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A newly launched green thinktank, Verdant, proposes that a 'Doge of the left' could save UK taxpayers up to £30bn annually by rooting out waste, fraud, and tax avoidance. This initiative is part of a broader effort to influence the future manifesto of the Green Party, led by Zack Polanski.The thinktank, co-chaired by James Meadway, a former adviser to Labour shadow chancellor John McDonnell, and civil society campaigner Deborah Doane, argues that a crackdown on waste could free up significant resources. This approach differs from the ideologically driven methods of Elon Musk's former Department of Government Efficiency in the US.Meadway emphasized that the political right has monopolized discussions about savings in government spending, leading to disastrous effects. He stated that a 'Doge of the left' would focus on eliminating tax avoiders, profiteers, and fraudsters, ultimately delivering high-quality public services.The report suggests several measures, including:Appointing a 'chief savings officer' to identify waste and fraud.Granting the National Audit Office the power to halt overspending projects.Opening public procurement to more transparent competition.Establishing an internal consultancy function to reduce reliance on costly private consultants.The proposed £30bn in savings is largely based on independent estimates of annual losses due to fraud, waste, under-collection of tax, and lack of competition in procurement. Additionally, Verdant recommends scrapping £3.6bn in tax reliefs and government support for oil and gas producers.Polanski's economic policy speech last week highlighted sweeping changes, including rent caps and a new wealth tax. He also emphasized the importance of protecting consumers from rising energy prices and expressed skepticism about using GDP as a measure of economic performance.

UK ministers have issued a stern warning that increasing North Sea drilling would leave the country vulnerable to the fluctuations of fossil fuel markets. This cautionary stance comes as the Conservatives and some Labour MPs are advocating for a reversal of the manifesto commitment to not issue new oil and gas licences.Energy Minister Michael Shanks emphasized that the UK is learning from past conflicts to avoid exposure to fossil fuels, which have previously led to households bearing the brunt of price hikes. The government's focus is on clean power to achieve energy sovereignty and national security.Chancellor Rachel Reeves is set to outline plans to protect people from higher energy bills caused by the US-Iran conflict. The plans include measures to clamp down on price gouging, especially by petrol retailers responding to the conflict.Ed Miliband, the energy secretary, stressed that dependence on fossil fuel markets makes the UK a price taker, not a price maker. He argued that new licences in the North Sea would not affect prices and that scrapping the windfall tax would only increase energy company profits.The Labour Party has raised concerns about the impact of increased drilling on the environment and the economy. Claire Coutinho, the shadow energy secretary, argued that turning away from domestic gas would be detrimental, especially during a gas supply crisis.The government spokesperson highlighted the importance of £120bn of public investment in building homegrown energy, including nuclear power projects, to protect working people's bills for generations to come.

Senegal's football federation has strongly condemned the Confederation of African Football's (CAF) decision to revoke their Africa Cup of Nations (AFCON) title, labelling it 'unfair, unprecedented, and unacceptable'. The federation plans to appeal this decision to the Court of Arbitration for Sport in Lausanne.The controversy stems from Senegal's walk-off during the AFCON final on January 18, where they were protesting a penalty awarded against them. Despite returning to the pitch and winning the match 1-0 in extra time, CAF's Appeals Board ruled that Senegal contravened tournament regulations and forfeited the game, declaring Morocco as the winner.The Senegalese Football Federation expressed its discontent, stating that the decision 'casts a shadow over African football'. They argue that the referee's decision to continue the game despite the walk-off was in line with the Laws of the Game, which state that the referee's decision is final.Veteran coach Claude Le Roy also weighed in on the issue, suggesting that CAF has a history of flouting refereeing decisions. The appeal process is expected to scrutinize the Congolese referee Jean-Jacques Ndala's decision to continue the match.

Muslim communities around the globe observed Eid al-Fitr on Friday, signifying the conclusion of the sacred month of Ramadan, during which devotees abstain from food and drink from dawn till dusk. The culmination of Ramadan is marked by the sighting of the new moon, heralding the onset of Shawwal. However, variations in moon sighting practices lead to discrepancies in the timing of Eid celebrations across different countries. In several nations, including Mali, Niger, and Afghanistan, Eid al-Fitr was observed on Thursday, whereas in the Middle East, Africa, and Southeast Asia, it was celebrated on Friday. This joyous occasion, which extends over two days, is distinct from Eid al-Adha, which occurs during the Hajj pilgrimage. Traditionally, Eid al-Fitr commences with congregational prayers in open spaces, providing an opportunity for families and friends to unite for collective prayers and festivities. The celebrations this year are overshadowed by conflicts and instability in numerous Muslim-majority countries. In Iran, the ongoing war has resulted in widespread disruptions, while regions in the Gulf have experienced repercussions from escalating tensions. The United Nations reported that over one million people have been displaced in Lebanon due to Israeli attacks. Furthermore, Sudan has evolved into the world's largest humanitarian crisis as the conflict enters its third year.

The fate of seven Iranian women's football players seeking asylum in Australia has sparked controversy, with critics arguing that politics trumped concern for their welfare. The drama unfolded during the Women's Asian Cup, where the Iranian team played amid a backdrop of political tension between Iran, Australia, and the US.Initially, seven players accepted asylum in Australia, but five changed their minds within days and returned to Iran for undisclosed reasons. Critics argue that the outcome might have been different had the women been provided with independent legal advice earlier and the process not been so rushed.Refugee advocates, including Graham Thom of the Refugee Council of Australia, expressed concerns that the Australian government's media strategy may have put the women at risk. Iran has claimed victory in the public relations battle, with the women who returned home being welcomed back with a ceremony.Experts, including Kylie Moore-Gilbert, a political scientist at Macquarie University, suggest that the publicity surrounding the asylum requests may have overshadowed the women's welfare. The incident has raised questions about Australia's strategy in dealing with asylum seekers and the potential consequences for those seeking refuge.

The Tyne-Wear derby between Newcastle United and Sunderland AFC ended in a 2-1 victory for the visiting team, but the match was overshadowed by reports of racist abuse directed at Sunderland's Lutsharel Geertruida by home fans.The incident occurred early in the second half, prompting referee Anthony Taylor to temporarily halt play in accordance with the Premier League's on-field anti-discrimination protocol. Granit Xhaka, Sunderland's captain, informed Taylor of the alleged abuse, which led to a discussion with both managers and the player involved.The Premier League has launched a full investigation into the incident, with Northumbria Police making one arrest during pre-match skirmishes between rival fans. Newcastle United has condemned the abuse and vowed to work with authorities to identify and hold accountable those responsible.In a statement, Newcastle United said: "We are aware of a report of racism made by a visiting player against someone in the crowd during our Premier League match against Sunderland. Our stance is clear – we do not tolerate discrimination of any form. We will work with the authorities to fully investigate and will ensure any individuals are identified and held accountable."Sunderland AFC also released a statement, expressing their support for Geertruida and condemning the racist abuse: "Sunderland AFC is aware of the reported incident of racist abuse directed at Lutsharel Geertruida during today's fixture at St. James' Park. We stand with Lutsharel, who has our complete backing, and we commend him for displaying bravery and leadership by reporting this incident to the match officials."The incident has highlighted the ongoing issue of racism in football and the need for clubs and authorities to take a strong stance against such behavior.

When Resident Evil emerged in the mid-1990s, it stood in stark contrast to the prevailing gaming landscape. The PlayStation and Saturn consoles were dominated by bright, arcade-style games like Daytona and Tekken, while Japanese publisher Capcom was primarily known for Street Fighter and Mega Man sequels. Scary games were rare at the time and mostly confined to the PC, making Capcom's horror title Biohazard (the Japanese name for the series) a radical departure that caught the attention of games journalists.Three decades later, the series has not only survived but flourished, becoming one of gaming's most successful franchises. Resident Evil has sold more than 180 million copies worldwide, with 11 core titles, numerous spinoffs and remakes, plus extensive film, television, and anime tie-ins. Its characters and monsters have become cultural icons, with its design tropes now embedded in gaming practice.The origins of Resident Evil can be traced back to 1989's Sweet Home, a Capcom role-playing game for the Famicom (Japanese NES). The game featured a group of filmmakers searching a haunted mansion for valuable artifacts, and while it was a modest domestic success, it never received an international release. However, senior producer Tokuro Fujiwara couldn't let go of his vision for horror as a distinct game genre."We have Tokuro Fujiwara to thank for the existence of Resident Evil," says Alex Aniel, author of acclaimed Resident Evil history book Itchy, Tasty. "He directed Sweet Home having believed that horror could become its own game genre, but wasn't satisfied with its rudimentary portrayal. He wanted to give horror another try once the technology was there to allow it – that opportunity finally arrived with the release of the original PlayStation."In 1993, young producer Shinji Mikami was brought in to oversee a horror game project inspired by Sweet Home. He expanded the haunted mansion concept, drawing influence from George A Romero's Dead trilogy and Alone in the Dark, creating a world haunted not by ghouls but by zombies, mutants, and monsters. The heroes were an experienced SWAT team investigating disappearances at a rural mansion owned by the sinister scientific organization: Umbrella Corp.The original vision for full real-time 3D visuals proved too ambitious for PlayStation hardware, leading Mikami and programmer Yasuhiro Anpo to develop a compromise: 3D characters combined with prerendered 2D backgrounds viewed from fixed camera angles. This restricted, expressionistic style emphasized the intense claustrophobia of the environment, with information always kept from the player by blind corners and shadowy doorways.This combination of tension, omission, and restriction is fundamental to Resident Evil's success as a horror franchise. Even as the camera evolved to over-the-shoulder views and first-person perspectives, characters remained vulnerable. Ammo, save points, and health items are jealously rationed, with extremely restricted inventories. This approach makes Resident Evil operate more like classic horror literature than a typical power fantasy video game.The series has also expertly referenced horror conventions while paying homage to its inspirations. "Kamiya's biggest source of inspiration came from Alien and especially its sequel, Aliens," says Aniel of Hideki Kamiya, who directed Resident Evil 2 and Resident Evil Zero. "For example, in Resident Evil 2, humans infected with the G-virus grow a parasite that eventually ruptures their host and emerges from within, growing into deadly creatures."Resident Evil has also demonstrated remarkable versatility in exploring different horror genres – gothic horror in its mansions and monstrous enemies, sci-fi horror in its biological experiments, and folk horror in its sinister villages and religious cults. This comprehensive approach allows it to mirror societal fears, a point underscored by the COVID-19 pandemic."The Covid pandemic reminded us just how real our fear of viruses should be," says Bernard Perron, professor of cinema and video games at the University of Montreal. "In that sense, the fear of a corrupt corporation like Umbrella, along with mad scientists who do not necessarily have humanity's best interests at heart, continues to resonate. These anxieties remain deeply embedded in our posthumanist societies."Throughout its evolution, Resident Evil has maintained a balance between familiarity and innovation. Characters like Jill Valentine, Claire Redfield, and Leon Kennedy provide continuity – relatable but cool figures who spout wry jokes like Hollywood heroes. Meanwhile, charismatic antagonists such as Albert Wesker, Lord Osmund Saddler, and Lady Dimitrescu ensure consistent engagement.The series also excels in pacing and structure, carefully delineating between exploration, puzzle-solving, and combat sections. Locations are filled with beautiful details – lavish furniture, eerie oil paintings, ornate gardens – making exploration pleasurable. After intense battles, players can retreat to safe spaces like Save Rooms, creating a rhythm that prevents fatigue."The series offers deep and entertaining gameplay experiences, but with a very low barrier to entry, even for newcomers," says Aniel. "The Resident Evil games are more accessible than ever: since they are often on sale, they are affordable even for customers in emerging global markets, available on every major game platform."Ultimately, Resident Evil's longevity stems from its ability to create uncertainty while maintaining familiarity. "You know what you will get, but you also don't know," the article concludes. "Around every corner there could be a shock or there could be nothing – it's the uncertainty that gets you. It allows us to write in our own fears and anxieties, or to discover new ones we hadn't considered or acknowledged. Like all great horror fiction, Resident Evil has survived because it looks us right in the eye and says, I know what scares you. Come and see."