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Google’s AI Overview Stumbles on Simple Letter Counting Google’s newly rolled‑out AI Overview feature in Search incorrectly counted letters in everyday words – claiming there are two “P”s in “Google”, one “r” in “poop”, and even misspelling “journalism”. The blunders highlight a long‑standing weakness of large language models (LLMs) when it comes to exact spelling. The Miscounted Letters Behind the New Search AI “Google” – AI said 2 Ps (actual: 0) “poop” – AI said 1 r (actual: 0) “journalism” – AI said 2 d’s (actual: 0) U.S. President’s last name – AI reported 1 P but rendered “t‑r‑p‑u‑m” Quantifying the Miscounts: Numbers Behind the Errors Beyond the anecdotal examples, the AI also produced a faulty definition for the word “disregard”, responding with “Understood. Let me know whenever you have a new prompt or question!” This illustrates that token‑based encoding can produce nonsensical outputs even when the input is a single word. Implications for Search Trust and AI Adoption Google’s AI‑driven overhaul aims to make generative responses the centerpiece of its 29‑year‑old search product. Repeated factual and spelling errors risk eroding user confidence, especially after earlier AI Overviews cited satirical sources and gave absurd advice such as “eat rocks”. Trust in AI‑generated answers remains a critical hurdle. What’s Next for Google’s Generative Search? Google told TechCrunch it is “working to fix this particular issue” and will likely refine its tokenizer and post‑processing pipelines. Industry observers expect incremental improvements rather than a complete architectural shift, meaning users may continue to see occasional glitches while the broader AI‑search strategy matures.

The Rise of Intensive Dairy Farming in the UK The UK has witnessed a substantial increase in factory-style dairy farming, often referred to as 'battery cow' farms, as farmers face mounting costs and struggle to make ends meet. An investigation by the Bureau of Investigative Journalism (BIJ) has found that the number of intensive dairy farms, where cows are permanently confined indoors, has more than doubled in the past decade. The Scale of Intensive Dairy Farms There are now at least 180 dairy farms in the UK where cows have no access to the outdoors, up from about 70 in 2015. Additionally, the number of 'mega dairies', which house more than 700 cows, has doubled to 40. Some of these large farms contain as many as 2,600 cows. In contrast, the average UK dairy herd is only 160 cows. The Financial Pressures on Farmers The dairy industry is facing significant financial pressures, with farmers selling milk at prices as low as 28p per liter, despite the production cost being around 40p per liter. This has forced some farmers to adopt more intensive systems to boost productivity and remain viable. The Impact on Animal Welfare and the Environment The trend towards intensive dairy farming has raised concerns about animal welfare and environmental impacts. Campaigners argue that the conditions on these farms, often described as 'battery cow' systems, compromise animal welfare and contribute to pollution. The government has signaled plans to consult on extending environmental permitting schemes to include dairy farms, but farming groups have expressed concerns about the potential costs and red tape. The Future Outlook As the dairy industry continues to evolve, there are calls for fairer treatment and prices for farmers within supply chains. MPs and experts are advocating for legislative changes to ensure that farmers receive a fair return for their produce, while also promoting more sustainable and humane farming practices.

The Erosion of the College PremiumFor generations, a college degree has been viewed as the golden ticket to a stable, middle-class life. However, for Jes Vesconte, a 29-year-old with a master’s from Columbia University and a Fulbright in Germany, that promise has fractured. Vesconte is currently struggling to afford everyday life, supplementing income with service-industry jobs while navigating the looming start of student loan repayments. Their monthly income struggles to exceed $3,000, a stark contrast to the prosperity once guaranteed by a degree.Unemployment Gaps and Rising DebtThe experience of Vesconte is not an outlier but part of a broader trend identified in a recent report by the Economic Policy Institute. The report suggests that the college degree is "losing its edge" even as the overall economy grows and unemployment rates remain low. The data reveals a significant divergence in the labor market:The unemployment rate for recent college graduates has been higher than that of the overall American workforce since the pandemic.The gap between college graduate unemployment and overall unemployment has narrowed significantly compared to previous decades.The graduating class of 2024 left with an average of $29,560 in loans, contributing to a total national student debt of over $1.8tn.The "Just Not Much Out There" PhenomenonEven for those who secure employment, the quality of work is often insufficient. Sophia Xu, a 28-year-old designer at a big tech company, expressed a sentiment shared by many: "There's just not much out there." This scarcity is forcing young professionals to settle for roles that do not align with their career aspirations or personal values, leading to a sense of professional stagnation.Living at Home and Social IsolationThe financial strain has forced many young adults to retreat to their parents' homes. While the percentage of Americans aged 25 to 34 living with parents has dropped slightly since the pandemic, one-fifth of young adults still rely on this arrangement. For Ragini Subramanian, a 23-year-old journalism graduate, moving back home was a financial necessity rather than a choice, though it came with the cost of social isolation and a lack of autonomy in a creative field.Navigating a Fractured FutureThe current economic landscape has created a complex psychological puzzle for Gen Z. Unlike previous generations who faced economic challenges, today's young adults are navigating multiple existential crises simultaneously, leading to low expectations for both the present and the future. Despite the structural hurdles, many, like Subramanian, maintain a resilient outlook, viewing their current struggles as a temporary phase rather than a permanent state of being.

The Lead The shadow of Joseph McCarthy's "red scare" loomed over this year's Cannes film festival as Canal+, France's leading media group, announced an effective ban on over 600 French cinema professionals who signed an open letter denouncing the growing influence of conservative tycoon Vincent Bolloré. The blacklist includes renowned actors like Juliette Binoche and acclaimed directors such as Jean-Pascal Zadi and Arthur Harari, raising profound questions about media consolidation, artistic freedom, and the future of French cultural expression. The Media Consolidation Crisis Over the past decade, Vincent Bolloré has consolidated control over a significant portion of France's news and entertainment media. His acquisitions span from the Fox News-like CNews to the Journal du Dimanche, Europe 1 radio, and the publisher Fayard. Critics accuse Bolloré of shifting the editorial line of these acquisitions toward a right-wing ideological project reminiscent of Rupert Murdoch's media empire. His recent firing of the CEO of literary publisher Grasset sparked a walkout by more than 100 authors across the political spectrum, from philosopher Bernard-Henri Lévy to feminist novelist Virginie Despentes. The Economic Impact on French Cinema Canal+'s decision to blacklist cinema professionals carries significant economic consequences for the industry. The company represents more than 40% of all private funding that flows into French broadcasting, streaming, and cinema. Given the typical co-financing structure of French productions involving both public and private funds, Canal+'s influence likely understates its critical importance to French cultural production. From international successes like "Mulholland Drive" to recent hits like "Paddington in Peru," few European producers match Studio Canal's global reach. The Ideological Battle for Cultural Control The protest letter signed by cinema professionals warns that "By leaving French cinema in the hands of a far-right owner, we risk not only the standardisation of films but a fascist takeover of the collective imagination." This reflects a broader concern about whether a single individual or small group should be able to meaningfully impact a nation's cultural output based on their desire to control political speech. The situation echoes historical tensions between artistic freedom and ideological control, raising questions about appropriate government intervention in media ownership. The Path to Media Independence The article suggests that strengthening public funding for journalism and the arts offers a potential solution. Democracy tends to be healthier where public media funding is robust, with 69% of French people expressing confidence in public media despite general dissatisfaction with public services. However, the structure of public funding matters significantly. The proposal suggests moving from annual, discretionary budgets to public media endowment funds governed independently across multiple electoral cycles. Such a "meta-endowment" at the EU level could provide supplementary funding for national, regional, and local public service media, journalism, publishing, and cinema across Europe, creating an additional layer of independence from both billionaire owners and political pressures.

The Acquisition Deal Media scion James Murdoch has agreed to acquire New York Magazine and the Vox Media Podcast Network in a deal that will significantly expand his portfolio and stands to boost his influence over news and entertainment. Strategic Importance of the Acquisition The deal, valued at more than $300m, gives Murdoch control of a storied magazine known for its coverage of culture, politics and fashion, and a podcast division whose reach, among a demographic coveted by advertisers, rivals that of cable television news networks. Key Assets Included in the Deal New York Magazine's publications, including The Cut, Vulture and Intelligencer, with a digital audience of tens of millions and more than 400,000 paying subscribers. Vox Media's podcast division, including popular podcasts like Pivot. Vox.com, a politics news site. Impact on Vox Media and Future Plans The acquisition does not include other Vox Media brands such as Eater, Popsugar and The Verge. These brands, along with SB Nation and The Dodo, will become an independent company under a new corporate name. Vox Media CEO Jim Bankoff will join Lupa Systems and will continue to lead the brands under the Vox Media label. James Murdoch's Media Expansion James Murdoch, the younger son of media mogul Rupert Murdoch, founded Lupa Systems in 2019 after stepping down as chief executive of 21st Century Fox. This acquisition reflects his deep commitment to ambitious journalism and interest in the forward edge of culture.

The Acquisition Deal James Murdoch, second son of publishing giant Rupert Murdoch, has agreed to acquire some of Vox Media’s assets, including New York magazine, in a deal believed to be worth around $300m. The 53-year-old publishing scion is acquiring the assets through his company, Lupa Systems, which has built up holdings in Art Basel, the traveling art fair business, and Tribeca Enterprises, the media and entertainment company co-founded by Robert De Niro, and the Indian streaming service Bodhi Tree Systems. Murdoch's Vision for Vox Media In the deal announced Wednesday, Murdoch will acquire half of Vox Media. In a twist of fate that will not be lost on media observers, the title was once owned by the elder Murdoch. The younger Murdoch told the New York Times that he was not looking to acquire a “daily news business” but wanted “longer-form, thoughtful journalism that can really speak to the culture”. “We want to create platforms where really amazing, talented people can come and do the best work of their lives,” he added. New York magazine and its online spin-offs The Cut, Vulture, Intelligencer, The Strategist, Curbed, and Grub Street, are well known for producing stories then optioned by Hollywood. The Financial Context The deal is the biggest acquisition for Murdoch since he and his family resolved a protracted dispute over future control of the family’s media holdings. As part of a settlement, James Murdoch and his siblings received about $1bn and control was handed over to the elder Lachlan Murdoch. The Future Outlook Certain Vox media properties, including Eater, Popsugar, SB Nation, The Dodo, and The Verge are not included in the transaction. In an official comment, Murdoch said the acquisition “aligns well with our existing holdings and investments and reflects both our interest in the forward edge of culture and our deep commitment to ambitious journalism and agenda-setting conversations”. The deal notably includes Vox’s podcast series, which reaches 58% of Americans monthly, according to Edison Research, including two out of three people between the ages of 18 and 54.

The Evening’s Headline: Marilyn Monroe and the Mob on Channel 4At 10 pm on Channel 4, the two‑part documentary Marilyn and the Mob explores the Hollywood icon’s ties to organised crime, linking her to figures such as Frank Sinatra and even President John F. Kennedy. The programme sets a gritty tone for the night’s primetime offering.Deep‑Dive: Crime and Celebrity Docs Take Centre StageThe schedule leans heavily into true‑crime and high‑risk narratives. After the Marilyn documentary, BBC Two airs Surgeons: At the Edge of Life at 9 pm, showcasing rare double‑organ transplants and aggressive cancer surgery. ITV1 follows with A Taste for Murder (also 9 pm), a crime drama that mixes detective work with culinary intrigue and a crypto‑scam subplot. Even the police‑focused Peelers: The PSNI for Real on BBC Two at 10 pm offers an unflinching look at Belfast policing.Prime‑Time Numbers: How the Schedule Allocates SlotsChannel 4 – 10 pm: Marilyn and the Mob (2‑part documentary)BBC One – 9 pm: Amandaland (comedy‑drama featuring Lucy Punch)BBC Two – 9 pm: Surgeons: At the Edge of Life (medical documentary)ITV1 – 9 pm: A Taste for Murder (crime drama)BBC Two – 10 pm: Peelers: The PSNI for Real (reality‑style policing)BBC Four – 10 pm: Andrew Davies Remembers: A Very Peculiar Practice (retro comedy retrospective)Sky Sports Main Event – 6 pm: Women’s T20 cricket, England v New ZealandTNT Sports 1 – 6 pm: Europa League final, SC Freiburg v Aston VillaWhy True‑Crime and High‑Risk Drama Dominate 2026 PrimetimeThe line‑up reflects a broader industry shift toward content that blends factual intrigue with high production values. Audiences continue to favour programmes that promise “real‑world stakes,” whether it’s a Hollywood star’s alleged mob ties, life‑saving surgeries, or gritty policing. This preference drives broadcasters to schedule such titles in the most valuable primetime slots, pushing lighter fare like sitcoms to earlier or later windows.Looking Ahead: What This Line‑up Predicts for Future Broadcast TrendsGiven the strong performance of crime‑centric documentaries and medical dramas, networks are likely to commission more hybrid formats that combine investigative journalism with narrative storytelling. Live sport remains a cornerstone of appointment viewing, suggesting that broadcasters will keep protecting marquee events while expanding on‑demand access for the documentary and drama components of the schedule.

The Rise of AI-Generated Hate OperationsScroll through any Facebook feed in Britain and, between the baby announcements and petty neighbourhood beefs, you're likely to come across an account with a union jack profile picture and a vague, generic name like Britain Today. These accounts – and there are hundreds, possibly thousands of them – present themselves as the work of British patriots. In one typical, AI-generated video, a middle-aged man claims his local cafe "has stopped serving pork, bacon and sausages just to avoid offending people". Another post from the same account includes a sepia-tinted set of images of Victorian London, mourning a time when the city "was English, first-world and beautiful". Alongside this type of reactionary nostalgia, it's not unusual to see memes that call Islam a "cancer", decry Muslims praying in public as an "invasion of the west" or promote the "great replacement theory".The Financial Incentives Behind AI Hate ContentFor the past seven months, I have been investigating who is really behind pages like these. The answer, it turns out, is often young, entrepreneurial men from south Asia. They tend to have zero interest in UK politics, but the content they create often boosts far-right talking points in Britain and contributes to the increasingly hostile atmosphere for immigrants and British Muslims. They're part of a booming cottage industry producing commercial AI slop.The financial incentives for creating this kind of content are huge, particularly for creators in the global south. At the Bureau of Investigative Journalism, we looked in detail at two very successful "sloperations" targeting British audiences from Pakistan and Sri Lanka. They make money from the online ads that Meta places next to high-performing content. Meta shares a proportion of the ad revenue with the creators and also makes direct payments to creators to reward posts that receive a lot of engagement.Once you hone your algorithmic rage bait, there's very good money to be made from slop. The Pakistani creator, a devout Muslim who we are not naming for his own safety, told us he makes $1,500 (£1,119) a month from one of his pages alone; Geeth Sooriyapura, the Sri Lankan creator, claimed to have made $300,000 over the course of his Facebook career. We weren't able to verify these figures, but both men were certainly making many times the average income in their countries.The Economic Impact of AI-Generated PropagandaTheir success represents the seductive promise of "passive income" culture, a pervasive modern gospel that says you should quit your job and make easy money online. The proponents of this philosophy also often sell courses as an additional revenue stream: Sooriyapura claimed that 2,500 people, mainly other Sri Lankans, have graduated from his content academy.Rightwing propaganda and Islamophobia are, of course, not new. But two key structural factors have made it particularly pervasive on social media.The Technological and Policy EnablersFirst, the wide availability of generative AI tools. These are used at every stage of the content creation process: to brainstorm ideas, to write captions and, most importantly, to create compelling images and videos. This is particularly helpful if, like the Pakistani creator, you do not speak English well. In one video we reviewed from Sooriyapura's Facebook course, he told his students that AI-generated videos can help political content go viral up to 10 times faster.Second is Meta's retreat from content moderation. Over the past couple of years, the major social platforms have made mass redundancies on the trust and safety teams that monitored and took down harmful content. This was partly motivated by pressure from the Trump administration, which believed that platforms had engaged in heavy-handed censorship of content during the Biden presidency.Social media companies justify the moderation job cuts by pointing to their use of AI to find harmful content more efficiently. But our reporting shows there is masses of deeply offensive content on there which anyone could find in a few minutes, if they bothered to look.The Future of Online Hate Speech and Platform AccountabilityAfter we spoke to the Pakistani creator, he said it was a "good thing" we had informed him about the nature of his posts and he deleted many of them. Sooriyapura told us that he did not encourage his students to "spread violence" and that he just educates "people on Facebook monetisation and audience-targeting".The Pakistani creator didn't cover his tracks particularly well. It took me a couple of hours and a little help from Osint Industries, a platform that collates information on social media accounts, to definitively confirm that the person who ran the Islamophobic slop account also had personal accounts in his own name sharing verses from the Qur'an. These are actions that Meta easily could have taken itself. But why would it spend good money implementing its own policies when there is so little political or regulatory pressure to do so?When we contacted Meta in both these cases, it took down many of their pages and sent a one-line statement: "We have clear community standards that prohibit hate speech, harassment, harmful misinformation and inauthentic behaviour and we have removed these accounts for violating our policies." I've been a tech journalist long enough to have been through this process with Meta and other social platforms many times before. The Sri Lanka network is, depressingly, back up and running, having faced minimal consequences after a bit of downtime.Meta can, and should, be doing more to take these kinds of accounts down. But as long as its core product is an algorithmic feed that financially rewards content that provokes extreme emotions, others will always appear in its place.

The Rise of New Podcast TalentThis week marks an exciting period in podcasting with several notable releases from established broadcasters and newcomers alike. Among the highlights is the debut of "Bad Chat" by beloved British broadcasting duo Alice Levine and Greg James, who finally team up for their own podcast after years of collaboration on other platforms.Notable Podcast LaunchesSeveral new podcasts have hit the airwaves this week, offering diverse content from true crime to cultural commentary. Alice Levine and Greg James' "Bad Chat" follows a chatty format where no topic is off limits as they invite listeners to share gripes and crises. Hunter Harris and Peyton Dix's "Lemme Say This" has been resurrected by the Obamas' Higher Ground production company after a short hiatus. Sam Mullins presents "Uncover: The Expert Witness," a Canadian CBC production that fuses technology and true crime. Nurse turned content creator Hunter Prosper brings "Stories from a Stranger," featuring polished chats with candid individuals. Roman Mars leads "A History of the United States in 100 Objects," a new take on historical storytelling through objects.The Podcast Industry's EvolutionThe current wave of podcast releases reflects several key trends in the industry: the continued growth of true crime and investigative journalism, the increasing involvement of high-profile figures and production companies (including the Obamas' Higher Ground), and the expansion of podcasting as a medium for cultural commentary and historical education. These developments demonstrate how podcasting has matured from a niche medium to a mainstream platform for diverse content creation.Future Podcast LandscapeLooking ahead, we can expect to see more collaborations between established media personalities and production companies, as well as continued innovation in podcast formats. The success of shows like "Bad Chat" suggests that authentic, unfiltered conversations between popular hosts will remain a winning formula. Additionally, the trend of podcasts expanding beyond audio to multimedia experiences, as seen with Hunter Prosper's visual storytelling approach, will likely continue to grow, making podcasts more immersive and accessible to wider audiences.