist Erin Brockovich, famous for her legal battle against Pacific Gas & Electric that was dramatized in a film starring Julia Roberts, has turned her attention to data center transparency. Brockovich has launched a new initiative aimed at bringing more openness to data center construction and their impact on surrounding communities.Crowdsourced Data Center Mapping ProjectBrockovich recently unveiled a website featuring a map of data centers across the United States. The map is described as "a work in progress" that includes data centers reported by members of the surrounding community. This grassroots approach allows local residents to document and share information about data center projects in their areas.Community Concerns and Transparency IssuesIn a Substack post, Brockovich revealed that after calling for reports of data center-related issues in April, she received nearly 4,000 submissions in the first month alone. The single most common concern across these submissions was not noise, water usage, or rising utility bills, but rather transparency."The one word that keeps appearing in submission after submission: transparency," Brockovich wrote.Industry Impact and Community RelationsBrockovich clarified that she is not "making a blanket argument against data centers" or AI technology. Instead, her initiative targets specific problematic practices: projects announced after permits are already secured, developers who don't return calls, and local officials who sign non-disclosure agreements before their neighbors even know a project is being considered.This pattern of limited community engagement has created significant friction between data center developers and local residents in many areas where these facilities are being constructed.Future of Data Center Development and Community RelationsBrockovich's initiative comes at a time when data center construction is accelerating to meet growing demand for cloud computing and AI services. Her crowdsourced mapping project may pressure both developers and local governments to adopt more transparent practices in the planning and approval of these facilities.The environmental activist's involvement suggests that community opposition to data centers, particularly when perceived as lacking transparency, could become a significant factor in the siting and approval of future projects.

The Curfew Announcement Ras Baraka, the mayor of Newark in New Jersey, has imposed a curfew on the area surrounding Delaney Hall, the immigration detention centre that has become a flashpoint in the debate over United States President Donald Trump’s mass deportation drive. Escalating Tensions at Delaney Hall The Sunday morning announcement came amid a flare-up in tensions outside the detention centre, which is run by the private contractor GEO Group, as part of a 15-year deal with Immigration and Customs Enforcement (ICE). “Due to the escalating situation at Delaney Hall and the increasing need for police intervention, immediate action is required to protect public safety,” Baraka wrote in a statement. “Multiple individuals have already been arrested and found in possession of weapons, underscoring the seriousness of the threat.” Details of the Curfew As part of the curfew, movement will be restricted within half a mile (0.8km) of the detention centre between the hours of 9pm and 6am US Eastern time (1:00 to 10:00 GMT). A nearby road, Doremus Avenue, will also be closed to pedestrians and vehicles that cannot verify their need to be in the area. The Ongoing Protests and Controversies Since the reopening of Delaney Hall as an immigration detention facility last year, it has been the site of confrontations between law enforcement and protesters, including Mayor Baraka himself. The month of May has seen more than a week of daily protests outside Delaney Hall, after lawyers for the detainees at Delaney Hall announced a hunger strike was unfolding inside. Detainees have denounced the living conditions to human rights groups, reporting expired food, a lack of medical care and abuse at the hands of authorities. The Impact on Protests and Future Actions Governor Mikie Sherrill called for the establishment of designated protest zones, to mitigate the likelihood of conflict between officers and demonstrators. But clashes have continued. Overnight on Wednesday, six protesters were arrested. Politicians themselves have encountered tense interactions at Delaney Hall. A year ago, one protest resulted in trespassing charges against Mayor Baraka and assault charges against US Representative LaMonica McIver, after a disagreement over which officials could enter the facility for an inspection.

The Lead: Iran's Internet Partially Restored Tehran, Iran – Authorities in Iran have reinstated some internet access three months after taking the country offline at the start of the war with the United States and Israel, but restrictions remain in place for most people. The Iranian government said last week that it had started a process to bring internet access back to a pre-war level, which was already very restricted as Iran was at the time still coming off an earlier 20-day shutdown imposed during deadly nationwide protests in January. The World's Longest Internet Blackout Last week's move ended more than 2,000 hours of near-total internet shutdown in the country of 90 million people, the longest-ever nationwide blackout in the world. But according to numerous user reports, local media accounts and expert analysis, Iranians' free access to the global internet is far from restored. Restricted Access and Blocked Services Access to millions of web pages remains blocked by the state, and almost all global services and apps such as YouTube, Instagram, Telegram, WhatsApp, Facebook and Waze are closed off and are not under consideration for reinstatement. Mobile, wireless and landline connections are slow and patchy, to varying degrees, while many local applications and services regularly malfunction or fail to load. The Black Market for Internet Access Most people are forced into a black market for access to the internet, which has proven lucrative for those selling virtual private networks (VPNs) or other circumvention methods, often through affiliations with the state. Those connections have now become cheaper after the authorities restored some internet bandwidth, but demand for VPNs has skyrocketed, and people remain exposed to scammers and malware while navigating the market. The Architecture of Filtering Meanwhile, even after the partial reopening, Iranian authorities continue to impose several complex layers of restrictions that have effectively turned full internet access into a privilege that very few people authorised by the state can enjoy. Many data centres have yet to be fully brought back online, and some internet protocols like IPv6 and HTTP/3 are blocked, while others like UDP are actively disrupted by the authorities, local media reported. Political Conflict Over Internet Policy That has prompted more criticism against Iran's relatively moderate President Masoud Pezeshkian, who campaigned against hardliners, in part, on reopening the internet. The Sazandegi reformist newspaper criticised the government over the "belated opening" in an op-ed on Saturday while the state-linked KhabarOnline news site wrote that the "Internet's technical infrastructure is the victim of the new architecture of filtering". The Tiered-Access Internet System Authorities have also failed to elaborate on what exactly they plan to do with the tiered-access internet system that they began expanding during the war. As part of the system, Iranians get varying degrees of access – or no access at all – to the global internet based on their profession and other classifications made by the state. To implement the scheme, a so-called "Internet Pro" scheme was introduced, which offers slightly less restricted access for about three times the price of a regular, more restricted internet package. Frustration and Limited Normalcy Still, more people have been able to get back on social media, where they have posted more videos from the war, including one that showed a new view as dozens of missiles rained down on the headquarters of Iran's supreme leader in downtown Tehran on February 28. Others are sharing war experiences, including where they were and how they felt when the first bombs hit the capital. But that hasn't alleviated the frustrations for many. "What we have right now is not the internet," said a Tehran resident, who spoke to Al Jazeera on condition of anonymity. "It's a return to the previous half-closed condition that is now being sold as an achievement."