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Lead: A Raw, Rugged Country‑Rock Debut from Jazz Saxophonist Zoh AmbaVeteran free‑jazz saxophonist Zoh Amba steps out of the improvisational realm with ‘Eyes Full’, a country‑rock record that feels both bruised and beautiful. The album opens with the track “OCD”, where a twinkling guitar riff gives way to a chaotic, blustering strum that mirrors the lyrical theme of a boy “diagnosed with ‘dreamin’ all the time’”.From Free Jazz to Country Rock: The Musical PivotAmba’s hometown of Kingsport, Tennessee informs the record’s lyrical landscape, with cryptic postcards recalling childhood memories. While Amba is best known for saxophone virtuosity, the new material showcases a vocal approach as daring as their instrumental work—pushing past breaking points, cracking, whinnying, and squeaking to convey raw emotion.Tracks like “Southern Soil” echo the intensity of indie folk acts such as Bright Eyes and Big Thief, while “Weed Eating” balances feral humour with despair, and “Blueberry Thorn” offers a dusty fiddle that feels as piercing as literal thorns.Why “Eyes Full” Reshapes the Indie Country LandscapeThe album’s blend of gritty guitar work and tender lyricism challenges the conventional boundaries of indie country, suggesting that genre‑fluidity can thrive when an artist brings the same fearless improvisation from jazz to a new sonic field. By marrying experimental aggression with heartfelt storytelling, Amba creates a template for future cross‑genre explorations.Looking Ahead: What This Shift Means for Amba’s Future and the GenreIf “Eyes Full” resonates with listeners, it could open doors for Amba to oscillate between jazz and country‑rock, perhaps even spawning collaborations that further blur genre lines. For the broader indie‑country scene, the record signals that authenticity rooted in personal history can coexist with avant‑garde experimentation, encouraging other artists to take similar bold detours.

The Connection Between Ebola and Deforestation For decades after the discovery of Ebolavirus in 1976, outbreaks of the disease were relatively small and contained, affecting a few hundred people at most. However, in recent years, outbreaks of Ebola have been much larger, affecting thousands and even tens of thousands of people across multiple countries. The Role of Mineral Extraction in Deforestation The conventional explanation for the increased spread of Ebola has to do with larger and more interconnected human populations. However, a more fundamental driver is the transformation of the underlying ecology of Ebola, which is being re-made, in part, by the rising global hunger for minerals to power the hi-tech economy. The increasing demand for minerals such as cobalt and gold, essential for smartphone production, is driving deforestation in the Congo basin. The Data Analysis: Deforestation and Ebola Incidence With each per cent increase in deforestation in Central Africa, the incidence of malaria and Ebola spikes by 20% to 40%. The 2014 Ebola epidemic was preceded by the loss of 85% of the forest cover in the south-west corner of Guinea, where the outbreak began. The current outbreak of Bundibugyo Ebola fits the pattern, too, being preceded by a record loss of 1.5m acres of Congo basin rainforest in 2024. The Impact Analysis: Broken Ecologies and Pandemics The hunt for minerals alters the ecology of Ebola in peculiar ways that juice the pathogen's ability to spread among us. When people expand their farms, they generally push into forests from the edges. Those who seek minerals, in contrast, plunge deep into the core of the forest. The rising price of minerals attracts people from all over, including those who don't enjoy the acquired immunity of regular forest-dwelling people. The Prediction: Preventing Future Pandemics It's only the third and relatively ignored pillar of policymaking around pandemics that can: preventing the broken ecologies that drive novel pathogens into human populations in the first place. That will mean more attention to the health of ecosystems such as the forests of the Congo basin, and how its minerals might be inside the smartphone tingling in your pocket.

The Comeback That Never MaterializedJust over a year ago, Lizzo appeared on Saturday Night Live, announcing a new album called Love in Real Life in grandstanding style. Wielding an electric guitar, clad in a Trump-baiting T-shirt that read Tariffied, she performed its title track and two other new songs, Still Bad and Don't Make Me Love U. As with her appearance earlier the same week on a late night talkshow – during which she ran into the audience to high-five fans who were yelling "we love you Lizzo!" – it looked very much like a defiant comeback, fit to drag her out of the controversy that erupted at the end of her hugely successful 2023 world tour. Three former backing dancers and a costume designer filed lawsuits against the singer alleging harassment and discrimination: damaging claims given how Lizzo's songs have preached a message of inclusivity, body positivity and self-confidence. Some of the allegations were dismissed by a judge but others are ongoing; Lizzo has refused to settle out of court, saying: "I'm fighting the case because I know that it's not true."The Album That Never WasBut the Love in Real Life single, a pivot towards rock that owed a little to Tom Petty's American Girls – or the Strokes' American Girls-indebted Last Nite if you prefer – failed to make the charts, a far cry from the period between 2018 and 2022 when Lizzo's singles seemed to go multi-platinum as a matter of course. The same fate befell Still Bad, a track much more in the vein of her big hits, prompting a rethink. The album was pulled, Lizzo apparently taking control of her own destiny – "I need to do shit my way". A mixtape that returned her more-or-less to where she started, before pop stardom came calling – punchy hip-hop, albeit tricked out with guest appearances from Doja Cat and SZA – appeared in its place: My Face Hurts from Smiling received mixed reviews and underwhelming streaming figures.A Career at a CrossroadsAll of which means that Bitch, her fifth album proper, lands at a deeply peculiar juncture in Lizzo's career. Given that the public apparently don't want her going rock, nor rapping in the style of her 2013 debut Lizzobangers, nor indeed making the kind of music they were buying in their millions three years ago, the question of what they actually do want has presumably hung heavy over its making.Musical Identity CrisisLizzo hasn't come up with a definitive answer. Bitch tries a bit of everything, from pastiching Tame Impala on Happy 2 Be to making clipped new-wave rock decorated with Cure-like guitars on She Stole My Man; Sexy Ladies is a girls-night-out-soundtracking reiteration of the old body positivity message. This scatter-gun approach makes Bitch a disjointed listen.The Subdued ToneMoreover, there's something oddly subdued about its tone, whether it's dabbling in 80s retro – Don't Make Me Love U brings to mind the arena-rousing keyboard hook from Tina Turner's The Best, but renders it into a distant, affectless backing vocal – or delving into jazzy R&B; on Too Nice. The vibraphone-heavy beat on the latter is fantastic, rich in small-hours atmosphere, but the actual song feels nondescript: it only really comes to life in its dying moments, when Lizzo stops singing and starts playing a flute solo. The title track interpolates the chorus from Meredith Brooks' 1997 pop-grunge hit of the same name, but somehow flattens it in the process. Crooned over smooth, G-funky R&B;, it feels stripped of its fiery power, less of a snarl and more of a shrug.Equivocal LyricsThe lyrics often seem similarly equivocal. You don't want for apparent references to Lizzo's recent woes – "I hope it makes you happy to hurt somebody else", "the thing about depression, you think your life is over", "you'd still be working at the mall if it wasn't for me" – but they ultimately feel neither pugilistic nor racked, just confused and sore: "I have feelings too," she sings on piano ballad A Toast.Highlights Amidst the StruggleNot everything here is underwhelming: Whose Hair Is This is a great southern soul pastiche, home to an impressively raw vocal and a snappy plot twist at the end of the lyrics; That Grrrl employs an old-school Chicago house bassline to energising effect. But what's definitely lacking is an unequivocal pop smash, the kind of thing that Lizzo once seemed to be able to write to order.A Changing Cultural LandscapePerhaps that's inevitable. One of the reasons Lizzo hit so big in the first place was that she made pop music that perfectly captured a zeitgeist, and that zeitgeist has moved on: the era of body positivity has been displaced by the era of Ozempic and Mounjaro; the kind of post-pandemic, post-Trump optimism embodied on 2022's About Damn Time now sounds like a transmission from a distant lost age. We're living in a different world now, and Bitch suggests Lizzo has yet to work out how to respond to it: "I'm doing my best," she sings on A Toast, which feels like the most telling lyric of all.

The Lead Microsoft has announced new measures to tighten human rights controls when working with national security agencies after an inquiry into the Israeli military's use of its cloud technology for mass surveillance of Palestinians. Microsoft's Inquiry and New Measures The inquiry was launched last year in response to a Guardian investigation with Israeli-Palestinian publication +972 Magazine and Hebrew-language outlet Local Call, revealing how the Israeli military used Microsoft's cloud to store a vast trove of intercepted Palestinian phone calls. Microsoft terminated the Israeli military's access to cloud and AI services used to support the surveillance project after initial findings showed its spy agency, Unit 8200, had violated the company's terms of service. The Data Analysis Microsoft's inquiry found that Unit 8200 had used Microsoft's Azure cloud platform to operate an indiscriminate system that allowed its intelligence officers to collect, play back and analyse the content of millions of Palestinian cellular phone calls every day. The company has previously said senior executives such as its chief executive, Satya Nadella, were unaware Unit 8200 was using Azure to store intercepted Palestinian communications. The Impact Analysis The revelations prompted concerns at a senior level within Microsoft that some employees at its Israeli subsidiary had not been fully transparent with headquarters about their knowledge of how Unit 8200 used the company's technology. Sources familiar with the inquiry said it had examined how some of Microsoft's Tel Aviv-based employees had felt conflicting loyalties between their obligations to the company and their support for the Israeli military after the Hamas-led 7 October attacks on southern Israel. The Prediction Microsoft has said it will adopt a series of recommendations intended to improve the "effectiveness of our human-rights governance". The company will examine how it manages security clearances "in certain countries" and "make changes to ensure that our employees understand how to navigate security clearance requirements as part of their work for Microsoft". The new measures include periodic reviews to check whether Microsoft's acceptable use policies are being followed by customers when there are "new political circumstances or changes to sensitive projects", as well as steps to strengthen human-rights due-diligence processes in "conflict-affected and high-risk areas".

Authors and Readers Share Their Favorite Reads of May In a recent article, The Guardian shared recommendations from writers and readers on the books they enjoyed in May. The list includes a diverse range of titles that have captured the hearts of readers. Recommendations from Madeleine Thien Madeleine Thien, author of 'The Book of Records', shared her favorite reads, including: Dorothy Tse's 'City Like Water', a novel translated from Chinese by Natascha Bruce Karen Hao's 'Empire of AI' Hsiao-Hung Pai's 'Scattered Sand: The Story of China's Rural Migrants' Hannah Lillith Assadi's 'Paradiso 17' Michael Ondaatje's selected poems, 'The Distance of a Shout' Stephen's Recommendation Stephen, a Guardian reader, recommended: Francis Spufford's 'Nonesuch', a mystical and captivating read set in early wartime London Sufiyaan Salam's Recommendations Sufiyaan Salam, author, shared his favorite reads, including: Monika Radojevic's 'Strangerland', a story about immigrant parents' love story in pre-smartphone London Alan Moore's 'From Hell', a graphic novel weaving together London's past, present, and future The Oxford Shakespeare, for its insight into the playwright's life and times Sue's Recommendation Sue, a Guardian reader, recommended: Lisa Ridzén's 'When the Cranes Fly South', a moving story about love, friendship, and the end of life

The Lead: Trump's Wartime Coal Funding InitiativePresident Donald Trump is utilizing the Defense Production Act, a cold war-era statute typically reserved for national emergencies, to allocate $700 million in grants to coal-fired power plants across the United States. This move represents the latest effort by the administration to bolster what Trump calls "clean, beautiful coal," despite scientific consensus that coal remains the dirtiest of fossil fuels and a leading contributor to climate change.The Defense Production Act: A Novel Application for CoalTrump's announcement came during a White House press conference where he detailed how the $700 million investment would protect 14 coal plants and 42 coal mines across 10 states that all voted for him in the previous election. The funds will also finance the construction of two new coal plants in Alaska and West Virginia, as well as a new coal export terminal in Oakland, California, and the restart of an existing facility in Maryland."As a result of the $700m investment that I'm announcing today, we will protect 14 coal plants and 42 coalmines, a tremendous number, and build two new coal plants and one massive new export terminal," Trump stated.The administration's attempts to provide a cuddly rebranding to coal have even extended to creating a new mascot with giant eyes, called Coalie, and gushing social media posts that include an image of a lump of coal wearing sunglasses as if it were on the TV show Love Island."You're not allowed to say 'coal' within the Trump administration unless it's preceded by the words 'clean, beautiful,'" Trump said on Thursday. "Complicates our life, but it's good."Financial Implications: Cost of Coal vs. RenewablesDespite Trump's claims that the initiative will lower energy costs, energy experts maintain that coal plants are more expensive to build and operate than renewable power sources. The administration has previously doled out hundreds of millions of dollars to the coal industry, signed orders forcing ratepayers to pay extra for aging plants to remain operational, and dismantled environmental regulations limiting toxins from coal.The coal industry, however, applauded the new order, with Rich Nolan, chief executive of the National Mining Association, arguing that "coal generation shields consumers from the impacts of volatile energy prices and supply challenges" and will help meet increased electricity demand from the artificial intelligence sector.Environmental and Health ConsequencesEnvironmental groups have strongly criticized the administration's latest aid for coal, with Patrick Drupp of the Sierra Club calling it "disgusting and reprehensible" that taxpayer dollars are being given to "deadly and expensive coal plants that will make Americans sicker and drive up electricity prices even more."Scientific evidence shows coal is the most carbon-dense fossil fuel and a leading cause of the climate crisis when burned. Research has estimated that as many as 460,000 deaths in the US from 1999 to 2020 were attributable to air pollution from coal plants alone, which releases tiny toxic particles that sicken miners and trigger widespread respiratory and heart health problems.Future Outlook: Coal's Declining Market ShareDespite Trump's efforts to revive the coal industry, the sector continues to face significant headwinds. US coal production is currently less than half of what it was in 2008, with coal declining as both a fuel for electricity and as an input for manufacturing materials. The number of people working in coal has declined by more than 90% in the past century, with more people now employed at Waffle House restaurants across the US than in coal mining.Environmental advocates question the long-term viability of Trump's coal strategy, with Kit Kennedy of the Natural Resources Defense Council asking, "What's next, a taxpayer bailout to build new phone booths?" She characterized the move as "going to mean higher bills and dirtier air," calling it "a waste" of taxpayer resources.

The Court Intrusion and Lifetime BansThe NBA has taken decisive action against fans who violated the sanctity of the court during Game 1 of the NBA Finals. In a statement released on Thursday, the league announced that two individuals would receive lifetime bans from all NBA arenas after a fan ran onto the court holding his phone above his head during the fourth quarter. The individual approached Spurs star Victor Wembanyama and attempted to take a selfie with him while security personnel moved in to escort the fan out of the arena.Wembanyama's Reaction to the Unprecedented MomentVictor Wembanyama, the Spurs' rookie sensation, expressed bemusement rather than being shaken by the unusual incident. "I've never been in that situation," Wembanyama said. "I didn't know how to act. It really surprised me, almost as much as that time when a bat crossed the court." The Spurs' coach Mitch Johnson indicated that the incident did not factor into his team's performance down the stretch, as the Knicks ended on an 11-0 scoring run to secure victory.The Brunson Incident Under League ScrutinyIn a separate case drawing attention, the NBA is investigating an incident involving New York Knicks star Jalen Brunson. According to ESPN reports, Brunson became upset after an interaction with fans during the fourth quarter of his team's 105-95 victory over the San Antonio Spurs. The Knicks guard spoke with officials during and after the game, though the specific nature of the fan interaction remains under review by league officials.Brunson's Performance Amidst ControversyDespite the off-court distractions, Brunson delivered a standout performance in Game 1, finishing with 30 points, with 13 of those coming in the crucial fourth quarter. This season, Brunson has faced criticism from some fans who have accused him of "flopping" to win fouls, adding another layer of complexity to his relationship with certain fanbases as the Knicks advance in the finals.Series Continues with High StakesThe NBA Finals continue to intensify as the series shifts between San Antonio and New York. Game 2 is scheduled for Friday night in San Antonio before the series moves to New York for Monday's Game 3. The league's swift response to the court intrusion and ongoing investigation into the Brunson incident highlight the NBA's commitment to maintaining order and player safety during the championship series.

Lead: Phone‑Free Immersion Becomes a Transatlantic PolicyWhen the Pulitzer‑winning play ‘Liberation’ transferred from New York to London, its producers announced that audience members must lock their mobile devices in magnetic pouches for the duration of the show. The policy, originally introduced to protect actors during a vulnerable nude scene, now serves as a flashpoint in the ongoing conversation about audience behaviour in UK theatres. London Production of ‘Liberation’ to Enforce Phone‑Pouch PolicyProducer Eva Price told The Guardian that the intention is to replicate the Broadway “pouch” system at the upcoming London run. Spectators will scan their tickets, receive a Yondr‑manufactured pouch sealed with a magnetic strip, and be unable to open it until intermission or after the curtain call. Staff will control access, assuring patrons that emergencies can be addressed. Five Tony Nominations Elevate the Stakes‘Liberation’ is nominated for five Tony awards, underscoring its critical acclaim and commercial expectations.The heightened profile amplifies scrutiny of any audience‑experience changes, including the phone‑ban. Implications for Audience Etiquette and UK Theatre PolicyThe decision arrives amid recent controversies, such as Rosamund Pike confronting a phone‑using audience member during Inter Alia and former Royal Court director Ian Rickson calling for outright bans. While many actors welcome the “communal experience” the pouches create, theatre owners remain wary of alienating patrons who expect to capture moments, especially during curtain calls. Future of Mobile Restrictions in Live PerformanceIndustry insiders predict a split approach: productions with intimate or vulnerable scenes may adopt Yondr‑style pouches, whereas shows like the upcoming jukebox musical Titanique will actively encourage phone use for encores. The balance between protecting artistic integrity and catering to social‑media‑driven audiences will likely shape policy decisions across London’s West End in the coming years.

Hello Robot released Stretch 4 in May 2026, a $30,000 home‑assistant robot designed to operate safely in everyday houses. By focusing on deployment rather than speculative AI, the startup hopes to create a data‑rich, user‑centric platform that could accelerate practical robotics for people with mobility challenges. Stretch 4: A Home‑Focused Assistant with a Human‑Sized Torso Built in Martinez, California, the robot features a sensor‑laden head, a telescoping arm with pinchers, and an omnidirectional wheeled base. Its design deliberately avoids full autonomy; a human‑in‑the‑loop model lets users like Keith Platt control tasks via a voice‑operated iPhone app, turning a two‑hour manual routine into a few‑minute operation. Human‑sized torso with sensor‑rich head Telescoping arm with dual pinchers Heavy, omnidirectional base for stability Battery‑low indicator lights that “look angry” Pricing, Production Scale and Early Sales Stretch 4 retails for $30,000, positioning it slightly above Chinese competitors that often lack integrated sensors and software. Hello Robot plans to manufacture 200‑300 units at its Martinez facility, and the first production run sold out within weeks. Price: $30,000 per unit Target volume: 200‑300 robots per batch First batch: sold out pre‑launch Shipping: fits in a cardboard box via UPS/DHL Why Real‑World Deployment Beats Lab‑Only Robotics Investors and analysts, including Bullhound Capital, argue that the true moat in robotics is “accumulated operating hours under real‑world liability.” Deploying Stretch in homes generates site‑specific data that simulation cannot replicate, addressing the current scarcity of useful training data for physical AI. Real‑world feedback loops improve reliability faster than pure simulation. Data collected in homes fuels next‑generation AI models. Safety‑first approach mirrors Waymo’s path to market leadership. The Path to Wider Adoption of In‑Home Robots With adaptive‑technology users like Platt already achieving independence—serving a protein shake in minutes—the robot demonstrates life‑changing potential for people with mobility challenges. Future iterations aim to lower cost, reduce limb weight, and expand autonomous capabilities while keeping the human‑in‑the‑loop philosophy. Goal: sub‑$20,000 price point in the next generation. Focus: lighter limbs, improved balancing, richer sensor suites. Long‑term vision: seamless robot‑human collaboration in everyday households.