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The Rise of a Dynasty: Houston's Unexpected WNBA Reign Fran Harris remembers a late-night dinner in Sacramento. Her Houston Comets squad had just dispatched the lowly Monarchs by 10 points. To celebrate, she and a few teammates, including Cynthia Cooper, Tammy Jackson and Kim Perrot, decided to grab a bite. Cooper had scored 44 in the 25 July 1997 contest, and her talents dazzled even her dinner companions. "I said to Cynthia, 'I just cannot believe how great you're playing – and I know how great you are!'" Harris tells the Guardian. "And she goes, 'I know!' She was just, like, Yeah, I'm the motherfucker! I was like, 'You absolutely are!'" From Underdogs to Champions: The Comets' Unexpected Journey Cooper, an eventual two-time WNBA MVP and four-time champion, was not supposed to be the league's top player. She'd played in Europe for a number of seasons after winning college championships at USC in the mid-1980s. But when the WNBA began in the summer of 1997, she was already 34. In fact, her entire Houston Comets team, who would win the league's first championship – as well as the next three – were predicted to finish last by many ahead of the inaugural campaign. (They could get a chance to add to their tally: on Wednesday the WNBA confirmed a franchise will return to Houston in 2027, 19 years after the original Comets folded.) "They were very unimpressed with our roster for some reason," says Harris, now a television analyst for the WNBA's Dallas Wings. "When we read that, we were like, 'This shit is funny! That is hilarious.'" The League's Precarious Foundation: Women's Basketball Before the WNBA When the WNBA began, professional women's basketball was in a precarious state. The WBL, the first pro women's league in the US, started nearly 20 years prior. But it folded within three years. After that, several more leagues popped up, including the ABL, which launched in 1996. That year, the US boasted an all-time Olympic team, and the league wanted to capitalize on the enthusiasm around their gold medal. But things didn't go to plan for the ABL. Harris, who had won a NCAA championship in 1986 with Texas, had heard about the ABL and was interested, but a former teammate working as a college coach warned her against joining, with the NBA getting ready to launch the WNBA. Harris took note. The ABL, without big-money backing, folded after two seasons. Building a Team: Tryouts and Team Chemistry Tryouts for the Comets' inaugural season kicked off on Mother's Day weekend. "It was just survival of the fittest," says Yolanda Moore. "It was a free-for-all. We did your basic three-man-wave – that kind of stuff. But really we were just put into teams and played basketball. And at the end of every session, they would make cuts." The Comets' first coach was Van Chancellor. A veteran of the college ranks, he'd been Moore's coach at Mississippi. Still, he told her that she had a "snowball's chance in hell" to make the Comets, she says. Moore, who graduated with a degree in journalism, initially wanted to be "Robin Roberts Jr". When she heard about the WNBA, though, she had to jump for it. She also didn't listen to her coach's negative attitude. Moore's perseverance landed her a spot on the Comets' practice team, and later one on the main roster. The Legacy of the Comets: Paving the Way for Future Generations Thinking back on the year, Harris vividly remembers the Comets' first regular-season game. It was on the road in Cleveland with an official attendance of 11,455. "It was sold out," she says. "I was like: 'Woah!' The crowd for that moment was a big deal." In a way, Harris says, that entire first year was like a dream. The WNBA marked the first time longtime women's basketball stars could play against one another professionally in the US. "We had all played against each other in college," Harris says. "Now, here we were playing against each other in a pro league. It was incredibly surreal." "Not only were we trying to prove ourselves in the league," says Moore, a bench player in her first season before blossoming into a top backup center, "but we were women trying to prove ourselves to this sport, that we deserved to have this space. We were proving that this was our time." The Return of the Comets: Houston's WNBA Future The announcement that a WNBA franchise will return to Houston in 2027 marks a significant moment for the league and the city. The original Comets folded in 2008 after winning four championships in the league's first four years. The return of professional women's basketball to Houston comes nearly two decades later, reflecting both the growth of the WNBA and the enduring legacy of the original team. As the league approaches its 30th season, the return to Houston symbolizes how far women's professional basketball has come since the Comets' early dominance. The team's legacy continues to inspire new generations of players and fans, proving that the electric atmosphere the Comets created in Houston can be reignited in the coming years.

The Lead UK Chancellor Rachel Reeves has stated that the country's economy is on the right track, citing 0.3% growth in March, which defied predictions of a slump. This growth has bolstered her case to remain as chancellor, but pressure remains amid concerns over inflation and the Middle East conflict. UK Economic Growth Surprises The UK economy grew by 0.3% in March, exceeding City economists' forecasts for a 0.2% contraction. Over the first three months of 2026, the economy grew by 0.6%, up sharply from growth of 0.1% in the final three months of last year. This makes Britain the fastest-growing economy in the G7. Economic Data Analysis March growth: 0.3% First quarter growth: 0.6% Growth in the final quarter of last year: 0.1% The Impact on Reeves' Job Security Reeves' message can be seen as a warning to Labour's external critics and internal rivals, including Wes Streeting and Angela Rayner, who are preparing leadership bids. Her reputation for fiscal prudence could help calm a storm in the gilt market. The Future Outlook Despite the positive growth, economists predict a weaker performance in the second half of the year, with some warning that the Middle East conflict could tip Britain into recession. The Bank of England is poised to increase interest rates, adding to pressure on mortgage borrowers and businesses.

The LeadJinkx Monsoon, the celebrated Drag Race winner, brings her unique perspective to the role of Judy Garland in "End of the Rainbow," revealing how personal history and artistic vision converge in this portrayal of the iconic performer's final months.The Personal Connection to GarlandMonsoon's journey to embodying Garland goes beyond mere impersonation. Growing up in Portland, Oregon, in a Catholic family dominated by women, Monsoon found early acceptance despite being gender non-conforming. "My whole family were very liberal," she recalls. "The women in my life saw who I was at an early age and told the men in my life: 'You will accept this kid or you won't be here.'" This environment, despite "a lot of addiction, a lot of trauma," fostered the "complete candour" Monsoon identifies as a defining characteristic of both herself and Garland.The Artistic ChallengePortraying Garland presents unique challenges, particularly in an era when the performer might be considered "antiquated to younger audiences." Yet Monsoon's impression on Drag Race was so spot-on that clips continue to circulate years later. The role in "End of the Rainbow" represents a departure from the comedic drag performances that first brought her fame, moving instead toward dramatic territory. "She's a pillar, and an institution," Monsoon says of Garland, in whom she became interested after watching "The Wizard of Oz" on repeat as a child.Industry Impact and RepresentationMonsoon's success challenges long-held myths about audience acceptance of trans and queer performers. Her Broadway run in "Chicago" significantly boosted ticket sales for the fading musical, leading to a second run the following year. Similarly, "Oh, Mary!"—in which she replaced Cole Escola—has been "the hottest ticket on Broadway" since its 2024 opening. "I want people to remember this," Monsoon asserts, "the next time someone wonders, 'Should we cast this person from this marginalised demographic?' Yes. Do it. People would rather see a fresh perspective than the same thing over and over."The Future of Queer RepresentationAs Monsoon continues to break barriers in mainstream entertainment, her trajectory suggests a broader shift in the industry's approach to casting and representation. The success of productions featuring trans and queer performers indicates changing audience expectations and a growing recognition of diverse perspectives. Monsoon's ability to balance vulnerability with strength, humor with pathos—qualities she shares with Garland—suggests that her career will continue to challenge industry norms while expanding possibilities for future performers.Production DetailsEnd of the Rainbow is at Soho Theatre Walthamstow, London, from 15 May to 21 JuneMonsoon portrays Judy Garland in Peter Quilter's musical drama about the icon's final monthsThe production follows Monsoon's successful runs on Broadway and in viral Drag Race performances

The Lead United States Vice President JD Vance has said he believes progress is being made in negotiations with Iran, despite President Donald Trump rejecting Tehran’s latest proposal as unacceptable. The comments come as diplomatic efforts continue to prevent a collapse in the fragile ceasefire between Washington and Tehran. Iran's Military Readiness Brigadier-General Mohammad Akrami Nia says Iran’s military remains at “the highest level of readiness”, warning that “there is no room for retreat” as tensions with the US persist. Iranian officials have continued to signal they are prepared to respond to any escalation. Netanyahu's Secret Visit to UAE Separately, Israel says Prime Minister Benjamin Netanyahu made a “secret” visit to the United Arab Emirates during the war on Iran, where he met the UAE president, according to the Israeli prime minister’s office. The UAE has denied that the trip happened. Iran's Warnings and World Cup Send-off Iran warns states ‘colluding’ with Israel: Foreign Minister Abbas Araghchi said countries working with Israel against Tehran will be “held to account”, after Israel revealed Netanyahu visited the UAE during the war. Iran gives World Cup send-off to national team: Crowds gathered in Tehran’s Enghelab Square to celebrate Iran’s national football team ahead of the 2026 World Cup, waving flags as players appeared on stage in red and black tracksuits. War Diplomacy and US-China Relations Vance says US is ‘making progress’ in talks: The US vice president says he believes progress is being made in negotiations with Iran. China may seek concessions over Iran role: Analysts say China could demand concessions from the US, potentially on Taiwan, in exchange for using its influence to pressure Iran to reopen the Strait of Hormuz. Developments in the Gulf and US Netanyahu’s UAE visit: The Israeli Prime Minister held a “secret” meeting with the UAE President Sheikh Mohamed bin Zayed Al Nahyan, his office said. UAE denies Netanyahu visit claims: The UAE has rejected statements from Netanyahu’s office. Senate backs Trump: US senators narrowly rejected a resolution curbing President Trump’s power to wage war on Iran. Escalation in Lebanon Israel-Lebanon talks: Officials from Lebanon and Israel will convene in Washington, DC, later on Thursday for a new round of peace negotiations. Lebanon says 10,000 homes hit: More than 10,000 homes have been damaged or destroyed in Lebanon since a ceasefire in the war between Israel and Hezbollah. At least 12 killed in Lebanon: Israel intensified strikes on Lebanon with the Ministry of Public Health reporting 12 people were killed in attacks on Wednesday.

Nickolay Mladenov, the chief negotiator for the U.S.‑backed International Board of Peace, told reporters in Jerusalem that Hamas must lay down its weapons before it can play any lasting political role in Gaza. He emphasized that the ceasefire’s second phase – Israeli withdrawal and reconstruction – is stalled because Hamas has not yet disarmed. The Diplomatic Push for Hamas Disarmament Mladenov clarified that the Board is not demanding the disappearance of Hamas as a political movement, but insists that disarmament is “not negotiable.” He noted that the first phase of the October 10 ceasefire succeeded in swapping the last Israeli captives for Palestinian detainees, yet progress halted when Hamas refused to surrender its arsenal. Casualty and Attack Statistics Since the Ceasefire 856 Palestinians killed by Israeli forces over seven months of the ceasefire. Israeli forces now control more than 50% of the Gaza Strip. Attacks by Israel increased 35% in April compared with March, according to ACLED. Since the Iran‑mediated truce on April 8, Gaza’s Ministry of Health reports 120 additional Palestinian deaths, including 8 women and 13 children. Implications for Gaza’s Reconstruction and Regional Stability Without Hamas disarmament, Israeli troops are unlikely to withdraw from the remaining occupied zones, delaying rebuilding of the coastal enclave. Humanitarian agencies warn that limited aid entry hampers recovery, while continued fighting fuels further civilian loss. Hamas’ refusal to disarm sustains the security rationale for Israel’s expanded operations, risking escalation with regional actors. Prospects for a Phased Withdrawal and Political Integration Mladenov believes a full implementation of the plan—weapon handover, Israeli pull‑out, and reconstruction—remains the only path to a sustainable peace. Hamas spokesperson Hazem Qassem countered that Israel is the party violating the ceasefire, urging pressure on the occupation to honor the first phase. Future negotiations will likely hinge on measurable disarmament steps and verified humanitarian corridors.

The Court Verdict on Milka’s ShrinkflationThe Bremen regional court concluded that Mondelēz violated German consumer‑protection law by reducing the weight of the Milka Alpine Milk bar without clear on‑pack communication. The ruling, brought by Hamburg’s consumer office, orders the company to add a prominent notice for at least four months before the change can be considered compliant.How Mondelēz Reduced the Milka Alpine Milk BarThe classic Milka bar, long sold in a 100 g format, was quietly trimmed to 90 g. The physical bar became a millimetre thinner, yet the purple wrapper and branding remained identical, making the reduction difficult for shoppers to detect.Original weight: 100 gNew weight: 90 g (‑10 %)Packaging: unchanged purple foilPrice increase: from €1.49 to €1.99Price and Size Changes: The Numbers Behind the CaseBeyond Milka, Mondelēz’s other confectionery lines have faced similar cuts, including Toblerone (‑20 g) and smaller boxes of Quality Street and Celebrations. The broader market context shows cocoa bean prices soaring due to poor harvests in Ghana and Côte d’Ivoire, pushing ingredient costs up by double‑digit percentages.Cocoa price rise: > 30 % YoY (2025‑2026)Energy and transport cost increase: ~ 15 %Average confectionery price inflation in Germany: 6 % (2025)Consumer Trust and Industry Ripple EffectsThe verdict fuels a growing consumer backlash against “shrinkflation,” a practice that keeps shelf‑price stable while silently reducing quantity. A poll cited in the case named the Milka bar the “rip‑off packaging of the year 2025.” The ruling may prompt other European regulators to require explicit size‑change notices, potentially reshaping packaging strategies across the food sector.Potential EU‑wide packaging‑notice guidelines under discussionIncreased scrutiny of other Mondelēz brands (Toblerone, Oreo)Retailers considering voluntary front‑of‑pack alertsWhat’s Next for Mondelēz and European Packaging Rules?Mondelēz has one month to lodge an appeal. In the meantime, the company says it is reviewing the decision and will “communicate transparently” with consumers. If the appeal fails, the precedent could accelerate legislative moves toward mandatory size‑change labeling, forcing multinational food firms to redesign packaging and pricing models across the EU.

Executive Lead: Trump Dismisses Domestic Economic Pain While Pursuing Iran DealDonald Trump asserted that the growing financial pressure on Americans from the Iran war does not influence his drive for a peace settlement, emphasizing instead the goal of preventing Iran from acquiring a nuclear weapon.White House Remarks Highlight Iran‑Centric StrategySpeaking to reporters at the White House before boarding a plane to China, Trump said, “I don’t think about Americans’ financial situation. I think about one thing: We cannot let Iran have a nuclear weapon.” The statement was made on Tuesday, 13 May 2026, just days before the U.S. midterm campaign intensifies.Economic Data Pointing to Rising Cost‑of‑Living PressuresU.S. inflation rose 3.8% in April, the fastest pace since 2023.Average gasoline price topped $4.50 per gallon, the highest in four years.Food prices up nearly 4% month‑over‑month.Airline fares increased by more than 20%.Energy‑related costs have surged following the U.S. and Israel attacks on Iran in late February.Political and Economic Impact Ahead of the MidtermsThe remarks arrive as the 2026 midterm election narrative is increasingly dominated by affordability concerns. While Trump downplays the domestic fallout, rivals such as Marco Rubio frame the U.S. as “very fortunate” compared with other nations facing sharper price spikes. Consumer confidence, according to a University of Michigan survey, has slipped to 2022‑level lows, echoing past inflation spikes.Outlook: Trump’s Optimistic Forecast vs. Market RealitiesTrump predicted that a resolution to the war would trigger a “massive drop in the price of oil” and propel the stock market “through the roof,” heralding a new “golden age.” Energy Secretary Chris Wright has cautioned that fuel prices may not fall below $3 per gallon until next year, and analysts note that inflationary pressures remain entrenched. The divergence between Trump’s bullish outlook and prevailing economic indicators will likely shape voter sentiment as the election approaches.

The Investigation into Nigel Farage Nigel Farage is facing a formal investigation by the parliamentary standards watchdog over a £5m gift from the crypto billionaire Christopher Harborne. The Gift and Its Disclosure The Reform UK leader received the money weeks before announcing he would stand as a candidate in the 2024 general election. Farage has said the gift, first revealed by the Guardian, was intended to cover his personal security costs and therefore did not need to be declared. The Rules and Potential Consequences However, Labour and other parties argue that MPs are required to declare any potentially relevant gifts or donations received in the 12 months before entering parliament, and that the money from the Thailand-based Harborne falls within these rules. If the investigation finds Farage committed a particularly serious breach of parliamentary declaration rules, he could be suspended from the Commons. A suspension of 10 days or more could trigger a recall petition, potentially forcing him to fight again for his Clacton seat.

The Lead: Carla Simón's Unique Approach to Family DramaFamily reunions in European arthouse cinema are almost always unhappy events, on a scale of strife that ranges from simmering resentment to spectacular score-settling. Carla Simón, however, has a rare gift: she makes you leave the cinema with renewed faith that having relatives and keeping in touch with them may actually be a wonderful thing.No film-maker working in Europe now is as capable of turning birthday gatherings, garden parties or poolside barbecues into thrillingly sprawling canvases of human virtue and vice as this 39-year-old rising star. From a riotous water fight in the Berlinale Golden Bear-winning farming drama Alcarràs to a foul-mouthed dinner table singalong in her new film Romería, Simón directs kinship meetings with the attention to detail that other film-makers may invest in action sequences or dance routines.The Event Details: Romería and the Journey to Self-DiscoveryAmong the tricks Simón employs, she explains, is to ensure her actors only read the script once before the camera starts rolling, so they have to improvise to fill the gaps. She takes her casts to parties, for walks and on shopping trips, and if there are disagreements on the way, so much the better. The ultimate secret sauce, though, is to ignore WC Fields's notorious advice and always work with children and animals."I never get bored of working with kids," she says. "When you are only working with adult actors, shooting becomes more like executing an idea that you have in your mind, and I think that is not interesting. With children, you always have this feeling that that things are going to happen in front of the camera by chance. It keeps things alive."Her new film Romería, meaning "pilgrimage" in Spanish, dives deeper into the story of the biological parents she barely got to know. Eighteen-year-old Marina travels to her relatives in Vigo, in north-western Galicia, purportedly to find the death certificate of her biological father, which she needs to study film-making in Barcelona. The initial reaction is warm, but family is a room with dark corners and locked closets.The Personal Journey: Aids, Loss and Family SecretsSimón's fascination with freewheeling scenes of family life was undoubtedly honed through her own biography. Born in Barcelona in 1986, her father died when she was three and her mother when she was six. Both of them succumbed to Aids. She was 12 when her adoptive mother told her that her parents had been infected with the autoimmune disease through their use of drugs.All of her first three films have been strongly autobiographical: Summer 1993 tells the story of a six-year-old girl who moves to an unspecified location countryside to live with her aunt after the death of her mother, while 2022's Alcarràs is specifically set in the Catalan peach-growing community of her adoptive family.In the film, a cache of letters written by her late mother opens up a portal to the time when her parents met and discovered love – for each other, the Atlantic Ocean and drugs. The letters, Simón explains, are real. "She wrote to her friends and family while she lived in Vigo. Her Catalan is full of mistakes, because teaching Catalan was banned under the Franco regime. But they are the most important thing that I have from my mother, because suddenly I can hear her talking."The Impact Analysis: Spanish Cinema and the Legacy of AidsSpanish cinema has a track record in making films where child actors take centre stage: Ana Torrent's spell-binding turn as a young girl obsessed with the Frankenstein tale in Víctor Erice's 1973 film The Spirit of the Beehive is considered an all-time great performance by a minor, and Simón describes it as "a very, very important film for me".During the transition period after Franco's rule, Madrid gave birth to la movida, a countercultural movement that celebrated lifestyles that had been banned under military rule. "All these kids who were raised under Franco and religious oppression, suddenly freedom arrived and they embraced it", Simón says. "They didn't think much about the future or the consequences of what they were experimenting with. And then the drugs came in."When we talk about this generation in Spain, people sometimes use words like shame and blame, but I feel that's really unfair: people like my parents just had bad luck.The Future Direction: Beyond Family in Simón's Next ProjectHalfway through Romería there is a stylistic shift, from the Eurorealism she favoured in her previous works toward something more magical-realist: there is a mysterious cat you might expect to encounter in a Miyazaki film, and an unforgettable dance number set to Vigo punk rocker's Siniestro Total's song Bailaré Sobre Tu Tumba ("I'll Dance on Your Grave")."These three films I've made are kind of a cycle, because they all talk about my family, adoptive and biological. But since I became a mother a few years ago, I feel that my place in the family changed. When you have kids you feel it's a new period in your life, so I feel like maybe doing something that has nothing to do with my family."Her next film, she confides, is going to be a flamenco musical.