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The Journey of a Reject to Liverpool LegendThere was the Barcelona comeback on the night he ruffled Lionel Messi's hair, the Champions League triumph in Madrid, winning Liverpool's first league title in 30 years and pressing five Manchester City players in one career-defining run at Anfield when 4-1 up. But the best feeling Andy Robertson experienced at Liverpool was "climbing the mountain" with Jürgen Klopp's all-conquering team. Nobody climbed higher or harder.The boy who was rejected by Celtic at 15 and tweeted: "Life at this age is rubbish with no money" after his debut for Queen's Park aged 18 became the man many consider to be Liverpool's finest left-back, and arguably the best in the world at his peak. With 377 fiercely committed appearances in a Liverpool shirt behind him, Robertson will say goodbye on Sunday. The 32-year-old Scotland captain leaves "with no regrets, no bitterness" and "glad that one of our Egyptian friends might take a bit more of the limelight. I can just sneak underneath that."The Climbing of the Mountain Together"We were on the most amazing journey ever, all together," he reflects. "When we started out Mo Salah didn't sign as the best player in the world or the best winger in the world. Virgil van Dijk had the potential to be but wasn't the best centre-back in the world. Alisson wasn't the best goalkeeper in the world. Trent [Alexander-Arnold] wasn't the best right-back in the world. Hendo [Jordan Henderson] was still trying to find his feet as captain. We were all just on this journey from the bottom to the very top together and climbing that mountain was the best feeling ever."Every day we came in knowing we were getting better and better and starting to click as a team. We'd beat teams in the tunnel. Genuinely. When I speak to my Scotland teammates, they were lining up in the tunnel and looking over thinking: 'We're going to need to run our socks off today to get anything.' And more often than not they didn't get anything."We had an unbelievable environment to express ourselves, to play with freedom, but in our minds we knew we had to work at 100%. That was obviously from the manager, from the coaches, and I think then all the staff and people behind the scenes bought into it and you had the whole training ground determined to achieve all our dreams. Everyone was on the same page and we just made magical things happen thankfully."The Impact of Tragedy and TransitionRobertson's reminiscence prompts an inevitable follow-up. Why does Liverpool not feel like that now? His reply stops everyone in their tracks, and brings home the tragic reality of what this season has entailed for the now deposed Premier League champions. "In terms of the club I am leaving behind I think we are not at the 2017 stage, we are at the transition stage," begins one of Diogo Jota's closest friends. The Liverpool forward's death in a car crash alongside his brother in north-western Spain last July cast a dark pall over the campaign."This year hasn't worked out for a variety of reasons. We can't hide away from it, and it is not an excuse, but what we went through in the summer no team will ever go through. No member of staff will go through. I hope they never go through it because the devastation we went through … football didn't matter. We didn't care about football for weeks. None of us wanted to train. You were getting treatment off physios and physios didn't want to treat you. That is the reality of it."As footballers we of course have a duty, we have to move on and we managed that. We started the season fairly well although it was still an emotional time for us. The [season-opening] Bournemouth game was ridiculously emotional with all of Jots' family being there. I think after the 20th minute you saw a real dip in performance because of the emotional impact that it had on all of us.The Future of Liverpool FC"But then the season has been inconsistent. We bought players that we all got excited about, and they will all have an unbelievable career at Liverpool. I have no doubt about that. But they are also young. The one thing I get annoyed about in football is that footballers do not control their price tag. The market controls it. These players will be successful for Liverpool but they probably need a bit of time."Then some players who have played at a ridiculously high level haven't played to that level. If you add all that in then we have had an inconsistent season and that is the huge frustration for us. We have been too easy to play against. There is no hiding away from that but I believe they have more than enough in that changing room to be successful for Liverpool again."

Alec Segaert stole a march to win stage 12 of the Giro d’Italia on Thursday and his Bahrain Victorious teammate Afonso Eulálio snatched bonus seconds in the intermediate sprint to extend his overall lead.Stage 12: Segaert’s Late Attack Secures VictoryThe 175 km ride from Imperia to Novi Ligure looked set for a sprint finish until the Belgian rider launched his move with 3 km remaining. He held off the chasing pack to take the win on his Giro debut, edging out compatriot Toon Aerts (Lotto‑Intermarche) who claimed second, and former race leader Guillermo Thomas Silva (XDS Astana Team) in third.Time Gains and Bonus Seconds: Quantifying the Lead ShiftEulálio earned an extra 6 seconds at the intermediate sprint, widening his gap over favourite Jonas Vingegaard to 33 seconds.The stage featured a decisive climb at Colle Giovo, where Movistar’s pace brought the peloton back together.Key breakaway rider Johan Jacobs remained over two minutes ahead after 100 km, but was eventually caught.Strategic Implications for Bahrain Victorious and the General ClassificationThe dual success underscores Bahrain Victorious’s tactical acumen. Segaert’s attack forced rival teams to chase, while Eulálio’s bonus seconds reinforce his position as the pink‑jersey holder, putting pressure on Vingegaard and other GC contenders.What This Means for the Rest of the GiroWith the race now entering its second week, the time gaps are tightening. Teams that missed out on stage wins, such as Movistar, will need to animate the race on upcoming climbs to challenge the Bahrain duo.Looking Ahead: Stage 13 and the Battle for PinkFriday’s stage 13 will cover 189 km from Alessandria to Verbania, featuring another climb that could further test the resilience of the GC leaders. All eyes will be on whether Eulálio can defend his lead or if a new attacker, perhaps Segaert, will emerge to reshape the podium.

The Play's Concept Imagine if One Day was set in Long Eaton. Now, take its sweeping, time-spanning love story, but make it platonic, and about two theatre-obsessed best mates. That’s the foundation for Jane Upton’s luminous, heart-exploding play, which catches Jess and Billy in a series of snapshots across their friendship. The Story Unfolds Beginning in the early 90s, during their school days, and then moving through their 20s, 30s and into their mid-40s, the play threads together teenage crushes, career decisions, breakups, marriages, births and children. Jess (Katie Redford) is an oversharer while Billy (Benedict Salter) has secrets. Their early years together pass through play rehearsals, parties, personal revelations and betrayals, but even in their lowest moments, the two are always pulled back to each other’s side. The Evolution of Friendship As their lives move in different directions, with Billy heading to London for drama school and later building a career as a high-flying agent, and Jess staying at home in a “suburban bubble” before eventually tiptoeing her way back into the creative scene as a playwright, they turn their noses up at the other’s choices. Still, in times of turmoil, they can’t help but pick up the phone or race across the country just to be there for their old friend. Their dialogue accurately captures people who know each other’s lives inside out. The Production Directed by Hannah Stone, the production shows friendship as something defining. Redford and Salter make their characters people we want to stay with across the decades. In fact, time here slips through our fingers. One moment they’re 15 in 1995, and Jess is getting advice from More! magazine; the next it is 2022, and a 42-year-old Billy is considering surrogacy for his next child. Abby Clarke’s design evokes nostalgia, with the back wall composed of white, Polaroid-inspired squares that shift from photographic outlines to mirrors. The Verdict With so much life to fit into 95 minutes, there are inevitable gaps in Billy and Jess’s stories. We could learn more about the structure of their families and the other relationships in their lives. But really, this is a play about the complicated, beautiful bond between two people. It leaves you desperate for more days with them. Where to Watch At Nottingham Playhouse until 12 June

The Flood‑Prone Playground That Stopped Kids From PlayingFor years the play area at St John’s CofE Primary was unusable after heavy rain; water pooled on the clay‑based tarmac, forcing teachers like Macci Dobie to dismiss children from the playground or even lift them out of puddles. The school’s location in a natural basin made the problem chronic and disrupted daily routines.Designing a Rain‑Garden Play Area with Trees for CitiesWhen parent governor Sarah Taggart launched a climate‑action plan, the school secured Department for Education funding to replace part of the tarmac with a sustainable drainage system. Trees for Cities landscape architect Alfie Davies led the design, installing stepping logs across a rain garden planted with ornamental grasses, shrubs, perennial flowers and a native bird‑cherry tree that tolerates both soggy and dry conditions.Rain garden drains excess water in about 10 minutes after a heavy downpour.Native planting supports pollinators and reduces the urban heat‑island effect.Stepping logs create a functional play element while guiding water flow.How the New Landscape Cuts Drainage Time and HeatThe soil‑based beds absorb runoff, replacing impermeable surfaces that previously caused standing water. By integrating vegetation that transpires water and provides shade, the playground also lowers surface temperatures, addressing the hotter summers projected for London under the climate crisis.Educational and Community Benefits of the Climate‑Adapted SpaceBeyond flood mitigation, the redesign serves as a living classroom. Trees for Cities runs a year‑long engagement programme where pupils monitor water cycles, identify native species and participate in tree‑identification walks. Teachers report higher joy levels and increased curiosity about nature among students.What This Model Means for UK Schools Facing Climate RisksThe success at St John’s provides a replicable template for schools in flood‑risk zones. With modest public funding and partnership with specialist charities, schools can turn vulnerable play areas into climate‑responsive assets, delivering safety, biodiversity and educational value while contributing to national goals on heat‑stress protection for children.

Lead: Injury clouds USMNT defender’s World Cup prospectsCrystal Palace manager Oliver Glasner confirmed that US national team centre‑back Chris Richards has torn two ligaments in his ankle, putting his participation in the 2026 World Cup in doubt.Richards’ ankle injury sidelines him for upcoming fixturesInjury confirmed Thursday, described as “stable but quite swollen”.Will miss Crystal Palace’s match against Arsenal and the Conference League final in Leipzig.Glasner said recovery depends on reducing swelling and medical treatment.Minutes logged and caps underline Richards’ importance2,827 league minutes and 45 starts for Palace this season.13 USMNT caps earned since the start of 2025.Named USMNT Men’s Player of the Year in January.USMNT’s defensive depth tested ahead of the World CupOnly four centre‑backs have logged 500+ minutes under Mauricio Pochettino.Current regulars: Tim Ream, Miles Robinson, Mark McKenzie, with Auston Trusty gaining recent praise.Potential addition Noahkai Banks remains undecided between the US and Germany.What the next weeks could mean for Richards and the US squadSquad to be announced on 26 May; Richards may join camp late due to Palace commitments.USMNT friendlies vs Senegal (31 May) and Germany (6 June) are final tune‑ups.World Cup opener against Paraguay on 12 June in Los Angeles.

2026 French Open tournament director Amelie Mauresmo confirmed that prize‑money figures will remain unchanged this year, even as leading players threaten a boycott over a perceived drop in their share of tournament revenue.The Standoff Over Prize‑Money Allocation at Roland GarrosTop players, including Aryna Sabalenka and Coco Gauff, have criticised the organisers for reducing the players’ revenue share to an alleged 14.3 %, far below the typical 22 % seen at standard ATP and WTA events. In protest, many competitors plan to limit media interactions to 15 minutes during the pre‑tournament press day. A meeting between the French Open committee and player representatives is scheduled for Friday, but Mauresmo reiterated that “we are not going to change anything” for the current edition.Financial Snapshot: Prize Money vs. Tournament RevenueTotal prize pool: 61.7 million € (up 5.3 million € from 2025)2025 tournament revenue: 395 million €, a 14 % year‑on‑year risePlayers’ share of revenue: projected 14.3 % in 2026, down from 15.5 % in 2024Singles champion payout: 2.8 million € (+250,000 € from 2025)Implications for Player‑Organizer Relations and Future Grand SlamsThe disparity between the tournament’s revenue growth and the modest 5.4 % increase in prize money fuels tension. Players argue that without a more equitable split, they may collectively boycott Grand Slams, echoing calls made earlier this month. The French Open’s increase follows larger hikes at the U.S. Open (+20 %) and Australian Open (+16 %), highlighting a widening gap in compensation strategies across the majors.What Comes Next: Potential Negotiations and Boycott RisksWhile Mauresmo pledged ongoing dialogue, she admitted that “discussions will continue, probably after the tournament.” The upcoming Friday meeting will test whether a compromise can be reached before the start of the competition. Should talks stall, the threat of a coordinated boycott by high‑profile players could pressure organisers to revisit the prize‑money formula for future editions.

Lead: A Manager’s Unusual CelebrationMikel Arteta chose a backyard barbecue over the live broadcast when Arsenal clinched the Premier League, describing the experience as "building a fire" while his family celebrated the historic triumph.Garden Fire and Family Joy: The Moment Arsenal Won the TitleArteta headed to the training ground to watch Manchester City’s draw at Bournemouth with his squad, but 20 minutes before kick‑off he returned home, unable to bear the tension. In his garden he lit a fire, barbecued, and heard his son Gabriel announce, “We’re champions, Daddy.” His wife and other children joined, creating a personal celebration separate from the players.Numbers That Matter: Breaking a 22‑Year DroughtFirst league title for Arsenal in 22 years.Three consecutive runners‑up finishes prior to this season.Arsenal’s historic comeback solidifies their place at the top of the Premier League table.Why It Changes Arsenal’s NarrativeThe victory underscores Arteta’s emphasis on perseverance, humility and resilience—values he says were as important off the pitch as on it. By confronting his own doubts about being “good enough,” Arteta set a tone of vulnerability that resonated with the squad, fostering a culture that could sustain future success.Looking Ahead: Champions League Ambitions and Squad OutlookWith Arsenal hopeful that Jurriën Timber will be fit for the upcoming Champions League final against Paris Saint‑Germain, and Mikel Merino back in training, Arteta’s next challenge is to translate domestic dominance into European glory. The manager’s focus remains on staying humble, curious, and goal‑oriented as the club prepares for the Budapest final.

Revolutionizing Podcast Consumption Spotify is taking a significant leap in podcast consumption by introducing AI-powered features that allow users to create personalized podcasts based on their interests. The company has released a GitHub-based command-line tool that enables users to generate podcasts using Claude Code and Codex, which can be saved to their Spotify library. Personalized Podcast Generation Users can create podcasts by providing custom prompts, such as "Share my daily city updates, and tell me about local concerts from artists I love," or "Help me understand economics in five minutes." They can also add links, PDFs, and text, and choose a custom voice to generate podcasts. AI-Powered Q&A; Feature Spotify is rolling out an AI-powered Q&A; feature for Premium mobile users in the U.S., Sweden, and Ireland. This feature allows users to ask questions about the episode they are listening to or a concept mentioned in the podcast to get answers. They can also ask for podcast recommendations on specific topics. Creator Tools and Features Creator sponsorship tool to manage brand partnerships Option for creators to charge a subscription to unlock exclusive content and experiences The Future of Podcasting With these new features, Spotify aims to increase user engagement and make podcast consumption more personalized and interactive. The company is taking a leaf out of other innovative apps, such as NotebookLM and ElevenLabs reader, to create a unique podcasting experience. Enhanced User Experience The introduction of AI-powered podcast features and creator tools is expected to enhance the overall user experience on Spotify, making it a more dynamic and engaging platform for podcast enthusiasts.

Snapshot of Kingfisher’s Audiobook AppealThe Guardian’s review frames *Kingfisher* as a smart, reflective audiobook that delves into an unconventional romance while interrogating power dynamics and familial trauma. Narrated by Dan Bottomley, the 6hr 1min production offers listeners a lyrical journey through the protagonist’s obsession and the poet’s fragile world.Plot and Character Dynamics UnpackedThe story follows an unnamed creative‑writing academic who becomes infatuated with an Irish poet, seventeen years his senior and celebrated for her bird‑themed novels. Their meetings on a riverbank bench evolve from casual lunches to a caregiving partnership when the poet is diagnosed with breast cancer, contrasting sharply with the protagonist’s strained relationship with his mother, Hetty, and his long‑term partner, Michael.Unnamed academic – narrator and central viewpoint.Irish poet – the object of desire, author of bird stories.Michael – gym‑owner boyfriend, representing the protagonist’s ordinary life.Hetty – mother whose disapproval of her son’s sexuality adds familial tension.Runtime and Production MetricsThe audiobook runs 6 hours 1 minute, a length that allows for deep immersion without overstaying its narrative arc. Dan Bottomley’s narration is praised for its deft guidance, balancing the novel’s lyrical prose with the emotional weight of the characters’ experiences.Literary and Societal Implications of the StoryBeyond its plot, *Kingfisher* offers a fresh perspective on age‑gap relationships, positioning desire as a conduit for both empowerment and vulnerability. The review notes the novel’s commentary on parental influence, particularly how Hetty’s disapproval shapes the protagonist’s identity and choices, echoing broader conversations about LGBTQ+ acceptance and intergenerational trauma.Future Prospects for Rozie Kelly and Age‑Gap NarrativesHaving been shortlisted for this year’s Women’s Prize for Fiction, Kelly’s debut positions her as a compelling new voice in contemporary literature. The Guardian suggests that her nuanced handling of love, power, and caregiving could set a precedent for more complex age‑gap stories, and anticipates heightened interest in her next project, whether in print or audio format.