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Lead: Marsch’s Final 26‑Man Roster Emphasises Speed and HealthCanadian head coach Jesse Marsch announced a 26‑player squad for the 2026 World Cup, trimming six names and placing a premium on fitness, especially in defence, while keeping attacking talent intact.The Squad Selection Focuses on Speed and HealthIn a primetime TV address, Marsch highlighted speed as the decisive factor, bringing in winger Jacob Shaffelburg as the last addition. The coach explained that the health of key players, notably captain Alphonso Davies, will dictate the team’s performance.The Numbers Behind the Roster26 players selected (3 goalkeepers, 9 defenders, 4 midfielders, 6 attacking midfielders/wingers, 4 strikers)Defensive injuries: Moïse Bombito (broken leg), Derek Cornelius (hamstring), Alfie Jones (ankle ligament)Captain Alphonso Davies – 58 caps, 15 goals for Bayern Munich, still recovering from a muscular issueTop scorer Jonathan David – 75 caps, 39 goals for JuventusGoalkeeper indecision: Maxime Crépeau vs Dayne St Clair, both to share minutes in the first pre‑tournament testImplications for Canada’s 2026 CampaignThe emphasis on fitness aims to mitigate a defence that has missed its first‑choice back four for the past 15 months. With the tournament set to be co‑hosted on Canadian soil, a healthy back line and a fit Davies are seen as essential for a historic group‑stage performance.Offensive concerns remain, as the attack is described as “fully‑healthy but mostly anemic.” Marsch’s confidence in Jonathan David and the revived Cyle Larin will be tested against strong group opponents.Outlook Ahead of the TournamentCanada will face Uzbekistan in Charlotte on Monday, giving both goalkeepers a 45‑minute run‑out. The results will inform the final starting XI for the opening match against Bosnia & Herzegovina. If key injuries resolve, Marsch believes the squad is “the best 26 players this country has ever assembled.”

Colin Matthews: A Life of Influence on UK Classical Music It's hard to think of a single figure who has been so influential on contemporary UK classical music for so long as Colin Matthews, who turned 80 earlier this year. This release from the Nash Ensemble, conducted by Jessica Cottis, showcases his works for voice and chamber group. The Kaleidoscopic Sound World of Seascapes What's striking throughout these four song cycles is the kaleidoscopic sound world he creates with such forensic precision, whether he has seven players to work with or 17. The songs teem with detail; some would almost work without the singer. And yet the vocal line remains the focus. Exploring the Album's Tracks The Island (2007), setting three poems by Rilke, was written for Claire Booth's cool-water soprano; she's also the soloist in Seascapes (2020) and A Land of Rain (2017), and sounds as vibrant as ever, even if occasionally the words get lost in the supple musical lines she is sculpting. In 2018's As Time Returns, it's the baritone Marcus Farnsworth who sings Ivan Blatný's poetry, with honeyed tone and disarming clarity. A Land of Rain: A Study in Interpretation The largest-scale work is A Land of Rain: 10 songs setting words by the poet Nicholas Moore, taken from the 31 different translations he made of a single Baudelaire poem (entries to a newspaper competition, submitted under 31 variously silly pseudonyms). Matthews's music, moving chameleon-like through different styles, brings them alive as a study in how words can be reinterpreted from a myriad of angles. The last song sets the French original – and as the musical strands finally coalesce, in almost Mahlerian style, it's as if all the other songs were a daydream. Listening to Seascapes Listen on Apple Music (above) or Spotify

The Lead: A Memoir Through Musical EvolutionJesse Bernard's 'Escaping Babylon' presents a unique blend of personal memoir and cultural history, chronicling the development of Black British music through the lens of his own experiences as a Black British man and music journalist. Published in 2026, the book arrives during a significant moment for Black British music, coinciding with the 30th anniversary of the MOBO Awards and the V&A; East exhibition 'The Music is Black: A British Story'.The Book's Structure: A Musical TapestryBernard structures his work like a mixtape, weaving together personal anecdotes, interviews with artists, and cultural analysis. Beginning in 1989—a landmark year for Black British music with Soul II Soul's rise to fame in America and Sade's global success—the book follows Bernard's journey from a schoolboy expelled for mischief to a music journalist exploring the depths of Black British musical heritage.Historical Roots: From Reggae to Modern GenresThe book establishes reggae as the foundational 'tree' from which all UK Black music branches grow, a concept articulated by former Saxon sound system emcee Tippa Irie. Bernard traces this evolution through various genres including UK funky, grime, jungle, and drill. He gives particular attention to the 1990s era, highlighting artists like Lynden David Hall and the importance of Trevor Nelson's MTV Base show 'The Lick' in shaping Black British musical identity.Cultural Challenges: The Modern Chitlin' CircuitOne of Bernard's key insights is his argument that Black British artists effectively operated their own version of the Chitlin' Circuit—a network of venues where African American artists were forced to perform during segregation. He recalls Dizzee Rascal's description of venues like Le Fez in Deptford and the Stratford Rex as places where artists could perform but struggled to make significant money, highlighting the economic challenges faced by Black musicians well into the 2000s.Legacy and Contemporary ContextWhile acknowledging the removal of Form 696—a venue-vetting document used by the Metropolitan Police to effectively ban Black music events in London—Bernard also points to ongoing challenges, including police monitoring of lyrics to identify artists as potential 'gang' members. The book maintains an intimate focus rather than examining broader external factors, reflecting its personal approach to history.The Future of Black British Music Documentation'Escaping Babylon' represents an important contribution to the documentation of Black British music at a time when its cultural significance is increasingly recognized. By blending personal narrative with cultural analysis, Bernard has created a multifaceted portrait of Black British musical evolution that complements other recent works like the V&A; exhibition. The book's mixtape-like structure, while occasionally leaving arguments underdeveloped, captures the fragmented yet interconnected nature of musical memory and cultural heritage.

The Plan for World Cup Glory As co-hosts, Canada enter the World Cup with high expectations, despite never winning a match at a previous tournament. Since a Concacaf Nations League semi-final defeat to Mexico in March 2025 the team have lost one of 15 matches at the time of writing, a run that has included some excellent opponents such as Colombia, Ecuador, Ukraine and the USA, whom they have defeated twice in the past two years, including their first win on US soil in 57 years. The coach, Jesse Marsch, has maintained a consistent 4-4-2 with the emphasis on pressing from the front and pace in wide positions. "Some teams press to win the ball back, we press to punish and think about scoring immediately when we recover the ball," said Marsch, who is American, but has captured the hearts of many Canadians since he took the job in May 2024 and guided the team to the semi-finals of the Copa América. Canada's World Cup Schedule 12 June v Bosnia and Herzegovina, Toronto (3pm local, 8pm BST) 18 June v Qatar, Vancouver (3pm local, 11pm BST) 24 June v Switzerland, Vancouver (noon local, 8pm BST) Success at that tournament, and subsequently in friendlies, is based on a defensive structure Marsch worked on immediately when taking the job and playing against the Netherlands and France in his first two matches in charge. Nine clean sheets in 13 matches before the pre-tournament friendlies is even more impressive considering Moïse Bombito, their star centre-back from Nice, and Bayern Munich's Alphonso Davies did not play in any of those matches because of injury. The Coach's Vision Jesse Marsch's first venture into international management has been a successful one, but not one he found easy to adjust to. "From the moment I worked with this group of players in the first camp, I knew I was going to fall in love with these guys," he says. "They are a unique group of really good people, who are very talented, and when I said goodbye to them it was different from what I was used to as a head coach in the club game." Marsch has enjoyed those gaps in his schedule, using time to visit Canadian players across the world and spending a lot of time in the country at the provincial level to help bring a more united approach to the way the game is developed and governed. Star Player's Return Questioned The captain, Alphonso Davies, has not played for Canada since tearing his ACL against USA in the Nations League third-place match last March. Whether to play him at left-back or on the wing has been one of the biggest questions for years, but under Marsch the Bayern Munich man has predominantly been used at the back and has been excellent. However, another injury setback, against Paris St-Germain in the Champions League semi-final second leg – his third in the past three months – has put his participation for the opening game against Bosnia and Herzegovina in doubt. He has started 12 of 29 internationals in the Marsch-era at the time of writing. One to Watch Few players have received more work and attention from his national coach than the midfielder Ismaël Koné, who was dropped during the Copa América as he struggled to make an impact. Since then he has been excellent for Sassuolo in Serie A and has turned into a dynamic box-to-box midfielder for Marsch, learning valuable lessons defensively in Italy, where his discipline and tactical concentration has improved significantly. Expected to start next to the excellent Stephen Eustáquio in a key double-pivot tandem for Canada. Unsung Hero Norwich's Ali Ahmed has become a favourite of Marsch's because of his selfless work on the pitch. Ahmed is asked to lead the press on the left wing, often cutting inside to increase the midfield numbers and bring intensity and energy off the ball. One of the reasons Marsch has not deployed Davies further forward is because he views his team without the ball more than with it and in that vision the former Vancouver Whitecaps man is crucial. Probable Starting XI Canada's likely formation for the World Cup matches will be based on the 4-4-2 system that Marsch has consistently employed, with specific attention to defensive structure and pressing from the front. Fan Expectations Canada is ready to host the world, but the attention is more on this team than other games happening in the country. Being the only side to start on the east coast and move directly to the west coast allows fans in Toronto and Vancouver to watch their team in the group stages. The supporters group The Voyageurs will lead the noise with their flags and chants of "Ooh, Ahh Canada". Canada is known for its cosmopolitan population and cultural diversity, with people from all over the world, and should benefit from playing three group opponents with relatively diverse fan bases.

Former Prime Minister Tony Blair has called for the UK to scrap its 2050 net‑zero goal and ramp up North Sea oil and gas drilling, prompting a swift backlash from climate experts who label the suggestion “bizarre” amid a historic heatwave and rising energy costs. Blair’s Call to Re‑Open North Sea Oil and Gas E3G programme director Ed Matthew warned that abandoning net zero during the “worst May heatwave on record” would be a “massive setback” for the UK, emphasizing that clean energy is cheaper and has near‑zero operating costs. Economic Stakes: £200 million Heatwave Losses and Fossil‑Fuel Costs Heat stress on livestock and crops is projected to cost the UK economy over £200 million this year. The International Energy Agency’s Fatih Birol notes that new oil fields would have “little impact” on domestic fuel prices. Renewable‑energy growth, especially record‑breaking solar generation, is already reducing household energy bills. Why Renewables Outperform Fossil Fuel Revival in the UK Analysts such as Jess Ralston (Energy and Climate Intelligence Unit) argue that expanding solar and other clean‑power technologies shields consumers from volatile fossil‑fuel markets and supports energy security as the North Sea declines. Comparisons to Spain’s renewable‑driven price stability reinforce the case for electrification as the “obvious route” to lower bills. What the Next Steps Mean for UK Energy Policy Government spokespersons confirm that no new exploration licences will be granted, focusing instead on managing existing fields for the remainder of their lifespan while accelerating the clean‑power mission championed by Energy Secretary Ed Miliband. If the current trajectory holds, the UK is likely to cement its position as a leader in renewable deployment, rendering calls to revive North Sea drilling increasingly marginal in policy debates.

The LeadA novel featuring a protagonist whose job is taken by AI has won the Climate fiction prize. Hum by Helen Phillips, the American writer's third novel, explores themes of technological displacement and the commodification of nature in a dystopian future.The Disneyfication of Nature in LiteratureHum is about a woman, May, who loses her job to a "hum" of the title – a humanoid robot. Struggling to find work, she becomes a guinea pig for an experimental injection that alters her face so it can't be recognised by surveillance. When she gets paid for it, she splashes out on family passes to the Botanical Garden, the last remaining green space in her city. There, things take a turn for the worse.The Climate Fiction Prize RecognitionThe prize, worth £10,000, was first awarded last year to Abi Daré for And So I Roar, the follow-up to her bestselling debut The Girl with the Louding Voice. This year's judging panel was chaired by Guardian theatre critic and former literary editor of the Independent, Arifa Akbar. Alongside Kit de Waal and Friederike Otto on the panel were author Jessie Greengrass and book influencer Simon Savidge.Judges' Perspectives on the NovelJudge and writer Kit de Waal described Phillips's book as being about the "Disneyfication of nature … turning nature into a rare place that we have to pay to see". Fellow judge and climate scientist Friederike Otto added that it "tackles the central reason that nothing is done about the climate crisis – privilege", while writer Daisy Hildyard described it as "mesmerising and scary".The Author's InspirationPhillips was inspired to write the book after walking home from work one day and having the thought that she needed to buy dishcloths, before opening her computer at home and finding that dishcloths were being advertised to her. "That eerie feeling stuck with me, and I started to think about what worst-case scenarios might arise from surveillance by an algorithm."Impact on Climate AwarenessHum "helps us connect with what really matters and stops us from sleepwalking into an inevitable dystopia", said Lucy Stone, CEO of Climate Spring, which funds the prize. "In the novel, the machines themselves start to question the insane volume of advertising and the consumer treadmill, and then show the family that there are multiple different futures lying ahead of them."Future RecognitionPhillips will appear at Hay festival to discuss the book on Saturday 30 May. Alongside Phillips on this year's shortlist were Madeleine Thien for The Book of Records, Robbie Arnott for Dusk, Keshava Guha for The Tiger's Share, Susanna Kwan for Awake in the Floating City and Maria Reva for Endling.

The Star Player: Khadija ShawKhadija 'Bunny' Shaw has been named the best player in the WSL 2025-26 season. The Jamaica international scored 21 goals in 22 games, becoming the first player in WSL history to score more than 20 goals in three different seasons. Her impressive performance earned her the Golden Boot for a third consecutive year.The Mastermind: Andrée JeglertzManchester City's manager, Andrée Jeglertz, has been named the best manager of the season. He led the team to their first WSL title since 2016, transforming the squad's mentality and creating unity. Jeglertz's tactics and ability to manage ambitious individuals were key to the team's success.Best Goal of the SeasonThe best goal of the season was a subject of debate among writers, with Oona Siren's long-range volley and Jess Park's swerving strike being mentioned as top contenders.

Sabalenka's Dominant Performance World number one and last year’s defeated finalist Aryna Sabalenka blazed through her opening round at the French Open as she brushed aside Spain’s Jessica Bouzas Maneiro 6-4 6-2 in just 75 minutes. The Match in Detail Sabalenka, who is still seeking her first Roland Garros title, raced to a 4-0 lead on a sun-kissed Court Philippe Chatrier on Tuesday before unforced errors crept into her game, which allowed her opponent to pull two breaks back and serve for 5-5. A double fault, however, handed the top-seeded Belarusian the first set and she opened up a 5-0 advantage in the second. Bouzas Maneiro survived a further two games when she held and then broke for 5-2, but a double fault gave Sabalenka a routine win. Post-Match Reaction The only blip for the four-time Grand Slam champion, as she returned to winning ways on clay after a surprise early exit from the Italian Open, was that failure to serve out the win. She promptly broke back against the world number 50 in the next game to seal the win, before rubbing an ice bag over her face and exiting the court. “Happy to be back, thank you for the support. It’s a hot day, thank you so much for staying and don’t forget guys, stay hydrated,” Sabalenka told the spectators on centre court as a heatwave continues to roll over Paris for the start of the tournament. “I think we all feel pressure… But I’m used to it so I know how to ignore (it).” Improvement on Clay Of her return to winning ways on clay, Sabelenka said: “That’s the most enjoyable part of the game that I can come to the net to play points there, it’s so much fun. “I’m so happy I was able to improve on that part of the game and bring it on court,” she added.

The Brilliance of 'Two Weeks in August' Hell is other people, but a fortnight's summer holiday in a Greek island villa with three pals you have known since university, the young second wife of one of them, your depressive husband and the mulish French nanny the second wife has hired to look after her foul child, is surely the innermost circle of it. The Flawless Performance of Jessica Raine Zoe, played by Jessica Raine, is a comprehensive school teacher managing life with more grace under pressure than most of us do. A natural carer and conciliator, she signed her family up for the trip partly because of friends' expectations, but also because a fortnight away in the sun sounded like a pleasure. The Intricate Web of Relationships Making up the rest of the island gang are glamorous Nat (Leila Farzad) whose nose is put out of joint when the casual boyfriend of her gay best friend, Jacob (Hugh Skinner) turns up at the villa, not-quite-at-the-moment-working actor Solomon (Nicholas Pinnock) and the younger wife, Jess (Antonia Thomas) – she has bagged the best bedroom and avoids as much outlay of money or effort as she can, usually by exploiting Zoe. A Standout Performance The show delivers a touch of wry social commentary (in Jacob and his gen Z boyfriend's differing reactions to the infidelity, in the HR complaint raised against Nat at work) without breaking the mood. It even manages to fold in a mythological element that does exactly what it should – makes the story feel only more authentic, eternal, universal – instead of seeming like a jarring supernatural bolt-on. A Holiday from Mediocre Dramas Two Weeks in August is in itself like a holiday – a holiday from dramas made up of meretricious moments and unearned payoffs, or which let the beautiful scenery instead of beautifully written scenes do the work. I feel restored after eight hours basking in its brilliance.