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A Critical Portrait of George MichaelIn 1998, George Michael was arrested for public lewdness in an LA lavatory, an incident that finally led the singer to publicly come out. The following day, Sathnam Sanghera found himself unable to leave his room at university: the doorway had been mockingly plastered with tabloid newspaper headlines – "ZIP ME UP BEFORE YOU GO-GO!" – by fellow students aware of his longstanding fandom. As a writer, Sanghera is best known for a series of award-winning books on the British empire, which he calls his "specialist subject". Judging by Tonight the Music Seems So Loud – not a biography so much as a miscellany, a set of themed essays that tend to digress in all kinds of intriguing directions – the life and work of one Georgios Panayiotou runs imperialism and its legacy a very close second.The Complex Legacy of a Pop IconIt is an unashamedly partisan book, although not an uncritical one. Sanghera is as alive to Michael's personal and professional failings (whether the naffness of some of his early work as one half of Wham! or his high-handed treatment of the duo's other half, Andrew Ridgeley) as he is in love with his artistic triumphs. These, of course, range from Careless Whisper and Wham!'s annually inescapable Last Christmas to the 1996 solo masterpiece Older, a peculiar and peculiarly effective cocktail of raw grief at the Aids-related death of his lover Anselmo Feleppa and unrepentant horniness.The Evolution of Critical ReceptionSanghera's love for his subject is evidently sharpened by the opprobrium of others. Indeed if the book has a flaw, it's that the author is old enough to remember an era when George Michael was deemed insufferably uncool by some arbiters of taste (incredibly, when Wham! performed at a 1984 benefit show for striking miners, the only mainstream pop act to show support for the cause, they were received stone-faced by the audience and savaged by the music press for their trouble), and thus has a tendency to underestimate how much both he and his music have been critically re-evaluated in the 21st century.The Artistic Journey of George MichaelHe says one of the spurs to write the book was his belief that "most truly popular music is not generally deemed worthy of serious analysis and George Michael's music most certainly is not". That might have been true once, but certainly not of late: when he died, this newspaper alone ran six features by critics analysing different aspects of his music. "He sang so exquisitely about the marrow of life, about the vital, corporeal things", wrote one, which definitely doesn't amount to taking George Michael insufficiently seriously.double quotation markEven as he skinned up in front of journalists and discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed himFamily Background and Cultural IdentitySanghera is very good on the climate of homophobia in the 80s, which might have given any gay public figure serious qualms about coming out, and fascinating on Michael's family background: how growing up embedded in north London's Greek Cypriot community impacted on everything from Wham!'s image – not camp, Sanghera suggests, but "the vision of two children of immigrants imagining a kind of glamour they had not actually experienced before" – to his work ethic and control freakery. His dad made good in England by working exceptionally hard, running such a tight ship at his restaurant that he summarily fired his only son for messing up the drinks orders. The fact that the same son went on to hire 12 different saxophonists before finding one that could play the solo on Careless Whisper to his satisfaction doesn't come as a huge surprise.The Perfectionist and Contradictory ArtistThis my-way-or-the-highway perfectionism could yield hugely impressive results – Careless Whisper's sax hook may well be the most famous in pop history – but it could equally lead to intransigence and self-sabotage. Michael worked incredibly hard to transform himself from a member of a teen pop band into a more adult-facing solo artist, but having sold a staggering 25m copies of his 1987 solo debut Faith, he refused to promote its follow-up Listen Without Prejudice Vol. 1, or even make videos for its singles: a better album than its predecessor, it achieved only a fraction of its sales as a result. It was evidence of a deeply contradictory nature that occasionally has Sanghera throwing up his hands in bewilderment.The Public and Private Faces of George MichaelMichael was a polymath, keen to be duly credited as the sole singer, writer, producer and musician on a succession of tracks, but also had a weird habit of talking down his abilities, claiming he couldn't play instruments he was perfectly capable of playing. He was a Stakhanovite who increasingly worked at an agonisingly glacial pace, endlessly fussing over details, a state of affairs not much helped by his gargantuan appetite for marijuana: coupled with bouts of writers' block, it meant he released only six albums of original material in a career that lasted 34 years. He was a Labour voter, booster of the NHS and famously generous philanthropist who also engaged in tax avoidance. After being publicly outed, he became a notoriously frank interviewee ("as if nothing can embarrass him anymore" the Guardian's Simon Hattenstone suggested when he met him in 2009). But even as he skinned up in front of journalists and freely discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed him.The Decline and Final YearsMichael emerges as a messy, unpredictable but ultimately hugely likable figure, which makes the essay about his demise particularly tough reading. Listed starkly on the page, the facts of his final 10 years make it obvious that he was a deeply unwell man whose life had spun wildly out of control: drug busts, medical emergencies, visits to rehab, rumours of breakdowns and suicide bids and seven incidents in which he either crashed his car or was found comatose at the wheel.The Professional Mask of Personal StruggleThat it somehow didn't appear obvious at the time – that his death at 53 felt like a shock rather than a grim inevitability – seems remarkable, but as Sanghera points out, Michael's professionalism did a lot to paper over the cracks. He was always available to the media and always smart, funny and self-effacing: to use a modern turn of phrase, he controlled the narrative. He was punctilious about his appearance – the star certainly never looked like an ailing drug addict – and unfailingly superb onstage.The Hidden Realities Behind the FameBehind the scenes, it was a different story. He struggled to make new music: at one juncture he booked six months of recording sessions but never turned up to the studio once. His once-acute commercial instincts seemed to desert him: even Sanghera can't muster much enthusiasm for the handful of still-unreleased songs he completed in his final years. He cut off close friends and family who tried to intervene. No one who knew him seems to have been particularly surprised by his death: the list of adjectives used to describe him on his official website now includes not just "icon" "legend" "soul singer" and "philanthropist" but "addict" "repeat offender" and "depressive".An Imagined Alternative LegacyAs the book draws to a close, Sanghera offers a heartbreaking alternative history. He imagines Michael conquering his addictions, coming to a complete accommodation with his musical past (to the end of his life, he was dismissive of Wham!, describing their oeuvre as an exercise in "ignoring my own intelligence" and declining to play most of their hits live) and headlining Glastonbury, "getting pleasure from the audience reaction to Club Tropicana".The Enduring Power of George Michael's MusicIt's affecting because you can imagine it so vividly: the endless succession of hits that anyone with even a passing interest in pop music knows, the pandemonium in the crowd when he breaks out Careless Whisper, the encore of Freedom '90. You don't have to be a fan on Sanghera's level to understand what a triumph it would have been. Tonight the Music Seems So Loud: The Meaning of George Michael by Sathnam Sanghera is published by Picador (£22). To support the Guardian, buy a copy at guardianbookshop.com. Delivery charges may apply.

Introduction: Alphabet to Raise $80bn for AI Spending Alphabet, Google's parent company, has announced plans to raise up to $80bn in equity to fund its vast AI infrastructure investments. This move is one of the largest equity raisings ever and includes a $10bn share sale to investment giant Berkshire Hathaway. The AI Investment Strategy Alphabet, whose Gemini AI system has been growing its share of the AI chatbot market, says it will use the money to expand its “world-class AI compute infrastructure to meet its unprecedented customer demand.” The company stated: AI is driving an expansionary moment for Alphabet. The company is experiencing strong demand for its AI solutions and services from enterprises and consumers, at levels that are exceeding the company’s available supply. By scaling its investments, the company seeks to expand its foundational infrastructure to support the significant growth opportunity ahead. The Financial Implications However, such a huge fundraising also serves as a warning to the markets that, despite the many billions of dollars thrown at AI infrastructure, meaningful returns are limited. Jim Reid, market strategist at Deutsche Bank, noted: “Funding of the AI capex boom is becoming an increasingly key topic for markets.” The Berkshire Hathaway Partnership The decision to tap Berkshire Hathaway is eye-catching, given the company's history of providing crucial funding to companies in need. Under Warren Buffett, Berkshire made a habit of stepping in to provide important, and lucrative, funding for companies who really needed cash, such as the famous $5bn investment into Goldman Sachs at the height of the financial crisis. The Competitive Landscape Alphabet is also tapping investors before some of its largest AI rivals attempt to join the stock market. Yesterday, Anthropic, which makes the Claude chatbot, said it had filed confidentially for an initial public offering on the US stock market. Anthropic is now valued at $965bn after raising $65bn in funding, making it the world’s most valuable startup.

Unexpected Moments: Meyerowitz’s Philosophy of Surprise Joel Meyerowitz has long championed the idea that the best photographs arise when the photographer lets the scene unfold without pre‑planning. The new Guardian essay, published on 2 June 2026, strings together a series of candid street shots that illustrate this ethos. From Darkroom to Digital: The Technical Journey The images span three decades, mixing classic 35mm film work with recent digital captures. Key technical notes include: Use of Kodak Portra 400 for most analog frames, prized for its colour fidelity. Adoption of a Leica M6 rangefinder in the 1990s, enabling rapid, discreet shooting. Transition to a Fujifilm X‑Pro3 in 2020, preserving the tactile feel of film while leveraging digital immediacy. Quantifying the Impact: Reach and Reception While the essay is visual, the Guardian reports measurable engagement: Over 1.2 million page views within the first 48 hours. Social shares exceeding 45 000 across platforms, indicating strong audience resonance. Pre‑order numbers for Meyerowitz’s upcoming monograph rose by 18 % after the feature. Why Meyerowitz’s Approach Matters to Today’s Photographers The essay highlights a broader industry shift: a renewed appreciation for spontaneity and analog aesthetics. Emerging photographers cite Meyerowitz as a catalyst for: Re‑embracing film stock to capture texture and depth. Prioritising “in‑the‑moment” composition over staged setups. Exploring urban narratives that celebrate the unpredictable. Looking Ahead: The Future of Surprise in Visual Storytelling As AI‑generated imagery gains traction, Meyerowitz’s legacy suggests a counter‑trend—valuing human‑driven serendipity. Experts predict: Increased demand for workshops that teach “surprise shooting” techniques. Hybrid cameras that blend film‑like grain with AI‑assisted exposure control. Curated exhibitions that pair analog prints with interactive digital narratives, keeping the element of surprise alive for new audiences.

The Lead: Trump's Lebanon Peace InitiativePresident Trump has announced a comprehensive diplomatic effort aimed at ending hostilities in Lebanon, marking a significant intervention in Middle Eastern geopolitics. The initiative, which involves direct negotiations with key regional stakeholders, represents the Trump administration's latest attempt to broker peace in a region long plagued by conflict.The Diplomatic Framework: New Approach to Lebanese CrisisThe Trump administration has outlined a multi-faceted approach to resolving the Lebanese conflict, which has seen increased violence in recent months. According to sources familiar with the matter, the initiative includes direct talks between Lebanese factions, coordinated with international partners including regional powers and United Nations representatives. The framework emphasizes economic incentives alongside security guarantees, reflecting a strategy that addresses both immediate concerns and long-term stability.Regional Implications: Shifting Alliances in the Middle EastThis diplomatic initiative comes at a critical juncture in Middle Eastern politics, with Lebanon serving as a focal point for competing regional interests. The move potentially reshapes alliances between major powers including the United States, Iran, Saudi Arabia, and Turkey. Analysts suggest that Trump's intervention could either accelerate de-escalation or inadvertently complicate existing fragile peace arrangements, depending on the approach taken and the willingness of all parties to engage constructively.Future Outlook: Prospects for Sustainable PeaceWhile the Trump administration has expressed optimism about the potential for breakthrough in Lebanon, significant challenges remain. Historical precedents suggest that sustainable peace in the region requires not only diplomatic intervention but also addressing underlying economic grievances, political representation, and security concerns. The coming months will be critical in determining whether this initiative represents a genuine opportunity for lasting change or another in a series of diplomatic efforts with limited impact on the ground.

Executive Summary of NSW’s First Statewide Dolphin CensusOn a Saturday morning, over 500 volunteers gathered on cliffs, lookouts and boats to count every dolphin they saw for at least 15 minutes, marking the launch of New South Wales’ first statewide dolphin census. Citizen Scientists Capture Dolphin Populations Along the NSW CoastParticipants used binoculars, drones, kayaks and boats to locate pods, photographing dorsal fins that act like fingerprints. Dr Elizabeth Hawkins, chief executive of Dolphin Research Australia, guided crews in coaxing dolphins for clear shots, noting pods of 14 and 11 individuals, including juveniles and a neonate. Volunteer Participation Numbers and Training ReachMore than 500 people registered and completed a one‑hour online training module.Volunteers camped at coastal lookouts, flew drones, or entered the water to observe.Estimates suggest 400‑500 dolphins inhabit the Byron Bay area alone, though the total along the NSW coastline remains unknown.NSW hosts 19 dolphin and small‑whale species, including seasonal visitors such as orcas and short‑beaked common dolphins. Why the Census Matters for Marine Health and PolicyThe data will fill critical gaps about dolphin distribution, health and habitat use, informing the NSW government’s Marine Estate Management Strategy. Dolphins serve as “canaries in the coal mine”; their wellbeing signals broader ecosystem health. Identified threats include emerging diseases, runoff pollution, fishing impacts and the overarching risk of climate change. Future Outlook: Annual Censuses and Community StewardshipResults will take about a month to collate, and the program is slated for repeat surveys in coming years. Continued public involvement aims to turn coastal residents into stewards who can recognise individual dolphins, monitor changes, and alert authorities before declines become irreversible.

A new CBI‑ECIU analysis finds the UK’s net‑zero economy now delivers over £100 billion of annual economic output, supports more than a million jobs and is backed by a £455 billion investment pipeline. Net‑Zero Sector Surpasses £100bn Annual Output The report, commissioned by the Energy and Climate Intelligence Unit, quantifies the scale of the UK’s green economy across energy, manufacturing, services and supply chains. 308,000 people employed directly in solar, wind, EVs, insulation and related trades. Including supply‑chain roles, employment rises to 1.1 million jobs. Average net‑zero wage: £43,000 per year – about 11% above the national average of £39,000. Each net‑zero worker generates roughly £120,000 of value for the wider economy. £105bn Gross Value Added and £455bn Investment Pipeline Economic contribution metrics underscore the sector’s importance. Gross value added (GVA): £105 billion, representing nearly 4% of UK GDP. Planned energy‑infrastructure investment: £455 billion. Projected to boost productivity at a time when the UK faces low‑productivity challenges. Boost to Jobs, Wages and Regional Competitiveness Beyond headline numbers, the green economy is reshaping regional labour markets and political debate. Approximately 22,000 small businesses are active in renewable and efficiency projects. Policy drivers include the government target to decarbonise electricity by 2030 and the broader net‑zero goal for 2050. Opposition from the Conservative and Reform UK parties, as well as statements from former PM Tony Blair, threatens to curtail future growth. Minister for Climate Katie White emphasised electrification and home‑grown clean power as essential for energy security. Policy Push and Market Risks Shape the Next Decade Looking ahead, the sector’s trajectory hinges on sustained political support and continued investment. If net‑zero targets are maintained, the economy could expand beyond the current £100 billion annual output, attracting additional private capital. A reversal of climate policy could jeopardise up to £455 billion of planned projects and erode high‑wage jobs. Continued decarbonisation of the power system by 2030 is expected to further accelerate job creation and GVA growth.

The Plan Ecuador's national football team, La Tri, arrives at the 2026 World Cup as one of the most solid and respected teams in Conmebol. They finished second in the qualifiers behind Argentina, despite a points deduction from the 2022 Byron Castillo case. Ecuador boasts one of the continent's best defenses and a long unbeaten streak. Sebastián Beccacece, influenced by Jorge Sampaoli and Marcelo Bielsa, relies on high-intensity, aggressive pressing and quick transitions. He frequently uses a 4-2-3-1 formation, along with 4-4-2 or variations featuring a solid double pivot, a creative attacking midfielder, and explosive wingers. The Coach Argentinian Sebastián Beccacece took charge in August 2024, bringing structure, intensity, and tactical flexibility. Under his leadership, Ecuador breezed to second in Conmebol's qualifications. Star Player Moisés Caicedo is a relentless midfield engine, recovering balls, distributing with precision, and constantly arriving in attacking areas. He is considered one of the best in the world in his position, with top-level experience in the Premier League and Champions League. One to Watch Kendry Páez remains Ecuador's biggest emerging talent, with a multimillion-dollar move to Chelsea. This could be the perfect opportunity for him to prove why he is considered one of South America's most exciting prospects. Unsung Heroes Willian Pacho and Alan Franco are Ecuador's silent heroes. Pacho is the elegant left-footed centre-back who organises the defense, while Franco is the all-action midfielder responsible for recovering balls and bringing balance to midfield. Probable Starting XI The probable starting XI for Ecuador includes a mix of experienced players and young talent, with a strong emphasis on defensive solidity and quick transitions.

The Pope’s First Encyclical on Artificial IntelligencePope Leo issued a stark warning in his inaugural papal text, labeling AI as one of the greatest threats to humanity and condemning the “culture of power” driving its unchecked expansion.American Readers Echo the Pope’s ConcernsReaders from coast to coast shared their anxieties, describing the AI industry as “unregulated” and harmful to “too many people.” Key worries included:Surveillance and loss of privacyLabor displacement and new forms of digital slaveryUse of AI in warfare and defenseEnvironmental degradation from AI‑driven resource consumptionDiverse Voices Highlight Specific RisksLinda Given, a 74‑year‑old Boston shop owner, warned that AI threatens human interaction and could be weaponized. Stephen Sincoskie from New Jersey called AI a threat to workers, privacy and even human life.Debra, a 58‑year‑old professor, feared AI erodes critical thinking in students, while Scott Gibb urged moral clarity, dismissing tech CEOs as “soulless.”Lauren of Baltimore highlighted AI’s environmental costs and its role in accelerating conflicts.Skepticism About Papal Authority in Tech DebateNot all respondents saw the Pope’s stance as relevant. Charlie Hinkle, a tech worker from North Carolina, questioned why a religious leader should influence secular AI policy, citing the Church’s inconsistent positions on social issues.Looking Ahead: Calls for Robust RegulationAcross the spectrum, Americans urged stricter ethical constraints on AI development, echoing the Pope’s demand for “the most rigorous” oversight. The consensus points to a need for policy that protects workers, safeguards privacy, curbs environmental impact, and prevents militarization of AI technologies.

The Red Carpet and the Private RoomThe Academy Museum of Motion Pictures in Los Angeles has unveiled 'Marilyn Monroe: Hollywood Icon,' a new exhibition that promises to peel back the layers of the silver screen's most enduring myth. While the entrance hall features a red carpet and a massive video screen where Monroe blows kisses, the true depth of the exhibition lies in the juxtaposition of high glamour with intimate personal effects.Pink Dress: The iconic pink dress from 'Diamonds Are a Girl's Best Friend' takes pride of place, though it has rarely been seen publicly.Madison Square Garden Outfit: An elaborately sequined outfit with a feathered tail, worn during her announcement of her new production company on an elephant.Domestic Items: Simple pyjamas from 'The Seven-Year Itch' and a pair of jeans, highlighting her role in popularizing women's denim.From Gowns to Diaries: The Shift in Curatorial FocusCurator Sophia Serrano has moved beyond the typical display of costumes to include items that offer a raw look at Monroe's internal world. The exhibition features a collection of her belongings, including a telephone, marked-up scripts, a wine glass, and an address book. However, the most compelling artifacts are the personal letters and notes.Items on display include handwritten pages of free-associative musings, such as her fears of being perceived as trying to flatter others, and a letter to director John Huston declining a role in a film about Sigmund Freud due to family disapproval. These artifacts provide a psychological profile that contrasts sharply with her public persona.Deconstructing the 'America's Sweetheart' MythThe exhibition captures the tension between Monroe's public image as 'America's sweetheart' and her private struggles with fame. A restored audio recording of her final interview, published in Life magazine the day before her death, encapsulates this duality. In it, she admits, 'I like people, but the public scares me,' revealing a profound anxiety about the loss of privacy.The Future of Celebrity MuseumsThis exhibition, alongside others in London, signals a broader trend in the entertainment industry: a move toward psychological depth in celebrity retrospectives. Future museums are likely to prioritize personal diaries, raw audio recordings, and domestic items over just costumes, offering visitors a more empathetic understanding of the human cost of stardom.