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The Ultimate Literary RankingThe Guardian has unveiled its annual list of readers' top 100 novels of all time, an interactive compilation that reflects the collective literary preferences of thousands of readers worldwide. This democratic approach to literary ranking stands in contrast to more traditional critics' lists, offering a unique perspective on which works have truly resonated with general readers.Interactive ExperienceThe list features an interactive format that allows readers to explore the rankings, discover new works, and perhaps even challenge their own literary preferences. This engagement with the list represents a modern approach to literary criticism that values reader participation and accessibility.Classic Literature's Enduring AppealWhile the complete rankings aren't visible in the provided content, similar lists typically show a strong preference for classic literature. Authors who frequently appear in such rankings often include Jane Austen, Charles Dickens, F. Scott Fitzgerald, and other masters of the novel form whose works have stood the test of time.Cultural SignificanceSuch lists serve as cultural touchstones, reflecting not only literary merit but also the social and historical contexts that make certain works resonate with readers across generations. They can spark renewed interest in older works and introduce readers to classics they might otherwise have missed.The Future of Literary RankingsAs reading habits continue to evolve in the digital age, these reader-generated lists will likely become even more influential. They represent a democratization of literary criticism, giving voice to readers rather than just critics and academics, and may shape publishing trends and educational curricula in the years to come.

The Rise of Middle-earth: Tolkien's Triumph Over Literary ClassicsIn a remarkable shift from established literary canon, JRR Tolkien's The Lord of the Rings has topped The Guardian's readers' poll of the 100 greatest novels published in English, displacing George Eliot's Middlemarch from its previous position. The trilogy, which didn't even feature when authors, critics and academics made their selection, has resonated deeply with readers across the globe, from Uruguay to the Isle of Skye, Albuquerque to Sydney.The Enduring Appeal of Epic FantasyThe Lord of the Rings' victory speaks to its unique ability to connect with readers on a fundamental level. As one Alabama voter noted, the novel contains "profound meaning about the importance of life, sacrifice, the natural world, corruption of power, the evils of war, generosity of spirit." Its influence extends across generations and cultures, with readers from various backgrounds citing its immersive world-building, complex themes, and emotional resonance as reasons for its enduring popularity.The novel's journey to the top is particularly noteworthy given its unconventional publication history. Originally conceived as a single work but published as a trilogy after negotiations between Tolkien and his publisher, the series has transcended its format to become a cultural touchstone. Readers have been drawn to its blend of ancient mythological elements with modern storytelling techniques, creating what one voter described as a world that "still persists in my memory."Notable Shifts in Literary RankingsReaders exercised their power to significantly reshape the literary landscape compared to the previous critics' list. Joseph Heller's Catch-22, which "just squeaked into the first list," has now jumped to the eighth position, ranked higher than established classics like Ulysses, Anna Karenina, and The Great Gatsby. Similarly, David Foster Wallace's Infinite Jest, absent from the original list, now sits in 31st position, sharing its ranking with The Master and Margarita, The Poisonwood Bible, and The Remains of the Day.The list also reveals interesting patterns in reader preferences compared to critics. While Victorian literature maintains a strong presence, with Middlemarch's "consistent showing" and other works by Eliot, Dickens, and Hardy, readers have elevated contemporary works that critics may have overlooked. The enduring popularity of Jane Austen, readers' most nominated writer overall, demonstrates the continued relevance of classic literature in modern reading culture.The Absence of Literary Giants and Changing TastesStaggeringly, the list shows no recognition for work by several male titans of recent American literature—no Bellow, no Roth, no Updike, no DeLillo. This absence highlights the "waxing and waning of reputation" and the "speed with which literary fashion forms and reforms." Similarly, some English novelists who were once central to cultural life—no Iris Murdoch, or CP Snow, or Angus Wilson—failed to make the cut.The list also reveals a notable absence of lighter, humorous works. While Terry Pratchett and Douglas Adams secured places with their respective series, other comedic authors like PG Wodehouse, Nancy Mitford, and Jerome K Jerome were overlooked. This raises questions about how "best" often equates to "serious" or "weighty" literature in critical assessments, despite the inherent value of humor in storytelling.The Future of Literary Canons and Reader InfluenceThis readers' poll demonstrates the power of audience participation in shaping cultural narratives. Unlike previous lists compiled by critics and academics, this one reflects the genuine preferences of a diverse readership, leading to a more eclectic and contemporary selection of works. The inclusion of newer entries like John Kennedy Toole's A Confederacy of Dunces—published posthumously and now sharing the 32nd position—suggests that readers are more willing to embrace overlooked or rediscovered literary gems.As literary tastes continue to evolve, we can expect similar shifts in how we value and rank literature. The enduring popularity of works like The Lord of the Rings, which combines epic storytelling with universal themes, suggests that readers continue to seek narratives that transcend time and place. While established classics will always have their place, the growing influence of reader preferences may lead to a more diverse and inclusive literary canon in the future.

The Lead Doctors, scientists, and researchers shared new research about ways to tackle cancer at the 2026 American Society of Clinical Oncology (Asco) annual meeting, the world's largest cancer conference. Breakthroughs in Cancer Treatment The event in Chicago, attended by 40,000 health professionals, featured more than 200 sessions and 2,700 poster presentations on this year's theme, “the science and practice of translation: improving cancer outcomes worldwide”. Smart Drugs in Cancer Treatment Researchers have developed a smart drug that stops cancer cells hiding. The experimental tablet, GRWD5769, can help shrink tumours by at least 30% in six of the world’s most common forms of the disease, delegates in Chicago were told. 26 of 83 patients with cervical, bladder, liver, bowel, lung or head and neck cancers who were given GRWD5769 alongside cemiplimab had tumour reductions of at least 30%. 15 had tumour reductions of at least 30%. A Daily Pill for Pancreatic Cancer A pill that doubles survival time in patients with pancreatic cancer was presented at the conference. In a trial of 500 patients, all of whom had pancreatic cancer that had spread, the pill, daraxonrasib, doubled survival time, with fewer side-effects compared with chemotherapy. Patients who took the drug lived substantially longer, for an average of 13.2 months, compared with 6.6 to 6.7 months for patients who had chemotherapy. Safely Skipping Some Treatments Some patients can safely skip some treatments, according to research presented at the conference. A genomic test could pave the way for a new era of personalised medicine, enabling doctors to determine which patients can safely skip chemotherapy. The Optima trial, led by University College London, followed 4,000 patients with newly diagnosed breast cancer in the UK, Norway, Sweden, Australia, New Zealand and Thailand. Those with a low score on the genomic test could be treated safely with hormone therapy alone. The Future of Cancer Treatment Urgent action is required to cope with rising cancer cases. The world faces a cancer workforce crisis, experts said, with a shortage of 100 million staff expected by 2050 when 100,000 people will be being diagnosed every day. A 21% increase in cancer incidence is predicted, according to a report presented at the conference. The rate is set to rise from 165 per 100,000 people in 2025 to 200 per 100,000 in 2050.

The Origins of 'Mogging' Until recently, if someone had said "mog" to me, I probably would have assumed they were talking about the children's book cat created by the late great Judith Kerr. If asked about "mogging" or being "mogged," I would have been completely baffled. But for many members of gen Z and gen Alpha (or anyone who is just a bit too online), the slang term, which means to outdo or outshine others, is everywhere. From Manosphere to Mainstream Mogging's origins are in the manosphere, where it began as a verb derived from the acronym "Amog" (alpha male of the group). In misogynistic forums in the 2010s, to "mog" came to mean to outdo someone in terms of sexual desirability. Mogging has been adopted by "looksmaxxing" influencers such as Braden Peters, known online as Clavicular, who encourage men to try to alter their looks – sometimes in extreme ways – to increase their "sexual market value". Such an influencer might talk of "frame mogging" another person in a photo or video – a variation on mogging that specifically refers to being more muscular. The Evolution of Competitive Language Even now, as the term has begun to be used much more widely, and in a tongue-in-cheek way, it is still typically associated with looks (a friend of mine, for example, was described by her boyfriend's younger siblings as "mogging him" in a photo). But increasingly, mogging can mean besting others at basically anything. The gold medal Olympic figure skater Alysa Liu said in an interview last year that her main competition strategy was "to mog", while a 23-year-old colleague of mine tells me that she and her friends joke about "walk-mogging" when they overtake people on the street. Linguistic Analysis of Modern Slang Tony Thorne, director of the slang and new language archive at King's College London, says a lot of new slang terms "have come recently from the same kind of male-based internet culture", referencing the words "simp" (someone who is excessively attentive), "soy boy" (a derogatory term for a man who is not stereotypically masculine) and "sigma" (someone cool and successful). Not to mention "maxxing," now such an established part of the lexicon that it was tweeted by the US Department of Defense earlier this year. The Cultural Impact of Competitive Slang Thorne thinks it is significant that "mogging" in particular has become fashionable at this time. "What it implies – hyper-competitive, hyper-individualist, aggressive selfishness" has become "mainstream behaviour", he says. Which is why Will Adolphy, a psychotherapist who was himself once an ardent follower of manosphere influencers, has concerns about the word. "Part of me can see how it's a kind of handy, even entertaining word," he says. But the idea of mogging "reinforces this sense that there are certain people that will dominate others based off their physical appearance and status", he says. Psychological Concerns About Competitive Language Dr Emily Sehmer, an NHS child and adolescent psychiatrist, worries too about the "constant sense of competition" that concepts such as mogging help to foster, especially for teenagers, who are developing their socio-emotional skills and typically "have a desire to fit in and to get peer approval". Apart from anything else, she adds, wanting to mog someone is "kind of mean, isn't it?" The Ironical Reappropriation of 'Mogging' "I think people are right to be concerned," about the rise in usage of slang that originates from a toxic subculture, Thorne says – and notes that some of his fellow linguists feel uncomfortable about researching it. But, he adds, "mogging" has moved well beyond its origins, and many people who use it now "tend to understand it and laugh at it, and they use it themselves, but ironically". Certainly, plenty of mogging content on social media now has an irreverence to it: such as the trend of posing for the photo on a rollercoaster in order to "mog" the screaming riders next to you. Making what started as an aggressive concept into something very silly pokes fun at the ridiculousness of the manosphere, my younger colleague explains. She shows me a picture of herself on a recent holiday, standing next to a statue of Napoleon, that she sent to a group chat of her friends. The caption? "I mogged Napoleon!"

The Bridge Between Art and ScienceWhy do we find things beautiful? More precisely, why do some paintings of coloured dots in rippling patterns inspire in me something like revelation? The idea that beauty is the feeling you get when encountering truth is unfashionable in the arts, but lingers in the sciences. The physicist Paul Dirac once proposed that it is more important that a formula is beautiful than that it can be proven: when a perfectly beautiful theory produces results that cannot be real, he argued, then we should not discard the theory but reconsider what is real.Since the 1970s, Terry Winters has been rebuilding that bridge between art and science. Taking inspiration from disciplines including botany – his early paintings, particularly, evoke sprouting pods and tangled roots – engineering, computer modelling and cybernetics, his paintings might be understood as diagrammatic approximations of the patterns that govern everything from the division of cells to the constellation of stars. If every era has to renew its standards of beauty to reflect new understandings of how the world is constructed, then Winters comes as close to providing that model as any living painter.Mathematical Patterns in Visual ArtThese eight new works take their titles from the language of geometry and mathematics: Area, Array, Field, Locus, Point, Scope, Sequence and Set. Each is composed of overlapping patterns that pull each other out of shape according to invisible laws of attraction and repulsion. Field is indicative: on a sooty pink ground, a dense grid of dusty blue cells bends inwards like a trampoline beneath a bowling ball, while an intersecting arrangement of larger circles swells outwards. The disorienting effect of this push-pull is exaggerated by an optical illusion, created by ragged phosphorescent orange haloes around the blue circles, that makes them appear to be craters sunk into the crust of paint. You have to walk up to the surface to be reassured that it is flat.Point shows a teeming landscape of cells bulging outwards at the centre, as if a scum of frogspawn had been skimmed off a pond and placed under a paperweight microscope. In Sequence, a storm of pink interference skims through a yellow circle split like a brain into hemispheres, while a nebulous weather system sweeps in from the right. In Scope, vaguely symbolic arrangements of freshwater blue and desert orange nodules move across the familiar circle-within-a-square geometry of Leonardo's Vitruvian Man. Where that famous demonstration of sacred geometries exudes stillness and calm, the systems that run through Winters' worlds are wild and strange. Here, as much importance is given to the subjective factors of perception and consciousness as the objective principles of logic and proportion.Optical Illusions and Sensory ExperienceAll of this should not distract from the pure sensory pleasure afforded by these pictures. In Locus, another optical illusion seems to lift the red edge of the painting off the canvas like a clumsy wooden frame, squeezing the pockmarked sphere at its centre so that it balloons outwards, threatening to burst. The same cadmium red, so sandy that the pigment seems barely to have been suspended in oil, turns carmine pockets into rock formations that climb off the surface of Set. These sleights of hand evoke the more secular movement of op art, in which patterns are manipulated to exploit the idiosyncrasies of human perception rather than to uncover deeper truths. Which begs the question: is this all just a conjuring trick?Rediscovering the Renaissance ApproachThere is something magical about these works. Even though Winters is generally credited with having extended the lineage of modernist American painting into the present, his practice is in this sense pre-modern. In its rejection of the idea that art should be separated from science, it resembles the Renaissance attitude according to which painting is no less a tool for understanding the world than mathematics, and magic is just the name for things we don't yet understand. His commitment to synthesising diverse spheres of knowledge, his alchemist's commitment to materials, and his sheer technical ability certainly mark him out in a scene recently overwhelmed by chancers and charlatans, bandwagoners and snake-oil salesmen. That his work is enjoying a revival might be taken as an encouraging sign.Beauty as a Path to TruthDirac, incidentally, was proved right. He formulated a theory that was so beautiful it couldn't possibly be wrong, even though it implied the existence of phenomena that everyone agreed must be impossible. He stood by it, and a few years later, someone else discovered anti-matter. Winters' paintings likewise offer a flash of those secret patterns that underpin the physical world, and which science has yet to illuminate. Which is to say, they're beautiful.Exhibition DetailsTerry Winters: Along the River is at Modern Art, London, until 11 July

The Heavy Defeat That Changed England's World Cup PathEngland's Lionesses suffered a humiliating 4-0 defeat to Spain in World Cup qualifying, their worst result in 17 years. The comprehensive loss has put their automatic qualification for the World Cup in serious jeopardy, with manager Sarina Wiegman demanding an immediate reaction from her team.Qualification Hanging in the Balance After Spanish DominanceThe match in Mallorca was a turning point in England's qualifying campaign. A win, draw, or even a single-goal defeat would have kept their hopes of topping the group alive. However, Spain's dominance means that even if England wins their remaining match against Ukraine, they could face playoffs due to Spain's superior head-to-head record should Spain also beat Iceland.World Champions Expose England's ShortcomingsWiegman admitted she expected a much tighter contest but was disappointed by her team's performance. The opening goal came via a heavy deflection, but England failed to respond effectively as Spain took control. The Lionesses struggled to maintain possession, create chances, and stay compact defensively, allowing Spain to exploit spaces and run away with the game.Manager's Post-Match Analysis Questions Team's ExecutionFollowing the defeat, Wiegman emphasized the need to analyze what caused such a poor performance against a quality opponent. While acknowledging Spain's quality, she questioned whether her team executed their gameplan effectively. The manager specifically pointed to difficulties in keeping possession, making passes, and maintaining defensive organization as key issues that need addressing.Focus Shifts to Ukraine Despite Playoff LoomDespite the setback and potential playoff scenario, Wiegman stressed the importance of focusing on the upcoming match against Ukraine. She reminded that Spain also has a challenging fixture against Iceland, maintaining that England's immediate priority is to secure a victory. The manager indicated that only after dealing with Ukraine will the team begin preparations for what appears to be a playoff path to the World Cup.

The LeadMina the Hollower transports players back to the golden age of handheld gaming, utilizing a distinctive two-colour pixel art style reminiscent of the Game Boy Color era. However, beneath its nostalgic veneer lies a modern, challenging action-adventure experience that redefines the 'retro' genre.The Signature Burrow-Jump MechanicThe core of the gameplay loop revolves around Mina's signature 'burrow-jump' ability. This mechanic allows players to tunnel underground and spring upward, serving as both a navigational tool and an offensive strategy. The tactile feedback of the button springing back against the thumb creates a satisfying, elastic sensation that is central to the game's feel.Market Positioning and Pricing StrategyPricing: The game is priced at £17.75/$19.99.Duration: Offers approximately 20 hours of gameplay.Value: Positioned as a premium indie title offering significant value through its blend of exploration, combat, and puzzle-solving mechanics.Redefining Difficulty in Retro-Arcade GamesThe game draws heavy inspiration from titles like Dark Souls and Hollow Knight, implementing a permadeath mechanic where players risk losing collected upgrade currency upon death. This 'tough love' approach creates a high-stakes environment where even familiar routes become tense, forcing players to master the mechanics rather than relying on muscle memory alone.The Future of Retro-Inspired Indie TitlesMina the Hollower signals a continued trend where indie developers are using retro aesthetics to tell modern, complex stories. As the market becomes saturated with remasters, titles that innovate within a retro framework—like this one—will likely continue to thrive, proving that vintage magic remains a potent tool for engaging modern audiences.

The Return of Heavy Metal TacticsLiverpool has officially broken the cycle of speculation by appointing Andoni Iraola as the new head coach, replacing Arne Slot. This move is not merely a personnel change but a strategic pivot designed to restore the club's legendary 'heavy metal' attacking identity. The decision comes in direct response to Mohamed Salah’s recent call for a return to a team that 'opponents fear,' suggesting the hierarchy is prioritizing direct action over patient buildup.The Tactical Shift from Possession to PressureThe choice of Iraola indicates a clear departure from the possession-heavy philosophy of his predecessor. While Slot prioritized ball retention, Iraola’s Bournemouth side operated with a much more direct approach. The appointment suggests Liverpool is moving away from the 59.3% possession average of the previous season toward a style closer to 50.1% possession, which is statistically much closer to Jürgen Klopp’s high-intensity pressing model.Comparing the Possession MetricsArne Slot's Liverpool: 59.3% possession average (Top-tier control)Andoni Iraola's Bournemouth: 50.1% possession average (Direct, aggressive style)Restoring the Club's DNAIraola inherits a squad that is arguably stronger than the one Rafa Benítez took to the Champions League final in 2005, but with a mandate to play with the same ferocity. The success of this appointment will likely depend on his ability to adapt to the immense scrutiny of the Anfield job. By choosing a coach who has already proven he can manage a top-tier squad in the Premier League, Liverpool is attempting to fast-track their transition from the Slot era back to the aggressive, trophy-winning style Salah demands.The Managerial Domino EffectThis appointment is part of a wider trend of managerial turnover across Europe. With Marco Silva expected to replace José Mourinho at Benfica, and clubs like Fulham, Manchester City, and Crystal Palace searching for new gaffers, the summer transfer window is shaping up to be defined by speed and adaptation. Liverpool's ability to secure Iraola early suggests they are ahead of the curve in defining their post-Klopp identity.

The Sound of a City in Transition: Emmy the Great’s Cantopop JourneySinger-songwriter Emma-Lee Moss, known professionally as Emmy the Great, has returned to Hong Kong to write her fourth album, driven by a deep personal and historical inquiry into the city's musical heritage. Born to an English father and a Hongkonger mother, Moss left the city at age 11 before the 1997 handover, a pivotal moment that shaped her understanding of displacement and belonging. Her new memoir, My Cantopop Nights, serves as a bridge between her mixed heritage and the city's history, using the genre of Cantopop to decode the emotional and political landscape of Hong Kong.A Personal History Through MelodyMoss’s narrative is not just a music review but a memoir woven through specific tracks that defined eras of her life. Her connection to the music is visceral and personal, often tied to rites of passage. For instance, the haircut she received in 1995 after hearing Aaron Kwok’s 'Love You Endlessly' became a symbol of her transition from a world where Kwok was a 'god' to one where he was unknown. Similarly, Faye Wong’s cover of 'Dream Person' introduced Moss to a subculture of punk and DIY bands during a childhood sleepover, fundamentally altering her teenage identity.Aaron Kwok – 'Love You Endlessly': A career-launching anthem that defined a hairstyle and a generation’s transition.Faye Wong – 'Dream Person': Introduced Moss to Western rock influences and punk culture.The Wynners – 'You're Free': Revealed a family secret where Moss’s father wrote English lyrics for the band.Beyond – 'Boundless Ocean, Vast Skies': A mourning anthem for the band's late singer, Wong Ka Kui, representing underground rock.Sam Hui – 'Half a Catty, Eight Taels': A working-class anthem that resonated with Moss during a period of political fragility in 2017.The Evolution of Cantopop: From Western Covers to Cantonese AnthemsThe article highlights the genre's evolution from a Western-influenced bubble to a distinctively Cantonese art form. The story begins with the Beatles playing in Hong Kong in 1964, sparking a wave of English-language covers. However, Sam Hui is credited with pioneering the shift to Cantonese originals, blending classical Chinese elements with pop sensibilities. Moss notes that Hui’s music, particularly the humorous yet poignant 'Half a Catty, Eight Taels,' offers a critique of the working class similar to Dolly Parton’s '9 to 5,' but grounded in the specific socio-economic context of 1970s Hong Kong.Music as a Mirror of Hong Kong’s Political LandscapeCantopop is portrayed not merely as entertainment but as a historical record of the city's resilience and fragility. Moss observed a surge in music and art in 2017 and 2019 as young people born after the handover sought to understand their identity amidst political insecurity. Songs like Beyond’s 'Boundless Ocean, Vast Skies' became anthems of mourning and underground resistance. Moss argues that the 'story of Hong Kong is the sound of it,' suggesting that the city's history is best understood through its auditory landscape rather than just its street signs or history books.The Enduring Legacy of Cantopop in a Globalized WorldAs Moss reconnects with her roots, she realizes that her independent musical style is deeply rooted in the Cantopop tradition. The genre has proven to be a powerful tool for cultural preservation, allowing the diaspora to maintain a connection to their heritage. By documenting these songs, Moss ensures that the emotional and political nuances of Hong Kong’s past are not lost. The genre continues to serve as a vessel for collective memory, proving that even in a rapidly changing globalized world, the local soundscape remains a vital anchor for identity and history.