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The Passing of a Rugby Legend John Kear, the rugby league broadcaster and former Challenge Cup-winning coach, has died at the age of 71. The Rugby Football League announced that Kear died suddenly on Sunday on his return from covering Wigan’s Challenge Cup victory at Wembley for the BBC. A Coaching Career Spanning Decades Kear led nine clubs across a coaching career lasting more than 700 matches, masterminding a shock win for Sheffield Eagles in 1998 and then steering Hull FC to glory in 2005. Tributes from the Rugby Community Nigel Wood, chair of the RFL said: “On behalf of the whole sport, our thoughts and condolences are with John’s wife Dawn, his family and with those who played or worked alongside him over the last 50 years. Coached England in the 2000 World Cup, Wales in the 2017 and 2021 World Cup Oversaw Challenge Cup victories at Sheffield Eagles and Hull FC Took Batley Bulldogs to the Championship Grand Final A Legacy in Broadcasting and Coaching Kear, who played for a decade as an outside back at Castleford before his long spell in the dugout, retired from coaching in 2025 after a second stint at Batley. The Yorkshireman also tried his hand at international level, coaching England, Wales and France over the course of his career. Reaction from Hull FC Hull FC’s chief operating officer Tony Sutton joined the tributes, adding: “He was a true rugby league man through and through, with a deep knowledge of the game, who always had time to stop for a chat whenever you saw him.

The LeadWhen Keir Starmer won a landslide Labour majority promising to pursue five governing "missions", the high-profile leftwing economist Mariana Mazzucato was credited as an inspiration. Two years on, her bracing new book helps shed light on why Labour in power has struggled to project the sense of direction that "mission-led government", as Mazzucato calls it, requires.A New Framework for Economic PolicySynthesising and extending her earlier work, here she proposes "a new economics of collective action around the common good". From this perspective, the economy is not a concatenation of rapacious independent forces, to be contained and offset by public policy, but a project – or rather a series of projects – with direction and purpose.The Five Principles of Common Good EconomicsThe "compass" in the title is really a set of five principles, all of which Mazzucato says such an economy should have: purpose and "directionality"; co-creation by citizens; collective learning; reward sharing; and accountability. Each of these principles is set out in detail. Co-creation implies grassroots participation in designing and redesigning government programmes, for example – because, "when people help define a problem and develop and implement solutions, they see them as theirs rather than something imposed on them".Reward Sharing and PredistributionReward sharing means ensuring the creators or rightful owners of economic value stand to benefit: from Indigenous people whose homes lie near raw material deposits, to social media users whose data fuels Big Tech's profits. That implies radical tax reform – including greater use of wealth taxes – and the robust use of conditions in public contracts, to make sure workers and taxpayers get their fair share: an approach she calls "predistribution".Critique of Labour's Economic ApproachAccording to Mazzucato's definition, Labour's attempt at mission-led government badly missed the mark. Its first and overriding goal – "kickstart economic growth" – cannot be a "mission" at all, because it lacks the necessary purpose. What, in other words, is that economic growth meant to be for? While her scope in this ambitious book is global, the analysis also dismantles Starmer's claim to be pursuing national "missions", by setting out just how radical – and radically different – that would look in practice.Practical Examples and Global Applications"The seeds of transformation are everywhere," she says, citing inspiring projects that range from delivering healthy and sustainable school meals in Sweden to the EU's mission to support cities to become climate-neutral, to the international Nagoya Protocol on sharing the benefits of genetic resources and traditional knowledge. Echoes of Mazzucato's mindset are detectable in some Labour policies – from using the threat of legislation to cajole pension funds to invest more in UK assets, to writing conditions on youth training into clean energy contracts.The Future of Economic DirectionEconomies work best, she believes, when they pursue grand collective goals – developing and distributing a vaccine for a pandemic; or confronting the climate emergency (or, though she doesn't lean on the example here, tooling up for a new and more frightening geopolitical era). We should ask, she says, "not which market failure do we want to be fixed, but what direction do we want the economy to sail in".

The Lead: Buzzer Beater BrillianceVictor Wembanyama called for the ball with the San Antonio Spurs up by nine at the tail end of the second quarter. Down 2-1 in the Western Conference Finals to the Oklahoma City Thunder, building the lead in the final seconds of the half felt urgent. With only enough time to reach half-court before the clock forced him to shoot, Wembanyama hoisted the ball into the air from 43 feet. The buzzer sounded as the ball slammed cleanly into the basket, a moment that would help propel the Spurs to a 21-point victory and tie the series.The Technical Breakthrough: Beyond the Three-Point ShotThe buzzer-beater brought to mind the long three Wembanyama hit in Game 1, which forced a second overtime when the Spurs were struggling for offense and on the brink of defeat. That shot was from a mere 32 feet but was executed under more pressure when other, safer options were available. Three-point shooting is not even the Frenchman's most potent skill. His repertoire includes remarkable moments like missing a tip-in, then correcting it with a backwards tap over his head, delivering spiteful blocks, and simply intimidating opposing players who might otherwise attempt to drive to the basket.The Series Dynamics: Thunder's Depth vs Wembanyama's BrillianceThrough four games of this postseason matchup, it seems clear that the Thunder are the better and deeper team. San Antonio's starters have narrowly outplayed Oklahoma City's, but the Thunder's bench has proven stronger by about five times that margin. The depths of Wembanyama's talents have been required just to keep this series competitive. In Game 1, Wemby produced a 41-24 double-double that had many wondering if the Thunder could do anything to stop him. Thunder's center Isaiah Hartenstein has offered the rejoinder, wrapping his 7ft 4in opponent in a buffet of bear hugs that evade referees' whistles, minimizing Wembanyama's ability to get into the paint.The Impact Analysis: A Precarious Path to VictoryThe Spurs have a path to victory here, but it remains precarious: Get herculean performances from Wembanyama, and just enough from everybody else. The Spurs' crucial offensive creators in De'Aaron Fox and Dylan Harper are compromised, while Devin Vassell and Stephon Castle are excellent on both ends but don't take over games. Wembanyama knows the deal, as evidenced by his ridiculous 32-footer to rescue Game 1. He took that long three-pointer with 19 seconds left on the shot clock out of necessity when his teammates' ability to generate offense was failing.The Future Outlook: Wembanyama's Unlikely TriumphsMore than anything, you can see how vital Wembanyama is to his team when he has to rest and his backup, Luke Kornet, comes in. Kornet is a perfectly good player who could start on the Lakers, but in this series, at this standard, he borders on unusable. The Thunder still outscored the Spurs by nine in Kornet's 13 minutes of playing time, while the Spurs won Wembanyama's minutes by twenty-nine. The Spurs are young and dealing with enough injuries, and the Thunder are a special enough team, that Wembanyama is the underdog. His triumphs can still feel unlikely, and are worth cherishing for as long as that's true.

The Lead: US Intervention Amid Escalating Conflict Washington has put forward a proposal to de-escalate hostilities in Lebanon, a United States official has told Al Jazeera, adding that Secretary of State Marco Rubio has held separate talks with Lebanese President Joseph Aoun and Israeli Prime Minister Benjamin Netanyahu. The statement comes as Israel's military has taken over the medieval Beaufort Castle just north of the Litani River in southern Lebanon, conducting its deepest push into the country in decades. The US De-escalation Proposal: Conditions for Ceasefire The US official told Al Jazeera on Sunday that under the proposed "roadmap", Hezbollah would halt all attacks on Israel in exchange for Israel refraining from further escalation in the Lebanese capital, Beirut. The US proposal aims to create a conducive environment for a gradual de-escalation and a complete, comprehensive cessation of all hostilities, the official added. Human Cost of Escalation: Casualties and Displacement More than one million people have been forcibly displaced across Lebanon since the fighting between Hezbollah and Israel escalated on March 2. According to the latest figures from the Lebanese Ministry of Public Health, more than 3,412 people have been killed and 10,269 wounded in Israeli attacks since March 2. Israeli forces killed at least 12 people and wounded 35 in more than 36 attacks across southern Lebanon on Sunday alone, according to an Al Jazeera tally. International Response: Global Condemnation Countries across the world have slammed Israel's escalation of its offensive on Lebanon. French President Emmanuel Macron said "nothing justifies" it. United Kingdom Foreign Secretary Yvette Cooper called on Israel to halt its military activity in Lebanon, saying its escalation had "eroded space for diplomacy". Qatar condemned Israel's continuing attacks on Lebanon and the expansion of its ground offensive in the south, describing the campaign as a serious escalation and violation of international law. Path Forward: Mixed Signals and Continued Tensions Israeli Prime Minister Benjamin Netanyahu, who promised to push deeper into Lebanon and called Sunday's operation a "dramatic shift" in the campaign against Hezbollah, ordered the military on Monday to attack targets in Beirut's southern suburbs, known as Dahiyeh, a stronghold of the Lebanese group. The US official placed responsibility for the current round of fighting squarely on Hezbollah and accused it of following Iran's directives without regard for Lebanese interests. "The quickest way to protect civilians and reduce escalation is for Hezbollah to cease fire immediately," the official said, adding that Washington does not expect Israel to tolerate continued attacks on its civilians.

The Historical Clean SweepNew South Wales has secured the first whitewash in Women's State of Origin since the series shifted to three matches in 2024, after grinding out a 12-4 victory over Queensland on the Gold Coast in game three. The scoreline flattered the home side, who were clearly second best against the shield holders, and have now lost back-to-back series. But they hung with the Blues until Jayme Fressard's try with 17 minutes to go which proved to be the match-winner.The Decisive MomentThe Blues' fifth-tackle spread looked to be going nowhere, but when the imperious Isabelle Kelly off-loaded to her winger, Fressard capitalised on the Maroons' tired defense. She surged down the inside, slicing up the Queenslanders and sliding across to trigger the Blues' celebrations. The winger told Channel Nine she wanted to make up for an earlier missed opportunity. "I'd seen a few Queenslanders and a big space, and I thought, you know, just back yourself, you've got the speed, so I wasn't bombing that one," Fressard said.Series Statistics and PerformanceThe series result represented an unfortunate opening to the Origin coaching career of Queensland's Nathan Cross, who was brought in this year to replace Tahnee Norris. Despite the 3-0 result, the Maroons were in each contest, and the combined margin across the three matches was just 17 points. Instead, the sweep was another endorsement for John Strange, who has now won five of six matches in the series.Impact on Women's Rugby LeagueEven after Fressard's try pushed the lead to eight, the Blues still had work to do. With seven minutes to go, the Maroons had three successive sets on the Blues line, and both Blues wingers – Fressard and Jaime Chapman – prevented the Maroons from turning grubbers into tries. Though her fellow Blues forward Yasmin Meakes won the player of the series award, lock Olivia Kernick had a night to remember, topping counts for tackles (33) and run metres (199).Future Outlook for Both TeamsDespite the result, the Maroons can have cause for optimism. Five-eighth Chantay Kiria-Ratu only became more confident in her first Origin series, and on Thursday her ball-playing and running began to match her already elite kicking and defense. NSW dominated the first half but took 26 minutes to find the opening try, with Kelly – named player of the match on Thursday – crossing after Southwell ran deep into the Maroons' retreating goalline defense.

The Dance Challenge: A Weekend Immersion As I wait for my first Cuban salsa class to begin, I have the distinct feeling that I am poorly prepared. I'm wearing heavy jeans, a bulky woollen sweater and boots. I have never done a dance class in my life – or any kind of exercise class. I don't know anything about salsa, Cuban or otherwise. Standing alone, I notice that everyone has come with at least one friend, and begin to suspect that it takes two to Cuban salsa. This year, Rising festival – Melbourne's winter arts offering – has consolidated its longstanding dance focus into a mini-festival: the inaugural Australian Dance Biennale, showcasing Australian and international work. There's also a series of dance classes, romantically titled The Land of 1000 Dances, held in the romantically decrepit Flinders Street Ballroom. Running daily until 7 June, with classes costing $29 a pop, the diverse schedule includes Afro-fusion, ballroom, voguing, waltz and K-pop for teens and tweens. From Salsa to Shuffle: A Dancer's Journey As an audience member, I am an avid appreciator of dance; as a participant, I can most kindly be described as "curious" but uncoordinated. What if I went to a bunch of dance classes and then wrote about it? Precisely 24 hours before my first class, the misgivings begin – doing my first dance class while dressed for the show I'm seeing directly afterwards sounds like a bad idea. At the ballroom, I am briefly reassured: the crowd is a diverse mix of ages, genders and bodies, and hardly anyone is wearing dance-appropriate clothing. But the class itself is a blur – sometimes literally – as I try to learn and enact the cucaracha, the guapo and other basic Cuban salsa moves; attempt to locate the beat, my hips, any sense of coordination at all. Every time I feel as though I'm starting to get the hang of something, the instructor adds a new step. Then he corrals us into pairs – and a series of new moves, yelling "change partners!" every three minutes. Going solo, it turns out, is fine: everyone is friendly; many seem as unsure as I am. Some are nailing it but there's a sense of camaraderie: we're all in this together. That said, we're all a bit too sweaty to be holding each other. The Social Dynamics of Dance Classes I move from absolute befuddlement, through occasional moments of triumph, to a sense of quiet despair. A move that involves a 360-degree rotation to an eight-count almost breaks my spirit and I consider quitting. To my surprise, this awakens a latent fighting spirit: screw the rules, I'm doing it my way. I experience brief elation. Then we change partners and I find myself in a cursed duet involving four left feet. The elation shrivels. The class ends and I run to the theatre feeling like a dank, demoralised biohazard. I spend the next hour watching a show by the Irish choreographer Oona Doherty featuring a mix of professional, student and untrained dancers – and I mentally salute them all, with a newfound appreciation for the dark art of dance. Finding Joy in Movement I approach my next class, Melbourne shuffle, with a sense of dread. Not only do I now know how bad I am but I have agreed to be photographed. And I made the choice without knowing anything about the Melbourne shuffle, mistakenly assuming it was somewhere in the ballpark of the city's other great cultural tradition. This feeling I am experiencing, I discover, is known as "endorphins". The physical exertion, the mental focus required, the social connection – it all combines to create a chemical cocktail that makes the experience worthwhile despite the occasional humiliation. By the end of my dance weekend, I haven't become a dancer, but I've gained a profound respect for those who are. The Australian Dance Biennale and The Land of 1000 Dances offer not just entertainment, but an invitation to participate, to challenge oneself, and to discover new dimensions of movement and expression.

The Unplanned Performance La La Land is a much adored homage to Hollywood, where dreamers take chances and seize unexpected moments. On Saturday night at the ICC’s Darling Harbour theatre, that idea became a reality for a 21-year-old university student who was thrust into the spotlight at a live performance of the movie’s score – and saved a concert from derailment. The Keyboardist's Sudden Illness Sterling Nasa was in the audience at La La Land in Concert, a touring production where the movie – which features Ryan Gosling and Emma Stone – is projected on to a screen while a live orchestra plays the musical score in synchronisation with the film. The performance proceeded normally until the interval, which stretched out to 40 minutes. Then the film’s Oscar-winning composer and conductor, Justin Hurwitz, walked out alone to address the audience. The Call for a Pianist The orchestra’s keyboardist had suddenly fallen ill. Was there by any chance a pianist in the house? And one with exceptional sight-reading skills? Nasa, who plays piano and organ and is the bagpipes tutor at his old school, Scots College, hesitated when the call went out. The Impromptu Performance Nasa told the ABC he was thinking the same thing when he saw the complex score. “I saw it on the score and I thought, oh, I don’t know if I’m going to be able to sight-read that in one go,” he said. Like Gosling’s jazz-pianist character Sebastian, the student had to decide whether to stay in the shadows or take a monumental leap of faith. With no time to overthink, he chose to trust his instincts. The Audience's Reaction The gamble paid off, carrying the orchestra through the number – and earning Nasa a resounding ovation from the audience. “He saw it coming up … and he just improvised,” Hurwitz said. “That is a whole other skill on top of sight-reading. To be able to play a really cool solo in the right key, in the right scale, on the fly with no rehearsal – it was remarkable.” The Future Performance While the production team is now scrambling to rehearse new keyboardists for the upcoming Melbourne and Brisbane legs of the tour, Nasa will be heading back to his regular university lectures. La La Land in Concert will play at the ICC Sydney on Monday, at the Brisbane Convention & Exhibition Centre on Wednesday and at the Hamer Hall in Melbourne from Friday 6 to 8 June.

The Heatwave Prompt and a Glimpse into Everett’s PastDuring a scorching London heatwave, Rupert Everett—now 67—sits in a Bloomsbury café and admits the weather triggers memories of the summer of 1976, when he was a lanky teenager dreaming of stardom. The interview opens with his self‑deprecating humor about weight and age, setting the tone for a raw, introspective conversation. The 1997 Hollywood Resurgence: “My Best Friend’s Wedding”Everett’s most notable comeback arrived in 1997 when he played Julia Roberts’ gay best friend in My Best Friend’s Wedding. This role vaulted him into the position of the coveted “camp bestie” for leading ladies, briefly turning him into a box‑office draw.1997 – Cast as the gay confidant in My Best Friend’s Wedding1998‑2002 – Frequent supporting roles alongside A‑list actresses2006 – Publishes first memoir, Red Carpets and Other Banana Skins Memoir Revelations: Sex, Drugs, and Unflinching GossipEverett’s two memoirs—Red Carpets and Other Banana Skins (2006) and Vanished Years (2012)—expose a life of heroin use, cocaine experimentation, and selling himself for sex during lean periods. He spares no one: calling Madonna “vaguely sweaty,” describing Julia Roberts as “beautiful and tinged with madness,” and lampooning public figures like Alastair Campbell and Alan Sugar. The memoirs positioned Everett as a modern‑day Hedda Hopper, wielding ruthless, barbed gossip as a form of self‑critique. Personal Reckoning: Body, Identity, and the Weight of MemoryEverett confronts the physical and psychological toll of his past. He acknowledges his current “chubby” physique, the lingering “punk upper‑class attitude,” and the paradox of heroin as an “upper‑class version of punk.” The actor admits he often sabotaged his own performances—disrupting shows, sending bizarre gifts to critics, and indulging in drug‑induced escapism—behaviours he now finds “horrifying.” Looking Ahead: Redemption, Legacy, and the Role of Truth‑tellingDespite the self‑destructive legacy, Everett hints at a desire for redemption through honesty. By laying bare his flaws, he hopes to reshape public perception and perhaps inspire a new generation of actors to confront their own demons. The interview ends with a quiet acknowledgment that the heatwave, while uncomfortable, may finally force him to “smash his past up through sex” and move toward a more authentic future.

In a striking reversal of a century‑old judgment, researchers have confirmed that the red bands on the walls of Bacon Hole in South Gower are not mineral stains but the United Kingdom’s oldest known Palaeolithic cave paintings. 1912: The Guardian reports the discovery of red pigment bands in Bacon Hole. 1928: The same outlet declares the markings a natural phenomenon. 2026: Uranium‑thorium analysis dates the pigments to 17,100 years ago, redefining British prehistory. The Rediscovery of Bacon Hole’s Red Streaks as Palaeolithic Art Original investigators William Sollas and Henri Breuil argued in 1912 that the horizontal red lines represented intentional art. Their interpretation was dismissed in 1928 after the newspaper cited mineral seepage as the cause. The new study, led by Dr George Nash of the University of Liverpool and Coimbra University, re‑examined the panels with modern archaeometric techniques. Uranium‑Thorium Dating Confirms 17,100‑Year‑Old Paintings Using uranium‑thorium dating on the pigment’s calcite matrix, the team obtained a calibrated age of 17,100 years before present. Chemical analysis identified a mixture of calcite and clay, applied with finger strokes, confirming deliberate human agency. Implications for Understanding Upper Palaeolithic Wales The findings place Wales at the forefront of Upper Palaeolithic activity in north‑western Europe, suggesting that hunter‑fisher‑gatherer groups exploited the periglacial landscape of the emerging Bristol Channel shoreline. The research also aligns with earlier discoveries such as the Cathole Cave paintings dated between 14,500 and 12,500 years ago. Future Research and Conservation Prospects The cave, managed by the National Trust of Wales, is slated for official announcement and potential scheduling as a protected monument. Ongoing collaboration among the universities of Southampton, Swansea, and international partners aims to map additional sites along the Gower coast and refine the chronology of early human occupation.