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The Lead: Roni Horn's Artistic JourneyAt 70 years old, renowned artist Roni Horn presents "Seizure of Hope," her first solo exhibition in London in a decade at the prestigious Hauser and Wirth gallery. The exhibition features 76 graphite drawings exploring the complex emotion of being "paralysed with hope," a phrase that has become central to Horn's recent work. This comes after a notable incident where Horn was removed from a flight due to a dispute with a flight attendant, an experience that reflects her androgynous identity and quiet rebellion against authority in today's world.The Exhibition: Visualizing ParadoxStepping into the gallery on Savile Row, visitors encounter 76 drawings rendered in "very, very soft" graphite pencil with wax pencil, each repeating the handwritten phrase "I am paralysed with hope." The installation is deliberately arranged with uneven gaps between frames, creating spaces where meaning slips and falters. Horn describes these works as capturing "an endless silent scream feeling," born from her experience of losing friends and observing how "the last thing to go is hope" during illness.The exhibition also includes a solid cast glass sculpture resembling a large ice cube, titled "What Happens to the Hole When the Cheese is Gone?"—a reference to Bertolt Brecht. This piece, made by pouring molten glass into a mould that hardens slowly over months, embodies Horn's fascination with ambiguity and the in-between states of existence.Artistic Philosophy: Embracing AmbiguityHorn's work consistently explores themes of mirroring, doubling, and repetition. She deliberately avoids direct answers, embracing ambiguity as a core artistic principle. Her approach is described as "serenely anti-authoritarian, revelling in the absurd and the contradictory." The unpindownable nature of her work, which spans photography, drawing, sculpture, and film, gives it vitality and presence without ostentation.The phrase "I am paralysed with hope" first captured Horn's attention around the time of "the political downfall of America" and has since appeared in multiple works, including her conceptual diary LOG created during lockdown and her 2023 exhibition at Centro Botin. The smudged, varied handwriting in the drawings reflects Horn's self-described "atrocious" handwriting that once required multiple signatures for banking purposes.Cultural Context: Art in Turbulent TimesHorn's work resonates particularly strongly in contemporary society, where contradictions and uncertainties abound. Her exploration of hope as both paralyzing and enduring speaks to the collective experience of living through political and social upheaval. The artist's experience of being removed from a flight due to a seemingly minor incident underscores the tensions present in today's world, particularly for those who don't fit conventional expectations.The exhibition's title, "Seizure of Hope," suggests both a capture and a taking of hope—a complex relationship that Horn explores through her repetitive, meditative drawings. This approach to hope as something that persists even in darkness offers a nuanced perspective on human resilience in challenging times.Future Directions: The Persistence of HopeAs Horn continues to create work that embraces ambiguity and contradiction, her exploration of hope appears likely to remain central to her artistic practice. The artist's commitment to staying "in the unknown and the in-between" suggests future works that will continue to challenge viewers' expectations and offer spaces for reflection on the complexities of human experience.The exhibition at Hauser and Wirth represents not just a showcase of Horn's current work but a continuation of her decades-long exploration of material, form, and meaning. As she approaches her eighth decade, Horn shows no signs of diminishing her artistic ambition or her willingness to confront difficult emotions and ideas through her distinctive visual language.

Google Unveils Dreambeans, an AI‑Powered Life AnimatorGoogle Labs introduced Dreambeans, a new iOS and Android app that uses personal AI to transform data from Gmail, Calendar, Photos, YouTube and Search History into illustrated daily stories. The launch, announced on June 3, 2026, targets U.S.‑based Google AI Ultra subscribers and users on a waitlist.How Dreambeans Turns Your Google Data into Daily Cartoon‑Style StoriesThe app’s product lead, Gozde Oznur, explains that Dreambeans aggregates information across Google services to generate a curated list of lifestyle suggestions—ranging from nearby coffee shops to tips for a new puppy—delivered as AI‑illustrated “stories.”Stories are personalized based on email, calendar events, photo tags, video history and search queries.Content formats include location recommendations, activity ideas, and news articles aligned with user interests.Limited Daily Story Count Aims to Counter DoomscrollingDreambeans deliberately caps the number of stories to 10‑14 per day, positioning the app as an antidote to endless scrolling. By providing a finite set of inspirations, Google hopes users will act on the ideas offline rather than remain glued to their screens.Potential Shift in Personal AI Assistants and User EngagementThe launch signals a broader move toward AI assistants that blend utility with creative storytelling. Privacy safeguards—user‑only access, on‑demand data deletion, and selective service connections—address growing concerns around data use in personal AI products.What’s Next for Dreambeans and the Broader AI Lifestyle MarketAnalysts expect Google to expand Dreambeans beyond the current U.S. pilot, possibly integrating deeper generative‑image capabilities and broader language support. If adoption rises, the model could set a new standard for AI‑driven lifestyle curation, prompting competitors to launch similar “inspiration‑first” tools.

Millwall’s Groundbreaking Pride Playbook LaunchMillwall published a first‑of‑its‑kind “Pride playbook” during Pride month, targeting football clubs that want to build lasting partnerships with LGBTQ+ teams such as the club’s own Millwall Romans and Millwall Pride.Details of the 78‑Page Playbook and Its Core GuidelinesThe playbook, spanning 78 pages, offers a step‑by‑step framework for clubs to:Create a distinct identity for an LGBTQ+ team within the broader club structure.Appoint a dedicated coach and an internal champion to drive the initiative.Follow three essential “don’ts” when facing resistance: avoid endless debate, don’t wait for universal agreement, and don’t dilute the concept.Developed under the leadership of Sean Daly, chief executive of the Millwall Community Trust, the guide builds on the partnership with London Romans that sparked the formation of Millwall’s inclusive squads.Key Statistics Highlighting LGBTQ+ Inclusion in English FootballMore than 50 Premier League and EFL clubs now host LGBTQ+ supporter groups.The playbook itself contains 78 pages of best‑practice material.Research cited by Jon Holmes of Football v Homophobia indicates a rise in homophobia and transphobia within grassroots men’s football.Potential Ripple Effects Across Grassroots and Professional FootballBy providing a clear partnership model, the playbook could encourage other clubs to launch or support LGBTQ+ teams, fostering safer environments and improving mental‑health outcomes for participants, as noted by Andy Dolan, manager of Millwall Pride.Holmes warns that without proactive measures, the increase in discriminatory behaviour may push players away from the sport, underscoring the playbook’s relevance.Future Outlook: Integration or Separation of LGBTQ+ Teams?While some clubs, like Stonewall FC, have merged into mixed‑gender leagues, Andy Dolan stresses a “flywheel effect” where resilient LGBTQ+ players might eventually join mainstream teams, though he remains cautious about full integration at this stage.The playbook sets a benchmark for inclusive sport, and its adoption will likely shape the conversation around whether LGBTQ+ teams remain distinct entities or become fully integrated into the broader football ecosystem.

A Critical Portrait of George MichaelIn 1998, George Michael was arrested for public lewdness in an LA lavatory, an incident that finally led the singer to publicly come out. The following day, Sathnam Sanghera found himself unable to leave his room at university: the doorway had been mockingly plastered with tabloid newspaper headlines – "ZIP ME UP BEFORE YOU GO-GO!" – by fellow students aware of his longstanding fandom. As a writer, Sanghera is best known for a series of award-winning books on the British empire, which he calls his "specialist subject". Judging by Tonight the Music Seems So Loud – not a biography so much as a miscellany, a set of themed essays that tend to digress in all kinds of intriguing directions – the life and work of one Georgios Panayiotou runs imperialism and its legacy a very close second.The Complex Legacy of a Pop IconIt is an unashamedly partisan book, although not an uncritical one. Sanghera is as alive to Michael's personal and professional failings (whether the naffness of some of his early work as one half of Wham! or his high-handed treatment of the duo's other half, Andrew Ridgeley) as he is in love with his artistic triumphs. These, of course, range from Careless Whisper and Wham!'s annually inescapable Last Christmas to the 1996 solo masterpiece Older, a peculiar and peculiarly effective cocktail of raw grief at the Aids-related death of his lover Anselmo Feleppa and unrepentant horniness.The Evolution of Critical ReceptionSanghera's love for his subject is evidently sharpened by the opprobrium of others. Indeed if the book has a flaw, it's that the author is old enough to remember an era when George Michael was deemed insufferably uncool by some arbiters of taste (incredibly, when Wham! performed at a 1984 benefit show for striking miners, the only mainstream pop act to show support for the cause, they were received stone-faced by the audience and savaged by the music press for their trouble), and thus has a tendency to underestimate how much both he and his music have been critically re-evaluated in the 21st century.The Artistic Journey of George MichaelHe says one of the spurs to write the book was his belief that "most truly popular music is not generally deemed worthy of serious analysis and George Michael's music most certainly is not". That might have been true once, but certainly not of late: when he died, this newspaper alone ran six features by critics analysing different aspects of his music. "He sang so exquisitely about the marrow of life, about the vital, corporeal things", wrote one, which definitely doesn't amount to taking George Michael insufficiently seriously.double quotation markEven as he skinned up in front of journalists and discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed himFamily Background and Cultural IdentitySanghera is very good on the climate of homophobia in the 80s, which might have given any gay public figure serious qualms about coming out, and fascinating on Michael's family background: how growing up embedded in north London's Greek Cypriot community impacted on everything from Wham!'s image – not camp, Sanghera suggests, but "the vision of two children of immigrants imagining a kind of glamour they had not actually experienced before" – to his work ethic and control freakery. His dad made good in England by working exceptionally hard, running such a tight ship at his restaurant that he summarily fired his only son for messing up the drinks orders. The fact that the same son went on to hire 12 different saxophonists before finding one that could play the solo on Careless Whisper to his satisfaction doesn't come as a huge surprise.The Perfectionist and Contradictory ArtistThis my-way-or-the-highway perfectionism could yield hugely impressive results – Careless Whisper's sax hook may well be the most famous in pop history – but it could equally lead to intransigence and self-sabotage. Michael worked incredibly hard to transform himself from a member of a teen pop band into a more adult-facing solo artist, but having sold a staggering 25m copies of his 1987 solo debut Faith, he refused to promote its follow-up Listen Without Prejudice Vol. 1, or even make videos for its singles: a better album than its predecessor, it achieved only a fraction of its sales as a result. It was evidence of a deeply contradictory nature that occasionally has Sanghera throwing up his hands in bewilderment.The Public and Private Faces of George MichaelMichael was a polymath, keen to be duly credited as the sole singer, writer, producer and musician on a succession of tracks, but also had a weird habit of talking down his abilities, claiming he couldn't play instruments he was perfectly capable of playing. He was a Stakhanovite who increasingly worked at an agonisingly glacial pace, endlessly fussing over details, a state of affairs not much helped by his gargantuan appetite for marijuana: coupled with bouts of writers' block, it meant he released only six albums of original material in a career that lasted 34 years. He was a Labour voter, booster of the NHS and famously generous philanthropist who also engaged in tax avoidance. After being publicly outed, he became a notoriously frank interviewee ("as if nothing can embarrass him anymore" the Guardian's Simon Hattenstone suggested when he met him in 2009). But even as he skinned up in front of journalists and freely discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed him.The Decline and Final YearsMichael emerges as a messy, unpredictable but ultimately hugely likable figure, which makes the essay about his demise particularly tough reading. Listed starkly on the page, the facts of his final 10 years make it obvious that he was a deeply unwell man whose life had spun wildly out of control: drug busts, medical emergencies, visits to rehab, rumours of breakdowns and suicide bids and seven incidents in which he either crashed his car or was found comatose at the wheel.The Professional Mask of Personal StruggleThat it somehow didn't appear obvious at the time – that his death at 53 felt like a shock rather than a grim inevitability – seems remarkable, but as Sanghera points out, Michael's professionalism did a lot to paper over the cracks. He was always available to the media and always smart, funny and self-effacing: to use a modern turn of phrase, he controlled the narrative. He was punctilious about his appearance – the star certainly never looked like an ailing drug addict – and unfailingly superb onstage.The Hidden Realities Behind the FameBehind the scenes, it was a different story. He struggled to make new music: at one juncture he booked six months of recording sessions but never turned up to the studio once. His once-acute commercial instincts seemed to desert him: even Sanghera can't muster much enthusiasm for the handful of still-unreleased songs he completed in his final years. He cut off close friends and family who tried to intervene. No one who knew him seems to have been particularly surprised by his death: the list of adjectives used to describe him on his official website now includes not just "icon" "legend" "soul singer" and "philanthropist" but "addict" "repeat offender" and "depressive".An Imagined Alternative LegacyAs the book draws to a close, Sanghera offers a heartbreaking alternative history. He imagines Michael conquering his addictions, coming to a complete accommodation with his musical past (to the end of his life, he was dismissive of Wham!, describing their oeuvre as an exercise in "ignoring my own intelligence" and declining to play most of their hits live) and headlining Glastonbury, "getting pleasure from the audience reaction to Club Tropicana".The Enduring Power of George Michael's MusicIt's affecting because you can imagine it so vividly: the endless succession of hits that anyone with even a passing interest in pop music knows, the pandemonium in the crowd when he breaks out Careless Whisper, the encore of Freedom '90. You don't have to be a fan on Sanghera's level to understand what a triumph it would have been. Tonight the Music Seems So Loud: The Meaning of George Michael by Sathnam Sanghera is published by Picador (£22). To support the Guardian, buy a copy at guardianbookshop.com. Delivery charges may apply.

The Harsh Reality of Penalty Shootouts The greatest lie ever told about penalty shootouts is that they are a lottery. This is a recognisable and trainable footballing skill, a test not just of ball-striking and placement but research, psychology, mettle under pressure. Arsenal's Unfortunate Loss Were Arsenal unlucky in Budapest, then? Once we sieve out the righteous rage and endless counterfactuals, the minor quibbles over major refereeing calls, Arsenal probably got what they deserved. To lose on penalties after making the defending champions sweat and fluster for 120 minutes is undoubtedly harsh. The Data Analysis Arsenal's style of football is geared explicitly towards narrowing the range of realistic outcomes, and then catching the breaks that remain. The team's tactics and gameplan largely brought them to this point. Arsenal's recruitment in the last few windows has put a premium on bolstering the back line, adding depth, bringing up the overall level of the squad rather than signing the electrifying X-factor players who can win a big game with a moment of brilliance. The Impact Analysis The gulf in resources is obviously a factor here, but so too the gulf in priorities. Clubs who can rely on the largesse of a state have much fatter margins for error. An expensive misstep on the scale of the Neymar/Messi/Mbappé fiasco would derail most clubs for a decade. Paris, on the other hand, can simply shrug it off and go again. The Prediction Future generations may marvel at Arsenal's fortune in reaching a Champions League final by beating Bayer Leverkusen, Sporting Lisbon and Atlético Madrid. Will the circumstances really be any more favourable for them next time? The window of opportunity at the very highest level is vanishingly small, contingent on luck as well as skill, and has no guarantees of coming again.

The LeadCorridors have long been more than just passageways in cinema—they are narrative spaces that build tension, create atmosphere, and advance storytelling. The Guardian has compiled a definitive ranking of the 20 most memorable corridors in film history, showcasing how these seemingly simple spaces have become iconic elements of cinematic language.The Art of Cinematic CorridorsFrom the claustrophobic hallways of horror films to the dystopian passageways of science fiction, corridors have served as powerful storytelling devices across genres. The ranking includes entries from 1979 to 2011, with films like "The Thing" (1982), "Brazil" (1985), and "The Raid: Redemption" (2011) demonstrating how directors use these spaces to create memorable sequences.Ranking Criteria and Notable MentionsThe selection process appears to prioritize corridors that have become iconic through their visual impact, narrative significance, and ability to evoke emotion. Notable mentions include:The marble corridor in "Phantasm" (1979), which became a source of nightmares for viewersThe endless grey passageway in "Brazil" (1985), created using forced perspective in a disused flour millThe baroque corridors of "Last Year at Marienbad" (1961), which create a uniquely spooky ambienceThe modern corridor chase in "The Red Queen Kills Seven Times" (1972), featuring a figure in a red cloakThe Impact of Corridors on FilmmakingThese cinematic corridors have influenced generations of filmmakers and continue to be referenced in contemporary cinema. The ranking reveals how directors have mastered the use of confined spaces to build suspense, create visual symbolism, and advance character development. Horror filmmakers, in particular, have long recognized the corridor's potential for terror, using its linear nature to create anticipation and dread.The Future of Corridor Scenes in CinemaAs filmmaking techniques evolve, the corridor continues to be a vital space for cinematic storytelling. With advances in virtual production and immersive technologies, future corridor scenes may push the boundaries of visual storytelling even further. The enduring appeal of these spaces suggests that corridors will remain essential tools for filmmakers seeking to create memorable, tension-filled sequences that resonate with audiences.

The Film’s Core Concept: Turning Internet Liminality into CinemaThe Guardian review details how *Backrooms* follows architect‑turned‑store‑owner Clark (played by Chiwetel Ejiofor) as he discovers a portal to an endless maze of fluorescent‑lit, drop‑ceiling rooms. The film expands the viral “backrooms” meme—originally a series of YouTube shorts made with Blender and After Effects—into a feature‑length narrative while retaining its minimalist visual language.Production Insight: A 20‑Year‑Old Director’s Low‑Budget MasteryDirector Kane Parsons, the youngest ever to helm an A24 feature, built the original series using free software, demonstrating how low‑cost tools can generate high‑impact horror aesthetics. The movie’s production emphasizes practical set design—repeating office‑style corridors, yellow lighting, and drop ceilings—to evoke the “junkspace” described by architects like Rem Koolhaas.Financial Snapshot: A24’s Continued Investment in Indie HorrorBudget details were not disclosed, but A24’s recent horror slate averages $5‑10 million per film.Box‑office expectations align with the studio’s strategy of modest budgets paired with strong niche appeal.Why It Matters: Architecture as a New Horror FrontierThe film taps into academic concepts such as Mark Augé’s “non‑places” and Juhani Pallasmaa’s idea of architecture as mental space, positioning the built environment itself as the antagonist. By visualising bureaucratic infinity, *Backrooms* expands horror beyond monsters to the sterile, endless corridors of modern capitalism.Looking Ahead: The Future of Liminal‑Space HorrorParsons’ success suggests a growing appetite for horror that interrogates everyday environments. Expect more studios to mine internet subcultures and architectural theory, blending low‑budget VFX with philosophical storytelling to attract both genre fans and critical audiences.

Israel's Mental Health Crisis: Trauma and Societal TransformationAfter more than two years of relentless bombardment and war – from Israel's operations in Gaza and the Hamas-led assault on southern villages in October 2023 that preceded it, to the country's successive wars and strikes on Iran, Lebanon, Syria and other neighbouring states – analysts, observers, and numerous studies from within Israel have concluded that the country has become moulded by trauma.A recent survey by Maccabi Healthcare Services found that about one-third of Israelis believe they need professional mental health support. Among those who have served in the army, as either conscripts or reservists, the picture is even starker.Rising PTSD Cases and Mental Health EmergenciesIn January, Israel's Defence Ministry reported a near-40 percent rise in the number of post-traumatic stress disorder (PTSD) cases among its soldiers since September 2023, with a 180 percent increase expected by 2028. The government has not published the number of soldiers discharged due to mental health over the same period, despite a legal obligation to do so, Israeli media has reported.Earlier this month, Magen David Adom, Israel's paramedic service, launched a dedicated mental health emergency service after registering a 45 percent spike in the number of calls it was receiving. The majority, it said, were linked to the continued strain of the country's multiple wars.The Statistical Surge in Mental Health IndicatorsThe number of suicides, a key indicator of mental health, has sharply increased across society as a whole, but particularly among the military, with 78 percent of military suicides in 2024 linked to combat operations in Gaza, the occupied West Bank and Lebanon, The Jerusalem Post reported in February.Incidents of domestic violence, as well as mental health conditions such as depression and stress, have all spiked since what many in the country regard as its endless series of wars began in October 2023, as well.Societal Brutalization and Political ShiftsIsrael's President, Isaac Herzog, appeared to acknowledge the trend in late May, referring to the increase in violence across Israeli society itself, including that perpetrated by rampaging Israelis from illegal settlements against Palestinians in the occupied West Bank, and the spike in violence targeting Christians.Speaking at an awards ceremony, he said, "I wish I could speak today only about unity. But to my great sorrow, we are living through days in which violence is not the only thing rearing its head. Alongside it, at the margins of our magnificent Israeli society, a terrible process is creeping in – a terrible process of brutalisation. It is a slow and disturbing process, one that threatens to enter the mainstream of Israeli society, and we will not allow it.""October 7 was like a switch, and the trauma it caused is widespread and ongoing," Tuly Flint, an Israeli mental health practitioner and combat veteran, told Al Jazeera. "People's sense of security was shattered," he said, arguing that the gap between past conflicts and the present ones had created a false sense of safety, alongside misplaced confidence in Israel's military and technological superiority."People have lost confidence in their society, government and institutions," Flint said, describing the sense of institutional betrayal among those who relied on the state for protection, or the moral injury experienced by those who lived through the consequences of its failure to do so. "In some cases, this has led people to embrace right-wing politics, adopt a more forceful response to perceived threats, and lose trust in government," he added.Trauma's Long-Term Implications for Israel's FutureHowever, the degree to which these trends began on October 7, 2023, is unclear, analysts and observers say. Violence has been intrinsic to Israel since its founding in 1948, analysts, such as the noted Israeli sociologist Yehouda Shenhav-Shahrabani, told Al Jazeera, with the events following October 7 merely giving new impetus to existing currents."October 7 was like a new beginning," Shenhav-Shahrabani said. "People create beginnings to erase the trauma of the past. Giving trauma a start date helps explain it."Recounting a conversation he had with his friend, the late Lebanese novelist, Elias Khoury, who had described to him his idea that Israelis need to experience defeat to become "more human" and less hubristic, Shenhav-Shahrabani said, "I'm not sure that's happened. October 7 was a defeat, and since then, Israelis have become even more fascist."There was always a fascist element to zionism, but more liberal strands, such as kibbutzim, obscured it. However, since October 7, it's become more apparent. You can see it everywhere," Shenhav-Shahrabani, who has given up teaching in response to endless criticism from a growing number of right-wing students, said.How its current trauma will shape Israel going forward is unclear, Zahava Solomon, a professor at Tel Aviv University who has researched the phenomenon for the past 40 years, said.Trauma can motivate a society to be strong and aggressive, or to always seek negotiation, she said. For Israel, the past trauma of the Holocaust has, she said, instilled in society an absolute sense of victimhood, one imprinted upon its citizens from the cradle and for whom the mantra of "never again" has become second nature.As for the Palestinians, who have experienced their own victimhood, this carries "dire consequences" for the future.For Flint, however, still on the front line of managing the fallout from the wars' collective trauma, "There's no cure"."There's just recovery. Once people have crossed that threshold, that's it."

The Vinnie Jones Documentary: A Chaotic but Enjoyable Biopic The Untold UK documentary series on Netflix has taken a new turn with its latest episode, focusing on the life and career of Vinnie Jones, a former footballer and film star. The documentary is an energetic and celebratory portrayal of Jones' life, but it falls short in providing in-depth analysis or critical questioning. Early Life and Football Career Vinnie Jones, born just outside Watford, began his football career as a semi-pro at Wealdstone, combining it with his work on a building site. He became captain of the boys' team and eventually joined Wimbledon in 1986, where he became part of 'the Crazy Gang' alongside John Fashanu. The team caused endless ruckus but also achieved a brief spell at the top of the newly promoted first division. The Crazy Gang and Rise to Fame Jones' time at Wimbledon was marked by his reputation as a hard man on the pitch, with numerous yellow and red cards. The documentary lovingly documents his successes and controversies, including his infamous tackles and tactics. However, it lacks critical questioning about his career choices and the impact of his image on his personal life. Hollywood and Later Life The documentary also touches on Jones' time in Hollywood, but it is a brief and unenlightening segment. Overall, the documentary is an enjoyable but shallow portrayal of Vinnie Jones' life and career. The Verdict Despite its shortcomings, the documentary is an unexpected amount of fun, providing a lighthearted and entertaining look at Vinnie Jones' life. The documentary is available on Netflix, and viewers can decide for themselves whether it is a fitting tribute to the man and his career. Untold UK: Vinnie Jones is on Netflix