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The Lead The Netflix adaptation of Shelby Van Pelt's novel Remarkably Bright Creatures stars Sally Field as Tova, a cleaner at an aquarium who forms a bond with an octopus voiced by Alfred Molina. The film is a gentle, heart-first drama about broken people trying to heal. Sally Field Shines in a Gentle Drama Every now and then, a strange forgotten chapter of life during Covid will interrupt my thoughts. Remember when we used to fake happy hour merriment on the Houseparty app? Or when Anne Hathaway and Chiwetel Ejiofor made an unwatchably awful film about stealing diamonds from Harrods during lockdown? The unavoidability of My Octopus Teacher led to everything from a creepy spike in people googling “did octopus teacher sex with octopus” (time-saver: he didn’t) to an unforgivably undeserved Oscar win for best documentary (Collective, you were robbed) and then, while not a direct on-record inspiration, it at least paved the way for the success of Shelby Van Pelt’s best-selling novel Remarkably Bright Creatures in 2022. The Film's Emotional Resonance It’s a film that can also sit in the streamer’s row of originals aimed at an older audience, alongside gentle afternoon watches like Nonnas, Our Souls at Night, Juanita and Otherhood. Like those films it welcomes in an actor we haven’t seen as much lately as we once did – Sally Field in this instance – and grants her more screen time than she has been given in over a decade – her last lead role was 2015’s Hello, My Name Is Doris. I’m not sure how much of the film would really work without her anchoring it – she adds volume to what’s otherwise a pretty low-level hum – but with Field smoothly moving between comedy and drama in a film that can’t always move quite so gracefully, it all just about stays afloat. The Impact of Molina's Voiceover Field is Tova, a cleaner at an aquarium in a picturesque coastal town who struggles to connect with those around her, still tending to the wound she endured after the death of her son years earlier. She now prefers being alone, something she has in common with Marcellus, an elderly octopus voiced by Dr Octopus himself, Alfred Molina. He hates humans, an understandable response to being trapped in a tank by them, but he appreciates the relative calm of Tova who talks to him in detail about her life. The Future of Gentle Dramas Assistance in that department also comes from Molina’s octopus, who isn’t always made to feel like a natural element of the story (there’s a stretch when it seems like Newman has forgotten about him entirely), but when he’s brought back to the forefront in the final act, there’s a neatly contrived yet sweetly effective and emotionally earned ending, If Newman doesn’t quite get the tears she’s clearly craving, she manages to leave us charmed enough for it not to matter all that much. Remarkable might be a stretch, but decent will do.

The Gothic Horror Revival with a Psychedemic TwistWill Maclean's "Solace House" emerges as a bold entry in contemporary gothic horror, blending traditional supernatural elements with psychedelic storytelling. The novel transports readers to the summer of 1993, where protagonist Alex Lane finds himself working at an abandoned asylum called Marshlands, located next to the enigmatic Solace House—a gothic mansion filled with secrets and supernatural occurrences.A Cast of Characters in a Supernatural SettingThe narrative introduces a diverse group of university students tasked with clearing out the asylum: the lonely Alex, the sinister pale boy Adam, and various archetypal characters including the Christian Helen, the stoned Clive, the goth Ruth, the new-age Leo, the beautiful Malcolm, and the bewitching red-haired Ella. Against the backdrop of cheap wine, joint-smoking, and pretentious banter, the group begins to uncover the dark mysteries of Solace House and its former occupant, the reclusive poet Edwin Flayne.Supernatural Elements and Narrative StructureSolace House is portrayed as a "thin place" where supernatural forces bleed into reality. Flayne, who lived to 102 without leaving the house, pursued dark mathematics and magic in his quest for forbidden knowledge. The novel incorporates numerous gothic tropes: a hedge maze, ancient caverns, mysterious telephones, and a labyrinthine interior filled with hoarded artifacts. As the narrative progresses, reality becomes increasingly unstable, leading the characters to consume psychedelic mushrooms and confront the boundaries between dimensions.Literary Influences and ComparisonsMaclean's work draws from a rich tapestry of literary influences. The reviewer compares "Solace House" to TV's "True Detective" while acknowledging the foundational influences of Arthur Machen, Charles Williams, and HP Lovecraft. Other discernible references include Donna Tartt's "The Secret History," Mark Z. Danielewski's "House of Leaves," and Lucy Boston's "The Children of Green Knowe." The novel also shares occult territory with Francis Spufford's "Nonesuch," creating a rich intertextual tapestry that honors its influences while carving out its own identity.Pacing and Narrative ApproachOne of the novel's strengths is its pacing. The 500-plus pages "whip by" as Maclean balances supernatural horror with character development and occasional dark humor. The book opens with a self-aware acknowledgment that "gothic always tries too hard," suggesting a meta-awareness of the genre's conventions. This self-deprecating tone permeates the narrative, creating an engaging reading experience that doesn't take itself too seriously despite its ambitious supernatural scope.Assessment and Critical ReceptionWhile the reviewer praises "Solace House" for its entertainment value and ability to "spook the reader," they note some narrative shortcomings. The novel is described as "a bit overstuffed," particularly in its attempts to convey "ineffable mind-mangling realms beyond time, space and puny human comprehension." However, the reviewer suggests this excess is somewhat inherent to the genre itself. Despite these minor criticisms, the book earns high marks for its clever and satisfying twist ending that even makes sense of Edwin Flayne's "terrible poetry," providing narrative cohesion to the sprawling supernatural tale.

The Revival of Amandaland In a north London TV studio, there's a sense of unpredictability in the air. A gaggle of singing teenagers are on set; there's a dog traipsing around; and – just down the hall in the canteen – Joanna Lumley has paused an interview to politely ask a catering lady not to pack up her tangerine. The Chemistry Between Stars Lumley and her co-star Lucy Punch have a long history, having first worked together on the 2004 film Ella Enchanted. Punch describes Lumley as the 'special sauce' of the show, while Lumley praises Punch's commitment and energy. The Character Dynamics The show revolves around the complex relationship between Amanda, played by Punch, and her mother Felicity, played by Lumley. Punch notes that seeing this dynamic generates sympathy for an unlikable character, while Lumley appreciates the humor in their interactions. The New Season The second series of Amandaland marks a shift for Amanda's kids, who are now teenagers dealing with exams, relationships, and a high-school prom. Amanda has also declared herself a 'v-cel' (voluntary celibate) and Felicity joins a dating app, leading to new challenges and comedic situations. The Importance of Representation Lumley emphasizes the importance of showing an older woman dating, highlighting the need to combat loneliness and encourage social engagement. The show continues to explore themes of family, relationships, and growing up, making it a highly anticipated return for fans.

The Theatricality of the Oval OfficeComedian Munya Chawawa’s new documentary, Wrestling With Trump, offers a startling new psychological framework for understanding the former president’s meteoric rise. Rather than viewing Trump’s behavior through traditional political lenses, Chawawa posits that his political style has been cribbed entirely from the world of WWE SmackDown. This theory, which Chawawa dubs the 'theory of knocking everyone unconscious,' suggests that the American political stage has been transformed into a wrestling ring where the suspension of disbelief is the ultimate weapon.Deconstructing Trump's WWE PlaybookThe documentary dissects the specific mechanics of Trump’s performance, identifying three core elements borrowed from professional wrestling that have reshaped modern politics:Hyperbole: The fact-allergic triumphalism where reality is bent to fit a narrative, exemplified by the claim that 'Michael Jordan said I’m better at basketball.'Smack Talk: Strategic rudeness and crowd-bullying, seen in nicknames like 'crooked Hillary' and 'sleepy Joe,' designed to belittle opponents while energizing a base.Kayfabe: The willingness to suspend disbelief. This concept is central to the analysis, suggesting that the audience’s belief in the 'reality' of the performance is more important than the truth itself.The Business of Politics and WrestlingThe documentary highlights the symbiotic relationship between the wrestling industry and Trump’s political career. Key moments include Trump’s infamous appearance at WrestleMania 23, the 'Battle of the Billionaires,' where he physically pushed promoter Vince McMahon. The film also notes the crossover of wrestling personalities into the political sphere, such as Hulk Hogan ripping his shirt open at the Republican National Convention in 2024. Perhaps most striking is the appointment of Linda McMahon, former wrestling executive, as the US Secretary of Education, blurring the lines between entertainment and governance.The Erosion of Reality in Public DiscourseChawawa explores the 'Attitude Era' of the early 2000s, characterized by controversy and stereotypes, as a precursor to Trump’s rhetoric. The film interviews former wrestlers who played villainous roles, such as an Italian-American who played a 'villainous Arab' and Dan Richards, who played a character called 'Progressive Liberal' beaten to pulp by crowds. This analysis extends to Chawawa’s own visit to a 'Magathering' (a Trump supporters' night), where he encounters supporters who believe they have personally investigated the '30,000 lies' Trump told in his first term—a twist that underscores the dangerous power of the 'kayfabe' narrative.The Future of Political PerformanceUltimately, Chawawa suggests that we are all now living within a script. By comparing his own experience to Louis Theroux’s forays into the manosphere, Chawawa argues that cultural and political scripts are ubiquitous. The danger lies not in the performance itself, but in forgetting that it is a performance. As the line between the theatre of wrestling and the reality of politics continues to dissolve, the challenge for the public becomes maintaining the awareness that the show is on, even when the audience believes the drama is real.

The Lead The TV schedule for tonight features a range of dramas and live sports. One of the standout shows is 'Believe Me', a Jeff Pope drama about the women who reported rapist John Worboys. Jeff Pope's Drama: Believe Me Sunday, 9pm, ITV1 'Believe Me' tells the story of Sarah Adams, played by Aimee-Ffion Edwards, who takes a taxi after a night out and is raped by John Worboys, played by Daniel Mays. The drama explores the aftermath of the assault and the challenges faced by victims of rape in reporting their crimes. Other TV Highlights Bafta Television Awards 2026, 7pm, BBC One: The TV gongs are presented by Greg Davies, with a double battle for lead and supporting actress awards between Aimee Lou Wood and Erin Doherty. The Great Celebrity Bake Off for Stand Up to Cancer, 7pm, Channel 4: The charitable baking competition features Adam Buxton's edamame crumpets and Self Esteem's beans on toast crumpets. Cruising to the End of the Earth, 8pm, Channel 4: A family from Preston takes their first journey together since a bereavement and explores Alaska. The Cage, 9pm, BBC One: Tony Schumacher's thriller follows crooked casino employees Leanne and Matty as they navigate conflicting loyalties. Trading Places, 9pm, Channel 5: A new life-swap series immerses participants in different realities, starting with shopaholic youngsters Saffron, Umar, and Bridie. Film Choice The Iron Claw, 10pm, BBC Two This biopic tells the story of the Von Erich family of wrestlers in Texas, focusing on eldest son Kevin and his struggles for success in a sometimes pitiless sport. Live Sport Women's FA Cup Football: Liverpool v Brighton, noon, Channel 4/TNT Sports 1 Premier League Football: Nottingham Forest v Newcastle, 2pm, Sky Sports Main Event

The Historic Abbey Road Listening SessionStudio Two at Abbey Road was transformed into an intimate setting for a remarkable event as Paul McCartney surprised 50 competition-winning fans with an exclusive preview of his new album, "The Boys of Dungeon Lane." The legendary musician, dressed casually in an armchair with just his guitar and memorabilia surrounding him, created a living-room atmosphere in the very space where The Beatles recorded most of their iconic hits between 1962 and 1970.A Personal Journey Through Music and MemoryOver 90 minutes, the world's most successful living songwriter took fans on a deeply personal journey, sharing memories of his youth in Liverpool, anecdotes about his friendship with John Lennon and George Harrison, and insights into his songwriting process. As each track played, McCartney mouthed the lyrics and mimed along to the instruments, visibly moved by the emotional connection to his work.The Making of "The Boys of Dungeon Lane"The album began, McCartney explained, with a chance discovery five years ago during a meeting with producer Andrew Watt. While idly playing guitar, he stumbled upon an unfamiliar chord that evolved into a three-chord sequence, becoming the opening track "As You Lie There." The record, billed as his most personal to date, turns inward to postwar Liverpool, his parents' resilience, and early adventures with The Beatles, with McCartney playing a wide array of instruments across the tracks.Emotional Connections to the Past"This was a lot of memories of Liverpool for me," McCartney shared, "but also any days we've left behind. Everyone's got them – school, old mates." The album's title track references Dungeon Lane near the River Mersey, where he roamed as a boy, and contains what he called a "secret code" and promise made to Lennon at his childhood home: "I stand by what I said, the promise that I made will never be broken."The Legacy ContinuesOutside the studio, tourists continued to gather at the famous zebra crossing immortalized on The Beatles' Abbey Road album cover, seemingly unaware of the historic moment unfolding nearby. This intimate preview at the hallowed ground where The Beatles created so much of their musical legacy represents a full circle moment for McCartney, who continues to find new inspiration while honoring his extraordinary past.

The Master Photographer's Lens Steven Meisel, a name synonymous with high-fashion photography, has unveiled a stunning collection of portraits in London, featuring some of the most iconic figures of our time. Faces of Fashion and Art The exhibition showcases Meisel's incredible skill in capturing the unique essence of his subjects, including supermodel Twiggy and designer Bella Freud. His photographs are not just images; they are narratives that speak volumes about the people and the era they represent. A Photographic Legacy Meisel's work is a testament to his enduring influence on photography and fashion. His ability to convey the personality and story of each subject through his lens has made him a legend in his field. This exhibition is a must-see for anyone who appreciates the art of photography and the culture it represents. The Intersection of Art and Fashion This collection in London is a celebration of the intersection between art, fashion, and photography. It invites viewers to explore the spaces where these worlds collide and to appreciate the beauty and significance of Meisel's work. A Lasting Impact As visitors leave the exhibition, they carry with them not just memories of the images they saw, but also a deeper understanding of the power of photography to capture the human experience. Steven Meisel's portraits are more than just pictures; they are a window into the souls of the people who have shaped our culture.

The Lead Nobel laureate JM Coetzee has declined to attend the Jerusalem international writers festival, citing Israel's 'genocidal campaign' in Gaza. Coetzee, who was born in apartheid South Africa and lives in Australia, wrote to organisers of the festival in November, expressing his reasons for not attending. Coetzee's Letter to the Festival Organisers In his letter, Coetzee stated that Israel's actions in Gaza have been 'vastly disproportionate to the murderous provocation of 7 October 2023.' He also mentioned that the campaign, conducted by the IDF, appears to have had the enthusiastic support of the vast majority of Israel's population. The Data Analysis Coetzee revealed that he had once been a supporter of Israel, but the campaign of annihilation in Gaza has changed his stance. He also mentioned that long-time supporters of Israel have turned away in revulsion at the actions of the Israeli military. The Impact Analysis Coetzee's decision to decline the invitation has sparked a debate about the role of literature in politics and the responsibility of writers to speak out against injustice. Julia Fermentto-Tzaisler, the festival's artistic director, responded to Coetzee's letter, stating that she respects his decision but will not stop running the festival. The Prediction The controversy surrounding Coetzee's decision is likely to continue, with some supporting his stance and others criticising his decision to boycott the festival. The incident highlights the complex and often fraught relationship between literature, politics, and social justice.

Standout Art Pieces at the 2026 Venice Biennale The 2026 Venice Biennale features several standout art pieces that are worth noting. Here are some of the most notable ones: Florentina Holzinger's Post-Apocalyptic Pavilion Florentina Holzinger's pavilion is a post-apocalyptic installation that features her suspended upside down from the clappers of a large bell. The pavilion also includes a woman riding a speedboat in circles, two others suspended at the top of a pole, and another sitting entirely submerged in a tank. The installation is transgressive and thought-provoking, and it quickly became the talk of the town. Sanya Kantarovsky's Eerie Seances Sanya Kantarovsky's paintings are like stills from very intense films. His show features book-lined rooms with incredible Murano glass chandeliers, and it culminates with an incredibly detailed sculpture of the head of a boy, also in Murano glass. The atmosphere is like a weird seance between the centuries. Gabrielle Goliath's Hypnotic Mourners Gabrielle Goliath's performance, Elegy, is a ritual of mourning for women killed in acts of sexualized or racialized violence. The performance features operatically trained female performers holding a single high note, and it is both hypnotic and moving. Carrie Schneider's Photographic Curls Carrie Schneider's photographic curls are a 1.5km-long installation that repeats over and over a still from Chris Marker's 1962 film La Jetée. The installation is thought-provoking and visually stunning. Lydia Ourahmane's Coin-Slot Art Lydia Ourahmane's sculptural show features components drawn entirely from the city of Venice. The show includes a beautiful new wooden pier, a bead curtain of Murano glass, and a contraption once used in a church to illuminate a Bellini. The installation is touching and thoughtful. Lawrence Abu Hamdan's Audio Detective Work Lawrence Abu Hamdan's installation, 450XL: the Story of a Fugitive Sound, investigates human rights abuses using sound as evidence. The installation features 15 screens resembling protest placards and is both thought-provoking and visually stunning. Zhanna Kadyrova's Origami Deer Zhanna Kadyrova's origami deer are a series of paper sculptures that are both beautiful and moving. The installation features a huge concrete deer dangling irresolutely from a crane on a flatbed truck, and it is accompanied by touching footage of the origami deer's journey.