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The Visa Breakthrough Iran's World Cup players have been granted visas to enter the United States, a White House official told Reuters on Friday, just 10 days before their first match in Los Angeles. This development comes as a relief to the team, which had been facing uncertainty over their participation in the tournament. Background and Diplomatic Tensions Abolfazl Pasandideh, Iran's ambassador to Mexico, had said late Thursday that the squad had still not received their US visas. However, the White House official confirmed that the visas were granted overnight. This breakthrough allows Iran to participate in the World Cup, which is a significant event for the country's football fans. Logistical Adjustments Iran negotiated a last-minute move of the team's base from Arizona to Tijuana in Mexico due to visa issues and a growing feeling in Iran that the squad's presence in the US should be kept to a minimum. They are scheduled to land in Tijuana early Sunday morning. Upcoming Matches Iran are due to play their first Group G match on 15 June against New Zealand in Los Angeles, where they will then face Belgium on 21 June before taking on Egypt in Seattle on 26 June. Diplomatic Considerations The US has never formally said it did not want the Iran team to stay on its territory, ambassador Pasandideh said. However, secretary of state Marco Rubio told lawmakers Tuesday that the US would not allow Iran to include in their World Cup delegation individuals linked to the Islamic Revolutionary Guard Corps, a powerful branch of the Iranian armed forces. Several players in the Iran squad have completed mandatory military service with the group.

The Standstill on the Front Lines Ukraine's ability to impede the flow of Russian supplies and personnel to the front lines has grown in recent days, from the southern regions of Zaporizhia and Kherson to the eastern front, and has forced the Russian army to a standstill, according to battlefield analysis. Ukraine's Deep Strikes Ukraine has continued to strike refineries and munitions factories deep inside Russia, weakening its war effort. On May 30, it destroyed a ballistic missile launcher and two Tupolev-142 long-range strategic bombers at the Taganrog airbase on the Sea of Azov. On Sunday, it hit the Saratov and Rostov oil refineries, followed by the Ilsky refinery, one of Russia's largest, and the Novoshakhtinsky refinery on Tuesday. The Ballistic Missile Threat Russia produces 120 ballistic missiles a month, Zelenskyy told the Ukraine-NATO Council, twice as many as the Patriot interceptors the United States produces. However, Ukraine intercepted 91.7 percent of the drones and 90.6 percent of the cruise missiles, but only 27 percent of the ballistic missiles, according to its Air Force. Zelenskyy's Open Letter Zelenskyy invited Putin to face-to-face talks, saying that Russia's resources are significantly dwindling and that it won't have enough money and political power to continue buying the loyalty of Russians. He also wrote that ballistics is the last Russian argument in the war. Russia's Deteriorating Situation The Institute for the Study of War, a Washington-based think tank, recently assessed that Russia had made a net gain of just 104 square kilometres (40 square miles) this year. In the past week, it said it had used new evidence to reassess those gains at 40.64sq km (15sq miles), including December 2025, judging that many of the areas previously thought to be Russian-controlled were merely infiltrated and contested.

The Life and Legacy of Anthony Head Anthony Head, the actor best-known for playing Rupert Giles in Buffy the Vampire Slayer, has died aged 72. He passed away peacefully of complications due to pneumonia, surrounded by his family, according to a statement from his daughters Emily and Daisy Head. Early Life and Career Born in Camden, London, Head was raised by artistic parents. His father was a documentary film-maker who founded Verity Films, while his mother was an actor who played Madame Maigret in the 60s BBC crime drama Maigret. His brother was also an actor, best known for his lead role in 1971's Sunday Bloody Sunday. Notable Roles Played Rupert Giles in Buffy the Vampire Slayer Had a recurring role in Little Britain Appeared in the BBC production of Merlin Played roles in films such as The Iron Lady and The Inbetweeners Movie Played Rupert Mannion in Ted Lasso Tributes and Legacy Head's daughters paid tribute to him, saying: "It has been, and forever will be, an honour and a privilege to be his daughters, and to have witnessed first-hand the impact both he and his work have had on so many." They added: "We know how dearly he will be missed by friends, colleagues and fans of the shows he was in – he loved his job very much and he always considered himself incredibly lucky to have been able to work alongside such exceptionally talented people, in such wonderful productions, across a career that spanned several decades."

The Road to the French Open Final Alexander Zverev moved to within one match of a long-awaited first grand slam title as he defeated the Czech 26th seed Jakub Mensik 7-5, 6-2, 3-6, 6-3 to reach the French Open final for the second time in his career. Zverev's Journey to the Final Zverev, the second seed and ATP No 3, will contest his fourth career grand slam final on Sunday. The German player lost his first grand slam final at the 2020 US Open in a fifth set tie-break against Dominic Thiem having led by two sets and served for the match in the fifth. He was then defeated by Carlos Alcaraz here in 2024 and Jannik Sinner in the 2025 Australian Open final. The Match Against Mensik Mensik is a generational talent who will likely compete in the latter rounds of grand slam draws for many years to come. Alongside one of the most destructive serves in the game, the Czech has an impressively complete game; he is an excellent mover with great feel, net play and a sweet two-handed backhand. The Impact of the Win From the moment Sinner, the No 1 and heavy favourite, and the 24-time champion Novak Djokovic were bounced out of this tournament, all eyes shifted to Zverev. He has won titles at all other levels, including Masters 1000 titles, the ATP Finals and an Olympic gold medal, but in the most important moments of the majors has often been punished for his lack of courage. The Future Outlook At the same time that the men’s draw has been a site of total carnage, top seeds falling in the early rounds and the remaining players battling through energy-sapping marathon matches just to hang on, Zverev has used his wealth of experience to take care of business and maintain his momentum. His focus has rarely wavered over the past 12 days. He knows more than anyone that this is an opportunity he cannot afford to miss, one that may never come again, and it seems increasingly likely that he will take it.

The Road to the Final Alexander Zverev moved to the verge of a long-awaited first Grand Slam title as the second seed saw off Jakub Mensik in four sets to reach his second French Open final. The German will face either 10th seed Flavio Cobolli or his fellow Italian Matteo Arnaldi on Sunday after securing a 7-5, 6-2, 3-6, 6-3 victory over Mensik on Friday. Zverev's Journey to Success Zverev has endured several near misses at major tournaments, with three previous final defeats, including against Carlos Alcaraz at Roland Garros two years ago. “This is a Grand Slam, it’s best of five, things are going to happen, opponents are going to play better. I managed it,” said Zverev. “I hope to play another great match on Sunday.” The Match Analysis The world number three was playing in his 11th Grand Slam semi-final and his experience showed against Czech youngster Mensik. The 20-year-old, in the last four of a major for the first time, tired as the match went on as his previous exertions in Paris, including two five-set matches, took their toll. The Impact of Experience Zverev has dealt well with the pressure of being the tournament favourite since the early exits of Jannik Sinner and Novak Djokovic, in the second and third rounds respectively. He will face one last test of his mental strength on Court Philippe Chatrier in two days’ time, but should at least be fresh physically after reaching the final having only lost two sets in six matches. The Future Outlook “Pure emptiness, there’s absolutely nothing in my head,” insisted a smiling Zverev in his on-court interview. “We’re athletes, very few of us have anything in our heads. Sometimes it’s easier to be stupid and not to think too much.”

Saturday's Sports Highlights 11am-7pm (BST): Matchday live for football, including updates on the managerial merry-go-round and transfer news. 11am: England v New Zealand live (cricket) - Day three of the Test match at Lord's. 11:30am: Derby day (horse racing) at Epsom. 2pm: French Open women's singles final - Mirra Andreeva vs Maja Chwalinska. 3pm: Monaco Grand Prix qualifying live. 9pm: Bolivia v Scotland live (football friendly). 9pm: England v New Zealand live (football friendly). Sunday's Sports Highlights 11am: Surrey v Hampshire live (cricket) - County Championship derby clash. 11am: England v New Zealand live (cricket) - Day four of the Test match at Lord's. 1pm: Monaco Grand Prix live. The French Open Women's Singles Final The French Open women's singles final will see Mirra Andreeva face Maja Chwalinska. Andreeva, the Russian eighth seed, has had an impressive run, while Chwalinska, a Polish qualifier, has been in sensational form, rolling through nine consecutive victories. The Monaco Grand Prix The Monaco Grand Prix is set to take place this weekend, with Ferrari's Charles Leclerc looking to end Mercedes' domination on his home streets. Leclerc has a strong connection with the Monte Carlo layout, having driven for Ferrari since 2019 and achieving pole position three times in the past five years. England and Scotland Friendlies England and Scotland are preparing for the World Cup with friendlies against New Zealand and Bolivia, respectively. These matches will be crucial for both teams as they fine-tune their strategies and squads before the tournament.

The Road to the 2026 World Cup Saudi Arabia has qualified for the 2026 World Cup, but their journey has been marked by significant changes. Hervé Renard was fired as head coach in April and replaced by Georgios Donis, who had to pick his squad without overseeing a game. Donis, a Greek winger formerly of Blackburn, has coached four Saudi Pro League clubs and knows the league and players, which is why he got the job. His first competitive game as head coach will be against Marcelo Bielsa and Uruguay. The Coach's Challenge Donis faces a tough task in preparing his team for the World Cup. The team's previous coach, Hervé Renard, had a successful stint from 2019 to 2023, overseeing a famous win against Argentina at the Qatar World Cup. However, his second spell was underwhelming, and the team scraped through qualification. Star Player: Salem Al-Dawsari Salem Al-Dawsari is Saudi Arabia's star player. The Asian Player of the Year scored the winning goal against Argentina in 2022 and has consistently been one of the stars of Al-Hilal, cutting in from the left to maximum effect. One to Watch: Musab Al-Juwayr Musab Al-Juwayr is 22, but has already made more than 30 appearances for the Green Falcons. More is still expected of the creative midfielder who won the Saudi Pro League’s Most Promising Player award last season for his vision, passing skills and ability to slow things down when others are rushing around. Unsung Hero: Firas Al-Buraikan Firas Al-Buraikan is an important player for Saudi Arabia. Saudi strikers get a bad press, but Al-Buraikan has scored goals when given time and opportunities. He hasn’t quite become the undisputed No 9 for his country that many expected, but never stops working or running. Probable Starting XI The probable starting XI for Saudi Arabia includes: Goalkeeper: Mohammed Al-Owais Defenders: Omar Hawsawi , Ali Al-Bulaihi , Hassan Kadesh , Saud Abdulhamid Midsfielders: Nasser Al-Khateeb , Abdullah Otayf , Salman Al-Faraj Forwards: Salem Al-Dawsari , Firas Al-Buraikan , Moussa Marega What to Expect from Fans at Games Saudi Arabian fans are expected to be well-represented at the World Cup, with ticket sales described as “steady” from fans in the country and with the Saudi community in the United States. There should be a few thousand in Miami, Atlanta and Houston. Relationship with the US/Trump Saudi Arabia has a close relationship with the US, being one of President Trump's favourite countries. However, Saudi Arabian players and staff don't make political statements as a matter of course.

The Art of Storytelling in Music Aлина Ibragimova and Cédric Tiberghien get their Beethoven cycle off to a flying start with zesty accounts of the Op 12 set alongside the evergreen Spring Sonata. They perform on period instruments – she, a 1570 Amati violin; he, a replica 1794 Walter fortepiano – but there’s nothing academic about these fresh-as-a-daisy interpretations. Musical Chemistry and Technical Prowess Among the Op 12, the D major sonata crackles with an almost capricious theatricality. One moment they are teasing, the next goading each other into greater feats of athleticism. Ibragimova explores the widest of dynamic ranges, accompanied by Tiberghien, whose quicksilver right hand is matched by a percussive left that would give a timpanist a run for his money. Amiable and High-Spirited Performances The amiable E flat major is no less high-spirited, with violinist and pianist taking turns as metrical powerhouse or silken melodist. For all their vigour, there’s a shapely elegance here, ensuring the music sounds neither remorseless nor brittle. As for the sunny A major sonata, only the stoniest of hearts could fail to be charmed by their buoyant optimism. The Spring Sonata's Nature Imagery The Spring Sonata’s nature imagery brings out their gift for storytelling, with back-and-forth birdcalls in the opening movement caught seemingly on the wing. Ibragimova virtually moos in the gently ruminative adagio. From chuckling scherzo to sauntering rondo finale, each phrase feels considered and sculpted accordingly without any loss of spontaneity.

The Enchantment of The Sorcerer's ApprenticeIf you catch a young audience member at just the right moment, when they are old enough to be fully engaged but not so old that the sharp edges of teenage cynicism have begun to slink into view, you can make them truly believe in the magic of theatre. The Sorcerer's Apprentice is the kind of show that will make them – and possibly some adults – believe in magic.A Master Magician's Theatrical VisionTo begin by praising the lighting design may seem odd, but this is one of the most effectively lit pieces of theatre you might see. Lighting designer Simon Bond's barn doors, gels and gobos are integral to creating the many illusions on the stage. Director Paul Bosco McEneaney was a magician before turning his hand to theatre directing and he empties out a bag of tricks on to the stage of the jewel-like Buxton Opera House.Gunda (Philippa O'Hara), our narrator, begins by conjuring a village of 100 wooden houses out of thin air, the village stretching up into the darkness, the first of many impressively created stage images from designer Diana Ennis. Much of the story is simply told by Gunda; when it is occasionally sung, Fiona O'Kane and Neve Hutchinson's score adds to the mystical quality of the storytelling.The Technical Wizardry Behind the MagicThe production showcases an impressive array of technical achievements that bring the story to life. The sorcerer appears in the form of an owl – you will believe he flies on to and around the stage with actual wind in his wings before taking on human form. For fans of the Disney version of this story, there is a moment in which an army of brooms fly around the stage.But there is so much more to this stage adaptation, a co-production between the Northern Irish company Cahoots and Buxton Opera House. The tricks include levitation, shape shifting, things – and people – appearing out of nowhere. Entrances and exits provide little challenge for this director. Holding it all is a simply told, effective narrative.The Revival of Traditional Theatre MagicIn an era dominated by digital effects and high-tech spectacles, The Sorcerer's Apprentice represents a return to traditional theatrical magic. The production demonstrates that with clever design, skilled performers, and imaginative direction, live theatre can create illusions that captivate audiences in ways that digital media often cannot.This collaboration between Cahoots and Buxton Opera House highlights the growing trend of regional theatres partnering with specialized companies to create unique productions that might not otherwise be possible. Such partnerships are breathing new life into the regional theatre scene across the UK.The Future of Theatrical IllusionAs The Sorcerer's Apprentice continues its run at Buxton Opera House until June 6, it sets a high bar for future productions seeking to blend storytelling with technical wizardry. The success of this production suggests that there is a significant appetite for theatre that celebrates the art of illusion and magic.We can expect to see more productions that blur the line between magic and theatre, as directors with backgrounds in magic bring their unique skills to the stage. This fusion of disciplines represents an exciting frontier in theatrical innovation that could redefine what audiences expect from live performance.