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The Comeback That Never MaterializedJust over a year ago, Lizzo appeared on Saturday Night Live, announcing a new album called Love in Real Life in grandstanding style. Wielding an electric guitar, clad in a Trump-baiting T-shirt that read Tariffied, she performed its title track and two other new songs, Still Bad and Don't Make Me Love U. As with her appearance earlier the same week on a late night talkshow – during which she ran into the audience to high-five fans who were yelling "we love you Lizzo!" – it looked very much like a defiant comeback, fit to drag her out of the controversy that erupted at the end of her hugely successful 2023 world tour. Three former backing dancers and a costume designer filed lawsuits against the singer alleging harassment and discrimination: damaging claims given how Lizzo's songs have preached a message of inclusivity, body positivity and self-confidence. Some of the allegations were dismissed by a judge but others are ongoing; Lizzo has refused to settle out of court, saying: "I'm fighting the case because I know that it's not true."The Album That Never WasBut the Love in Real Life single, a pivot towards rock that owed a little to Tom Petty's American Girls – or the Strokes' American Girls-indebted Last Nite if you prefer – failed to make the charts, a far cry from the period between 2018 and 2022 when Lizzo's singles seemed to go multi-platinum as a matter of course. The same fate befell Still Bad, a track much more in the vein of her big hits, prompting a rethink. The album was pulled, Lizzo apparently taking control of her own destiny – "I need to do shit my way". A mixtape that returned her more-or-less to where she started, before pop stardom came calling – punchy hip-hop, albeit tricked out with guest appearances from Doja Cat and SZA – appeared in its place: My Face Hurts from Smiling received mixed reviews and underwhelming streaming figures.A Career at a CrossroadsAll of which means that Bitch, her fifth album proper, lands at a deeply peculiar juncture in Lizzo's career. Given that the public apparently don't want her going rock, nor rapping in the style of her 2013 debut Lizzobangers, nor indeed making the kind of music they were buying in their millions three years ago, the question of what they actually do want has presumably hung heavy over its making.Musical Identity CrisisLizzo hasn't come up with a definitive answer. Bitch tries a bit of everything, from pastiching Tame Impala on Happy 2 Be to making clipped new-wave rock decorated with Cure-like guitars on She Stole My Man; Sexy Ladies is a girls-night-out-soundtracking reiteration of the old body positivity message. This scatter-gun approach makes Bitch a disjointed listen.The Subdued ToneMoreover, there's something oddly subdued about its tone, whether it's dabbling in 80s retro – Don't Make Me Love U brings to mind the arena-rousing keyboard hook from Tina Turner's The Best, but renders it into a distant, affectless backing vocal – or delving into jazzy R&B; on Too Nice. The vibraphone-heavy beat on the latter is fantastic, rich in small-hours atmosphere, but the actual song feels nondescript: it only really comes to life in its dying moments, when Lizzo stops singing and starts playing a flute solo. The title track interpolates the chorus from Meredith Brooks' 1997 pop-grunge hit of the same name, but somehow flattens it in the process. Crooned over smooth, G-funky R&B;, it feels stripped of its fiery power, less of a snarl and more of a shrug.Equivocal LyricsThe lyrics often seem similarly equivocal. You don't want for apparent references to Lizzo's recent woes – "I hope it makes you happy to hurt somebody else", "the thing about depression, you think your life is over", "you'd still be working at the mall if it wasn't for me" – but they ultimately feel neither pugilistic nor racked, just confused and sore: "I have feelings too," she sings on piano ballad A Toast.Highlights Amidst the StruggleNot everything here is underwhelming: Whose Hair Is This is a great southern soul pastiche, home to an impressively raw vocal and a snappy plot twist at the end of the lyrics; That Grrrl employs an old-school Chicago house bassline to energising effect. But what's definitely lacking is an unequivocal pop smash, the kind of thing that Lizzo once seemed to be able to write to order.A Changing Cultural LandscapePerhaps that's inevitable. One of the reasons Lizzo hit so big in the first place was that she made pop music that perfectly captured a zeitgeist, and that zeitgeist has moved on: the era of body positivity has been displaced by the era of Ozempic and Mounjaro; the kind of post-pandemic, post-Trump optimism embodied on 2022's About Damn Time now sounds like a transmission from a distant lost age. We're living in a different world now, and Bitch suggests Lizzo has yet to work out how to respond to it: "I'm doing my best," she sings on A Toast, which feels like the most telling lyric of all.

The Encounter with the 'Queen of Trees' I breathe in the bluebells as a blackcap sings. At the crescendo, a flash of yellow breaks up the blue – a brimstone butterfly flies up to my face, then moves back, approaches, then draws back, repeating the fluttered action until I follow. A Moment of Connection in the Forest Together, we weave through fresh-scented firs before my companion flits away and I realise that I have come further into the forest than intended. My feet start to throb and the wind, as the sky grows overcast, brings a chill. I see the leaves of a vaulted canopy stir overhead and feel the softest carpet of fallen catkins underfoot. Although the threat of rain urges me forwards, a tree, an imposing common beech, makes me stay. The Majesty of the Common Beech Looking up through the domed crown, I think of the beech’s moniker as the queen of British trees. The long-living, high‑growing beech can grow over 40 metres tall and – with age, perhaps spanning multiple centuries – provide habitats for deadwood specialists like wood‑boring insects and hole‑nesting birds. This tree’s girth speaks of a long life that I find myself imagining; how many winds have run through the leaves, how many birds have been held in the branches, how many foot‑sore humans have found relief sinking into fallen catkins? A Shared Moment with a Tawny Owlet Thinking myself alone, it takes a confused moment to disentangle my eyes from another’s, to realise that – deep in the tree’s crevice – a tawny owlet is watching me. My eyes take small circuits around the white patches of the bird’s face: first the beak, then over the left eye, the right, then back again. I blink. It blinks. I blink. It blinks. We are reaching some kind of accord. A Peaceful Goodbye I move back a little and wait. Every now and then, its eyes meet mine. It blinks. I blink. It would be easy to fall asleep, as no doubt it was before my approach. But I know that I cannot stay. As I edge away, I mutter thanks to the brimstone for taking me on a different route, for leading me to this sheltering beech and the secrets that it keeps.

The Lead: Knicks' Historic Finals Return Echoes Inside Rikers IslandOn 3 June 2026, as the New York Knicks stepped onto the court for Game 1 of the NBA Finals, a group of roughly 30 men in tan uniforms settled into the common area of the George R. Vierno Center on Rikers Island to watch the same broadcast that was filling bars, living rooms, and streets across the five boroughs.Inside the George R. Vierno Center: A Prison “Honors House” Turns Into a Fan ZoneThe inmates gathered around a folding table piled with snacks, dragged plastic chairs closer to the flat‑screen televisions, and settled into a space that also houses classrooms, a recording studio, and a barbershop. The area, described by correction officials as an “honors house,” is reserved for those who have gone at least 120 days without violence or disciplinary incidents and have shown a sustained commitment to rehabilitation programs.Numbers That Frame the Moment: Capacity, Time Since Last Finals, and Inmate Eligibility850‑bed jail complex, one of eight active facilities on Rikers Island.Approximately 30 inmates watching the game.The Knicks’ first NBA Finals appearance since 1999, ending a 27‑year drought.Inmates qualify for the “honors house” after 120 days of good behavior; many have gone six months or longer without an infraction.Why This Matters: Sports Unity Extends Into New York’s Most Isolated InstitutionThe event turned a notoriously hidden correctional facility into a participant in a city‑wide civic ritual. Inmates like Luis Guzman, a 43‑year‑old from the Bronx, voiced the same optimism and rivalry heard on the streets, illustrating how sports can foster a sense of community and shared identity even behind razor‑wire fences.Looking Ahead: What the Knicks’ Success Could Mean for Incarcerated CommunitiesIf the Knicks capture the title, the moment may reinforce the value of “honors house” programs that reward good behavior with privileges such as extended lock‑in times and communal activities. The shared experience could encourage correctional authorities to expand similar initiatives, using major cultural events to boost morale and support rehabilitation efforts.

Executive Snapshot: Waterfront Properties Capture Buyer AttentionThe Guardian’s latest photo feature showcases a curated collection of homes for sale that boast direct water views in both England and Scotland. The visual tour reflects a broader trend of heightened interest in premium waterfront living.Rising Tide of Listings: What the Gallery RevealsAcross the featured regions, agents are promoting a variety of property types—from historic cottages on the Scottish lochs to modern apartments overlooking English rivers. The diversity of styles indicates that waterfront appeal cuts across price bands and buyer preferences.Market Premiums: How Water Views Influence PricesIndustry data consistently shows that properties with water access command a price premium of roughly 10‑20% over comparable inland homes.Buyers are often willing to pay higher deposits to secure locations that offer scenic vistas and recreational opportunities.Limited supply of prime waterfront parcels intensifies competition, especially in sought‑after regions such as the Lake District and the Scottish Highlands.Implications for Regional Real Estate DynamicsThe surge in waterfront listings is reshaping local markets. In England, coastal towns are experiencing increased buyer traffic, while in Scotland, lochside communities are seeing renewed interest from both domestic and international investors. This shift may spur new development projects aimed at preserving natural views while meeting demand.Looking Ahead: Forecast for UK Waterfront HousingAnalysts anticipate that the appetite for water‑view properties will remain strong, driven by lifestyle aspirations and limited land availability. Expect continued price appreciation and a potential rise in niche financing products tailored to high‑value waterfront transactions.

The LeadPrice is not a reliable indicator of whether a T‑shirt is ethically made or durable. Researchers and industry experts explain why a higher price tag does not guarantee better labour or environmental standards, and why a very low price should raise suspicion.Price vs Ethics: What the Research ShowsGood on You founder Gordon Renouf notes that their rating of over 7,000 brands shows no clear link between price and ethical performance. Dr Eleanor Scott of the University of Leeds adds that higher retail prices often reflect branding, marketing and retailer margins rather than improved standards.University research, in partnership with the Waste Resource Action Programme, tested the top 10 best‑performing T‑shirts and found that six of them cost less than £15, outperforming many expensive alternatives, including one priced at £395.Numbers Behind the Claim7,000+ brands rated on worker and animal welfare, plus sustainability.Top 10 tested T‑shirts: 6 priced under £15, 1 priced at £395.Low‑price fast‑fashion items such as £3 or £5 T‑shirts cannot cover living wages or responsible material sourcing.Affordable ethical examples: Yes Friends starts at £12; Rapanui from £18; Brothers We Stand at £20; THTC at £30.Implications for Consumers and BrandsFor shoppers, a very low price should be treated as a warning sign, while a higher price is no guarantee of ethical credentials. Brands that adopt large‑scale production, low margins and direct‑to‑consumer models—such as Yes Friends—demonstrate that ethical standards can coexist with competitive pricing.However, experts caution that scaling such models is challenging, especially for smaller sustainable labels that lack buying power.Looking Ahead: How the Market May EvolveAs transparency tools like Good on You gain traction, consumers are likely to rely more on verified ratings than price cues. The industry may see a gradual shift toward business models that decouple ethical outcomes from premium pricing, while regulators and NGOs push for clearer price‑floor guidelines to protect workers and the environment.

The Climate Policy Reversal in Blue States Democratic-led states are eroding their climate policies, as red states are scaling up their clean energy deployment. California on Friday scaled back its cap-and-invest program, offering more than $3bn in free pollution allowances to polluting companies. Earlier the same week, New York weakened its groundbreaking climate law, delaying a plan to regulate carbon from 2024 until 2028 and reducing emissions-slashing targets. Rhode Island's governor, meanwhile, is attempting to roll back aggressive clean-energy programs. The Economic Justification vs. Climate Imperative The moves come as Donald Trump's administration withdraws clean energy incentives and energy savings programs, and as energy prices spike across the country amid trade disruptions stemming from the US-Israeli war on Iran. Proponents have said the changes are necessary to suppress electricity costs, but climate advocates say that view is short-sighted and misguided. "Using affordability as a cudgel to weaken climate policy is a major error that will not solve either crisis, ultimately amplifying both," said Johanna Bozuwa, executive director of the Climate and Community Institute, a left-leaning thinktank. "Extreme weather and fossil-fuel dependency directly inflate costs – for food, energy, transportation, housing, and health – across the economy for working people." American Public Opinion on Climate Change Polls show most Americans are concerned about the climate crisis. An annual poll from Gallup, published in April, shows that 44% of American adults say they worry "a great deal" about global warming – one of the highest levels of concern since 1989, when the poll was first conducted, behind only 2020 and 2017. About 65% of registered voters in the US also think global heating is driving up the cost of living, according to a report published in December by Yale University and George Mason University. Red States Lead Clean Energy Buildout In contrast to many Democratic-led jurisdictions, red states have tended to dominate renewable energy deployment in recent years. In terms of growth of utility-scale renewables, states that voted for Donald Trump in the 2024 presidential election made up eight of the top 10 in the year to March, according to Energy Information Administration data. Indiana tops the list of states with the most clean energy capacity growth in that timeframe, followed by Kentucky and Utah. More broadly, though, it is Texas that has emerged as the country's leading clean energy superpower, despite its strong ties to the oil and gas industry and unsuccessful attempts within the Republican-led legislature to curb the growth of wind and solar. Texas leads the country in wind energy production, followed by fellow red states Iowa, Oklahoma and Kansas, and in March overtook California in utility-scale solar, too. The Paradox of Climate Leadership Meanwhile, the states scaling back their emissions-cutting policies have long called themselves climate leaders. When Governor Gavin Newsom of California extended his state's cap-and-invest program last year, he said: "We're doubling down on our best tool to combat Trump's assaults on clean air … by making polluters pay for projects that support our most impacted communities." The changes could end up giving more money to the fossil fuel producers and distributors who have been increasing consumers' energy prices amid the Iran war, said Bahram Fazeli, Policy Director with Communities for a Better Environment, a grassroots organization in California. "There's no reason to think that giving them more free allowances will actually help motivate them to lower gas prices more," he said. Long-Term Economic Implications New York advocates are also skeptical about whether the weakening of the 2019 Climate Leadership and Community Protection Act – which the state touted as among the strongest climate laws the country – will deliver long-term benefits. The state legislature last week reached a deal with Governor Kathy Hochul to remove a 2030 mandate to cut planet-warming pollution by 40% from 1990 levels, instead including language to aim for a 60% by 2040 if it is "feasible and cost effective" to do so. "Even though you might see bill savings initially, that's going to come at the cost of locked-in, higher energy costs in the future, as the grid has to procure more energy that would otherwise have been saved," Anna Johnson, a senior policy manager State at American Council for an Energy-Efficient Economy, told Baltimore's NPR affiliate WYPR; she estimates that the moves could ultimately increase households' electricity costs by $592m. The True Cost of Inaction The climate crisis itself also costs for working people, said Mar Zepeda Salazar, legislative director of the national environmental justice coalition Climate Justice Alliance. "You can lower costs on paper by weakening protections, but the bill still comes due," she said. "It just shows up in emergency rooms, insurance premiums, utility bills, lost wages, and disaster recovery – that families pay, not industry."

The Impending Strike at SoFi Stadium Workers at SoFi Stadium in Inglewood, California, are voting on whether to authorize a strike one week before World Cup soccer games are slated to begin in the Los Angeles area. Reasons Behind the Strike Unite Here Local 11's strike authorization vote comes as ongoing negotiations for a new contract with stadium operator Legends Global have stalled, with workers saying they deserve a greater share of the windfall from a packed schedule of coming mega-events that include the World Cup, the Super Bowl and the Olympics. Workers want higher wages to cope with the high cost of living in California. They are seeking greater guarantees for their safety, particularly concerning ICE officers. Impact on World Cup Events SoFi Stadium, normally home to Los Angeles's two NFL teams, is hosting eight matches during the 2026 World Cup, starting with June 12's match between the US and Paraguay. The venue has temporarily been renamed 'Los Angeles Stadium' for the duration of the games, due to Fifa's strict branding rules. Worker Concerns and Demands Workers also want Fifa to refuse to allow ICE officers into the stadium during the World Cup, citing concerns about the safety of foreign-born union members and spectators. Last month, the union and the American Civil Liberties Union of southern California asked the attorney general, Rob Bonta, to investigate Fifa's data-collection practices, saying that Fifa was collecting workers' sensitive personal details and handing that information over to the Department of Homeland Security. Next Steps The strike authorization vote's results will be announced later Friday. If the vote is successful, it could lead to a strike just before a major international event, potentially disrupting World Cup preparations and operations at SoFi Stadium.

The Lead: Roni Horn's Artistic JourneyAt 70 years old, renowned artist Roni Horn presents "Seizure of Hope," her first solo exhibition in London in a decade at the prestigious Hauser and Wirth gallery. The exhibition features 76 graphite drawings exploring the complex emotion of being "paralysed with hope," a phrase that has become central to Horn's recent work. This comes after a notable incident where Horn was removed from a flight due to a dispute with a flight attendant, an experience that reflects her androgynous identity and quiet rebellion against authority in today's world.The Exhibition: Visualizing ParadoxStepping into the gallery on Savile Row, visitors encounter 76 drawings rendered in "very, very soft" graphite pencil with wax pencil, each repeating the handwritten phrase "I am paralysed with hope." The installation is deliberately arranged with uneven gaps between frames, creating spaces where meaning slips and falters. Horn describes these works as capturing "an endless silent scream feeling," born from her experience of losing friends and observing how "the last thing to go is hope" during illness.The exhibition also includes a solid cast glass sculpture resembling a large ice cube, titled "What Happens to the Hole When the Cheese is Gone?"—a reference to Bertolt Brecht. This piece, made by pouring molten glass into a mould that hardens slowly over months, embodies Horn's fascination with ambiguity and the in-between states of existence.Artistic Philosophy: Embracing AmbiguityHorn's work consistently explores themes of mirroring, doubling, and repetition. She deliberately avoids direct answers, embracing ambiguity as a core artistic principle. Her approach is described as "serenely anti-authoritarian, revelling in the absurd and the contradictory." The unpindownable nature of her work, which spans photography, drawing, sculpture, and film, gives it vitality and presence without ostentation.The phrase "I am paralysed with hope" first captured Horn's attention around the time of "the political downfall of America" and has since appeared in multiple works, including her conceptual diary LOG created during lockdown and her 2023 exhibition at Centro Botin. The smudged, varied handwriting in the drawings reflects Horn's self-described "atrocious" handwriting that once required multiple signatures for banking purposes.Cultural Context: Art in Turbulent TimesHorn's work resonates particularly strongly in contemporary society, where contradictions and uncertainties abound. Her exploration of hope as both paralyzing and enduring speaks to the collective experience of living through political and social upheaval. The artist's experience of being removed from a flight due to a seemingly minor incident underscores the tensions present in today's world, particularly for those who don't fit conventional expectations.The exhibition's title, "Seizure of Hope," suggests both a capture and a taking of hope—a complex relationship that Horn explores through her repetitive, meditative drawings. This approach to hope as something that persists even in darkness offers a nuanced perspective on human resilience in challenging times.Future Directions: The Persistence of HopeAs Horn continues to create work that embraces ambiguity and contradiction, her exploration of hope appears likely to remain central to her artistic practice. The artist's commitment to staying "in the unknown and the in-between" suggests future works that will continue to challenge viewers' expectations and offer spaces for reflection on the complexities of human experience.The exhibition at Hauser and Wirth represents not just a showcase of Horn's current work but a continuation of her decades-long exploration of material, form, and meaning. As she approaches her eighth decade, Horn shows no signs of diminishing her artistic ambition or her willingness to confront difficult emotions and ideas through her distinctive visual language.

The LeadA supernatural play based on the Iranian horror movie 'Under the Shadow' explores the terror of life in Iran during the 1979 revolution and the Iran-Iraq war. The Event DetailsThe play, adapted by Carmen Nasr from Babak Anvari's 2016 film, is set in Tehran in 1988. It tells the story of Shideh, a woman who hides in her apartment with her terrified daughter as the Iraq-Iran war rages on. The play explores themes of fear, survival, and the supernatural. The Data AnalysisThe play's creative team, including director Nadia Latif and actress Leila Farzad, bring their own experiences of war and displacement to the production. Latif's family has experience in Sudan, while Farzad's family is from Iran. The play's themes of hope and survival are universal, resonating with audiences from different backgrounds. The Impact AnalysisThe play's use of horror as a genre allows it to tackle complex themes like politics and collective suffering. By making the horrors of war personal, the play aims to bring the audience closer to the experiences of those living through conflict. The PredictionThe play is expected to be a powerful and thought-provoking production, exploring the complexities of life in Iran during a time of war and revolution. With its talented creative team and timely themes, it is likely to resonate with audiences and leave a lasting impact.