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The Sound of a City in Transition: Emmy the Great’s Cantopop JourneySinger-songwriter Emma-Lee Moss, known professionally as Emmy the Great, has returned to Hong Kong to write her fourth album, driven by a deep personal and historical inquiry into the city's musical heritage. Born to an English father and a Hongkonger mother, Moss left the city at age 11 before the 1997 handover, a pivotal moment that shaped her understanding of displacement and belonging. Her new memoir, My Cantopop Nights, serves as a bridge between her mixed heritage and the city's history, using the genre of Cantopop to decode the emotional and political landscape of Hong Kong.A Personal History Through MelodyMoss’s narrative is not just a music review but a memoir woven through specific tracks that defined eras of her life. Her connection to the music is visceral and personal, often tied to rites of passage. For instance, the haircut she received in 1995 after hearing Aaron Kwok’s 'Love You Endlessly' became a symbol of her transition from a world where Kwok was a 'god' to one where he was unknown. Similarly, Faye Wong’s cover of 'Dream Person' introduced Moss to a subculture of punk and DIY bands during a childhood sleepover, fundamentally altering her teenage identity.Aaron Kwok – 'Love You Endlessly': A career-launching anthem that defined a hairstyle and a generation’s transition.Faye Wong – 'Dream Person': Introduced Moss to Western rock influences and punk culture.The Wynners – 'You're Free': Revealed a family secret where Moss’s father wrote English lyrics for the band.Beyond – 'Boundless Ocean, Vast Skies': A mourning anthem for the band's late singer, Wong Ka Kui, representing underground rock.Sam Hui – 'Half a Catty, Eight Taels': A working-class anthem that resonated with Moss during a period of political fragility in 2017.The Evolution of Cantopop: From Western Covers to Cantonese AnthemsThe article highlights the genre's evolution from a Western-influenced bubble to a distinctively Cantonese art form. The story begins with the Beatles playing in Hong Kong in 1964, sparking a wave of English-language covers. However, Sam Hui is credited with pioneering the shift to Cantonese originals, blending classical Chinese elements with pop sensibilities. Moss notes that Hui’s music, particularly the humorous yet poignant 'Half a Catty, Eight Taels,' offers a critique of the working class similar to Dolly Parton’s '9 to 5,' but grounded in the specific socio-economic context of 1970s Hong Kong.Music as a Mirror of Hong Kong’s Political LandscapeCantopop is portrayed not merely as entertainment but as a historical record of the city's resilience and fragility. Moss observed a surge in music and art in 2017 and 2019 as young people born after the handover sought to understand their identity amidst political insecurity. Songs like Beyond’s 'Boundless Ocean, Vast Skies' became anthems of mourning and underground resistance. Moss argues that the 'story of Hong Kong is the sound of it,' suggesting that the city's history is best understood through its auditory landscape rather than just its street signs or history books.The Enduring Legacy of Cantopop in a Globalized WorldAs Moss reconnects with her roots, she realizes that her independent musical style is deeply rooted in the Cantopop tradition. The genre has proven to be a powerful tool for cultural preservation, allowing the diaspora to maintain a connection to their heritage. By documenting these songs, Moss ensures that the emotional and political nuances of Hong Kong’s past are not lost. The genre continues to serve as a vessel for collective memory, proving that even in a rapidly changing globalized world, the local soundscape remains a vital anchor for identity and history.

The Lead Callum Scott Howells takes center stage as Henry Paget, 5th Marquess of Anglesey, a flamboyant aristocrat in the high-spirited period drama 'Madfabulous'. This film, from screenwriter Lisa Baker and director Celyn Jones, shines a light on a forgotten chapter in queer Victorian history. The Event Details Howells plays Paget, a delicate consumptive and aesthete who, in the late 19th century, blew his vast inheritance on colossal private theatricals, wild parties, and jaw-dropping performances. He caused scandal with his behavior and apparently unconsummated marriage to first cousin Lily (Ruby Stokes). The Performance Analysis Rupert Everett is excellent in the fictionalized role of the kindly butler Gelert. His performance reminds the viewer of his outstanding turn as Oscar Wilde in 'The Happy Prince'. Paget's defiant public career was conducted while the disgraced Wilde was still in prison; like Wilde, his life ended in French exile. The Impact Analysis The film imagines Paget wanting his theatricals to raise money for a supposed orphanage; the real reason may have been more narcissistic than that. Nevertheless, a strong turn from Howells as Paget, a Wildean in everything but talent. The Prediction 'Madfabulous' is set to hit UK cinemas from June 5, 2026. With its good-humored drama and strong performances, it is expected to attract audiences interested in period dramas and queer history.

The Lead: AI Film Breakthrough at TribecaNext week, a groundbreaking 75-minute drama about the brutal crackdown in Iran on anti-government protesters will premiere at the Tribeca film festival in New York. Titled Dreams of Violets, this film represents a historic milestone as the first fully AI-generated live action feature accepted at a major film festival. Directed by Iranian-British filmmaker Ash Koosha, the project was completed in less than six months at a cost of under $2,000—dramatically less than traditional production methods would require.The Technical Breakthrough: AI as a Creative ToolEvery image and character in Dreams of Violets is AI-generated, with Koosha creating characters by describing their physical appearances using people he has known as references. The director explains that using AI was necessary for security reasons: "Because of the security issue, it would not be safe for the characters to even remotely resemble someone" in Iran. While the script wasn't AI-generated, Koosha used the chatbot Claude to improve language and structure his thoughts. The director emphasizes that AI allows filmmakers to "multiply your imagination until something hits the right spot," as they can change direction at any point without costly reshoots.The Financial Impact: Democratizing Film ProductionThe economic implications of AI filmmaking are profound. Koosha states that Dreams of Violets would be "100% impossible" to bring to screen traditionally, noting that "If you wanted to do it in CGI, it would cost millions." This dramatic cost reduction—under $2,000 versus potentially millions—removes significant barriers for independent filmmakers. The director also highlights how AI enables rapid production, allowing films to be made "at the speed of news itself," which would be impossible with traditional methods requiring years of development and financing.The Industry Transformation: Shifting Power in FilmmakingKoosha sees AI as a democratizing force in the film industry, potentially leveling the playing field between independent and studio filmmakers. "An indie film-maker mind is often a lot more fresh and creative than an industrial film-maker mind," he argues. "In my view most stories that are told with $100m should be told through the lens of an indie film-maker." This technological shift could create a "new space" separate from traditional filmmaking, allowing emerging talents to create compelling content without needing to prove themselves to established gatekeepers.The Future Outlook: AI's Expanding Role in CinemaThe film industry is beginning to grapple with AI's potential. While some directors like Steven Soderbergh and Gareth Edwards embrace AI as a "genius" tool, others like Guillermo del Toro reject it outright. Koosha himself takes a measured approach: "I'm not selling AI. I'm just trying to use a tool to tell a story." Looking ahead, he plans to create characters using actual people's faces, with actors potentially taking a share in the financial gain through licensing. As AI technology continues to evolve, we may see more filmmakers using it to create "impossible movies"—ambitious projects that would require budgets of "$300m" and "doesn't happen on this planet" through traditional means.

The Anachronistic Workflow Behind *Red Sheet*At 78, James Ellroy is a literary anomaly in the age of the internet. His latest book, Red Sheet, published on June 9, is a sprawling historical noir set in 1962 during the height of the Cold War. However, the method used to create this complex narrative is strictly analog. Ellroy does not own a computer, nor has he ever owned a mobile phone. His workflow is a throwback to a bygone era: he dictates responses to printed emails and employs a retired FBI couple in southern France to type his handwritten manuscripts.Publication Date: June 9, 2022Setting: October 1962 (Cuban Missile Crisis era)Key Protagonist: Freddy Otash, a corrupt private investigatorThe Methodology of ObsessionEllroy describes his approach as 'reckless verisimilitude,' blending historical fact with subjective fantasy to uncover deeper truths. His rejection of Google and digital research is compensated by a dedicated researcher who summarizes books and sends physical pages. This physical, tactile process allows him to maintain a hyper-focused, almost obsessive creative state that is difficult to replicate in a digital environment.The Cultural Relevance of a Tech-Free IconIn an industry increasingly driven by social media engagement and digital distribution, Ellroy's stance is a powerful statement on the nature of focus. By removing the distractions of constant connectivity, he preserves a 'mad dog' intensity that fuels his writing. His latest work challenges the conventional narrative of the Hollywood Ten and the Red Scare, offering a contrarian view that the figures who refused to testify were complicit in a criminal conspiracy.A Niche for Analog AuthenticityEllroy's continued success suggests that there is enduring value in high-intensity, analog craftsmanship. While the publishing industry moves toward digital-first models, his ability to produce complex historical fiction without modern tools proves that for certain genres, the human-centric process of creation remains paramount. His future outlook remains as sharp and defiant as ever, continuing to challenge liberal sacred cows and redefine the boundaries of crime fiction.

The Lead The new reality show 'The Vardys' has been panned as very bad and very boring, disappointing fans of Leicester City's Jamie Vardy and those interested in the 'Wagatha Christie' libel case. The Reality Check The three-part reality show, which aired on ITV1 and is now available on ITVX, follows the lives of Jamie Vardy and his wife Rebekah Vardy as they move to Italy. However, the show fails to deliver on its promises, instead focusing on mundane tasks like packing up a house and moving to Italy. The Content Critique For fans of Jamie Vardy, the show doesn't provide much insight into his life as a footballer. Leicester fans won't get much of Jamie or any footage they haven't seen before. And much of what is shown in the first two episodes is to do with the troughs of his early days at the Italian club Cremonese – injury, stress, failing to dazzle in his debut, failing to score many goals thereafter – rather than his glory days at home. The Wagatha Christie Factor For fans of the 2022 legal case (also known as “The Scousetrap”, for Coleen is Liverpudlian, and “Roodunnit?” because the whole thing played out in private, then on social media and then in court like the neatest mystery novel you ever read), here is pretty much everything Rebekah has to say about the private, public and court verdict that she did exactly what she was claiming Rooney had wrongly accused her of: “Never, ever, ever will I apologise for something I didn’t do. Hell will freeze over before I do that. “I’m not going to carry on living in the past. I’m so fucking tired of it,” says Rebekah, on a show almost certainly commissioned because of what happened in the past and in the hope that she would discuss it in great detail. The Verdict The show is a slow, slow grind through the minutiae of packing up a house and moving a family to Italy once Jamie takes his leave of Leicester City and signs with the then Serie A Cremonese. Watching people move house, try to find school places for five children (the oldest of the Vardys’ six is staying in England), moan about getting visas and finding a house to rent is about as interesting as listening to people describe their dreams.

Capturing the Unseen Lives of Coastal Youth Documentary photographer Polly Braden had her big idea while reading a landmark report about the poor health of people living on the English coast. The report blew her away, and she thought: 'This is about England. And it affects all of us.' The Against the Tide Series Braden collaborated with The Guardian's Seascape section to produce the 'Against the tide' series, a wide-reaching year-long journalism project reporting on the lives of young people in coastal communities across England and Wales. The project aims to shine a spotlight on 16- to 25-year-olds growing up on the neglected fringes of England and Wales. Photographing Resilience and Beauty Braden's work includes a photograph of Libby, a young woman from Whitehaven, Cumbria, depicted on a beach underneath a gloomy sky, holding a bag of oranges. A rainbow is faintly visible in the centre of the image, behind her right shoulder, giving her a slight halo as she looks down, away from the camera. 'There's beauty in it,' says Braden. 'And there is bleakness.' The Exhibition Braden's work will form a touring exhibition which opens at Arnolfini gallery in Bristol in June and moves to Colchester's Firstsite gallery in October.

Peter Murrell, the former chief executive of the Scottish National Party (SNP) and ex‑spouse of former First Minister Nicola Sturgeon, has confessed to diverting party funds for personal use, sparking a legal and political firestorm. The Unfolding of Peter Murrell’s £400,000 Misappropriation Murrell’s admission, reported by The Guardian and detailed in an interview with BBC by Sturgeon, reveals a pattern of spending on items ranging from toilet rolls and instant coffee to a Jaguar. The case is now in court, with a hearing scheduled for this week and sentencing expected later this month. Financial Scale of the Misuse: £400,000 in Party Funds £400,000 allegedly siphoned from SNP accounts. Purchases included everyday consumables and luxury goods such as a Jaguar. Funds were reportedly taken without formal approval from party treasurers. Political Fallout for Nicola Sturgeon and the SNP Sturgeon has publicly denied knowledge of the embezzlement, but the revelations have damaged her public image and raised questions about internal controls within the SNP. Analysts warn that the scandal could erode voter confidence ahead of upcoming elections. What Comes Next: Court Verdicts and Party Reforms The upcoming court decision will determine Murrell’s sentence, while the SNP faces pressure to overhaul its financial governance. Potential outcomes include: Implementation of stricter audit procedures. Possible leadership reshuffles within the party hierarchy. Increased scrutiny from media and opposition parties. How the SNP navigates this crisis will be pivotal for its long‑term credibility and for Sturgeon’s political legacy.

The Election of a New UN General Assembly President Bangladesh's Foreign Minister Khalilur Rahman has been elected president of the 81st session of the United Nations General Assembly after defeating Cyprus's Ambassador Andreas Kakouris in a closely contested vote. Rahman secured 99 votes, eight more compared with his competitor Kakouris. A total of 190 ballots were cast, with no invalid votes or abstentions. Details of the Election and Term The presidency rotates among the UN's five regional groups, and the 81st session falls to the Asia Pacific group. Rahman will serve a one-year term starting on September 8, the UN said. Rahman secured 99 votes. His competitor, Andreas Kakouris, secured 91 votes. A total of 190 ballots were cast. Challenges Facing the UN General Assembly Rahman's presidency will coincide with one of the most consequential processes on the UN calendar: the selection of Secretary-General Antonio Guterres's successor, whose term expires at the end of this year. The UN is facing immense pressure, with consensus increasingly difficult to achieve and defence of the UN Charter becoming a daily necessity. Background on Khalilur Rahman Rahman served as national security adviser and high representative on the Rohingya issue before becoming Bangladesh's foreign minister in February when the Bangladesh Nationalist Party (BNP) won in the country's first election since a student-led uprising ousted longtime leader Sheikh Hasina in 2024. A career diplomat, he joined Bangladesh's foreign service in 1979 and held senior UN positions in New York and Geneva. The Role of the UN General Assembly The General Assembly is the UN's most representative body, bringing together all 193 Member States, each with one vote. Its annual gathering in September in New York is the only UN forum where world leaders of all countries, small and large, can speak. The UNGA also makes key decisions for the UN, including appointing the secretary-general on the recommendation of the UN Security Council, electing the non-permanent members of the UNSC, and approving the UN budget.

The Energy Advantage In the race against China for AI supremacy, the United States dominates when it comes to access to the most cutting-edge semiconductors. But when it comes to powering the huge data centres that run on AI chips, China holds the clear advantage. That's because data centres, the sprawling computing facilities needed to train and run AI models, require vast amounts of energy. A typical data centre can consume as much electricity as 100,000 households, while next-generation “hyperscale” facilities can gobble up as much power as two million homes, according to the International Energy Agency (IEA). China's Renewable Energy Boom China already generates more than twice as much electricity as the US, a lead that is expected to widen amid an aggressive state-led investment in the country’s energy grid. BloombergNEF, a research provider, estimates that China will add more than six times as much electricity generation capacity as the US over the next five years. Much of that extra capacity will be in the form of renewables such as solar and wind. In 2025 alone, China increased its wind and solar power capacity by more than 430 gigawatts, accounting for more than half of the additional capacity in the renewables added globally that year. The Impact on Data Centres A key element of China’s AI strategy involves integrating its data centres into its rapidly expanding renewables sector. Under the “East Data, West Computing” initiative, China’s government is concentrating the construction of new data centres in the country’s sparsely populated interior, where land and renewable energy sources are abundant compared with the heavily built-up eastern seaboard. Earlier this month, Beijing announced the start of operations at the country’s first “large-scale” renewable energy project to be linked directly to a data centre. Narrowing the Gap For now, the US still has the largest data centre footprint by a wide margin. According to Stanford University’s AI Index, the US had an estimated 5,427 data centres in 2025, compared with 449 in China. But as China constructs data centres at a blistering pace – its number of data centre racks grew 30 percent annually from 2016 to 2023, according to the China Academy of Information and Communications Technology – the gap between the superpowers is rapidly narrowing. The Future Outlook “In the long run, the country that can provide cheap, stable, low-carbon electricity will have a major advantage in AI infrastructure,” Qiyang Xiong, a PhD candidate at Renmin University of China who specialises in AI and energy policy, told Al Jazeera. “China is a global leader in solar, wind and ultra-high-voltage transmission,” Xiong said. “This gives it an advantage in supplying western data centre clusters with large volumes of relatively cheap, clean electricity.”