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The Completed Railway That Can't Be UsedIn Winslow, Buckinghamshire, residents can hear the rumbling of trains at night but cannot board them. The East-West Rail line, designed to connect Oxford to Cambridge via Milton Keynes, stands as a completed but unusable infrastructure project. Despite being operational for freight trains since late 2024, the long-promised passenger services have failed to materialize, with no clear timeline for when they might begin.For over a decade, ministers have touted this railway as crucial for accelerating housing, jobs, and growth along the Oxford-Cambridge corridor—an area hailed as the UK's answer to Silicon Valley. Chancellor Rachel Reeves highlighted it again in January 2025 as the "transport link needed to make the Oxford-Cambridge growth corridor a success," promising passenger services would begin in the coming months.The Technical and Operational RoadblocksDespite physical completion, multiple technical and operational hurdles have prevented the line from opening to passengers. The Department for Transport (DfT) and Chiltern Railways, which was set to operate the services, have pointed to various issues:Train modifications that need to be completedDriver training requirementsCompletion of the Winslow stationStaffing arrangements that remain unresolvedA widely believed stumbling block is a dispute with unions over whether the two-carriage trains require guards. Chiltern had planned to operate driver-only trains, which the RMT and Aslef unions oppose on safety grounds. However, both the DfT and the unions deny this is the primary reason for the delays.Economic Impact of the Delayed ConnectionThe delayed opening carries significant economic consequences for the region. The East-West Rail project was intended to unlock thousands of jobs and homes, generating hundreds of thousands of pounds in economic growth across England. Local residents who purchased homes near Winslow station based on promises of commuter services are now facing daily challenges:Long bus journeys to employment centersExpensive parking in OxfordSevere rush-hour trafficReduced accessibility to job opportunitiesThe failure to open even this relatively modest railway—unelectrified and largely using existing or reclaimed lines—raises questions about the UK's ability to deliver major infrastructure projects, especially when compared to the ongoing struggles with HS2.Political and Institutional Finger-PointingThe delay has exposed complex relationships between multiple stakeholders, each deflecting responsibility:East West Railway Ltd: The private company set up by former transport secretary Chris Grayling claims it handed over the completed line for Network Rail's sign-off in 2024.Chiltern Railways: Cites unspecified problems with the station while acknowledging "significant progress" has been made.Network Rail: States construction works are complete and they are supporting Chiltern's preparations.DfT: Claims to be supporting negotiations but provides no clear timeline.RMT Union: Denies the dispute is the main reason, blaming years of "indecision, rising costs and unresolved planning issues."Local MP Callum Anderson acknowledges the frustration but avoids assigning blame, while independent councillor Diana Blamires has organized petitions and protests, describing the DfT's reasoning as "nonsense, pathetic, laughable."Future Outlook for East-West RailThe prospects for passenger services on the East-West Rail line remain uncertain. The government's creation of Great British Railways, including the nationalization of Chiltern, was suggested as a potential solution that "would make the process of implementing change much simpler in future." However, if nationalization is required to force action, as some locals fear, the wait could extend significantly.Looking ahead, the second and third phases of the Oxford-Cambridge line face further challenges, including the development of a Universal Studios theme park in Bedford that could require modifications to the planned route. The final path to Cambridge remains undefined, with proposals for a station at Tempsford where the line crosses the east coast main line.For now, the completed railway stands as a visible symbol of unfulfilled promises, with residents left wondering when—or if—they will ever be able to board the trains they can hear but cannot use.

The BTS Comeback: A Cultural Phenomenon After almost four years away from the limelight for their mandatory military service, the seven-member K-pop supergroup BTS returned to the stage on March 21, 2026, in a concert that drew hundreds of thousands to Seoul's Gwanghwamun Square. The event, which was livestreamed on Netflix and attracted over 18.4 million viewers worldwide, marked a significant moment not just for the band's fans but for South Korea's cultural diplomacy efforts. The Global Economic Impact of BTS's Return The economic effects of BTS's comeback were immediately evident across South Korea. Inbound tourist numbers for the first 18 days of March rose 32.7% from the previous month, with hotel prices surging in central Seoul due to high demand. Sales of BTS merchandise at the Shinsegae Duty Free retail outlet in central Seoul surged 430% in the week leading up to the concert. Over the concert weekend, revenues rose 30% at Seoul's Lotte Department Store and 48% at Shinsegae overall compared with the same weekend in 2025. Billions in Revenue and Cultural Influence BTS's 10th studio album, Arirang, topped the charts in the United States, Japan, and the United Kingdom—the world's three largest music markets. The group's upcoming world tour is expected to generate more than $1.4 billion in revenue across more than 80 shows in 23 countries. As far back as 2022, the Korea Culture and Tourism Institute estimated that a single BTS concert in Seoul could generate up to 1.2 trillion won ($798 million) in overall economic impact. After BTS's concerts in Mexico City sold out in just 37 minutes, Mexican President Claudia Sheinbaum urged South Korea's President Lee Jae Myung to "bring the acclaimed K-pop artists more often," noting nearly one million fans in Mexico had attempted to secure 150,000 tickets. South Korea's Strategic Cultural Diplomacy The BTS comeback concert was treated as more than just a musical event—it was officially recognized as a showcase of national cultural influence. When music promoter Hybe requested Seoul city support for the Gwanghwamun square concert, authorities approved it on public-interest grounds. More than 10,000 state personnel were deployed for security, logistics, and crowd control, with close to 130 million won ($87,400) of city funds spent on logistics. This support reflects a broader state-backed strategy, as South Korea's government views the cultural sector as a strategic national industry rather than merely a consumer market. During his election campaign, President Lee framed the next phase of cultural expansion as "Hallyu (Korean Wave) 4.0," with promises to grow the sector into a 300 trillion won ($203 billion) industry with 50 trillion won ($34 billion) in exports. In line with this vision, the government set a record budget of 9.6 trillion won ($6.5 billion) to bolster "K-content," support the "pure" arts sector, and strengthen overall culture-related fields. The Darker Side of K-pop Success Amid its global success, the darker side of the K-culture industry has received increased scrutiny. Mega-promoter Hybe has been embroiled in a prolonged dispute with K-pop's New Jeans, highlighting industry tensions over creative control and artist autonomy. The industry has also grappled with the legacy of "slave contracts" or highly restrictive agreements limiting artists' freedom. Aspiring idols endure grueling schedules with long workdays and little sleep, and many top stars face contractual restrictions on socializing, using their phones, or dating. Beauty standards associated with the K-culture genre have become another flashpoint for controversy. A 2024 report found 98% of 1,283 South Korean respondents born between 1980 and 2000 viewed physical appearance as among the most desirable "social capital" an individual can possess. South Korea has the world's highest rate of cosmetic procedures, with 8.9 per 1,000 people compared with 5.91 per 1,000 in the US and 2.13 per 1,000 in neighboring Japan. The Future of K-pop: Balancing Global Appeal and Local Identity As South Korea's cultural influence continues to grow, the industry faces a defining challenge: how to preserve a sense of local identity while effectively marketing to global audiences. Many new K-pop acts now include international members to broaden appeal, with Hybe expanding this strategy through its US subsidiary, Hybe America, producing globally oriented groups like Katseye, which only has one South Korean member in its six-member girl group. However, international audiences don't always prefer highly globalized versions of Korean content. In fact, many are drawn to K-pop's "sense of locality." As audiences increasingly seek authenticity, the industry must strike a delicate balance between global appeal and preserving cultural authenticity. South Korea now ranks 11th globally in "soft power," according to Brand Finance's Global Soft Power Index, placing the country as both "influential in arts and entertainment" and "products and brands the world loves," just behind the US, France, the United Kingdom, and Japan. This positioning reflects the success of South Korea's cultural strategy but also underscores the importance of addressing the industry's challenges to maintain this momentum in the years to come.

The Joyful Revival of a ClassicDirector Emily Lim's production of Shakespeare's "A Midsummer Night's Dream" at the Globe Theatre offers a rare treat - a Shakespearean comedy that genuinely makes the audience laugh while maintaining heartfelt elements. The production is described as generous, creative, and clever, with an eye toward making the audience feel included in the theatrical experience.Extravagant Design ElementsThe production features gloriously extravagant costumes designed by Fly Davis, a set that spontaneously blooms from designer Aldo Vázquez, and hearty folk music by Jim Fortune. These visual and auditory elements combine to create a vibrant, immersive experience that appeals to all ages, though parents may want to cover children's eyes during slightly naughtier moments.Revolutionary Audience IntegrationWhat sets this production apart is its innovative audience interaction. Lim, who has spent her career folding drama and community together, particularly through the National Theatre's Public Acts project, has integrated the audience directly into the action. In the closing scenes, a spectator even joins Puck on stage for a hand-tying ceremony, creating spontaneous cheers and a sense of shared experience.Standout PerformancesMichael Grady-Hall's inspired portrayal of Puck, reimagined as more court jester than fairy, spends much of the show joking with the crowd and pelting everyone with bubbles. As Bottom, the pretentious am-dram actor who transforms into a sparkly ass, Adrian Richards demonstrates comic flair in every movement. Romaya Weaver's fiery performance as Helena adds spunk to the otherwise less impactful love story.Minor Flaws in an Otherwise Stellar ProductionThe review notes a few shortcomings: the crisscrossing love story fails to make much impact, the constant musical skits don't always work, and Audrey Brisson, while talented, strains too hard for an air of mystery and magic as the Fairy Queen. However, these issues are forgiven in a show that clearly prioritizes audience enjoyment and accessibility of Shakespeare's work.The Globe Theatre: Perfect Setting for InnovationThe Globe Theatre provides the ideal setting for Lim's innovative approach. The production runs until August 29, offering London audiences and tourists the opportunity to experience this fresh take on a classic play in its original performance space. The combination of historical authenticity with contemporary theatrical innovation creates a unique cultural experience.

The Lead: Haas's Unexpected Championship Position Haas enters their first home race of the season in Miami with an unprecedented fourth place in the championship, the highest position held by a US team after three races in Formula One's history. This remarkable achievement is the result of strategic leadership from team principal Ayao Komatsu, who has engineered this position in a sport he once viewed as his escape from Japanese conformity. The Rebel's Journey: From Tokyo to F1's Front Line Ayao Komatsu stands out in Formula One's corporate world as a refreshing voice of authenticity. The 50-year-old Japanese team principal left his home country to escape what he describes as a culture that "didn't encourage curiosity" and instead embraced F1's international, competitive environment. After studying in Coventry and Loughborough, Komatsu immersed himself in British culture by playing rugby (as a scrum-half, due to his size) and supporting Coventry City, whose recent promotion to the Premier League he celebrates with genuine enthusiasm. The Strategic Breakthrough: In-Season Development Philosophy Komatsu's leadership has transformed Haas through a crucial strategic decision: developing their car in-season rather than focusing solely on the next year's model. This approach, which defied conventional F1 wisdom, gave the team confidence and a sense they were in the fight against better-resourced competitors. His background at British American Racing, Renault, and Lotus provided valuable lessons that he implemented during his two years in charge at Haas, creating a significant turnaround in the team's performance. The Impact Analysis: Redefining Small Team Potential Haas's current position ahead of Red Bull is extraordinary given the relative size of their operation compared to the sport's giants. Komatsu's approach to human resource management—empowering team members to take risks without fear of punishment for mistakes—has created an environment where the smallest team on the grid can compete at the highest level. His decision to promote rookie driver Oliver Bearman, despite skepticism, has proven successful with seventh- and fifth-place finishes in the first three races, demonstrating Komatsu's ability to identify and nurture talent. The Future Outlook: Maintaining the Impossible Dream While acknowledging that "by definition we shouldn't be able to hang on to" fourth place as the smallest team, Komatsu embraces the challenge with characteristic optimism. His philosophy that "if nobody took a risk, we're going nowhere" continues to drive Haas's ambitious approach. As the season progresses, the team's ability to maintain this unexpected position will test Komatsu's leadership and the sustainability of their development strategy against the inevitable resurgence of better-funded teams like Red Bull.

The Hollywood Pop Star Paradox For anyone with even the slightest interest in Hollywood, it is not entirely surprising that Anne Hathaway recently appeared on Popcast, the New York Times critics' podcast that has become a premier destination for music promotion. After all, the actor – whose last appearance in a musical bagged her an Academy Award – is a major part of one of the best recent movies to show pop stardom on screen. The Challenge of Creating Fictional Pop Icons The Idea of You successfully conveyed the idea that Hayes Campbell (Nicholas Galitzine) was the breakout star of a crushable 2010s boyband with a feral fanbase called August Moon. And by "successfully conveyed", I mean the film remixed a string of One Direction-esque iconography – the jaunty rock-lite choruses, fizzy cheerfulness and class clown antics – into actual music videos and convincingly banal bops. The bar is low; many, many films have created bespoke pop stars and/or music for alternate cultural histories, but vanishingly few transcend pastiche. When High Ambition Meets Disappointment I found myself missing the catchy yet entirely forgettable output of August Moon while watching the much more highbrow-aiming Mother Mary, which similarly tries very hard to conjure the magic of a generational pop icon by remixing the recognizable. Diva signatures abound – Mother Mary struts like Taylor Swift, stuns in goddess repose a la Beyoncé and bears the ornate hand tattoos of Ariana Grande. She shares with Lady Gaga an imperial remove, haute styling and maternal forbearance (as well as some biography – Lowery seems more than a little inspired by Gaga's mid-career falling out with Laurieann Gibson, the creative director behind her first two albums.) The Elusive Quality of Authentic Stardom It's certainly not for lack of trying, nor caring. By all accounts, the pop elements of Mother Mary, meant to color a character whose relationship to fandom serves as an overarching metaphor, were made with great reverence for an artform often easily dismissed as, well, easy. On the Popcast, Hathaway waxes poetic about studying pop music like an academic, and Mother Mary certainly appears erudite – speaking nonsense, sure, but well-versed in the precise choreography, deific grace and outsized persona of an archetypical pop star. But the effect is not, as FKA twigs put it in the same interview, "total feeling" despite imperfect approximation. The Real Thing vs. Fictional Creation It helps to bank on the real thing. Though Bradley Cooper's A Star Is Born was ultimately about a fading male rock star, it is Lady Gaga's meta-transformation, from high camp into stripped-down singer-songwriter with glinting ambition, that powered the anthemic Shallow into a crossover hit. The imagination of an alternate, artistically compromised Brat Summer in Charli xcx's satirical mockumentary The Moment was ultimately listless, but the film at least had some of her volatile star power to burn. That prospect of verisimilitude to the real, established thing propels our evergreen fascination with the much more successful genre of musical biopics, from Michael to Rocketman, Bohemian Rhapsody to Springsteen: Deliver Me from Nowhere. When Pop Stardom Works as Backdrop A handful of recent movies have fared better when using pop stardom as a backdrop to the action, rather than thematic engine. The horror films Trap and Smile 2, released in 2024, both staked arena shows for youth-skewing female stars as the focal point for genre conventions, built out with music videos, Drew Barrymore crossover appearances celeb cameos and original music befitting a mid-tier musician. The recessive output of Skye Riley (Naomi Scott) or Lady Raven (Saleka Shyamalan, daughter of director M Night) works, in that it appears as generic to some (say, Josh Hartnett's girl dad / serial killer) as it is indispensable to young fans. The Most Compelling Pop Star Portrayals Each of these carve some vague path through the vast morass of modern celebrity; far fewer have the nerve to actually commit to a corner. Alex Russell's criminally underseen Lurker, released last year, strategically deploys atmospheric, entrancing music, with just enough snippets of video, to pad a portrait of toxic adjacency, in which an obsessive fan wheedles his way into a singer's entourage that got too comfortable laundering trust and envy. But it's Vox Lux, Brady Corbet's 2018 precursor to The Brutalist, that remains the most divisive and compelling pop star movie in recent memory for its pitch-black view of pop music as fundamentally empty, stardom a Faustian bargain. The Future of Pop Stardom on Screen Vox Lux, at least, expressed some irreducible confidence nowhere to be found in Mother Mary's diva-off. For all its posturing, and for Hathaway and Michaela Coel's sincere commitment to chewing scenery, the film is surprisingly weightless – untethered from the real humiliations, the grueling labor, the compromised artistry that makes pop stardom such a potent subject in the first place. Hollywood may continue to try its hand at creating pop stars, but until it understands that the magic cannot simply be manufactured, these portrayals will remain echoes rather than icons.

The Foxes' Miracle: A Decade of ReflectionAs the 10th anniversary of Leicester City's historic Premier League title approaches, the club's manager and key players look back on what is widely regarded as the greatest sporting miracle of the modern era. The narrative has shifted from a simple underdog story to a complex analysis of strategic pragmatism, cultural cohesion, and the unshakeable belief of a squad that refused to accept their limitations.The Pragmatic Road to GloryThe foundation of the title win was built on a philosophy of incremental ambition rather than immediate grandiosity. Claudio Ranieri revealed that the season began with a strictly pragmatic target: securing 40 points to ensure survival. This low-bar approach allowed the players to breathe, but it was the subsequent escalation of goals that defined their ascent. When they reached the Europa League, the target became Europe; upon qualifying for the Champions League, the mandate shifted to 'this year or never again.'Initial Goal: 40 points for safety.Mid-Season Goal: Qualification for European competition.Final Goal: Champions League qualification and the Premier League title.This strategy, coupled with Riyad Mahrez's persistent questioning of the squad's potential, created a psychological shift from doubt to destiny. Ranieri, a pragmatic man, knew the team was capable of something special, but the players' internal belief was the catalyst that turned a 'little team' into a champion.The Cultural Impact DataThe victory was not just a footballing achievement; it was a cultural phenomenon that transcended the sport. The ownership of Vichai Srivaddhanaprabha played a pivotal role in fostering a family-like culture that made the squad feel touchable and united. This unity was reflected in the club's diverse community, particularly the strong bond formed with the local Indian community, who felt a newfound sense of belonging and shared identity with the club.The global impact was immediate and overwhelming. From international recognition to a performance by Andrea Bocelli at the King Power Stadium, the 'Foxes' story captivated the world. The players found themselves celebrated not just as athletes, but as legends, with the title serving as a bridge between cultures and communities.The Legacy of the UnderdogLeicester City's triumph has permanently altered the landscape of the Premier League. It proved that financial dominance is not the sole determinant of success and that mentality, effort, and cultural cohesion can overcome the odds. The 'Foxes' legacy serves as a blueprint for future underdog stories, demonstrating that the most difficult hurdle is often the belief that the impossible cannot be achieved.

The Leap from Ballet to New Careers Former ballet dancers share their journeys of transitioning to new careers, highlighting the challenges and opportunities they encountered. Finding New Purpose: Lana Jones' Journey to Midwifery Lana Jones, a former principal dancer at the Australian Ballet, discovered a new passion in midwifery. After the birth of her son, she felt a strong desire to pursue a career that wasn't about her, but about helping others. She enrolled in a midwifery course at medical school and now finds fulfillment in her work, particularly in making women feel safe during labor. From Ballet to the House of Lords: Baroness Deborah Bull's Story Baroness Deborah Bull, a former principal dancer at the Royal Ballet, was selected as a life peer in the House of Lords in 2018. She reflects on the similarities between performing on stage and working in the chamber, where she must prepare, research, and perform under pressure. Despite missing the physicality of ballet, she values her new role and the opportunity to contribute to important discussions. Embracing Change: Sarah Dolník's Path to Social Work Sarah Dolník, formerly a dancer with the Czech National Ballet, considered retirement during the 2020 Covid lockdown. She began studying social work and eventually left ballet at 27 to pursue a new career. Now a kindergarten teacher, she appreciates being part of decision-making conversations and values her newfound sense of purpose. Staying in the Performing Arts: Federico Bonelli's Experience Federico Bonelli, artistic director of Northern Ballet and former principal dancer at the Royal Ballet, shares his journey of staying within the performing arts while transitioning to a new role. His story highlights the importance of finding new passions and opportunities within one's existing field.

Melanie C Opens Up About Her Spice Girls Days Melanie C, also known as Mel C, has spoken about her experiences as part of the iconic Spice Girls and her solo career. In a recent interview, she shared stories about her early days as a raver, her time with the Spice Girls, and her encounters with other celebrities. Raving and the Spice Girls Melanie C revealed that she was a hardcore raver in her early 20s, discovering the scene on a holiday without her parents. She attended clubs like Berwick Manor and The Cross in London, where she felt a sense of freedom and self-expression. However, her life took a dramatic turn with the rise of the Spice Girls, leaving little time for socializing or raving. Tattoos and Public Image Melanie C also discussed her famous tattoos, which she got during her time with the Spice Girls. She recalled getting her first tattoo at a shop called Tattoomania in LA, along with her bandmates. While she initially felt that her tattoos made her look less ordinary, she now loves them and sees them as a part of her identity. A Date with Anthony Kiedis One of the most surprising revelations was Melanie C's date with Red Hot Chili Peppers frontman Anthony Kiedis. She shared that she was working with Rick Rubin in LA, who produced some tracks for her solo debut album Northern Star. Rubin played her the song 'Emit Remmus,' which Kiedis had written about her. While they did go on a date, Melanie C described it as a brief encounter rather than a fully formed relationship. Reflections on Her Career Throughout the interview, Melanie C showed a sense of pride and accomplishment in her career, from her early days as a Spice Girl to her solo work and collaborations. When asked which spice she would be, she jokingly suggested she might be a 'five spice,' reflecting her versatility as an artist.

The Bizarre Premise Behind One Night Only For the most part, the trailer for the upcoming film One Night Only looks like the sweetest possible version of a romcom. A handsome, sensitive-looking man (played by Callum Turner) flirts relentlessly with a big-eyed oddball in a sexy dress (played by Monica Barbaro). They bump into each other, nudge each other, roll their eyes at each other. As a YouTube comment underneath the trailer (that has been liked more than 3,000 times) says: "Romantic comedies are back." A Government-Mandated Night of Passion However, tucked away in this adorable little trailer is a premise that might just be the most confusing in living memory. As Turner's character walks lovelorn through the streets of New York City, his voiceover says: "Finding love is hard enough. Try doing it on the one night of the year single people are legally allowed to have sex." The trailer then hurries along to another procession of meet-cutes and prolonged eye contact. But that doesn't really matter, because you're left thinking: "Wait, the one night of the year where single people are legally allowed to have sex? What the hell?" This, apparently, is the movie. Two cuties meet by chance, and are separated, and have to race across the city to find each other before the sun comes up so that they can enjoy a bout of government-mandated sexual intercourse. It's a tale as old as time. The Practical Implications of a Legal Sex Night Clearly, this raises far more questions than it answers. Is One Night Only basically The Purge, but with all the terror of violence replaced by an increased risk of contracting chlamydia? More importantly, if there really is only one night a year where single people can have sex with impunity, how the hell is this even governed? Judging by the state of the trailer, it seems to mean that everyone just claps eyes on someone and then starts banging them wherever they happen to be, whether that's a restaurant or just in the street like a pair of horny rats. Why is this? Why don't people just go back to their houses and then have sex? Does Sex Night also happen to fall upon a citywide taxi strike? Also, how is this even enforced? Is there a government department that spends its days working out, with precise clarity, the point at which someone stops becoming single, and is therefore allowed to have as much sex as they want on any day of the year? Is it marriage? Is it the first time someone declares their love? If you wanted to be particularly Scandinavian about it, you might argue that sex itself is an act of union, and therefore any moment of penetration instantaneously suspends the notion of singledom. And if that's the case, then surely everyone can just have sex whenever and there's nothing illegal about it. And what about all the unexpected pregnancies this will cause. Should there be a sequel set nine months to the day after One Night Only, full of people mournfully staring into the eyes of all the newborn infants whose sheer existence causes a permanent sense of regret to weigh down their souls? Will this even be addressed in One Night Only? Is anyone going to answer me? Possible Metaphors in Contemporary Society Clearly this has to be a metaphor for something, but clearly the current level of evidence isn't giving much away. Through one lens, you could suppose that it's possible that One Night Only is a clever satire on the US right's crackdown on reproductive rights, and the whole thing is an important and timely statement about the looming threat of a post-Roe worldview that may soon devour the country. But at the same time, maybe this is about Covid? There's something quite pandemicky about the notion that people would have to keep their primal urges at bay in a wholly unnatural way for an extended period of time. Remember how giddily we threw ourselves at each other once restrictions were lifted? Perhaps this is all just an allegory for that. Or both. Or more. Maybe One Night Only is really about capitalism, or ChatGPT or the climate crisis. Maybe it's none of them. Maybe it's just the manifestation of a screenwriter who wished that, just once a year, people would be slightly more inclined to have sex with them. It's honestly hard to say. The Future of "The Purge, but X" Movies Nevertheless, if One Night Only is successful, then it's bound to start an avalanche of "The Purge, but X" movies. What if there was only one night a year when you could have surgery? What if there was only one night a year where you could get a haircut? What if there was only one night a year where you could eat spaghetti with your bare hands? Because, if we're already doing sex, then clearly there are no limits to the Purgiverse's silliness. One Night Only is out in Australian cinemas on 6 August, US cinemas on 7 August and in the UK on 28 August